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Game of Thrones Daily

JBB: An Artblog!
he wasn't even looking at me and he found me
Sade Olutola

oozey mess
h
will byers stan first human second
let's talk about Bridgerton tea, my ask is open
Cosimo Galluzzi
almost home
KIROKAZE

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Origami Around

Andulka
dirt enthusiast
d e v o n
NASA

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2025 on Tumblr: Trends That Defined the Year
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@lilarrain
Words by Andrea Gibson
MAY WE PART GENTLY
Shotgun wedding.
Three months in.
We said why not
and meant it.
We thought love was the leap itself.
And maybe it was.
Maybe it was.
We were so young.
So sure.
So soft with our promises.
Everything felt holy
when we lit it ourselves.
No map.
Just fire.
Just faith.
Just you and me and maybe forever.
And for a while,
it worked.
Or it held.
And maybe that’s the same thing.
Maybe holding is enough
until it isn’t.
Now I’m 27,
and the future feels heavier
than it used to.
And I don’t want to carry a life
that feels half full
just because I once called it mine.
I don’t want to stay small
just because I promised I would.
I don’t want to quiet the part of me
that wants more.
That wants more.
That wants more.
They say Saturn returns
to break the spell.
To return you
to yourself.
To ask: what still fits?
What still matters?
What still feels like yours?
Maybe this is my return.
Maybe I won’t return to you.
Not this time.
Not this time.
Not out of spite.
Not out of rage.
But because we deserve more
than the ache we never name.
Because we deserve more
than the version of love
that only half-works.
So may we part gently.
May we part with grace.
May we part while there’s still softness
left to carry.
And if I leave,
it won’t be because I didn’t love you.
It will be because I finally learned:
learned to stay,
learned to breathe,
learned to want.
It will be because I finally learned
how to love myself more.
More than the memory.
More than the myth.
More than the vow.
Souvenir
(by the girl they borrowed from)
to be loved like a souvenir
is to be pocketed
pretty
but pointless
a token from a place you don’t plan to return to
I was the place
the city
the experience
you souvenir from
the girl who lent you her canvas, her clothes, her fucking vision board
and said
here
make something beautiful
but don’t forget who gave you the tools
(you forgot.
of course you did.)
you loved me like a keepsake
something to show off when the room was quiet
when it was convenient
when no one else was watching
loved me in lowercase
in drafts
in what-ifs
in “god, I wish we met later in life”
in “you’re too much”
in “you’re not mine”
but I’ll keep the painting
I’m tired of being “that girl”
the one they cry about
then crawl back to
then forget
the one they steal from
then resell at a markup
you don’t love girls like me
you take us
wear us like thrifted jackets
post about us like sunsets
sell us to your next conquest like a fucking Etsy listing
“handmade, sentimental”
to be loved like a souvenir
is to be thanked in silence
erased in public
it’s to be inspirational, but not invited
it’s to watch the canvas you gave away
hang proudly on the wall of the man who made you hate art
and everyone says,
“but it’s just a painting”
“but she’s just selling her work”
“but he’s just supporting a friend”
but no one sees the performance
the placement
the fucking punchline
no one sees the girl who gave the brushes
no one remembers she started the fire
they just sit around it now
toasting marshmallows on your ashes
I’m not a souvenir
I’m the fucking city you took it from
I’m the garage where the canvas dried
I’m the room she cried in
I’m the silence after he left
I’m the one who gave
and gave
and gave
until I had nothing left to frame
and still
you smile
holding the thing I made possible
like it was always yours
like you didn’t burn the bridge
then sell tickets to the view
fuck you
fuck her
and fuck this need to be remembered for what I gave
I’m not a keepsake
I’m the curse
you carry
when the guilt finally finds you.
shanna moakler celebrating her divorce from travis barker, 2006.
HANA YAGI 'Sanguine Bride' Collection 2024 if you want to support this blog consider donating to:ko-fi.com/fashionrunways This collection was created by reconstructing wedding dresses and white kimono that had been rented out at wedding halls and then discarded due to damage. In Japan, there is a story that one of the reasons why wedding dresses are white is to express a woman’s purity and innocence and her intention to be dyed by the family she marries into. The dresses were deconstructed, reconnected and dyed with the intention of challenging the patriarchal norms of the wedding ritual. Once dead, the wedding dresses are reincarnated, brought back to life by letting blood flow through them.
These women no longer care about being palatable. They’re the ones doing the chewing.
— Joy Williams, in Essay: Woman in Trouble
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