occasionally subtle
PUT YOUR BEARD IN MY MOUTH

❣ Chile in a Photography ❣

if i look back, i am lost
Monterey Bay Aquarium

oozey mess
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Lint Roller? I Barely Know Her

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macklin celebrini has autism

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@theartofmadeline

JBB: An Artblog!
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@littlebleubug
Otter teaches human how to pet him.
Words cannot describe the inhuman noise i made, help me
Anima (2019) Directed by Paul Thomas Anderson
PAT STEIR, San Francisco Waterfall I, USA, 1991. Acrylic on canvas. / Blogspot
“You have to grow from the inside out. None can teach you, none can make you spiritual. There is no other teacher but your own soul.”
— Swami Vivekananda
Creation of light and dark (detail) by Herman Coets, 1700.
“Calm is always with me. If I am feeling anxious, I can always return to my centre, to my place of inner quiet, by following my breath, following each breath in and each breath out. Breathing in, I breathe in calmness… breathing out, I breathe out peace… and as I breathe, my breath cradles me in the ease of the present moment.”
— Quiet Lotus
leos and people with lots of solar activity in the natal chart get told in many different ways to ‘tone it down’ and that they are ‘too much’ but they have to be too much, the self has to burst out from the inside and bloom the world, they have to be ‘too much’ for all those people that are not enough, for all those people that only rattle skin and bone
$161,928/3 br/1780 sq ft
Jeffersonville, IN
built in 1926
Thom Yorke talking about working on the soundtrack for Suspiria (2018)
“I referred to the original Suspiria film. It was an odd process from the beginning. When [Director] Luca [Guadagnino] first came to see me, with producers and [editor] Walter [Fasano], I just thought they were mad, because I’ve never done a soundtrack before, and Suspiria is one of those legendary soundtracks. It took a few months to even contemplate the idea. It was one of those moments in your life where you want to run away, but you know you’ll regret it if you do. I watched the original film several times, and I loved it because it was of that time, an incredibly intense soundtrack. Obviously Goblin and Dario worked incredibly closely when they did it together.
But it was of its time and there was no way I could reference it in any way. There was no point, other than what I found interesting was that they used repetition of motifs, again and again and again. Where part of your mind is saying, ‘Please, I don’t want to hear this anymore. Please, please ’ That was really great, because that sort of hooked me into the whole process […] It was a sort of freedom I’ve not had before. I’m not working in the format of a song arrangement. I’m just exploring.“
Leonard Rosoman (British, 1913–2012), Jumping Figure: Mojave Desert,1970. Acrylic on canvas, 41.4 x 51.4 cm
Venice’2018 © Greg Williams
( all of the set available at the moment )
I was dead; I became alive. I was tears; I became laughter. The power of love arrived and made me everlasting power!
I have seen everything. I have no fear. I have the heart of a lion! I shine like Venus.
– Rumi