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EXPECTATIONS

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$LAYYYTER
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#extradirty
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cherry valley forever
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hello vonnie
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@lipstickandligature
On Coming Back to go Forwards
Coming back to writing Sven and Mimi (or something similar or adjacent) after all this time feels at once, exciting and also baffling. It’s so nice to be coming back to the things I love, but renewed, open, striking out to new horizons.
Yet, where do I begin in a world that is both post-relationship and post-me too, post-male-lonliness-epidemic, Post-SATC and firmly entrenched in a world where there seems to be huge shifts in relationships between people in general, not just romantically, but in the whole way that people relate to one another. Where to even begin writing a love story in the age of Only Fans, of a world post-Tinder? Of political and interpersonal unease.
The start comes, I suppose, in stripping everything back to pure intent, to the nuts and bolts of why I began writing this anyway. Escapism, idealism, romance, filling a niche that no one else had yet filled, scratching an itch that, ironically, and despite my best efforts, is largely still unitched in my real life. The original stories worked, I think, for a few reasons:
Firstly, these were not people living in vast luxury or privilege as is the trope for so many romances. Only, I suppose, partial privilege if we count Sven and his family. They were “normal” and so, accessible to the reader.
Secondly, reading them back now, they are romantic and far sweeter than what I remember writing at the time. There’s a generosity and tenderness I don’t think I fully appreciated until I came back to them, to see where they could pick up again.
Thirdly, these characters are vulnerable in ways that real humans, with their poor communication skills and bags full of personal neuroses, very rarely are. They’re the idealised conversations we wish we could be having but aren’t. But absolutely should be.
Finally, the stories play on broadly popular fears and fondnesses that sit squarely in the sexualities of quite a few people of all stripes. These stories are not nearly as filthy in words as the things you can imagine happening between the pages and that's part of the joy of them, I hope.. Much like the very best thrills in a horror movie, the viewer/reader fills in the blanks.
There has been considerable growth and change about what this landscape looks like for me now, also. I’m not a restless twenty something anymore, blessedly. I’m 37, solidly single and solidly at the coal face of perimenopause. I’m quite fucking tired quite a lot of the fucking time. The things I find attractive are fleeting and the thrill of chasing romance, or drama and passion is thoroughly unappealing now I’ve been through and come out the other side of a long-term relationship that deeply affected me. Yet, coming away there’s a few things I still think about. Moving forward and being far enough away from that relationship to be able to analyse it with some objectivity.
Firstly, it was a vanilla relationship. Which, because of all of our issues, didn’t really do the job at either giving us a good time or bonding us in a deep or meaningful way. It was something which I tried incredibly hard at. In hindsight, probably too hard. There was also emotional fear, my own previous sexual assault hovering in the wings. Intimately, there was the experience of disassociation twice and, once, a profound emotional betrayal, a deeply isolating pregnancy scare that left me weeping alone in a doctor’s office, convinced I was about to be a single mother. There was the use of that previous sexual assault against me. There were absurd, petty fights. Hardly the stuff romance novels are made of.
Secondly, it was a dynamic wherein we were, fundamentally, quite badly matched for each other. As much as we got on and had moments of patchy happiness, we were on a deep level possessed of differing ideologies. I believed in marriage and dynamism, I wanted someone who was a doer, a leader, not a follower. I was organiser in chief in my professional life and at home. I shouldered the burden of others and so, I wanted to be held. I wanted, perhaps more than that, to be stimulated intellectually, more I’d argue, than erotically. And, as such, we were at a loss having no common interest in hobbies, the arts, culture, music, cinema, philosophy or religion at all.
Then, of course, there was the erotic. Or, the lack thereof, the boredom, my intense trying to make it better, the final twisting of past trauma back onto me. The psychic knife held out and turned backward. The worry that he seemed so uninterested and unfocused at points that I was worried Something had happened. Worried enough to sit him down and ask about depression and therapy. Worried enough to ask the internet for help and then, my poor, long-suffering mother, my friends who told me I deserved more. There was a great wall that, no matter how hard I tried, I could never scale. There was the banal, simple fact that the things I wanted: dynamism,stability, collaboration, intellectual conversation until 3am, passion of any kind would not come from him. He was not -is not - a bad person. He is with someone else now and, I hope, happy. Eventually one has to stop knocking and move on if there is no answer at the door. I had the wrong set of keys, that’s all. I had to rest and return to myself.
And so, after literally two years I am finally back to the beginning again. Back to old, familiar patterns, like writing late at night and listening to a lot of music and yet, ready for something new having made peace with myself and my body and the possibilities of the future. It’s a process and it’s not finished yet. It is, by definition, never finished. So, what does the future look like? What stories are there to tell?
The original stories of Sven and Mimi were the bright hope of romance, the newness of deep love and the possibility of life ahead. They were cute. They were goopy. They relied far too heavily on successive clauses and too many commas. They were very 2014. They were deeply, emotionally candid and I miss that.
But, now, the writing must be something else: more mature, darker, sexier, grittier, tougher.
I am going to try and find out and in doing so, I hope I find that some of you may want to come with me. Maybe.
Set It Up (2018) dir. Claire Scanlon
A female oriented show focusing on female pleasure? It’s more likely than you think!
At bloody last. How many times do we see a quick in/out and you just know that it would never have happened for the woman. AND they didn’t turn these scenes into the sleazy soft porn that you see on some other shows. AND they didn’t exploit the female actor’s body - if anything they focussed on Matthew’s body more and for some goode reason I’m totally fine with that. AND the giggling - we need more of that.
ONE OF OUR INSTRUCTORS ACCIDENTALLY GOT PAID $787,000 THIS MONTH IM WHEEZING, OMFG PAYROLL
A PAYROLL EMPLOYEE ENTERED 123 INSTEAD OF 1 SO HE GOT PAID 123 TIMES WHAT HE WAS SUPPOSED TO
this is the rare $786,708 payday. reblog to receive more money than you were expecting on your next paycheck 💫
Diana ‘landing’ on Matthew. Because of course she does.
Meghan’s Oceania Tour Style 25/♚
Holy hell. This dress, though!
By Viktoriia Shubenkova
I think it’s safe to say that goes for most of us here on tumblr too.
Oh yes. Goode fans have been ‘researching’ this guy for years. Wonder if we would pass the academic rigour test for doing a PhD? Then we could be Goode Doctors.
[jeez I’m rambling - ignore me]
“Glad was I to get him out of the silk warehouse, and then out of a jeweler’s shop: the more he bought me, the more my cheek burned with a sense of annoyance and degradation. As we re-entered the carriage, and I sat back, feverish and fagged, I remembered what, in the hurry of events, dark and bright, I had wholly forgotten – the letter of my uncle, John Eyre, to Mrs. Reed: his intention to adopt me and make me his legatee. ‘It would, indeed be a relief,’ I thought, ‘if I had ever so small an independency; I never can bear being dressed like a doll by Mr. Rochester, or sitting like a second Danae with the golden shower falling daily round me.’”
— jane eyre, charlotte brontë
Jane Eyre isn’t good because it’s a romance, Jane Eyre is good because it’s about a woman wanting/gaining her own power.
Jessica Armstrong takes a look at the potential for conflict behind the William Morris collection for H&M
The worst thing in the world can happen, but the next day the sun will come up. And you will eat your toast. And you will drink your tea.
Rhian Ellis (via quotemadness)
Try not to worry about how you are perceived. If you are authentically you, the right energy at the right time comes.
Teenage alcoholism is so important to recognise. It is not healthy to be getting absolutely wasted a few times a week and sometimes young adults become alcoholic without realising it. If you are unable to have a fun time without drinking or you feel like you need to drink when others are in an overwhelming way then consider getting help.
No really. Get help. It starts with parties, and then it’s “lol im just sad all the time” and before you know it everything is awful and you’re spiralling out of control. Don’t get sucked in and don’t let tumblr Depression Culture make you think it’s normal.
See also: wine mom “culture”
This; there's alcoholics out there who, to people who wouldn't know better, look 'fine'.