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Back to Farnham - September 2013
Farnham - May 2013
In my mind I am eloquent; I can climb intricate scaffolds of words to reach the highest cathedral ceilings and paint my thoughts. But when I open my mouth, everything collapses.
Warm Bodies by Isaac Marion (via uponswallows)
Villa Borghese, Rome - Giugno 2013
The airport was filled with people coming and going.
I took his daybook and searched its pages. I pointed at, How frustrating, how pathetic, how sad. He searched through the book and pointed at, The way you just handed me that knife. I pointed at, If I'd been someone else in a different world I'd've done something different. He pointed at, Sometimes one simply wants to disappear. I pointed at, There's nothing wrong with not understanding yourself. He pointed at, How sad. I pointed at, And I wouldn't say no to something sweet. He pointed at, Cried and cried and cried. I pointed at, Don't cry. He pointed at, Broken and confused. I pointed at, So sad. He pointed at, Broken and confused. I pointed at, Something. He pointed at, Nothing. I pointed at, Something. Nobody pointed at, I love you. There was no way around it. We could not climb over it, or walk until we found its edge. I regret that it takes a life to learn how to live, Oskar. Because if I were able to live my life again, I would do things differently.
I lost "come" one afternoon with the dogs in the park, I lost "fine" as the barber turned me toward the mirror, I lost "shame" - the verb and the noun in the same moment; it was a shame. I lost "carry", I lost the things I carried - "daybook", "pencil", "pocket change", "wallet" - I even lost "loss". After a time, I had only a handful of words left. I'd lost "yes", but still had "no". But then I lost "no", I went to a tattoo parlor and had YES written onto the palm of my left hand, and NO onto my right palm, what can I say, it hasn't made life wonderful, it's made life possible, when I rub my hands against each other in the middle of winter I am warming myself with the friction of YES and NO, when I clap my hands I am showing my appreciation through the uniting and parting of YES and NO, I signify "book" by peeling open my hands, every book, for me, is the balance of YES and NO, even this one, my last one, especially this one. Does it break my heart, of course, every moment of every day, into more pieces than my heart was made of, I never thought of myself as quiet, much less silent, I never thought about things at all, everything changed, the distance that wedged itself between me and my happiness wasn't the world, it wasn't the bombs and burning buildings, it was me, my thinking, the cancer of never letting go, is ignorance bliss, I don't know, but it's so painful to think, and tell me, what did thinking ever do for me, to what great place did thinking ever bring me? I think and think and think, I've thought myself out of happiness one million times, but never once into it.
"I" was the last word I was able to speak aloud, which is a terrible thing, but there it is, I would walk around the neighborhood saying "I I I I".
Tiny vessels oozed into your neck And formed the bruises That you said you didn’t want to fade, But they did and so did I that day...
Brighton Pier - Maggio 2013
Brighton - Maggio 2013
Brighton - Maggio 2013
Che fai tu, luna, in ciel? Dimmi, che fai, silenziosa luna?
(...) Pur tu, solinga, eterna peregrina, Che sì pensosa sei, tu forse intendi, Questo viver terreno, Il patir nostro, il sospirar, che sia; Che sia questo morir, questo supremo Scolorar del sembiante, E perir dalla terra, e venir meno Ad ogni usata, amante compagnia. E tu certo comprendi Il perchè delle cose, e vedi il frutto Del mattin, della sera, Del tacito, infinito andar del tempo. Tu sai, tu certo, a qual suo dolce amore Rida la primavera, A chi giovi l'ardore, e che procacci Il verno co' suoi ghiacci. Mille cose sai tu, mille discopri, Che son celate al semplice pastore. Spesso quand'io ti miro Star così muta in sul deserto piano, Che, in suo giro lontano, al ciel confina; Ovver con la mia greggia Seguirmi viaggiando a mano a mano; E quando miro in cielo arder le stelle; Dico fra me pensando: A che tante facelle? Che fa l'aria infinita, e quel profondo Infinito Seren? che vuol dir questa Solitudine immensa? ed io che sono? (...)
What do you do, moon, aloft? Let me know what, silent moon, you do.
You in eternal, lonely pilgrimage must be aware, as pensively you go, of earth-life, what it is, how we plod sighing as in pain we bend; - also what dying is, the ultimate diminishing of features, how here the case is each man perishes from off the earth, from every loving friend. Certain it is you know the why of things, for you behold the fruit of evening and of morn, the silent, endless, passing-by of time. You know, you, for whom in her delight the smiles of spring are born, whom the heat betters, and for what device the wintertime brings ice. A thousand things you know, a thousand find, which are from simple shepherds held from sight. Often when I observe your silent stay above the empty plain, whose far rim gives the sky apparent bounds; when with my flock I see you dog my steps - with slow and steady gain; when I watch stars burn in celestial heights; a voice speaks in my mind: Wherefore so many lights? For what the sky's infinity, for what the deep, non-finite air? What signifies this solitude immense? And what am I?
Hogwarts Castle - Harry Potter Studio Tour