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(Art by cannonbreed.)
Today's Document
he wasn't even looking at me and he found me
tumblr dot com
ojovivo
occasionally subtle
$LAYYYTER
let's talk about Bridgerton tea, my ask is open

oozey mess

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almost home

Origami Around
Sade Olutola
todays bird

PR's Tumblrdome

祝日 / Permanent Vacation
Alisa U Zemlji Chuda
No title available

Janaina Medeiros
TVSTRANGERTHINGS
I'd rather be in outer space 🛸
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@lemon-mart
This is a neutral post
Feel free to stop here and rest before journeying to the posts below.
(Art by cannonbreed.)
Uploading the video too because I really need you all to take in that over-the-shoulder pause before Snorlax kills me on impact
I still can’t stop thinking about this and I feel like I need to do a “screenshot redraw” with the pictures I got
Snorlax said:
Miss bitch....
madisen kuhn
Hoodwinked AMV - Break Stuff
Break Stuff Sunday
Welcome to Break Stuff Sunday
["I finally realized that confusion and embarrassment are onramps for fear— fear that we don't know what's going on, fear that others will mock us for that ignorance, fear that we'll embarrass ourselves by incorrectly gendering someone and have to deal with their anger or the derision of our peers. My androgyny didn't threaten them physically, but the confusion it caused translated into an emotional threat. For people who cling to their worldviews like life rafts, having that world view challenged is a threat. And I have found that people who cling to biology-based binary gender are very threatened by those of us who cross gender lines or don't believe in those lines at all.
Fear is a strong emotion and it does a good job of keeping us out of mortal danger. It also does a fine job of directing us to avoid discomfort, confusion, embarrassment, and a host of other nonfatal outcomes. I wonder where I'd be now if my mother hadn't been fearful of my masculinity, or if I hadn't been fearful of rejection. Where would I be now if I'd responded to my desires rather than my fears?
It's easy to fall into second-guessing about what I would do if I could go back in time. I now have a vocabulary and understanding that were nonexistent when I was a child. Back then, I was marooned on an island of misfit gender with nowhere to turn for validation or support. Certainly, if I were experiencing my childhood now, in the age of trans activism, Gender Odyssey, and the Internet, things would be different. I do sometimes imagine what it would be like if I had taken hormone blockers to keep my breasts from growing and if my parents had called me "son" and used he/him pronouns. What would my body feel like if I had taken testosterone earlier, when it could influence my skeletal structure as well as my muscles? Where would I be mentally and emotionally if I wasn't still battling the demons who were born during the years when I had to masquerade as a girl in order to survive?
As appealing as that fantasy is, I can't rewrite my story at this point and I'm not sure I would— at fifty-three, I know I've benefited from the whole journey. I think about all I've experienced and learned by being a woman— lesbian culture (fraught as it was), learning about sex as something other than penis-in-vagina, experiencing sexism firsthand, pregnancy and childbirth, building an authentic understanding of misogyny and feminism, and the ability to step into male privilege with that knowledge.
Is my identity a destination waiting at the end of a long journey? Or is it more like a shopping trip where I try on different looks and styles until I find one that fits? Each time I made a new discovery about myself, I breathed a sigh of relief because if felt as though I was finally "there". Each time, without fail, I would get to the point where I was questioning my identity again.
When we are asked "What are you?" the only true answer is "This is what I am right now." Everything I've been through and all the identities I've embraced have been true to me. Right now, I am at a unique intersection of identity that includes what I wear, whom I love, my current passions and fears, my deepest held secrets, hopes, and dreams. Right now I am a writer who is polyamorous and a parent who is trans and nonbinary. Right now, I can simultaneously feel good about the work I've done to discover and honor my authentic self and also acknowledge that I'm not nearly finished with the job of answering the question, "What am I?"]
CK Combs, from What Am I?, from Non-binary: Memoirs of Gender and Identity, edited by Micah Rajunov and Scott Duane, Columbia University Press, 2019
i don't wanna love myself like "buy this feel good". i wanna love myself like i made a sandwich for later because i knew i'd be too busy. i wanna love myself like hang on take a breath do you actually like this. i wanna love myself like okay we're gonna set a reminder to get up and brush our teeth. i wanna love myself like - it's okay to say no, it's okay to take that nap, it's okay to go home.
i don't wanna feel sexy like tv. i don't wanna feel sexy like little black dress. i wanna feel sexy like high note during karaoke. like just got done writing 14 pages of poetry. like let me show you this scarf i've been knitting. i wanna feel sexy like hand on the back of the headrest while you parallel park. like did i tell you about that time i saved a baby bird. like don't tell her but i've been sneaking money into her purse.
i don't wanna feel pretty like expensive. like high fashion. like paid to be here. i wanna feel pretty like a bird in a puddle. i wanna feel pretty like streak of dyed hair. i wanna feel pretty like calligraphy, like new leaves, like a skinned knee bleed, like a dog running at full speed. i wanna feel pretty like lying next to you. i wanna feel pretty like the new album just dropped, i wanna feel pretty like a shower, i wanna feel pretty like a stone wall all covered in moss.
i keep saying body neutrality. that feels negative - no bad things, no good things, just body. but i mean - my body is neutral like a flower is neutral like an oil slick is neutral like a day is neutral, too. my body is neutral so a kiss can feel like lightning so a dance can feel like a hula hoop so a walk to get coffee can feel like - god, i'm so happy to just be around you.
my body is a site. not the source of the joy, just where i can find it. i don't wanna love like - finally got my body tight/forced myself through a diet/whatever trend is the current hype. i wanna love myself like - i go to this river and i find gold every time i shift around inside it. i wanna love myself like - i feel sexy because it's sexy to be alive, and laughing. i wanna love myself like - bitch, i could have died, and i didn't, and if that isn't the prettiest almost in the whole world, than i don't know what is.
“What is more ‘august’ than the stillness of tree leaves on a calm morning, when they seem to listen to the song of light of the rising sun? The sun assigns shadows and the first shape of shapes emanates from its tender authority. Its designs will become sharp and unbearably clear. As of now it still hovers between pink and gold.”
— Paul Valéry, Ego scriptor (via exhaled-spirals)
I made a friend in Splatoon today.
why was this so satisfying
sandra cisneros, the house on mango street / tatyana nilovna yablonskaya - morning, 1954 / anatoly levitin- warm day, 1957 / harry sutton palmer - a cottage garden, 20th c. / phoebe bridgers, i know the end / sarah abraham - one fine morning, 2013 / theo gosselin - denver morning 5, 2015 / gaston bachelard, the poetics of space / federico zandomeneghi - in bed, 1878 / laura ingalls wilder /colley wisson- morning light kyneton australia, 21st c. / @gabi_wahl on instagram / lauren jolly roberts - cecile’s garden, 2006 / maya angelou, all god’s children need traveling shoes
The fact that he put effort into adding himself as background characters is something else
Dream Drop Distance’s focus on innovating older melodies rather than just reappropriating motifs will mark a change in the series’ musical direction. In this video, we’ll establish the connections–and more generally, the underlying musical advancements–that Dream Drop introduced to the series through Shimomura’s changing compositional philosophy for the game and how she, Ishimoto, and Sekito were able to assist or clarify the story narrative from a musical perspective, establishing instrumental and harmonic signifiers that will persist in future games.
journal, august 1st
august rolls over and yawns. wakes slow and heavy, stretching like a cat. outside, the sound of birds, the smell of grass. august turns over in an empty bed. his eyes feel swollen and tired. on the nightstand, a note from july - no one carries light like you do.