Let's Get Sketchin' @letsgetsketchin - Tumblr Blog

Church of Saint Gengoult le Cloitre, Toul France (1900s) - Unknown Photographer

Personal study

Just got back from a week-long art intensive studying horse anatomy with Terryl Whitlatch out at New Masters Village in Mancos, CO! I've followed Terryl's work for over 20 years, and her passion and expertise is unmatched—feeling challenged, refreshed, and like I want to draw a bajillion horses.

The week was made up of a whole lot of classroom time, balanced with hands-on horse sessions and some fun creature/character exploration on the last day—my brain is completely fried, but I have ZERO regrets. Can't recommend the lovely team out at NMV enough. ♥️

evan-collins90

Selections from the May 1988 issue of Shopping Center World Magazine

Picnic Place food court at the Manhattan Town Center

2. Movie theater at Sunrise Mall in Corpus Christi, TX

3. Unknown mall/store interior by Donohoe, O'Brien & Company, Inc.

4. Lakeland Square food court

5. Regis Hairstylists storefront

6. Regis Hairstylists interior

7. Ad for the chain of record stores, Record Bar

8. Information booth at Trolley Square in Salt Lake City, created from an antique gondola

9. Ad for Record Town, a record store part of Trans World Music

10. Bridgewater Commons Mall

tetramera

Some colorful doodles starting with a pile of Vs from last year I forgot to post

whisperthatruns

Seiji Yoshida, tr. Jan Mitsuko Cash, Houses with a Story: A Dragon's Den, a Ghostly Mansion, a Library of Lost Books, and 30 More Amazing Places to Explore (Amulet Books, 2023; orig. pub. in Japanese, 2020)

farvann

NO WAY!! Just found this rare magazine at the back of my local record store. It even came with the two exclusive posters!!!

(Mini Minerva project for my birthday! Inspiried by alt magazines like “Kerrang” and featuring some jewelry made by me!)

evan-collins90

Selections from the book, 'Showroom & Exhibition Display by Meisei Publications' (1993)

Nissan booth at the 28th Annual Tokyo Motor Show - designed by Nippo, Inc. Shoko Bijutsu Co., Ltd. (1989)

2. Itoki Osaka New Office Gallery - designed by Nikken Sekkei Architects

3. Tokyo Gas Pavilion - Yokohama Exotic Showcase '89 - designed by Design Art Center Co., Ltd. (1989)

4. National Panasonic Pavilion - Yokohama Exotic Showcase '89 - designed by Yokohama Branch, Kajima Corp. (1989)

5. Sony Booth at the '89 Business Show - designed by Design Art Center Co., Ltd.

6. The 45th Anniversary of Iwasaki Electric Corporation - designed by Murayama Inc.

7. Theme Zone - 24th Kyoto Scope (for the Kyoto Textile Converters) - designed by Fujiya Co., Ltd. (1989)

8. Theme Zone - 24th Kyoto Scope (for the Kyoto Textile Converters) - designed by Fujiya Co., Ltd. (1989)

9. Nissan Aprite Zama - designed by Yokohama Branch, Kajima Corp. & the ILYA Corp.

10. America-Ya showroom - designed by Tokyo Senbi Co., Ltd.

11. Toyota Auto Salon Amlux Tokyo - designed by Nikken Sekkei Ltd. Dentsu Inc. & Takenaka Corporation

12. Toyota Auto Salon Amlux Tokyo - designed by Nikken Sekkei Ltd. Dentsu Inc. & Takenaka Corporation

wibblyrlin

Are you a little drunk? I knew you were more forthcoming than usual. You are not the only one who can be spirited. Well, I could use more spirited friends. Friends, then?

#outfits

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lamignonette

cheddar-baby

i need to gush about how incredibly seamless her compositing is in these. Compositing is incredibly hard and time consuming work on a crisp clean digital image. But compositing into what seems to be a scanned photograph that was shot on film? Insane work. The film grain + photo paper texture is matched perfectly as well as the varying softness from being slightly out of focus in different amounts in each image. Each film stock has its own specific tone too some are warmer, others are more purply, or green and they all handle contrast with light and shadow completely differently. There was so much to take into account doing this and i really dont know how she did it other than maybe finding those locations again and shooting with the same film stock on a day with similar lighting. I cannot stress enough that for professional photographers doing complex compositing is mostly relegated to having a fully locked down camera set up in studio under controlled repeatable lighting. Super impressive and a really fantastic photo series truly.