Caitlin Yardley ‘Black Refract (quilt)’, 2012
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Caitlin Yardley ‘Black Refract (quilt)’, 2012
final
14. QCQ #3: The Gravity of Levity
15. Contradictory Structures: Research
16. Contradictory Structures: Final
17. QCQ #4: X Marks the Spot
18. Lost Statements: Research
19. Lost Statements: Final
20. Self-Directed Manifesto: Final
I made a cast and mold of a rubber dinosaur i found on the street. The rubber toy was made out of itself in a way, fossil fuels.
I heated water in a big pot and had a separate container within the big pot to melt the wax in.
When the wax clearly melted, my wife poured the wax and After an hour it was cool enough to break out of its rubbery cast.
I presented this as the thought experiment of “Shrodingers Cat”. My project may or may not be behind the wall i built. Immediately people began trying to look for it. The invisible dinosaur became alive in their minds. Everyone wanted to see the possibility. They engaged with the situation. This feels like a fun direction.
I really enjoyed the readings this semester. They really got my mind moving.
I could have left this project to imagination but i would’ve felt like i let old Tom down. Thanks Tom for being awesome. I learned something.
“The wall” 2025
Cardboard boxes painted white.
As soon as my thesis project came down I instinctively began to construct this wall. Seeing the boxes on the ground brought me back 20 something years to where I was loading and driving trucks for UPS. It’s a memory of Boxes coming down a metal chute into one of those giant truck trailers. It was my job to make walls with these boxes from the back to the front of the truck. Monotonous laborious Tetris.
From pedestal wedged within the white cube to a wall within the cube.
I enjoyed this project, it allowed to me create big cumbersome works and watch people react to them . My initial thoughts are that i like people getting close to the work and in a way, i want them to touch ( i am confused about the rules on touch in gallery spaces) although i know this leads to accidents. Another thing is Lighting is the key. And so is documentation.
Id Like to explore other artists working in a way that encourages touch.
Fragile . This was an experimental piece, I asked fellow students to unknowingly reach inside and retrieve what was inside.
Through the exploration of expectation, touch, trust, and humor, I found everyone involved and onlooking was smiling and generally interested in the happening.
I was nervous about the reception, now I understand that was unnecessary.
Challenging expectations with absurdity is one of the central means by which humour “offers a short circuit that exposes our [perpetual] discomfort” with instability. This short circuit is directly linked to what I understand to be the critical function of art, or what Simon Critchley has called art’s ability to provide an “oblique phenomenology of ordinary life.”
Humour exposes an insecurity that is ultimately irrepressible. Humour and photography share the short-circuiting mechanism that exposes this insecurity. Such connections may account in part for the centrality of photography as a conceptual medium. On the one hand photography, like humour, allows human vision to access phenomena that would otherwise be invisible to the naked eye. On the other, it withholds the possibility of ever truly mastering the subject.
Levity : humor or frivolity , especially the treatment of a serious matter with humor or In a manner lacking due respect.
Gravity: suggests depth and seriousness, extreme or alarming importance.
Comment.
I chose those two quotes because I’ve never read anything so thoughtful . As a kid what attracted me to art was the DADA movement. Even though I wasn’t old enough to understand the conditions and motivations many of the artists making it were under, I couldn’t help but smile and be inspired. Reading this I get a deeper appreciation for Marcel Duchamp, who often challenged expectations with absurdity.
Phenomenology refers to the philosophical study of our lived experience, and Oblique (as in the military march command) refers to an angle. Arts ability to give life that pause and change of pace is why I create. That sentence is beautiful.
The second quote I chose hit home for me. Photography has allowed me to share things most people will never see or even care to look at. Concerning the issue of mastery, why would you ever to want to master anything? I can get behind, Getting better at something like drawing or painting or basketball where technique and time invested yield reward. But It is very different from Photography. It is a fickle art because as much as you know your camera, which takes time in its own rite, the world is uncontrollable, you can’t control the sun, people, or any other of the million variables around you. This is where zen comes in for me. I simply bear witness and do my best.
Question for the class. In what instances have you met expectations with absurdity?
I’ll go first, I got to spend a lot of time with my grandma for the last 10 years of her life. She had serious health issues. My goal every day was to make her laugh as much as possible. I’d walk in with my shorts rolled up, I’d say stupid things, make stupid faces , hug her longer than appropriate, blow and mess up her hair, mime weird things to her, crank call her, I’d even get my kids in on the absurdity which she called stupidity. Oh yes , group hugs were our specialty. I hope when I’m in that condition someone does it for me
Final Index:
Contradictory Structures: Research
Contradictory Structures: Final
Lost Statements: Research
Lost Statements: Final
Self-Directed Manifesto: Final
Final Index
14. QCQ #3: The Gravity of Levity
15. Contradictory Structures: Research
Concept Board 2 and Concept Board 3
16. Contradictory Structures: Final
17. QCQ #4: X Marks the Spot
18. Lost Statements: Research
Concept Board 2 and Concept Board 3
19. Lost Statements: Final
20. Self-Directed Manifesto: Final
Final index
14. QCQ #3: The Gravity of Levity
15. Contradictory Structures: Research
16. Contradictory Structures: Final
17. QCQ #4: X Marks the Spot
18. Lost Statements: Research
19. Lost Statements: Final
20. Self-Directed Manifesto: Final
End of the roll
6in x 11in, 6in x 9in, 7in x 11in, 7in x 11in, 1in x 5.50in
Plater, liquid latex, metal jewelry
 End of the roll is composed of plaster casts of my rolls of chest binding tape. Replicas of an idealized version of what my chest would look like after top surgery are wrapped around these casts. The first set is made using my skin tone, and the second set is used with the colors that I do my drag makeup in. Finding is a very big part of my day-to-day life and it is also a very intimate practice. I wanted to play with the idea of this fantastical dream of reaching the end of a roll and not needing to tape again because of acquiring surgery. This work fits into my larger body of work where I document my usage of chest binding tape, and how that fits into my gender presentation while easing my day-to-day life. 
Final Index
14. QCQ #3: The Gravity of Levity
15. Contradictory Structures: Research
16. Contradictory Structures: Final
17. QCQ #4: X Marks the Spot
18. Lost Statements: Research
19. Self-Directed Manifesto: Final
FINAL INDEX
14. QCQ #3: The Gravity of Levity
15. Contradictory Structures: Research
16. Contradictory Structures: Final
17. QCQ #4: X Marks the Spot
18. Lost Statements: Research
19. Lost Statements: Final
20. Self-Directed Manifesto: Final
Final Index
13. QCQ #3: The Gravity of Levity
14. Contradictory Structures: Research
15. Contradictory Structures: Final
16. QCQ #4: X Marks the Spot
17. Lost Statements: Research
18. Lost Statements: Final
19. Self-Directed Manifesto: Final
Final Index
14. QCQ #3: The Gravity of Levity
https://www.tumblr.com/escosteff/781580577974419456/quote-there-is-an-intimate-creative-connection
15. Contradictory Structures: Research
https://www.tumblr.com/escosteff/781580944431841280/idea-1
16. Contradictory Structures: Final
https://www.tumblr.com/escosteff/781583507896025088/morning-wood-2025-48inx-25inx-38in-in-this
17. QCQ #4: X Marks the Spot
https://www.tumblr.com/escosteff/781582062227472384/qcq-4-x-marks-the-spot-quote-naumans-attack
18. Lost Statements: Research
https://www.tumblr.com/escosteff/781582464046055424/idea-1
19. Lost Statements: Final
https://www.tumblr.com/escosteff/781452441557286912
20. Self-Directed Manifesto: Final
https://www.tumblr.com/escosteff/781583973283479552/icu-08-2025-patient-gowns-black-thread
"Untitled"
Scrap wood, plaster, clay slip paint mixture
2025
Matthew Stander
—
This work was an experiment of how certain materials respond to each other. constructed of scrap wood from past projects i assembled the structure intuitively, only thinking about each decision fir a few seconds before deciding. Though abstracted and more organic I still show my connection to architecture. The structure was then coated in a plater mix I brushed on. Once the plaster was dry I painted on a mixture of clay slip and latex paint. the plaster and clay do not bond to each other resulting in a curling peeling of the clay paint mix, exposing the plaster beneath. The process was documented on the drop cloth.
"W-1 Sculpture Department"
wood, aluminum channel, corner braces, jars, specimen samplings
2025
Matthew Stander
—
"W-1 Sculpture Department" is a collection of material samples collected from the sculpture studio I have been producing work in the past 2 years. When appropriate samples were collected using a surgical scalpel. Loose material samples were swept up in a 1-sqft section. This piece is a representation of the often overlooked or unrecognizable parts of the studio that has nourished my creation. I encouraged viewers to pick up the jars and see if they were able to identify the samples they were looking at without seeing the reference list.
LIMITS: MIDTERM INDEX
1. Manifesto Room: Research
2. Manifesto Room: Final
3. Artist Presentation: Research
4. Manifesto Room: Collective/Subjective
5. Manifesto Public: Research
6. Manifesto Public: Final
7. QCQ #1: One Place After Another
8. Museum Visit
9.QCQ #2: Das Sockelproblem
10. Kitchen Pedestal Sink Manifesto: Research 1, Research 2
11. Kitchen Pedestal Sink Manifesto: Final
12. Radical Theory and Practice - Self-Directed Practice: Final