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PUT YOUR BEARD IN MY MOUTH

#extradirty
Cosimo Galluzzi
wallacepolsom
"I'm Dorothy Gale from Kansas"
ojovivo
trying on a metaphor
occasionally subtle
will byers stan first human second
Today's Document

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taylor price
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Claire Keane
Peter Solarz

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blake kathryn

oozey mess
One Nice Bug Per Day
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@limitmx
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Make Good Art by Neil Gaiman.
If in doubt, please copy. con Adriana Melchor y Christian Gómez. Inscribir el tiempo / Borrar el tiempo de la materialidad. #ifindoubtpleasecopy @loleks @detodolloro #bf #tb #fb #tw http://ift.tt/2fetx6o
Cuando el olvido se convierte en la estrategia para la resolucion del confilcto, la memoria debe aparecer implacable, intrusiva, un arma que apunta constantemente, el dedo que señala perenemente, la fotografia que recuerda el rostro a una generación que le han arrancado la identidad. #ifindoubtpleasecopy #tw #tb #fb http://ift.tt/2df5AcX
«In order to change the paradigm we don't need to rewrite anything, we simply need to drown the narrative in its own plot» @irvingdominguezmx / find black book at @ineverreadartbookfairbasel #art #ineverread #blackbook #basel #photocopiedtodeath #PTD #fb #tw #tb #fl http://ift.tt/1UDEjz2
If in doubt, please copy. «Thermal paper requires to be photocopied in order to preserve it in an archive» @ineverreadartbookfairbasel #ineverread #basel #art #contenporaryart #tw #tb #fb #bf http://ift.tt/21mIjs9
If In Doubt Please Copy | junio 15 al 18 2016 --@kasernebasel @ineverreadartbookfairbasel--15th to 18th june 2016 | #tw #fb #fl #bf #tb #art #books #fax http://ift.tt/1UMwo4O
#photocopiedtodeath #ineverread #tw #fb #tb #fl #bf http://ift.tt/1t40wjQ
Ciclo •La herramienta justa• en @obreracentro #tw #fb #tb http://ift.tt/1SAb6a3
NADA ES ORIGINAL #tb #tw #fb #fl http://ift.tt/1Rw5XAo
#Repost @2ndthoughtsmx ・・・ New dates for Daniël van der Velden's visit to Mexico are March 17–20th. More details soon. @alumnos47 #tb #tw #fb http://ift.tt/1puQbeo
These are the countries where robots are most likely to decimate the economy.
Follow the-future-now on Tumblr and Instagram
#robots en el #trabajo
Fantasy Reality / The New Cold War is Philosophical
Our statement that today was (quite brutally) cut short by the moderator of Hacking Habitat’s opening discussion:
Here’s something that’s more to do with the future of our imagination, and less to do with the so-called “end of privacy.” Though these things are all connected. Because when surveillance disables our thinking, we can surely not imagine anything. The idea of an independent cyberspace that exists off-limits to state power is deeply rooted in the idealism of the early internet. It’s like the sea once was: an unregulated and fluid space, that today is overlaid with restrictions, surveillance, infrastructures. It feels less and less like a network, and more like a series of closed platforms, each of which contains a fully consistent reality. Thanks to Edward Snowden, we know what surveillance looks like when it stares into the mirror and sees itself. The NSA’s logos, found in the PowerPoint presentations which Snowden leaked, show that even the most secret operation cannot exist without visual representation, and even, branding.
In the video for Holly Herndon’s Home, we used these same NSA logos as graphic walls and data rains, behind which the artist reveals herself, like a black, texting shadow. Art and politics belong together, and we know that their belonging is dangerous. While there may be no such thing as “political beauty,” we instinctively know that all beauty is political. All aesthetics are political. Emotion is too.
What seems necessary is a form of strategic art. An art that is able to function as a forward projected propaganda for progressive politics. Capturing our emotions but looking at the future. Art, but strategic.
In our documentary and music video The Sprawl (Propaganda About Propaganda) we show that propaganda is no longer about creating a single story or ideology and sticking to it. It is about piercing through your opponent’s bubbles, creating new ones in their place. It is about creating a truth and believing until it bursts, like a soap bubble.
The conflict in Russia and Ukraine, central to The Sprawl, is a proxy for other fights that are maybe more philosophical. These are about different, parallel, opposing ideas of reality itself.
Is this the future of political protest? Not so much a change through the “legitimate” channels, not so much a systemic overhaul by “the people” versus “elites” or “the establishment,” but something more silent, more far-reaching: the act of denying the other the right to address the same reality.
As Chelsea Manning asked: “Is it radical to be true to yourself?” It now is.
Mañana @museojumex e @indexartbookfair reciben a @ineverreadartbookfairbasel y @juice_rispetta #tb #fb #tw #art -no falten- http://ift.tt/1P862Yw
Geoffrey Johnson (American, b. 1965, Greensboro, NC, USA) - 1: Red, Green & Gold, 2015 2: Downtown at Night, 2015 3: Moonlight, 2015 4: Red with Gray 10, 2015 5: December Central Park, 2014 6: Village Street 8, 2014 7: City Portrait, 2014 Paintings: Oil on Canvas/Panel
Gabriel Orozco, Asterism at the Solomon R Guggenheim Museum NYC, 2012 Photo: alessandro ghirelli
@bloodlifeblood
Workshops: The ‘I’ in Self
from 22 January - 6 March 2016
at Index, The Swedish Contemporary Art Foundation, Stockholm
Taking the exhibition Autobiography as its starting point, this workshop series invite students to experiment with notions of writing about oneself and the murky depths of subjectivity. Students encounter the works of international artists and writers such as Chris Kraus, Eileen Myles, and Kathy Acker. Using daily experiences, gossip, and things overheard, participants build texts with expanded perspectives.
To register your interest as a teacher or student please contact [email protected]
http://indexfoundation.se/education/workshops-the-i-in-self
image: film still from Chris Kraus: Gravity & Grace, 1996, 90 min. USA. Courtesy the artist.