@kayfabeoutcold

❣ Chile in a Photography ❣
will byers stan first human second
he wasn't even looking at me and he found me

★

Jar Jar Binks Fan Club

bliss lane

gracie abrams
NASA
Today's Document
we're not kids anymore.
Fai_Ryy

Andulka
No title available
art blog(derogatory)
todays bird

Product Placement

blake kathryn
$LAYYYTER
𓃗

No title available
seen from T1
seen from United States
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seen from Türkiye
seen from Poland

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seen from United States

seen from Türkiye

seen from South Korea

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@lejaker
@kayfabeoutcold
taeyong: wyld
WYLD (2026) - TAEYONG 태용
Mary Ukech by Bohdán Bohdánov for Silhouette Magazine February 2026
Japanese Wisteria (Wisteria floribunda 'Alba')
Reblogging this in the middle of a blizzard 🙏
𓏲 carnation collection ᪥ི༘࿔̥̊
@arewedoneyet
Todavia Publishing House presented us with a fascinating challenge: to create a visual system for the reissue of the complete works of Dalton Trevisan, one of the most enigmatic and consistent voices in Brazilian literature. The goal was to bring a renewed perspective to his work and spark the interest of both new readers and those who have followed him for decades. The editor’s brief was clear: each book should have its own identity while remaining part of a cohesive whole. From this idea, we developed a system based on a few fixed elements and an open field for variation, allowing the covers to communicate with one another while maintaining the unique personality of each title. Our starting point was the author’s name, Dalton, displayed prominently on every cover. It changes in size and position from book to book, but always remains a strong visual anchor. We introduced vibrant colors and titles placed inside boxes, a direct reference to the white correction fluid the author used obsessively to rewrite his manuscripts by hand. We also explored his personal archives, bringing back illustrations, fragments from past editions, and photographs from his life, which add an emotional and biographical layer to the project. The result is a collection that conveys the feeling of something constantly in progress, as if each book were still being assembled. Nothing is perfectly aligned or symmetrical. Much like the newspaper clippings Dalton used to collect, every cover feels handmade, with imperfections that become part of its beauty. It is a tribute to the artisanal gesture of an author who spent his life revising and reinventing his own words. Long live Dalton.
Me over the last day: Obsessed with these Art Nouveau beaded chandeliers that use long rods of glass to catch and distribute light in amazing ways
"Where do you get your ideas?" people ask. Well let me tell you. The ideas mug me in alleyways and sleep on my stoop. I'm on as much ADHD medication as won't make my heart go a million miles an hour. GETTING ideas isn't hard. It's making them stand still long enough to be useful that's the hard part.
- Evelyn Waugh, from Brideshead Revisited (1945)
Vision by Carolus-Duran (1883)
Gerhard Richter (German, b. 1932), Abstraktes Bild 593-6, 1986. Oil on canvas, 119.4 x 81.3 cm
Jim Lambie (1964)
18 Carrots, 2005
Carrots, paint Variable dimensions
ok this looks ultra mega based, are you kidding me? can you imagine the bullshit i could get up to with this bad boy? fuck yes i want ten
Latifa Echakhch
CHANG HUASEN for Men’s Uno China, November 2022