No title available
macklin celebrini has autism
bliss lane
YOU ARE THE REASON
official daine visual archive
Andulka
2025 on Tumblr: Trends That Defined the Year
The Stonewall Inn
NASA
"I'm Dorothy Gale from Kansas"
Cosmic Funnies
Noah Kahan
TVSTRANGERTHINGS
almost home
❣ Chile in a Photography ❣
🩵 avery cochrane 🩵
blake kathryn
No title available
tumblr dot com
Product Placement
seen from United States
seen from Türkiye
seen from United States
seen from Bangladesh
seen from Malaysia
seen from United States
seen from Vietnam
seen from Malaysia
seen from United States
seen from Hungary
seen from Brazil
seen from United States
seen from United Kingdom
seen from Brazil
seen from United States
seen from Türkiye
seen from United States
seen from United States
seen from United States
seen from United States
@linaganef
Illustrated bookcover for Coraline
Hi, my name is Lina Ganef, I'm an illustrator from Colombia. As a personal project, I'm illustrating many books I love and I made a complete cover for Coraline by Neil Gaiman.
Coraline:
@neil-gaiman ❤️
| If you like my work and you want to support it, follow me
ace culture is seeing reality tv shows like “too hot to handle” where the contestants get $100,000 if they don’t have s*x and thinking “wait, you guys are getting paid?”
Story Structures for your Next WIP
hello, hello. this post will be mostly for my notes. this is something I need in to be reminded of for my business, but it can also be very useful and beneficial for you guys as well.
everything in life has structure and storytelling is no different, so let’s dive right in :)
First off let’s just review what a story structure is :
a story is the backbone of the story, the skeleton if you will. It hold the entire story together.
the structure in which you choose your story will effectively determine how you create drama and depending on the structure you choose it should help you align your story and sequence it with the conflict, climax, and resolution.
1. Freytag's Pyramid
this first story structure i will be talking about was named after 19th century German novelist and playwright.
it is a five point structure that is based off classical Greek tragedies such as Sophocles, Aeschylus and Euripedes.
Freytag's Pyramid structure consists of:
Introduction: the status quo has been established and an inciting incident occurs.
Rise or rising action: the protagonist will search and try to achieve their goal, heightening the stakes,
Climax: the protagonist can no longer go back, the point of no return if you will.
Return or fall: after the climax of the story, tension builds and the story inevitably heads towards...
Catastrophe: the main character has reached their lowest point and their greatest fears have come into fruition.
this structure is used less and less nowadays in modern storytelling mainly due to readers lack of appetite for tragic narratives.
2. The Hero's Journey
the hero's journey is a very well known and popular form of storytelling.
it is very popular in modern stories such as Star Wars, and movies in the MCU.
although the hero's journey was inspired by Joseph Campbell's concept, a Disney executive Christopher Vogler has created a simplified version:
The Ordinary World: The hero's everyday routine and life is established.
The Call of Adventure: the inciting incident.
Refusal of the Call: the hero / protagonist is hesitant or reluctant to take on the challenges.
Meeting the Mentor: the hero meets someone who will help them and prepare them for the dangers ahead.
Crossing the First Threshold: first steps out of the comfort zone are taken.
Tests, Allie, Enemies: new challenges occur, and maybe new friends or enemies.
Approach to the Inmost Cave: hero approaches goal.
The Ordeal: the hero faces their biggest challenge.
Reward (Seizing the Sword): the hero manages to get ahold of what they were after.
The Road Back: they realize that their goal was not the final hurdle, but may have actually caused a bigger problem than before.
Resurrection: a final challenge, testing them on everything they've learned.
Return with the Elixir: after succeeding they return to their old life.
the hero's journey can be applied to any genre of fiction.
3. Three Act Structure:
this structure splits the story into the 'beginning, middle and end' but with in-depth components for each act.
Act 1: Setup:
exposition: the status quo or the ordinary life is established.
inciting incident: an event sets the whole story into motion.
plot point one: the main character decided to take on the challenge head on and she crosses the threshold and the story is now progressing forward.
Act 2: Confrontation:
rising action: the stakes are clearer and the hero has started to become familiar with the new world and begins to encounter enemies, allies and tests.
midpoint: an event that derails the protagonists mission.
plot point two: the hero is tested and fails, and begins to doubt themselves.
Act 3: Resolution:
pre-climax: the hero must chose between acting or failing.
climax: they fights against the antagonist or danger one last time, but will they succeed?
Denouement: loose ends are tied up and the reader discovers the consequences of the climax, and return to ordinary life.
4. Dan Harmon's Story Circle
it surprised me to know the creator of Rick and Morty had their own variation of Campbell's hero's journey.
the benefit of Harmon's approach is that is focuses on the main character's arc.
it makes sense that he has such a successful structure, after all the show has multiple seasons, five or six seasons? i don't know not a fan of the show.
the character is in their comfort zone: also known as the status quo or ordinary life.
they want something: this is a longing and it can be brought forth by an inciting incident.
the character enters and unfamiliar situation: they must take action and do something new to pursue what they want.
adapt to it: of course there are challenges, there is struggle and begin to succeed.
they get what they want: often a false victory.
a heavy price is paid: a realization of what they wanted isn't what they needed.
back to the good old ways: they return to their familiar situation yet with a new truth.
having changed: was it for the better or worse?
i might actually make a operate post going more in depth about dan harmon's story circle.
5. Fichtean Curve:
the fichtean curve places the main character in a series of obstacles in order to achieve their goal.
this structure encourages writers to write a story packed with tension and mini-crises to keep the reader engaged.
The Rising Action
the story must start with an inciting indecent.
then a series of crisis arise.
there are often four crises.
2. The Climax:
3. Falling Action
this type of story telling structure goes very well with flash-back structured story as well as in theatre.
6. Save the Cat Beat Sheet:
this is another variation of a three act structure created by screenwriter Blake Snyder, and is praised widely by champion storytellers.
Structure for Save the Cat is as follows: (the numbers in the brackets are for the number of pages required, assuming you're writing a 110 page screenplay)
Opening Image [1]: The first shot of the film. If you’re starting a novel, this would be an opening paragraph or scene that sucks readers into the world of your story.
Set-up [1-10]. Establishing the ‘ordinary world’ of your protagonist. What does he want? What is he missing out on?
Theme Stated [5]. During the setup, hint at what your story is really about — the truth that your protagonist will discover by the end.
Catalyst [12]. The inciting incident!
Debate [12-25]. The hero refuses the call to adventure. He tries to avoid the conflict before they are forced into action.
Break into Two [25]. The protagonist makes an active choice and the journey begins in earnest.
B Story [30]. A subplot kicks in. Often romantic in nature, the protagonist’s subplot should serve to highlight the theme.
The Promise of the Premise [30-55]. Often called the ‘fun and games’ stage, this is usually a highly entertaining section where the writer delivers the goods. If you promised an exciting detective story, we’d see the detective in action. If you promised a goofy story of people falling in love, let’s go on some charmingly awkward dates.
Midpoint [55]. A plot twist occurs that ups the stakes and makes the hero’s goal harder to achieve — or makes them focus on a new, more important goal.
Bad Guys Close In [55-75]. The tension ratchets up. The hero’s obstacles become greater, his plan falls apart, and he is on the back foot.
All is Lost [75]. The hero hits rock bottom. He loses everything he’s gained so far, and things are looking bleak. The hero is overpowered by the villain; a mentor dies; our lovebirds have an argument and break up.
Dark Night of the Soul [75-85-ish]. Having just lost everything, the hero shambles around the city in a minor-key musical montage before discovering some “new information” that reveals exactly what he needs to do if he wants to take another crack at success. (This new information is often delivered through the B-Story)
Break into Three [85]. Armed with this new information, our protagonist decides to try once more!
Finale [85-110]. The hero confronts the antagonist or whatever the source of the primary conflict is. The truth that eluded him at the start of the story (established in step three and accentuated by the B Story) is now clear, allowing him to resolve their story.
Final Image [110]. A final moment or scene that crystallizes how the character has changed. It’s a reflection, in some way, of the opening image.
(all information regarding the save the cat beat sheet was copy and pasted directly from reedsy!)
7. Seven Point Story Structure:
this structure encourages writers to start with the at the end, with the resolution, and work their way back to the starting point.
this structure is about dramatic changes from beginning to end
The Hook. Draw readers in by explaining the protagonist’s current situation. Their state of being at the beginning of the novel should be in direct contrast to what it will be at the end of the novel.
Plot Point 1. Whether it’s a person, an idea, an inciting incident, or something else — there should be a "Call to Adventure" of sorts that sets the narrative and character development in motion.
Pinch Point 1. Things can’t be all sunshine and roses for your protagonist. Something should go wrong here that applies pressure to the main character, forcing them to step up and solve the problem.
Midpoint. A “Turning Point” wherein the main character changes from a passive force to an active force in the story. Whatever the narrative’s main conflict is, the protagonist decides to start meeting it head-on.
Pinch Point 2. The second pinch point involves another blow to the protagonist — things go even more awry than they did during the first pinch point. This might involve the passing of a mentor, the failure of a plan, the reveal of a traitor, etc.
Plot Point 2. After the calamity of Pinch Point 2, the protagonist learns that they’ve actually had the key to solving the conflict the whole time.
Resolution. The story’s primary conflict is resolved — and the character goes through the final bit of development necessary to transform them from who they were at the start of the novel.
(all information regarding the seven point story structure was copy and pasted directly from reedsy!)
i decided to fit all of them in one post instead of making it a two part post.
i hope you all enjoy this post and feel free to comment or reblog which structure you use the most, or if you have your own you prefer to use! please share with me!
if you find this useful feel free to reblog on instagram and tag me at perpetualstories
Follow my tumblr and instagram for more writing and grammar tips and more!
every single negative stereotype about women was dreamt up by men who were projecting. fight me about it.
“women can’t drive”
It is so well known that women are better and safer drivers than men that OUR CAR INSURANCE RATES ARE LOWER. Women get into fewer accidents, get fewer DUIs, and receive fewer speeding tickets than men.
“women never shut up”
Several scientific studies have shown that not only do men talk more than women, they also think that women have been talking for much longer than they actually have. Men interrupt and talk over women, dominate conversations, and still think women talk too much.
“women are shallow”
Lol next
“my wife is my ball and chain lmao”
Multiple studies have shown that marriage between men and women: Increases male lifespan, decreases female lifespan Decreases male depression rates, increases female depression rates Decreases male stress levels, increases female stress levels Increases male health and happiness, decreases female health and happiness Increases a man’s chance of getting a raise or promotion, decreases a woman’s chances of getting a raise or promotion
“women are too emotional”
Men love to say this about women after hurting them, in order to shift the blame and dismiss their feelings in one go. In reality, women are taught to hold our tongues and control ourselves quite literally from birth. We’re taught to put men’s needs and wants ahead of our own emotions regardless of the personal cost. Men are taught to do more or less whatever the fuck they want to women. Men take their emotions out on women while women are expected to shove theirs down.
I could go on and on but I don’t really think I need to.
“women can’t drive” (The Guardian) (CBS News) (Insurance Institute for Highway Safety)
“women talk to much” (PBS, resources included)
“women are shallow” (just read the book, Dataclysm. by okcupid founder (?) that includes data about sex, gender, race, in finding online romantic partners)
“ball and chain” (University of London)
for all you pissbabies crying about sources
Ace culture is wanting sex but feeling like you're missing something or you're broken or you're not being fair to the partner(s) by not being attracted to them in that way and still wanting pleasure
ace culture is never understanding what someone means by sexy, and always finding others cute
Ace culture is moving into the forest and becoming a Ghibli character knowing full well that your parents are expecting you to buy a modest home in a suburban family neighborhood with your husband and your 2.4 pure white christian children by the time you're 30
Ace culture is silently wondering what sexual attraction feels like
Ace culture is thinking that the reason why you're having such a hard time writing a kiss scene is because you've never had a significant other and then remembering that you do well writing graphic violence and you've never been in an actual fight before
That moment you realized you were watching it on a screen the whole time
Legion | S02E08 “Chapter 16″
薫秋元 - Dress Down (1986)
This is one of the songs sampled on マクロスMACROSS 82-99’s track 『82.99 F.M』on the album A Million Miles Away.
Always reblog
“Gimmie that thing. I’ll show ya’ how to do it.” - My dad after seeing me taking selfies w/ my Rose Quartz wig
who is she
Aw it has returned
Welcome back to my blog, father
The Pokot people (also spelled Pökoot) live in West Pokot County and Baringo County in Kenya and in the Pokot District of the eastern Karamoja region in Uganda. They form a section of the Kalenjin ethnic group and speak the Pökoot language, which is broadly similar to the related Marakwet, Nandi, Tuken and other members of the Kalenjin language group.
steampunk astrolabe by Davison Carvalho
Via Slow Heavy Metal Music Playing
me as a doctor
