tater twat

welcome to the terror dome

[weepingwidar]

Barry McGlashan (British, 1974) - Lakehouse (2025)

[evalcea]

Moonlight (Clair de lune)

Félix Vallotton

oil on canvas, c. 1894

Musée d'Orsay

[weepingwidar]

Georg Wilson (British, 1998) - Dawn Place (2025)

[jareckiworld]

Angela Lane — Spectral Halo (oil on birch plywood, 2024)

[weepingwidar]

Joseph Dilnot (British, 1997) - Lost Days (2025)

[weepingwidar]

Georg Wilson (British, 1998) - Strange Pastoral (2025)

[crossofwishes]

by Yuming Li

[janasojka]

self portrait.

[thunderstruck9]

Rebecca Harper (British, 1989), Between Two Worlds, 2018. Acrylic on canvas, 180 x 215 cm.

[jareckiworld]

Emil James Bisttram (1895-1976) —Transcendental Cells [oil on board, 1964]

[weepingwidar]

Ian Davis (American, 1972) - Tragedy (2018)

[weepingwidar]

Sophia Heymans (American, 1989) - December (2013)

[solcattus]

Carrying in the Peacock, 1869

By John Dawson Watson Source

[weepingwidar]

Lacey Black (American, 1992) - Visitors from the Island of Jewels (2025)

[weepingwidar]

Anne Buckwalter (American, 1987) - Summer Thunderstorm with Papaya (2024)

[bal-bullier]

Helen Frankenthaler

The Bay (1957)

[dailyrothko]

Mark Rothko Sketches from his Royal Vernon Line Composition Book 1946/1947 Ink on wove paper Royal: Royal / Writing (watermark) 10 1/4 x 7 1/2 in. (26.0 x 19.1 cm) Collections of Kate Rothko Prizel and Christopher Rothko. © Kate Rothko Prizel and Christopher Rothko