likekil

[vjeranski]

Bridget Riley

[crossconnectmag]

Jazzberry Blue  |  http://society6.com/JazzberryBlue How do people even drive in these cities!? or walk? or leave their houses with no constant fear of getting totally lost and/or ran over?!  Leaving that aside, check out Jazzberry Blue (which I hope to god is his real name), he’s awesome, and all of his prints beautiful. Also he currently lives in Toronto, and I have a soft spot for people that live in (and/or are from) Canada.

Be sure to check out Unknown Editors on Tumblr & Facebook. 

[detailsorientedbyshapepluspace]

[patternbase]

Ceiling Pattern: Belzberg Architects

[salgada-deactivated20130911]

Zips

[authentic-boredom]

[taumazo]

Gerhard Richter. Inspiring…

░ www.taumazo.com ░

[artruby]

[taumazo]

New fluorescent works by Dan Flavin. 

[rephaim-deactivated20120421]

[taumazo]

Colors on a Grid (1976) by Ellsworth Kelly.

░ www.taumazo.com ░

[taumazo]

German artist Carsten Nicolai has inaugurated his audiovisual installation titled Unidisplay at HangarBicocca in Milan. The 40-meter long piece has the ability to make sound perceptible on an optical level with minimal aesthetics translated into variations of black and white along with acoustics. There’s a propensity towards abstraction and the infinite in this installation, as well as play with the concepts of time and space. via | collabcubed

[arpeggia]

[taumazo]

Wall drawings by Sol LeWitt.

[likekil]

example orbicular Lamp Shapes by nervous system on Flickr.

[tytodiem]

“The symbolic forms which Mr. Betts has evolved through his system of Representation resemble, when developed in two dimensions, conventionalised but very scientifically and beautifully conventionalised leaf-outlines. When in more than two dimensions they approximate to the forms of flowers and crystals. …. The fact that he has accidentally portrayed plant-forms when he was studying human evolution is an assurance to Mr. Betts of the fitness of the symbols he has developed, as it affords presumptive evidence that the laws he is studying intuitively admit of universal application.”

[taumazo]

Michael Heizer, Levitated Mass, 2012. LACMA, Los Angeles.

a 340-tonne granite boulder placed on top of a 140-metre long concrete slot that opened to the public in late June. The Los Angeles County Museum of Art (LACMA) commissioned the piece, first conceived in 1969. Installed in a gravelly field just behind Renzo Piano’s Resnick Pavilion, visitors descend into the piece via the concrete slot that runs under the boulder and back up the other side: imagine two opposing handicap ramps shaded by a monolith. Levitated Mass doesn’t exactly levitate. On the recommendation of Buro Happold, two steel brackets and a dozen steel rods support the rock and keep it from rolling away in an earthquake.

[likekil]

Mirrors on Easels Create the Illusion of Desert Landscape Paintings in California’s Joshua Tree National Park. http://danielkukla.com/

[gregmelander]

PATTERN

Life is full of patterns. via Pinterest

[visual-poetry]

“eunoia” by christian bök, translated in color by lauren kohne

—> source

[wowgreat]

Chapter “O” Detail (via laurenkohne.com)

[likekil]

Dallas-based artist Gabriel Dawe (previously here and here) creates colorful site-specific installations using bright gradients of suspended thread. Above is a small selection of his work over the past year as part of his Plexus series. Despite the geometric precision in each installation, it’s fascinating to see how some works become sort of amorphous clouds of floating color, and I’m sure seeing these on a computer screen hardly compares to seeing them up close. See much more on his website.