Kenna Sharp for Selkie

Kiana Khansmith
I'd rather be in outer space 🛸
YOU ARE THE REASON
Misplaced Lens Cap

izzy's playlists!
NASA

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untitled

@theartofmadeline
Fai_Ryy

Origami Around
trying on a metaphor

if i look back, i am lost
Sweet Seals For You, Always
official daine visual archive
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Monterey Bay Aquarium
almost home
Aqua Utopia|海の底で記憶を紡ぐ

seen from United States

seen from United States

seen from Türkiye
seen from Belarus
seen from Italy
seen from Germany
seen from Paraguay
seen from United States

seen from Bangladesh

seen from New Zealand
seen from United Kingdom

seen from Greece
seen from Iraq

seen from Germany
seen from United States
seen from New Zealand
seen from United States

seen from Türkiye

seen from Germany

seen from Singapore
@lieschendelmar
Kenna Sharp for Selkie
tatyana alanis
The Madonna Inn Steakhouse
egyptian vultures look like forgotten gods forced to wander this barren earth as mortals, but like, in a bird way
When the whole party is down but your bard is up
jack had absolutely no right to go this hard
um excuse me Jack not only may but must go this hard
"In Pieces but Still Holding It Together." By Bouke de Vries (2020).
See more of his stuff here.
[ID: a series of images of intricately painted ceramic/porcelain vessels broken into pieces. Each vessel's pieces have been placed into a clear vessel of the original shape and size of the now-broken vessel. /end ID]
I love baking
Jennyfax.
“We treated our Jews well” ok but here, In the real world, where people exist physically and are affected by other people’s actions, that is not true.
If you have to talk about Jewish communities in your country only in the past tense, you did not in fact treat them well.
Every night at eleven I have to choose between enjoying the sweet embrace of slumber or staying up late to do something enriching and fun that I wouldn’t otherwise have the opportunity to do. And every night at eleven I take the secret third option of “doing nothing on my phone until one in the morning.”
David Jones (b 1939) graduated from Liverpool College of Art in 1961 and it was here he first discovered his interest in printmaking. His tutor was the surrealist artist George Jardine. He won a John Moores travelling scholarship and spent time visiting various design studios across Europe. On returning to the UK he worked as assistant to graphic designers Jock Kinneir and Margaret Calvert. In 1965 -1967 he worked in Japan at Nakamoto International Agency, Osaka.
He returned to the UK and had a busy and successful career working freelance in graphic design, illustration and typography. He also worked as a visiting college lecturer at many of the countries leadings art schools. From 1979 he was a Senior Lecturer at Central Saint Martins (University of The Arts, London).
In the last twenty years he has returned to printmaking, in particular linocuts and wood engraving. He is influenced by Outsider art and Folk art. In 1989 he helped set up Raw Vision, a journal of Outsider Art. David is also a keen Semi-pro musician and plays the soprano saxophone. He hand prints his work in small editions and many of the images in his prints come from dreams.
https://rcaconwy.org/.../david-jones-rca-from-my-imagination
Emily Dunlap on Instagram