8 Ways to Drive a Graphic Designer MAD
As everyone knows, graphic designers are the reason there are so many wars in this world. They get inside our heads with their subliminal advertising, force us against our will to spend money on the worst pieces of shit, and eventually, drive us to depression and random acts of violence. And of course, most of them are communists. So to do my part to save the world from them, i made a list of things you can do when working with a graphic designer, to assure that they have a burn-out and leave this business FOREVER.
When you have to send a graphic designer a document, make sure itâs made with a program from Microsoft Office. PC version if possible. If you have to send pictures, youâll have more success in driving them mad if, instead of just sending a jpeg or a raw camera file, you embed the pictures inside a Microsoft Office document like Word or Powerpoint. Donât forget to lower the resolution to 72 dpi so that theyâll have to contact you again for a higher quality version. When you send them the âhigherâ version, make sure the size is at least 50% smaller. And if youâre using email to send the pictures, forget the attachment once in a while.
If the graphic designer chooses Helvetica for a font, ask for Arial. If he chooses Arial, ask for Comic Sans. If he chooses Comic Sans, heâs already half-insane, so your jobâs half done.
Letâs say you want a newsletter designed. Graphic designers will always try to leave white space everywhere. Large margins, the leading and kerning of text, etc. They will tell you that they do this because itâs easier to read, and leads to a more clean, professional look. But do not believe those lies. The reason they do this is to make the document bigger, with more pages, so that it costs you more at the print shop. Why do they do it? Because graphic designers hate you. They also eat babies. Uncooked, raw baby meat. So make sure you ask them to put smaller margins and really, really small text. Many different fonts are also suggested (bonus if you ask for Comic Sans, Arial or Sand). Ask for clipart. Ask for many pictures (if you donât know how to send them, refer to #1). They will try to argument, and defend their choices but donât worry, in the end the client is always right and they will bow to your many requests.
If you have to send a logo for a particular project, letâs say of a sponsor or partner, be sure to have it really really small and in a low-res gif or jpeg format. Again, bonus points if you insert it in a Word document before sending it. Now you might think that this would be enough but if you really want to be successful in lowering the mental stability of a graphic designer, make sure to send a version of the logo over a hard to cut-out background. Black or white backgrounds should be avoided, as they are easy to cut-out with the darken or lighten layer style in photoshop. Once the graphic designer is done working on that bitmap logo, tell him you need it to be bigger. If you need a custom made logo, make your own sketches on a napkin. Or better yet, make your 9 year old kid draw it. Your sketch shouldnât take more than 5 minutes to make. You donât want to make something thatâs detailed and easy to understand, because the less the designer understands what you want, the more you can have things changed afterwards. Never accept the first logo. Never accept the 9th, ask for different modifications regarding colors, fonts & clip art. Ask to add a picture in the logo. Bevels. Gradients. Comic Sans. And when the designer is at his 10th version, admit that you like the 2nd one the most. I know, itâs mean but remember:Â graphic designers are the cause of breast cancer among middle aged women.
When describing what you want in a design, make sure to use terms that donât really mean anything. Terms like âjazz it up a bitâ or âcan you make it more webbish?â. âI would like the design to be beautifulâ or âI prefer nice graphics, graphics that, you know, when you look at them you go: Those are nice graphics.â are other options. Donât feel bad about it, youâve got the right. In fact, itâs your duty because we all know that on full moons, graphic designers shape-shift into werewolves.
The best way for you to pick colours (because you donât want to let the graphic designer choose) is to write random colours on pieces of paper, put them in a hat and choose. The graphic designer will suggest to stay with 2-3 main colours at the most, but no. Choose as many as you like, and make sure to do the hat thing in front of him. While doing it, sing a very annoying song.
When itâs your turn to approve the design, take your time. There is no rush. Take two days. Take six. Just as long as when the deadline of the project approaches, you get back to the designer with more corrections and changes that he has time to make. After all, graphic designers are responsible for the 911 attacks.
After youâve applied this list on your victim, it is part of human nature (although some would argue whether theyâre human or not) to get a bit insecure. After realizing that he just canât satisfy your needs, the graphic designer will most likely abandon all hopes of winning an argument and will just do whatever you tell him to do, without question. You want that in purple? Purple it is. Six different fonts? Sure! You would think that at this point you have won, but donât forget the goal of this: he has to quit this business. So be ready for the final blow: When making decisions on the final details, tell him that you are disappointed by his lack of initiative. Tell him that after all, he is the designer and that he should be the one to put his expertise and talent at work, not you. That you were expecting more output and advices about design from him. Tell him youâve had enough with his lack of creativity and that you would rather do your own layouts on Publisher instead of paying for his services. And there you go. You should have graphic designer all tucked into a straight jacket in no time!
