A/N: this is my first f1 blurb and naturally I gravitated towardsā¦headaches and frequencies of car crashes in f1?? basically my response to the fact that f1 is a very wild sport and thinking the drivers have to have some chronic pain issues. primarily fluff but thereās a few drops of melancholy. idk hope someone enjoys and lemme know what you think it would mean a lot!Ā :)Ā
My Writing
āYou look very hot right now,ā Charles whispers.
You laugh. āYour eyes are literally closed.ā
You were in the middle of deciding which heels worked best with your new dress, when Charles had called out to you from his hotel suiteās living room, asking you to bring him the oil he always uses when he has a headache. The heels are now discarded at the edge of the couch, but you still have your dress on, hiked up your thighs so you can sit comfortably on his lap to apply the oil. Ā
said something stupid, instead of 'i love you.'- c.leclerc
can't we just act like we never broke each other's hearts?
pairing: charles leclerc x female reader
word count: 26.9k (my bad fr fr)
warnings: 18+ minors dni, protected sex, oral sex, google translated french. tw: charles' 2022 season (including france)
a/n: this is something, that's for certain. good or bad is yet to be decided.
I'VE MOVED BLOGS! if you enjoy this and are looking for more, follow me @formulaforza
Youād texted him two weeks before the season opener. It was short, simple, and a huge overstep, one you promised yourself years ago youād never make. Do you have any extra paddock passes? Heād said yes, and you begrudgingly asked if you could have an extra, if you could bring a guest, a boyfriend, Michael. Heās a big fan, of Charles and of Formula One. I really want to impress him.
Michaelās been impatiently itching to meet Charles since he spotted a photo of the two of you in your living room. You thought youād taken them all down before he came over, but, you missed one. Heās sort of a Ferrari fan-boy, an Italian whose transplanted himself to Monte Carlo. Youād been putting off the meeting as long as possible, forced to consider if Michael actually liked you, or if he just wanted to know Charles. It wasnāt easy, to keep them apart. It was winter break, and Charles was in Monaco too much to be easily avoided. Thereās a lot of verbiage that is used to describe home, vast is not one of them.Ā
You feel strangely out of place with someone else to look after in the paddock. Ferrari hospitality had been your home away from home for years now, the way you followed him around the globe like a helicopter parent that first year he wore red. The paddock was always different, but maintained a comfortable familiarity, recognizable faces, names, buildings and colors. Michael was wide-eyed and curious and you smiled at the way the sun bounced off his hair, the excitement he couldnāt contain when amongst the chaos youād become accustomed to. His presence, though, felt intrusive on something that had, for so long, been just yours.Ā
Arthurās familiar voice calls your name, over the bustling hum of different important and wealthy figures. You grin when your eyes meet his, stand up from the leather sofa youāre seated on, give him, and Pascale, big hugs. Charles told me you brought someone? She asked, voice sweet and curious.Ā
Her tone was contrasted by Arthurās quip asking where your arm-candy had run off to, wiggling his brows and searching the room for a man heād never seen. Heās oblivious to the glare Pascale shoots into the side of his head.Ā
You explain that heās in the bathroom, check your watch. āHave you seen Charles today?ā Itās not like him to not stop by and say hello, to check in and make sure youāre still enjoying yourselfāor that youāre still capable of pretending you are. You wonder if heās avoiding you, annoyed by the presence of your guest, a guest he doesnāt know. Itās unheard of, you asking for passes. Itās literally never happened. Youād asked about the possibility of one for yourself, back when he was with Sauber, and heās maintained that you have an open invite since.Ā
āWe were just with him.ā Arthur says.
āHow is he?ā You ask, because he might be mad at you, but also because you know him. His brain works like clockwork. Two hours before a race, right now, heāll be doubting himself, doubting the car, doubting himself again. In his moments of downtime, before heās swept up into the chaos of it all, his brain will pick itself apart with nervousness. You think itās endearing, his nerves. They remind you that heās still Charles at times where he feels so grand and invincible.Ā
āHeās good.ā Arthur says, because between crucifying jokes and mockings of his big brother, Arthur idolizes him. Heās none the wiser to Charlesā anxieties and insecurities because heās never looking for him, blind confidence in the man heāll never admit is his biggest role model. You look to Pascale, who understands the depth of your question, and get a reaffirming nod.Ā
Arthur diggs two sticker tags from his pocket, full grid access. āFor you.ā He says, fastening one onto your lanyard. āAnd for the boy.ā He holds out the other, presents it like a crown jewel. You sigh, snatch it from his hand and shove it into your pocket. You hate watching races in the garage, with all the hyper-wealthy motherfuckers who buy their way in. You always feel like you donāt belong. Like, no matter where you move, youāre always in someone more importantās way. Your limbs donāt feel like your own, unable to settle, so close to the comfort of your best friend yet miles away from his occupied mind.Ā
āWhatās going on?ā Michael asks, airy tone in direct conflict to his hand on the small of your back, tense with envy. Heās silently laying claim to you, reminding you who you belong to, and you almost laugh at the thought of someone being threatened by Arthur. Charles, you could see. Charles, youāve had that argument about before. Arthur, though? Arthur, who slept with his ratty blanket until he was sixteen, who lost not one, but two pet goldfish in the span of a year. Arthur, who is very happily in love with the sweetest girl to ever grace this Earth.Ā
āCāest lui?ā Arthur asks, tone bored. āIl est vieux.ā
āThis is him.ā You say, through gritted teeth, introduce them all formally and sit by as an observer in their conversation. The lowlight was Arthurās mention of grid access, and Michaelās giddiness at watching the race in the garage. You knew then that youād be uncomfortable well into the night.Ā
You end up in the garage during the driverās parade. āDonāt touch anything.ā You told Michael, the same warning Charles had given you the first time he brought you through a garage. The warning you give was less for your boyfriend, and more for you, who is desperate to run a hand over the red chassis, to memorize every detail of it. If you do, you might feel more comfortable when heās inside, might be able to pretend you understand the concepts he casually mentions over dinner.Ā
You squeal like a child when you see Isa, hugging her tight and spilling all the details of your lives since Abu Dhabi last year. You introduce her to Michael, who says heās a big fan of Carlos. Joris tugs on your ponytail, appearing with Andrea, who kisses your cheek, tells you Charles is going to be so happy to see you in the garage. You roll your eyes.Ā
Charles is heard before he is seen, a loud laugh, a familiar voice calling out your name as soon as he turned the corner. Heās probably just as surprised to see you in here as you are uncomfortable about it. When you hug him, the knotted waist of his overalls digs into you awkwardly. āYouāre warm.ā You say, peeling your body from his sweaty form.Ā
āItās hot.ā He says, runs a hand through his salty hair.
āThey shouldnāt make you wear all this during the parade.ā You said, and he shrugged it off, asked where your guy was. You look around, search the garage for him. He canāt be far, and surely heās gawking from one corner or another. If not at the sight of Charles Leclerc, Formula One driver, than at Charles, a man, whose hand hovers just behind the small of your back.Ā
Two hands, two separate distinctions. One, possessive and impossible to ignore. The other, protective, almost goes unnoticed. For a few breaths, your shoulders are relaxed, but then his hand is gone, shaking Michaelās. āGood to meet you, Mate.ā Charles says, and the whole place feels like a straightjacket again.
ā āĀ
You stand next to Isa, your hands wrapped nervously around each otherās the entire race, watching monitors and listening in on the headsets. āCarlos says the cars have it this year.ā She says, while the guys are lining up in their starting spots. It feels like everyone at Ferrari has been chasing it, whatever it is, for a decade. Every year is the year, and every year, youāre begging Charles not to base his self-worth on a bad race or a bad season. Youāll believe in him until your last breath, but your glass of Ferrari is never going to be half-full.
Charles and Max, Max and Charles, Charles and Max. They flip flop positions lap after lap. When it seems like heās settled in, you allow yourself to breathe. The universe has never allowed him comfort, though. Enter, safety car. The replay is on the screen, and your heart pangs for Pierre, watching his dash go black in system failure. Your heart aches for Charles, though, and the forty-six laps of hard work that was erased just like that.Ā
Max races like Max, inching closer and closer to Charles, practically lining up next to him. Youāre rearing up for a dogfight, but Max fucks up. You donāt know what he did, why he did it, and it doesnāt seem like anyone else does either. It doesnāt matter, though, because Charles is gone. Something in you settles, sure and confident, even if itās not over yet. You hear murmurs, celebrations, Max is retiring. Charles is going to win.
A Ferrari one-two to start the season. Your smile is so big your cheeks ache. Under the lights, watching him up on the top step, listening to your national anthem, you allow yourself to hope, to buy into the hype everyone else is swearing by.Ā
His skin shines brighter than his smile, sparkling with whatever lemon-lime soda theyād filled the champagne bottles with this year. You have a momentary lapse, consider what his skin would taste like, sweaty and sticky and sweet. Michaelās presence, his arms caging you in between him and the barricade, assures that the thought is nothing more than a passing one.Ā
He hugs you when he makes the rounds, being whisked away to whatever media responsibilities he had to fulfill before he heads to the debrief. Sweat and seven-up soaked, heās running on pure adrenaline, squeezing you so tight you struggle to breathe.Ā
ā ā
You shower back at the hotel, wash his hug down the drain with the rest of the race anxiety. He takes everyone out to dinner late that night; Arthur, Lorenzo, Pascale, Andrea, Joris, Michael, and you. Itās a tradition. No matter how late or early in the day it happened. A podium, a celebratory dinner. Like always.Ā
The air is light, happy conversations flow from smiling faces, filling the room with laughter and excitement and hope. Youāre sandwiched between your boyfriend and your best friend. Charlesā arm throws itself around your shoulder when Lorenzo retells a story meant to embarrass you. Michael reacts accordingly, hand on your thigh, fingers digging into your skin. Theyāre fighting over you and only one of them knows it.Ā
Charles is engaged in conversation, and youāre pretty sure youāre going to have bruises in your leg by the time you go to sleep tonight. You nudge Charlesā foot with yours, his head turns before his eyes, lingering on Andrea and the conversation youāre pulling him from before he's searching your eyes curiously. You shrug your shoulder, and as if noticing itās there for the very first time, he drops his arm onto the table and returns to the conversation.Ā
He mustāve showered, changed, and hurried here. His hair is still damp, and you want to play with it. Curl the long pieces around your finger and play with the short pieces at the nape of his neck. You soak up his presence as much as you can, knowing itās going to be several weeks and several races before you see each other again. Crazy lives and crazy schedules that wonāt feel normal again until break. You both take care to cherish the times you do get to spend together these days. Youāre not twenty-one following him around the world anymore.
āMerci.ā You say, at the end of the night. āFor everything.ā
He shakes his head, shoos your words away like theyāre unnecessary, like you shouldnāt be thanking him for pulling strings. āTon jouet garƧon parle-t'il franƧais?ā He asks quietly, just for the two of you to hear. You roll your eyes, shake your head. āIl aest assez fan de moi.āĀ
āTu lāaime bien alors?ā
āNon.ā He chuckles. āJe ne lāaime pas. Pas pour toi.ā He says it matter-of-factly, annoyingly so and without any elaboration.Ā
āHeureusement, que tu nāes pas ma mĆØre.ā
āHeureusement.ā
Itās Miami when you see him next. Hot and humid and sunny, once more. Windy, too. Big gusts move the palms, gluing your hair haphazardly across your face before you tie it back, blowing his shirt tight across his chest. āHowās grandpa?ā He asks at lunch. Youāre sat across from him on the expansive patio of a waterfront restaurant, waves crashing against the cement beams below you, a seagull running around on the wooden planks in search of fresh crumbs.Ā
After Bahrain, Arthur wouldnāt drop the salt and pepper allegations, pushing until he found out Michael was seven years older than you. None of the boys have referred to him as anything but a grandfather since.Ā
āOh, that?ā You say, nonchalant, like you canāt be bothered when you very much were. āHe liked me too much.ā Translation, he wanted me on a leash.Ā
āHe liked you too much.ā He repeated, smile tugging on his lips. āPlease,ā He gestured to you, āĆlaborer.ā
āYou never liked him, anyway.ā You say into the rim of your water glass, taking a long, cold drink. The condensation from the glass drips down your wrist, forearm, off your bent elbow and onto your bare thighs, just past the hem of your sundress. The glass makes a heavy clunk when you set it back on the tabletop.Ā
āOh, I loved him.ā He laughed. āHe was just wrong for you, chou.ā
āYou barely knew him.ā
āAfter he left you alone in the garage?ā He leans back in his seat, gestures harshly across his throat and clicks his tongue. āThere was nothing to know.ā
āYou leave me alone in the garage.ā You remind him and heās quick to jump in.Ā
āI do not.ā He leans forward, elbows on the table, animated. You smile, he smiles. āI leave you with Arthur.ā
āYou do not!ā You laugh, protest without thinking, without needing to. The memory of each and every race youāve spent in the garage is burnt into your memory. Every second feels like a second and a half. There are no distractions, itās just you, in the way, and him, flying around in a death trap at a million kilometers an hour.Ā
He tries to argue, insist he would never leave you alone if he thought you were uncomfortable. You donāt want to hear it, though. If he does leave you under the watchful eye of someone, they have always done a pretty shitty job at looking out for you. āWhatever.ā He finally concedes. āWhoās on the radar now?ā Nobody, you tell him. Going to be single for a while.Ā
āWhat are your plans tonight?ā He asked over the phone. It was the middle of the decade, the start of your first year at University. The longest youāve been away from home and the only time heād been there without you.Ā
Jules had died that summer, and the sun had felt dimmed since. You spoke to Charles almost every day, but you were in no rush to get back home. It was ironic, Monaco reminding you of Jules, you finding an escape from the memories in France. It should be the other way around, but, logic has never had much hold over grief.Ā
āI have a presentation, remember?ā He listened to you revise for it, mindlessly picking apart your notes, adjusting even the most minute details, for hours last week. You cried when the ancient printer in the library wouldnāt fulfill itās only earthly purpose, and he patiently calmed you down, stayed with you on the phone until you fell asleep that night. He never acknowledged it, and you were grateful for it.Ā
āThatās tonight?ā He asked, sounded defeated.
āYes. Why?ā
āI miss you.ā He said, and you nearly crumbled into a little ball on the street. āI was going to come see you.ā
You hesitated for a moment, tried to remember just how messy your apartment was, sized up your outfit. You didnāt want him to go telling stories to your parents of a disheveled daughter drowning somewhere just below the surface in France. You wanted to be put together when you saw him again, be the rock you were before you left.Ā
Generously, you would say you fell somewhere in the grey. āCome, then.ā You told him. āYou can pick me up.ā
ā ā
Nearly three hours later, after the conclusion of your presentation and his mind-numbing drive, heās parked a short walk from your university building, waiting for you. āSulut.ā He said.Ā
āHey.ā You replied, climbing into the passenger seat. āHow was Portugal?ā Heād just gotten home and youād been too busy with school to check any race results. Plus, you always liked hearing his recounts of races more than Google results.Ā
āHow was your presentation?ā He asks, doesnāt answer your question.Ā
āGood.ā You smiled, buckled your seatbelt.Ā
Last season, before last summer and before Jules, you couldnāt get him to shut up about racing. It was all he ever wanted to talk about. He could be winning races or embarrassing himself on track, it didnāt matter, heād talk your ear off. Now, heās a lockbox with a combination that changes every day. You talk and you talk but nothing is really said, not anymore. You use each otherās voices to drown out the ones in your heads, to dull the pain, if even briefly.Ā
Growing up, it had always been your three families. Your fathers were best friends, had known each other before they knew their wives. You vacationed together, spent holidays together, had monthly family dinners and walked to the bus stop together. All of you kids were the same ages. Not planned, completely coincidental, theyād always say. You didnāt buy it, Arthur was the only one without a match, poor kid, the permanent brunt of jokes and the forever baby brother.Ā
āI donāt know my way around here.ā He says, hand on the back of your headrest, backing the car out onto the road.Ā
āI do.ā He smiles. Oh, how you missed his smile. All perfect and pretty, just like the rest of him, only happier.
You arrive in Spain early, with him. Thereās optimism after Miami, Charles is back on track, back to believing he deserves the title and then some. You all spend the entirety of Monday in La Barceloneta, soaking up as much tranquility and Spanish sun as you can.
Someone is knockingāpoundingāon the door of your hotel room. The sun has barely risen, pouring through the floor-to-ceiling windows, casting hard golden shadows on the entire room. āFuck.ā You groan, rubbing sleep from your eyes, dragging your feet the entire way to the door. When Charles had said, weāre going to spend all day at the beach, you thought he meant midday, at the earliest. āWhat?ā You say, met with Arthurās annoyed face.Ā
āYou could sleep through a freight train.ā He says, and you flip him off.Ā
āYou could have called me.ā You say, yawn, stretch your arms out above your head. He rolls his eyes, and it gets under your skin in a way only a little brother can manage. You wish you had a shoe to throw at his stupid face.Ā
āCharles did. Three times.ā He holds up a matching amount of fingers and you nod, that sounds like something youād sleep through. āAre you ready?āĀ
Deep breaths, deep breaths, donāt lunge at him. āDo I look ready?ā He looks you up and down and you can actually see the gears turning in his head, all three of his brain cells working overtime trying to convince him to keep his mouth shut. āDonāt answer that.ā You say, stop him before your eye starts to twitch. āGive me half an hour.ā
You knock on the door to Charlesā suite forty-five minutes later. Messy ponytail that you barely brushed, swimsuit, shorts, cotton button-up, entirely too large tote bag slung over your shoulder. Lorenzo answers, āGood morning, sunshine.ā He says, all sing-songy and stupid. āSleep well?ā
You walk straight past him into the suite. You think your entire room could fit in his living area. You walk through it, past Joris and Arthur, engaged in a heated conversation, and Carla, who looks about as sleepy as you do. Charles is leaning against the kitchen counter, eating a bowl of something colorful. āNo coffee?ā You say.
Mouth full, he answers around his spoon, āI donāt drink coffee.ā
āBut, I do.ā You say, grab a sliced strawberry from his bowl, eat it in one bite.Ā
āFeel free to make some.ā Lorenzo chimes in. You flip him off, too, pouring coffee grinds into a paper filter and starting a pot. Lorenzo grabs a strawberry from Charlesā bowl too, and the metal spoon promptly collides with his arm. āAy!ā He yelps, tries, and fails, to jump away from the cutlery. āYou let her have one!ā
āShe scares me when sheās tired.ā He says, and you take another one because you know youāll get away with it. He points the spoon at you, warningly. You wink, pop it in your mouth and he smiles, chuckles into the breakfast.Ā
ā ā
You fall asleep on the cabana bed in your shorts and bikini top, cotton shirt unbuttoned and laid over your face like itās going to block the light out. You wake up when youāre hit with a bottle of sunscreen. Thereās a possibility whoever threw it didnāt realize you were asleep, but the seam lines on your legs lead you to believe youāve been relatively stationary since laying down here.Ā
You pull the shirt off your face, sit up, disoriented from the nap. āYouāre going to burn,ā Charles says, rubbing the lotion into his face. āYou have pink cheeks.ā
āNo, I donāt.ā You say, but lather up anyway, ask Carla to reach the places you canāt.Ā
The first drinks of the day come with lunch, a round of beers. Corona with lime. You keep yourself paced for the first couple hours, a 1:1 ratio between liquor and water. You maintain the slightest of buzzes, one that you really only feel when you catch yourself giggling too hard at one of their stupid jokes. Itās not the beer that takes you out, youāve spent your entire life trying to keep up with Charles and his professional-drinker friends. Itās not the Sangria, either, however fun that is to sip. Itās the shots. Itās always the cheap tequila shots that do you in. You feel them too late, donāt realize youāre tipsy until youāre shitfaced. Youāll learn one day. One day, but not today.Ā
You and Charles are sent to find tequila, and you walk down the beach until you find a bar that looks like itās got decent shit. āI like you like this,ā You say, toes sinking into the wet sand, cool water washing over your feet with each crashing wave.Ā
āLike what?ā He asks, squinting through the sun to see you. You left your sunglasses at the cabana and he gave you his to wear. They were big on your face and you thought if you moved too quickly theyād fall off into the sand. His linen shirt whips in the wind, his hair is sticking up in all directions, greasy with sunscreen. He glistened with sweat and coconut lotion, beautifully sunkissed.
āJust.ā You shrug. āHappy.ā
āAwww,ā He teases, throws an arm around you, makes you miss a step and trip into him. He smells like summer and sandalwood and fresh, warm towels. āSo sweet.ā
At the bar, you order and he pays. Licking the salt off the back of your hand, you down the shot, pucker your lips around the lime, and set off back toward the rest of the group with a handful of shot glasses. Itās harder to carry them than you thought it would be, both of you fighting laughter when a bit of alcohol spills out of the tiny glasses, moving quickly over the burning sand. Back with everyone, you take another shot, no salt this time.Ā
The next round is broken up by something sweet and fruity. Joris takes a picture of you and Charles drinking them, arms intertwined like newlyweds at their wedding reception. You hope it doesnāt end up on social media, uninterested in a weekend full of online death threats.Ā
Another round of shots follows soon after, and then another. Not a single water has been sipped in hours. āWe should go swimming.ā You declared, unbuttoning your shorts and wiggling out of them. āBefore weāre too drunk.ā
āWeāre not getting drunk.ā Lorenzo says. Carla laughs from Arthurās lap.Ā
You shrug. āI am.ā
āYou already are.ā Charles laughs into a beer bottle. āNo deeper than your ankles.ā Fuck you, you mouthed, walked backwards towards the sea. You wade out until the waves splash against your chest. On the beach, Charles is unbuttoning his shirt and tossing it on the cabana, taking off his sunglasses. You feel hot in the chilly water.Ā
āMy babysitter!ā You laugh when heās within earshot, slowly cutting through the water to you.Ā
āI told you ankles.āĀ
You shrug, form first with your hands and push them against his palms. āIām not drunk.ā He pushes back, laughing, you are. You shake your head, move your hands from his and run them over your hair, gather it to one side, twist the water from the ends. āThe water is sobering me.ā You lower yourself, sinking down until the salt water tickles your chin.Ā
āYeah?ā
āYeah.ā You look up at him, probably with blown, tipsy pupils.Ā
āI donāt believe you.āĀ
You hum, dipping your head back into the water. āYou never do.ā
āI always do.ā He says, and you laugh at the immediate contradiction like itās the funniest thing youāve ever heard. You might be drunk.Ā
You cut yourself off after that, until you can eat something and drink a non-alchoholic beverage. You wonāt let yourself get sober, because then youāll be passed out on someoneās shoulder by sunset. You wonāt get trashy, though. Itās a race week, anyone could see him, take a picture with him, a video with you in the background. When youāre together, whether you like it or not, youāre a reflection of him, a public display of the type of people he wants to associate himself with. Tipsy and fun is cute and carefree. Trashed and blacked is messy and irresponsible.Ā
Youāre trying to hold your composure in the taxi, resting your head, and eyes, on the window. The guys picked a restaurant while you and Carla were using the bathroom, and now youāre making Charles read you the menu. Heās doing it in butchered Spanish, trying to pick out the words and meals he recognizes.Ā
āIs there tapas?ā You ask, smacking his chest with the back of your hand.Ā
āThere is tapas.ā He confirms.
You almost cry, laugh instead. āMy god, I could kiss you right now.ā
āYou are so drunk.ā He chuckles, and you bite your fist, sink into your seat, wish you could fake it better. Have fun and let loose without embarrassing him.Ā
The sobriety returns during dinner, bringing a pulsating headache with it. You drown your sorrows in delicious, cheap food, and drink an entire pitcher of water by yourself. When you leave, on the street outside, a band is playing in front of a fountain. You all stop, gather around and listen, sway to the lyrics you can barely understand. Joris is taking pictures of the band, Arthur is spinning a giggly Carla around. Charles grabs your hand, twirls you around and dances with you under the orange street lights. You rest your head on his chest.Ā
āYou should sing along.ā The vibrations from his laugh soother your aching head.Ā
It feels like a scene from a movie, like every other person in the city fades away into obscurity and itās just you and he swaying on the cobblestone street. Youāre so close to him, canāt be much closer, wish you could be. If you could, youād crawl inside him, inspect his brain and the beautiful way it thinks, admire the way he sees the world. You know itās special. Everything about him is magnificent, from the tallest hair on his head to the soles of his feet, every birthmark and fallen eyelash in between.Ā
Slowly, your sway has come to a stand still, and heās staring at you with dopey, tired eyes. It should be illegal, the way he;s looking at you. His sightline jumps all over your face. Your right eye to your left, your nose to your lips. They linger there, on your lips, and then heās staring into your soul, searching for something. Can I kiss you right now. Give me a reason not to. You donāt know what he wants you to silently speak. If you knew, youād tell him.Ā
A cat-call whistle snaps both of your heads to Lorenzo. āGet a room!ā Arthur yells, pretends to gag. Carla smacks his chest a little too hard to be playful.Ā
The gap between you and Charles is only a few inches larger, but he feels unreachable, eyes glossy and avoiding you. āFuck off, mate.: He says, drop a bill into the bandās opened guitar case.Ā
ā āĀ
Sunday is a nightmare. Thereās no way to sugar coat it or make it sound prettier than it is. Andrea grabs you from hospitality, throws his pass around your neck because nobody is going to stop him from getting into the garage. He keeps you at an arms length for the entirety of the short walk.Ā
The car is already stopped in front of the garage, heās climbing out. His posture is defeated, depressing. You wonder if youāll be able to say the right words or if heās just going to want to yell. A few people give him encouraging words, pats on the back, a hug. Theyāre already asking him to go to the media pen, to feed him to the sharks like a bucket of chum. He moves past them all, gets his weight taken and bee lines it to his drivers room.Ā
Andrea nudges you in his direction. You stay in play, your feet frozen. You donāt know what to say. Go on, he says.Ā
Fuck.Ā
You knock on the door softly, nothing. Opening the door just wide enough to squeeze through it, you find him sat on the floor. Knees bent, arms locked and resting on them, fingers intertwined. His back is against the edge of the couch and his head is hung low. He doesnāt look like himself.Ā
āWhat?ā He says, rigid, doesnāt even bother to look in your direction.Ā
āDo you want me here?ā You ask, and his eyes shoot over to you. He looks exhaustingly sad and sorrowfully tired. You wish you could make it better, rub Neosporin on his cutes and stick a race car bandaid over them. Promis the wound would get better and know you were telling the truth.Ā
āStay.ā He says, so you close the door behind you.Ā
You sit on the couch, awkwardly scooch yourself over and around him, a leg on either side of his body. His head rests on your knee and your fingers toy with his hair, soaked with sweat. You donāt know how long you sit like that, just that itās long enough for someone to knock on the door twice. You stay seated.Ā
āYou should change.ā You finally say, after the third set of knocks noticeably lacks the patience of the previous two.Ā
āYeah.ā He says, and you both stand. āDonāt go home?ā He asks when youāre already halfway out the door, when youāre already looking at Mia in the stairwell. You look over your shoulder, nod, smile, and leave the door open for her to slide in and get to work.Ā
You wait on the stairs, take a deep breath before re-emerging into the chaos. Carlos is still fighting for the podium and you donāt want to drag the mood to the Marianas Trench. Itās just so, so hard to see him hate himself.Ā
Energy is low, morale is lower, but you stay seated in the back of the garage. When the race is over, you head back to hospitality, linger in his room there. Your phone is dead, abandoned on the floor and you lay on his massage table, staring aimlessly at the ceiling. Everything replays on the blank canvas. The perfect lap the day before, his pole position. The sparkle in his eyes and the lightness to his voice. A great start and a commanding lead and a quick pit stop and then heās slowing down, Andrea is grabbing you and hurrying you across the paddock strip.Ā
Your presence scares him, makes him jump when he opens the door. āFuck.ā He says. āI thought you went home.ā
You donāt bother to look up at him, to sit up. āYou asked me to stay.ā You listen while he shuffles around the room. His presence means the presence of others, and itās not long before Andrea is there, picking up your phone and placing it on your stomach. His brothers are gone, Carla too. Joris lingers, the silent, unrelenting support of a friend.Ā
āAre you hungry?ā Charles askes, and you turn your head to face him. His expression is as tired as his voice.Ā
āAre you?ā You arenāt, but you can be if he is.
āNo.ā
āMe neither.ā His eyes narrow, trying to decipher if youāre telling him the truth or if youāre being agreeable. He hates it when you do that, when you tell people what they want to hear instead of what they need to, instead of the truth. āSerious.ā You reaffirm, and he returns to packing up his things.Ā
You just watch him. Thereās nothing else to do, but, you want to live in his head, know what heās thinking and feeling and fighting. You relish in any hint towards those emotions, from the way his shoulders hand to the way he zips up his backpack.Ā
āCome,ā He says, extending a hand, pulling you to your feet. He grabs his sunglasses from their comfortable position on the collar of his shirt. Itās dark out. He just wants to hide the disappointment. There are still people lingering on the track, after all these hours. On your way out, he stops and talks to Pierre and Esteban. About what, you donāt listen. You donāt ever want to talk about this race again, want to leave it in the past. Head down, focused on the things yet to come. When Charles is ready to move on, Pierre gives him a heavy pat on the shoulder and a hug, one of the largest displays of encouragement any of these guys are capable of giving to each other.Ā
It must be so strange, you think, hoping for someoneās success and failure simultaneously.Ā
Fans are still here, too. He holds his head high and takes pictures and signs everything, makes them all feel loved and appreciated. Nobody is any the wiser to his inner turmoil, to the way he wil pick apart every single aspect of the race and internalize it, use it as fucked up motivation. Heās silent when heās not interacting with the stragglers. You, Andrea, and Joris all trail behind him, engaged in quiet conversation about Monaco; the race, sleeping at home, the always surprising strangeness of a race you could watch from your bedroom window. Ahead, he holds out a hand to you, and you take a hurried couple of steps to match his pace.Ā
āYou okay?ā You ask. He nods. āAnything but?ā
Anything but, a term youād coined after Julesā accident, when all anyone ever wanted to talk to you guys about was how you were doing, what you were feeling. The constant retelling, reliving, reassuring everyone you were doing okay when you were far from, it was almost as painful as losing him. Anything but is invoked, and the other has to change the subject, ignore the elephant in the room, no matter how big it is.Ā
A soft, sad smile tugs on his lips, silent gratitude, and he squeezes your hand tighter, barely so. āYeah.ā He says, and you go on about the haircut youāre thinking about getting once youāre back home in Monaco, asking if he thinks bangs are an option on a face shaped like yours.Ā
ā ā
Youāre flying to Monaco with Charles, and the rest of Ferrari, early tomorrow morning, so your small group deciding in the hotel lobby that the night will be made better by liquor, probably isnāt the wisest of decisions. You do it anyway.
You all behave, careful not to get tipsy. Andrea reminds Charles he still has to train tomorrow, and that keeps him from going too far. The rest of you are just following his lead.Ā
He insists on walking you back to your room at the end of the night, even though Andrea and Joris both swore theyād get you there safe. Sheās a runner when sheās drunk, heād said, and you scowled. āNot since I was sixteen!ā You defended, insistent that you didnāt need anyone; Joris, Andrea, or Charles, to walk you to your room. Itās not like youāre lost and drunk somewhere in an unfamiliar city. Itās a five-star hotel and you had all of one floor to travel between.Ā
He doesnāt even say anything on the walk heād insisted on being present for. Your footsteps echo off the carpeted floors, bouncing between the thin walls and reflecting off the sleek, minimalist artwork. He has a beer in his hand, something from the hotel bar, priced entirely too high for the quality, youāre sure. Each time he brings it to his lips, the glass clinks against the ring on his pinky finger.Ā
Heās flushed, beautiful as ever, and you wished you were an overpriced bottle of beer; your sweat on his skin, the cold ring contrasting his warm, calloused hands. Those soft, pink lips on you, the way they almost were this week. They almost were, you keep telling yourself, you werenāt imagining it. āCharles.ā He raises his brows, silently tells you to continue. āIt,ā You hesitate. You falter, because itās not too late to say nothing, to bask in the silence a little longer. You can still stop yourself, shove the thoughts deep down and abandon them somewhere in the back of your mind. Curiosity, desperation, something sparked by the green in his eyes and the red on his shirt and the condensation on the bottle, it all gets the best of you. āThe other night, it felt like you were going to kiss me.ā
āHmm.ā He hums against the lip of the bottle, finishing off the last of the drink. Thereās a long pause. You, waiting for him to say something, memorizing the strange pattern on the carpet. Him, saying nothing. You reach your room, hold the key card up to the lock. The silence is amplified by the shifting electronic gears and youāre pushing the door open. āAre you going to ask me?ā You blink. āIf I was going to kiss you?ā
You exhale. Long and slow, do you want to know? āI havenāt decided yet.ā You finally say. Iām not ready for this to get flipped on its head, you couldāve said. I love you too much to like you, you could have said. You didnāt.Ā āNuit, Charles.ā You say instead, disappearing into the darkness of your room.Ā
āBonne nuit.ā
āIāve decided against the bangs.ā You tell him in the grocery store around the corner from his apartment, leant against one of the doors in the refrigerator aisle. Heās waiting for a text back from his nutritionist, trying to figure out what heās going to cook on the boat tonight. Itās family dinner night, and heād volunteered to host, which meant he volunteered you to host on his yacht
āGood.ā He says.
āYou told me they would look good.ā You laugh, wonder if he even remembers the conversation or if your words were just the backing track to his overthinking.Ā
He shrugs. āYouāre supposed to stop me from looking like a fool.ā He laughs at his phone screen, turns it off and slides it into his pocket.Ā
āMy favorite thing about you is that youāre a fool.ā He says, pulling open the door youāre leaning against, moving you with it. Thatās not very nice, you said as he piled two packages of chicken breasts onto the groceries already in your hands.
āChicken. Brave.ā You add, reminiscent of the last time he tried cooking chicken on the water. Itās a good thing there was a fire extinguisher on board, and saying anything else would break the oath of secrecy you were sworn to.Ā
āHa, ha.ā He mocks. āNot funny.ā
āYou know what isnāt funny?ā You grab another pack of chicken, just in case. āTelling me bangs would be good.ā
Good luck this weekend, the cashier tells him when youāre checking out. Break the curse, yes? Charles laughs, because heās a good sport, and agrees. You hate all the curse talk, it pisses you off, more than it does him. The conversation around it gets worse every year, every time he doesnāt win at home.Ā
They love him so much here, heās their poster-boy during their poster-week, they donāt mean any harm by it, but it still gets under your skin. Curse this, curse that. Fuck off, shut up about it already. Everyone knows his Monaco track record, can everyone please find anything else to talk about?
ā ā
He finishes fourth, and it feels somehow worse than last yearās DNF. SO close, only to be screwed by the same shit as last week. You drink your weight at the club that night because maybe a lack of sobriety will make it sting a little less.Ā
āYou are not wearing that.ā Lorenzo says when you walk out of your building. You groaned, looked down at your outfit. It was slinky, but slinky is what everyone wears to the club, especially during the grand prix.
You settle for a blazer, tell him to suck your dick, and fill the pockets so you can abandon your purse. You start off at a smaller club, one that transitions from a restaurant after dark and has intimate, smaller tables. Youāre there for a couple hours, eat something and get buzzed. Predictably, you meet up with half of the grid at Formula Oneās favorite club, where you have a bigger section and a bigger group and get a bigger buzz.
āI canāt wear these anymore,ā You whined, stopping to lean against the wall of a building to take off your heels. Your feet were blistering, and the thought of having to continue the walk with them on was dreadful. Charles carries them because you keep dropping one without realizing it. Itās not your finest moment, but, you only threaten to jump into one bush on the nearly fifteen minute walk. Overall, a strong showing on your part.Ā
You lose Charles at Jimmy*z, dancing with friends and strangers and other drivers and their parties. Youāre drinking Negroniās, and you arenāt sipping, occasionally splitting it up with a shot whenever someone suggests it. Thatās when you see him again, when heās putting a double shot of something expensive in your hand. I shouldnāt, you say, because you're teetering close to the line of embarrassment. He rolls his eyes, fully inebriated. Shiftfaced, if you will. āShut up and take a shot with me.ā
You do, it goes down smoother than water.Ā
āThatās good!ā You say, examininging the glass.Ā
āI know.ā He deadpans, and you both laugh. Sober Charles is one of the funniest people you know. Drunk Charles is the funniest person you know. Heās so unserious in everything he doesāthe way he talks, dances, expresses emotions, thereās nothing not funny about it.Ā
The club comped the table and a few bottles of champagne for the publicity that comes with having half of Formula One partying under their roof. In exchange, a manager is trying to wrangle Charlesā section into a group photo. You were standing back, laughing at them all failing to maintain any semblance of sobriety, all logic and composure out the window three drinks ago. Charles and Arthur are yelling your name, yelling at each other, looking for you in the strobe lights. You move, hope he doesnāt see you. He does, locks eyes with you, dopey smile, summoning you with this come-hither motion, his middle and ring finger calling you to him. Even drunk, you notice the gesture, the subtle curl, twitch of his long fingers.Ā
Fucking, hell. Flushed cheeks burn bright and youāre grateful your hair is down, covering your undoubtedly matching ears. He almost kissed you. He did. Youāre not crazy, he knows exactly what heās doing. Heās too smart not to.Ā
You smile, lips pursed, and shake your head. It makes him pout, and then heās yelling your name, gesturing you over with the rapid movement of his entire arm. His other hand is smacking Arthurās face, trying to rile he and Carla up. It works, and now half the group is yelling your name, so, you give in. Celebratory cheers leave their mouths and the boys share a near-miss high five. Charles grabs the back of your head, pulls you under his arm in one fail swoop. You hone in on his cologne. Tom Ford Tuscan Leather, no doubt. His signature night-out fragrance, the one you and Lorenzo nearly peed your pants laughing at when Pascale bought it for him a few years ago. The hints of raspberry and amber wood, the ones nobody can smell unless theyāre this close to him, make you dizzy.
āYou smell nice.ā You say, and he just looks at you, lowers his head to talk directly into your ear. You look beautiful, he says, and you might be sober. āDonāt say that to me.ā You laugh, smooth down your hair.
Thereās aĀ real possibility at least one of the twenty people in the photo were actually looking at the camera.Ā
At some point in the night, you end up in the bathroom with Carla for an evening debrief. You donāt realize how drunk you actually are until youāre staring into your hazy soul in the bathroom mirror. Itās an out of body experience, truly, youāre watching this conversation from the astral plane.Ā
āFuck.ā You say, looking to Carla, who appears to be having the same experience as you. You both burst into a fit of laughter, the hunched over, sore abs, red faces, threat to the integrity of your bladder-type laughter that doesn't require anything to actually be funny. āI have to work tomorrow.ā You say, trying to catch your breath. You work from home, she reminds you, and youāre both laughing again. āJe tāaime.ā You slur, overwhelmed by the alcohol and emotion. āBeaucoup.ā
āNon,ā She giggles. āJe tāaime le olus.āĀ
āYou look.ā You hiccup. āSo pretty, I hate you for being so pretty.ā Carla shakes her head at her own reflection, adjusts her top, checks herself out. You pat the sweat off your forehead and wipe under your arms with toilet paper from a stall. āArthur is so, super lucky.ā Another hiccup. āYou are so pretty. So nice and pretty.ā
āNo, you are so pretty.ā She laughs. āCharles is lucky, and he doesnāt know it.ā Charles, Charles, Charles. You donāt want to talk about Charles and his stupid face and stupid smile and stupid fingers and stupid skin. āI should call Michael.ā You say, digging your phone out of your jacket pocket.Ā
āYou should not.ā She laughs, but youāre already searching your contacts for his name. āNope.ā SHe says, snatches your phone from your hands and holds it out of your reach.Ā
āCarla.ā You hiccup, pleading and pouting.
āNope.ā She says, putting the device in the bag that hands around her body.Ā
ā āĀ
āThis is my song!ā You yell, quickly downing the shot in your hand, entire body vibrating with the bass pouring from the speakers.Ā
āWe should start a band.ā Someone says, and Charles laughs.Ā
āWe should!ā
āYouāre my best friend.ā You tell him, stumbling over your own feet without even taking a step. His arm reaches out as a stabilizer, just in case you need one.Ā
āNo,ā He laughs. āYouāre my best friend. More-er.ā Thatās not a word. You shake your head.Ā
āI could play the drums.āĀ
āI know weāre drunk, but, like. I love you.ā You slur, test the waters of shifting your weight from one foot to the other. Another stumble, another hiccup. āIād do, like, anything for you.ā
āI know.ā He says, but you canāt hear his voice over the music. āI love you.ā He adds, smacking Lorenzo on the arm to get his attention, to draw him out of band practice planning. āSheās my best friend!ā He says.Ā
āI know!ā
āI love her.ā
Lorenzo laughs. āWe all know.āĀ
āWe should take a picture!ā You suggest to Charles, and he agrees. āI donāt have my phone. Someone stole it.ā He gives you a puzzled look, concerned, grabs your elbow like youāre going to float away in the crowd and asks you to clarify. You just shrug. I have it, dumbass. Carla laughs, takes a picture of the two of you, doesnāt give you your phone back.Ā
The next time you see him, youāre sat at the table having one of those drunken moments of emotional, existential crises. Your fingers twiddle with the fake eyelashes you peeled from your lids minutes earlier. āIāve been looking for you.ā He says, heavily drops into the space to your right, slings an arm around you.Ā
Youāre always under his damn arm, you never realized before just how often youāre here. Not that you donāt like it, itās just an observation, confusing and emotionally charged, but an observation nonetheless. Heās so relaxed, completely slouched into the rich leather, legs spread wider than they need to be, the arm thatās not around you resting on the back of the booth. Heās watching everyone else, observing the different people with sleepy eyes and heavy lids. When he talks to you, he turns his head all the way, cranes his neck so heās speaking into your ear again. You donāt turn your head, youād be too close. āI have a secret to tell you.ā He doesnāt whisper.
āWhat?ā You laugh, settle into his side, into the laxity of it all.Ā
He opens his mouth to speak, pauses, rests his forehead on your temple. āI forgot.ā He chuckles. You hiccup. You both laugh.Ā
Your eyes are closed, tired and so, so comfortable. You might fall asleep here, despite the loud noises and loud music and loud heartbeat. āYou were going to kiss me in Barcelona.ā You say, liquid courage forcing the words from your mouth like vomit. It isnāt a question. It doesnāt need to be.Ā
āI kiss you often.ā He says, a weak defense, and kisses the crown of your head. āSee?ā
Youāre not crazy. He was going to kiss you. He was. āCharles.ā Your voice is quiet, strained and scratchy and serious. You donāt open your eyes, canāt look at him when you demand an answer, a confirmation.Ā
āI was.ā The admission is suffocatingly delicate, like he might go for it, right then. His hand might grab your face and guide you to him. Youāre ready for it, you think, as ready as youāre ever going to be for everything to change.
You donāt have to worry about it, to think about it and dwell on if heās going to do it. He doesnāt. He just rests his head on yours. Your thoughts race faster than your heartbeat, and you wonder if he can feel your temples pulsing.
2013, family dinner. Youāre in your room, hiding out for as long as possible, uninterested in the family events. Very teenaged girl of you, in all regards. Charles burst through your door, no knock, no warning. You didnāt even know they were there yet. Luckily for you, nothing incriminating was happening. He was quite the snitch back then, a real tattletale, especially if you were the one getting in trouble.Ā
āI have something to tell you.ā
āUnless itās that youāre going to turn around and leave my room, I donāt care.ā Youād said, annoyed by his presence. At sixteen, your relationship could best be described as friendly enemies. He was always around, especially when you didnāt want him to be, and he was always the golden child. Perfect in school, perfect on the track, perfect son, perfect friend. His existence was infuriating and because you were so close in age, everyone always wanted you to be the best of friends.Ā
As a teenage girl, it was evolutionarily impossible for you to go alone with what everyone else wanted. You had to rebel, to run against the grain. Charles and you were not friends, and you did not care about what was going on in his life.Ā
āSingle-seaters.ā He said with a dumb smile, leaning on his hand against your dresser. You take maybe one step between your bed and his arms, hugging him tighter than you had since you were children. Okay, maybe you did care about his life. There are some things even evolution canāt change.Ā
āWith who?ā
āI thought you didnāt care?ā
āI donātā
His smile grew. āFortec.ā
You half-screamed, half-laughed, hugging him again, somehow tighter. āIām so happy for you, Cha.ā You said, with a level of sincerity you hadnāt used in years, especially with him. You thought for a moment you might cry, that he would make fun of you for it, that youād do it anyways because you were so happy for him.Ā
āDonāt tell anyone, Iām not supposed to say anything.ā
āWho knows?ā
āLike, nobody.ā Heās giddy, itās almost cute. Almost.Ā
āJules?ā You ask, even though you think you already know the answer. Jules is God to Charles, this untouchable, invincible figure that represents the culmination of all his own dreams. He was the first person, you expect him to say.Ā
āNot yet.ā He told you before Jules.Ā
Youāre traveling in the weeks after Monaco, jet-setting around the world for your own career. Itās not until France that you see him again. You beat him there, actually, opting to spend some time visiting friends from University nearby, taking a bit of time to enjoy yourself and relax. Despite what everyone in your Instagram comments thinks, race weekends are not a holiday. The nerves and anxiety and heightened emotions you feel during one is so stress-inducing that the work week feels like a week in the Maldives.Ā
Love you, always proud. You texted him moments after he won in Austria, along with a picture of you and the drink you were having in celebration in your hotel room.Ā
You were a little bummed you couldnāt be there, celebrating with him. He really needed that win, and you could only imagine the weight it lifted off his shoulders. Itās been a while since you saw him genuinely happy on a Sunday night.
Love you, too. You suck. He texted back seven hours later, reiterating the sentiment the entire time he was home in Monaco and you werenāt. When you jokingly suggested he come to France early, you were met with the threat of being blocked.Ā
ā ā
You spent the weekend with Pascale, spending every day at the track trying to out-anxious each other. You donāt know how she sleeps, Charles and Arthur both doing this shit. Youāre a nervous wreck and she barely flinches.Ā
āYou remind me of myself a lot.ā She tells you. Your knee is bouncing anxiously under the table youāre eating at. āYour mother, of course, but. Selfishly, I see the good parts of me in you.ā
Youād always wished Pascale was your Mom, growing up. You have a great mother, you love her to death, but she was your mom. She had to discipline you, she had to put her foot down. Pascale didnāt have to do those things, not with you. She could be cool and carefree and spoil you because she was a bonus parent, not an actual one. If you grew up to be all kinds of fucked-up, she could wash her hands of you. Your mom couldnāt do that.Ā
Youāre so lucky to have her as your Mom, you would say to the boys. Theyād say the same thing to you.Ā
āYouāre going to make me cry.ā You say, picking at your cuticles.Ā
āI donāt like Monaco.ā You say. āNo room for error.ā
āYou donāt like any track.ā She chuckles, releases your hands. You put them in your lap and go back to picking at the skin. āNot when the boys are out there.ā
Sheās right, youāre squeamish when you watch Arthur and Charles, donāt think youāll ever get used to it. Charles loves to make fun of you for it, has videos saved on his phone of you, caught on the television cameras, captured by friends, that one time you were in the background of a Drive to Survive episode. He laughs and laughs at them, but when he watches Arthur, heās just as bad as you are.Ā
Itās different, when you love the driver. When you love them more than the sport, more than the team, more than nearly any other person in the entire world, every corner feels tighter, every straight feels faster, the whole thing feels like a narrowly avoided death sentence.Ā
āI donāt know how you do it.ā After Jules, how you do it after Jules. After Anthoine, after hugging a grieving mother and watching your son drive on the same track.Ā
You donāt see him for a while after the race, donāt know if you want to. Heās been eerily calm all when things have gone wrong all season, at least when youāve been around. Itās only a matter of time until he loses his cool, until he snaps. That radio call? Snapped like a glowstick. Heās angry, at himself, at the car, at the team, at the world. Thereās nothing anyone is going to be able to say or do that would make him happy, neutral even. Itās going to be all pity-party and hushed curses until he gets some rest and resets.Ā
Behind the garage, when youāre finally leaving, he hugs Pascale tight. Her hand runs comforting circles on his back, and then itās your turn to be suffocated. He squeezes you like itās the last time youāre ever going to see each other, hangs on like gravity is pulling him in the other direction. āAnything but.ā He said. āAll night.āĀ
You nod. āMy mom sent me a video of Gi playing with the dog today.ā You spoke of your niece, of Charlesā goddaughter. If anyone could hit his soft spot, it was her. āDo you want to see it?ā
āYeah.ā He said, and when he watched her stumbling around the park, when her innocent belly laugh and giddy screams spilled out of the speakers, he actually smiled, might have even let a little laugh slip. Itās impossible not to, really, with that little girl.Ā
He walks in relative silence back to the driver's lot, just listened to you go on and on. You feel nauseous, watching him put on a smile and interact with fans, laugh and take pictures and make childrenās days by just existing. It must be such a strange life, a miracle his head hasnāt gotten ridiculously big.Ā
ā ā
At the hotel, you can tell heās still pissed. Rest, reset. Heāll be himself in the morning. You exchange goodbyes in the elevator, youāre on a different floor than him. You expect itās the last youāll see of him until summer break. He leaves for Hungary early in the morning and youāre driving back to Monte Carlo with Pascale tomorrow afternoon. You expect, because heās knocking on your door an hour later while you watch LāAtalante on your laptop.Ā
The light from the hallway is almost blinding in contrast to your dark room. āHi.ā He says, in running shorts and a t-shirt, bare feet. āLāAtalante?ā
āHow do you-ā
He smiles. āYouāre predictable.ā
āWhat do you want?ā You say through aĀ yawn, shocked he makes out the words at all.Ā
āCan I watch it with you?ā
You sigh. āCharles.ā You were minutes away from falling asleep, from putting this day behind you. Now, your feet are so cold on the floor it hurts and youāre becoming increasingly conscious and awake with each passing moment.Ā
āPlease?ā He asks, voice small and broken. Fuck. You hold open the door, because youāre weak when it comes to him. Youād let him treat you badly if it meant heād treat you. āYou know thereās a giant TV right here, no?ā
āI like my computer.ā You say, crawl back into the bed, sit up against the million pillows. He flops down next to you, on top of the comforter because he runs hotter than a fireplace. When heās finally done moving around, shifting until heās nice and comfortableāsorry, he saidāyou press play on the movie.Ā
āI love this part.ā He says.Ā
āYou hate this movie.ā
āI do not.ā He does. He complains every time you watch it, says you need to find a favorite movie thatās in color, that doesnāt have random cat montages, that the main love interest has too many glaring red flags. Watch it with rose-tinted glasses, you told him once, threw a piece of popcorn at his head. āThis is my favorite part.ā
āNo, itās not.ā You laugh. āYou hate this part.ā
He laughs, too, sweetly and softly, into his own shoulder. āI love it.ā You shush him, shove his shoulder because he canāt even say it with a straight face. He doesnāt stay quiet for long, and itās clear he came here to talk, not to watch the movie, but he tries to pretend. āYou need to come to more races.ā He says, his head resting on your arm. āI donāt like it when youāre not here.ā
āOkay.ā You say, only half-listening. Itās your favorite movie.
āToday sucked.āĀ You paused the movie. Blinked twice, hard, frustrated because it;s your favorite movie, but heās your favorite person.Ā
You look at him. āDo you want to talk about it?ā
āNo.ā He reaches over and unpauses it, adjusts so heās sitting up, too.
You pause it again. āI think you do.ā
āI donāt.ā
You close the laptop, set it on the bedside table and flip on the lamp. āI donāt know how to make you feel better right now.ā You say, stand up, pace the room. It sounds like youāre admitting your defeat, expressing disappointment in yourself with a half-hearted apology.Ā
He stands up, too, follows you for a step but then you're still. Thereās something unfamiliar painted across his face. Exhaustion, anger, desperationāyou canāt pinpoint it. Urgency. You realize its urgency when his hands are on your face, thumbs dancing on your jaw, eyes darting between yours. Urgency.Ā
He was going to kiss you. He is going to kiss you, you think, and youāre going to let him. He can use you as a distraction, if he needs to. You can kiss it better, youāre sure you can. His forehead rests on yours, the tips of your noses bumping against each other, shuddered, broken breaths. Your lips are so close, jaws slack, sharing the air. Youāre dizzy. Dizzy and hot and then heās kissing you. The taste of his tongue, the scrape of his teeth, the softness of his lips, itās all so new, so butterfly-inducing. He smells like himself, whatever soap he always uses when heās traveling. Itās crisp and clean and you want to lick it off his skin.Ā
Heās the one to pull away, but you open your eyes first. āSorry.ā He says. You smile, kiss him again because youāre not sorry, wishing you could crawl inside his mouth and build a home there behind his beautiful, sharp, white teeth.Ā Ā
Your name sounds like a symphony when he says it, all dopey and sing-songy, hands firmly on your waist. āDonāt look at me like that.ā He says, laughs into your mouth.Ā
āLike what?ā You ask, innocently.Ā
āJust. Fuck.ā He shakes his head, one of his hands slipping under the hem of your shirt, open and flat, exploring the vast bareness of your back. āYou.āĀ
āMe?ā You giggle at his words, the stumble of them, cheeks hot and flustered. You shouldnāt be nervous. Itās Charles. You know him like you know your own hand, but, heās never been yours, not like this. Your hands have never searched him like this, fingers never tugged on his hair with lust and longing, never felt the scratch of his stubble on your skin.
āYeah,ā He says into the crook of your neck, leaving a flurry of open mouth kisses in the space between your jaw and your collarbone. āYou.ā
āWe shouldnāt.ā You say, even though youāre helping him out of his shirt. āWe should stop.ā
āDo you want to stop?ā He asks, his fingers stalling on the buttons of your pajama top.Ā
āWe can do this, right?ā You ask, because you need his reassurance. You donāt need honesty. You know the truth. You need to hear what you want to hear, for him to tell you if itās safe to jump, to fall aimlessly into the unknown. You need him to lie to you. āCan we go back to normal after this?ā
āOuais.ā He says, and even though you donāt believe him, you think he believes himself. āRetour Ć la normale.ā
āOkay.ā You say, and heās unbuttoning your shirt again. If his mouth didnāt feel so good on you, if his big hands didnāt send shivers up your spine when he ran them up the sides of your body, you might have thought a bit harder about what normal is for the two of you.
His hands do make you shiver, though, and heās looking at your body with these sweet, drunk eyes, sliding the shirt off your arms and letting it pool on the ground with his.Ā
Youāre dropping to your knees on the cold floor next to the bed, pulling his shorts, his underwear, down with you. While he steps out of them, kicks them to the side, you admire him, toned and tanned and so, so pretty. You want to memorize it in case itās the last time you see him like this, take notes on every freckle and muscle and defining feature under the harsh light. You need to feel him everywhere, to taste him, to make him feel as good as he looks.Ā
Heās already hard, cock twitching with lust and adrenaline and arousal, all for you. Your work is cut out for you. You tease him, whisper profanities and place soft kisses against the skin of his upper thighs. āYou make me crazy.ā He says, you take him in your mouth, and he goes momentarily stiff before he relaxes, lets your fingers and your lips work in tandem to pull your name from him.Ā
āFuck.ā He says, tastes like sex, sweet and salty and manly. His hands knot into your hair, pull it back into a haphazard ponytail that only loses shape as you continue. āFuck, fuck, fuck.ā He repeats, rutting into your mouth, fucking into your throat. You swallow around him, hollow your cheeks and he lets out this whimpered, wounded sound, forces your mouth off him. āDonāt do that.ā
āYou donāt like it?ā You ask, take him in your hand, stroke over the slick of your spit, kissing the base of his cock and looking up at him with these big, saucer eyes.Ā
āNo,ā He shakes his head, drags a hand over his stubble. āYouāll make me come.ā
You swipe your tongue in one long stripe, swirl it around the head of him, smile. āThatās the point.ā You say, filling your mouth with him again, sinking until heās hitting the back of your throat, gagging you, tears prickling at the corners of your eyes.Ā
He says your name like heās battling to reason with himself, his grip on your hair tightening, pulling you off him again. You pout, and he rolls his eyes, shakes his head. āTu es mauvais.ā
āĆāest vrai.ā You roll your thumb over the tip, mindlessly, really, looking at him and waiting for him to speak. Youāre an addict, already. Itās just so pretty.Ā
āWant to last for you.ā Youāre not even standing and your knees are unsteady underneath you. You look at the floor, your forehead on his thigh, and laugh. You laugh harder than you should, just out of shock and disbelief. āWhat?ā He laughs, too.
Youāre standing, heās helping you stand. āWho wouldāa thought?ā You canāt stop giggling, cock your head to the side and try not to smile. āYou and me?ā
His tongue is in his cheek, eyes rolling in such a bratty way. You wonder if he can see how swollen your lips are, all because of him. Your mouth feels empty without him there. āI hate you,ā He says with a smile, and kisses you.
Your knees buckle at the edge of the bed, and itās too easy, the way youāre both on it without ever parting lips for more than a hasty breath. He moves you around like a doll, gentle and effortless in his removing of your shorts, of your underwear, in the manipulation of your positioning on the soft mattress.Ā
Heās kissing you, sucking bruises into your collar, marking you like thereās any possibility youāre not already his. Itās hazy and intoxicating, him exploring your body, taking his time as he trails down your collar bone, through the valley of your breasts, hot, sloppy breath on your stomach, on your legs. Youāre almost disoriented by it all, the natural comfort, the familiarity of him in a place so unfamiliar to his touch. He kisses your clit, you watch him, feel his hot breath on you, jaw slack and eyes glazed over. It makes you hot, makes your whole body flush and shiver.Ā
āPutain, t'es chaud.ā He curses, smiles at you from between your legs. His fingers splay over your hip, his thumb dragging itself over you, parting your lips with the slick of you, amused smile tugging on his face. āYouāre so wet.ā He says, moves up to kiss you.
āWant you.ā You say, and he slides a long finger inside you, surprised whimper escaping from your lips into his open mouth. He curls it into you, crooks it at just the right angle and you writhe against the sheets. You canāt believe heās got you like this, that youāre a mess for him over a single finger.Ā
He moves back down your body, another trail of nibbles and kisses before he laps at you, swirling his tongue around your clit in a way thatās almost painfully good, curling his finger into that same spot. When he slides in another, youāre a goner, moaning out his name like itās the only word you know.Ā
āLet go.ā He says. Your eyes are pinched shut in an attempt to keep yourself at bay for just a while longer. His eyes are glued to yours when you can finally open them.Ā
You shake your head. āIām not.ā You start, stopping short to compose yourself when your leg twitches, shakes in applause of his work. āNo ego boosts.ā You sputter. He laughs against you, the vibrations of it blinding, a whole new sensation that spreads fire over your skin, sends you over the edge with little warning.Ā
He doesnāt stop, not for a second, when you come. His fingers maintain their rapid pace even as you tense around him, his tongue, his lips, suctioned to you as your body tries to wiggle away. āCharles.ā His name leaves your lips in a shudder, your thighs trying to close in on his head, the hand that isnāt inside you holding you open for him.Ā
He works you over, skilled fingers and skilled mouth, coaxing you through another, louder this time. He leaves you catching your breath, restless, incoherent, shaky on the crisp white sheets and two orgasms ahead.Ā
Heās so satisfied with himself, licks his fingers clean and grins and kisses you some more, just because he can. Because, itās all gone to shit and the unspoken, unwritten rules of your friendship have gone so far out the window, theyāre in another country. Maybe theyāre in Hungary already, or waiting for the two of you on summer break, in Monza, hell, they might even be Abu Dhabi, thereās no telling.Ā
āDo you have a condom?ā You ask.
He freezes, strong arm holding him over you, caging you in. His eyes shut hard. āNo.ā
āYou didnāt bring one?ā
āWhen I came to your room, I didnāt.ā He sighs.Ā
āHow gentlemanly.ā You quip, wiggle out from underneath him. He flops back onto the bed, apologizing. You grab his t-shirt from the floor and hold it up to cover your body, he chuckles at that. āApologize if I donāt have one.ā You say, rifle through your backpack. Your leg shakes under you while you try to balance, squatting in front of the bag. You hope he notices, sees what heās done to you without even filling you up all the way.
āWhy would you have one?ā He asks, just as you find the little package at the bottom of your bag. You turn on your heels, still bent over, condom wrapper in your teeth and look at him with narrowed eyes.Ā
āDo you really want me to tell you?ā You ask around the wrapper.Ā
He thinks about it for way longer than should be required. āNo.ā
āYeah.ā You nod, dumbfounded, and stand back up.Ā
āReally, with the shirt?ā He asks, laughing about it again.Ā Ā
āSalope!ā You say, drop the shirt, throw the condom at him. āPut this on yourself.ā
āI donāt even like you.ā He says, rips open the wrapper with his teeth and slides it over his cock. It hurts, almost, how badly you want him inside you, how empty youāve felt since he took his fingers out.Ā
āDonāt do that, youāre going to make me come.ā You mock his earlier words, puff out your lips, raise your brows, a knowing glance.Ā
āI was.ā He defends, and you straddle him, wrap your arms around his neck.Ā
āNo, you werenāt,ā You kiss him, his hands explore the curve of your ass, fingers dig into your hips, push you down so you grind against him, spread your wetness over him.Ā
āOkay.ā He says with a smirk, lust riddled and completely enthralled by you, one hand moving to thumb at your clit, start chasing another release for you.Ā
āOkay.ā You repeat, barely a whisper, lift yourself up enough for him to line himself up with you. You sink down slow, savor the burn of the stretch, wish it was the first time anyone had ever done this to you, that you could belong to him and only him.Ā
āFuck.ā He says into your shoulder, kissing and sucking a purple spot into the flesh there, his hands splayed across your back, warm and strong and dragging across the hot skin. āSi bon.ā Every inch of your body can feel him, hungry for more, the insatiable urge to hear his moans, to make him whimper, make him feel how you feel.
You grind your hips against his, chasing an unachievable leverage, a static inducing friction. Your foreheads rest on each other and your noses collide roughly in the sweaty, steamed, hitched breaths.Ā
Youāre obsessed with the way he watches your bodies, eyes glued where he disappears into you. You never want to hear anyone else say your name, not after hearing the way he says it while heās inside you. āThat.ā He says. āLove that.ā You do as youāre told, eager to please, hungry for him to finish. āEs-tu proche?ā You shake your head, because you are, but heās closer.Ā
In a swift movement, he flips you over, switches your positions, slides back inside you. Even when heās manhandling you, using you as a device for his pleasure, strong and without thought, thereās something gentle about it, something that anchors you to him.Ā
He fucks into you with deep, measured thrusts. The new position, the new angle, it drives you fucking crazy, your back arching off the bed, grinding onto his fingers in the selfish chase of your own high. āCharles. Fuck.ā I know, he tells you, shaky, pace reduced to an erratic grind. I know, baby, and youāre coming again, biting into the muscles of his strong shoulders, wet and warm and so fucking full of him.
āIām.ā He whispers into your neck, nibbles on your ear. He pulls out and you whimper at the loss. āWhere?ā He asks, pulls the condom off, jerks himself with those long, veiny fingers. You smiled, devilish. You wanted, needed, his cum in your mouth.Ā
Heās too close to be gentle, now, to take care and take time. Heās desperate, itās so fucking hot. His hands are on your head, knotted into your hair, holding you steady so he can fuck your throat. You gag around him, dizzy, hazy, eyes forced shut because everything is white and on fire. āLook at me.ā He says. You do, and he has a fucking smile on his face, lewd and practically pornographic.
You hum, pleased with the state youāve got him in and then heās bottomed out, still and stiff, coming down the back of your throat, chanting your name like a prayer.Ā
ā ā
āWhat am I supposed to do with these?ā You laugh into the bathroom mirror, after a shared shower, delicate fingers examining the fresh bruises he burned into your skin. āIām spending the day with your Mother.ā
Heās drying his hair with a towel, laughs. āNobody thinks youāre La Sainte Vierge.ā
You move through the bathroom, back into the bedroom to retrieve your pajamas from the floor. āAnd what is that supposed to mean?ā You tease, returning, tossing his clothes on the counter.Ā
āIt means,ā He hums, wraps his arms around you, hugs you from behind. Your knees are weak and wobbly, his chin resting on your shoulder, looking at each other in the mirror. āTu es belle, jeune et amusante.ā
āJe suis amusante?ā You ask, try to bite back a smile, fail.
āTrĆØs.ā He says, nuzzles into your neck.
He sleeps in your room that night, wakes up early, shuffles around the bathroom, the light pouring out. His movement stirs you, his heavy feet roaming around the silent room. āGo back to sleep,ā He says, kisses your hair, and the heavy door locks behind him.
Tired, from the weekend, from him, you let yourself go back to sleep. You shouldāve got up and kissed him, you think. Really, truly kissed him, while the rules still didnāt apply and things werenāt back to normal. Whatever normal is for the two of you.Ā
āWhat?ā You said, spit, when Charles called you for the third time within five minutes. The first Monday of summer break, heās in Monaco and youāre in France, a thousand kilometers, an hour and a half flight, away. More specifically, youāre standing in the corridor of your office building, meters away from the door youād just stepped out of, the meeting you had to excuse yourself from leading because your phone wonāt stop ringing and surely, something must be wrong.Ā
āHello to you, too.ā He says, and you can hear the smile on the other end of the line. āWhere are you?ā
āWork.ā You say, inspiringly calm. Fuck, sheās at work, you hear him say to someone. āCan I call you back in a bit?ā
āNe sois pas.ā You force a smile, like he can see it, and hang up, shut your phone off completely before returning to the meeting with an apologetic grimace claiming family emergency.Ā
You call him back an hour later, after the conclusion of your meeting and then some, pushing past the heavy glass doors to your office building and out onto the street, the breeze blowing your hair into your mouth as you step between two buildings. He answers, but itās just shuffling on the other end, hushed, muffled voices. āAre you there?āĀ
āOui, oui. Une seconde.ā He says, far from the speaker. More shuffling before a proper greeting. āYouāre on speaker.ā
āWhat are you doing?ā Shopping, he says, moves the phone, howās work? You have to put a finger in your other ear to hear him, between the sounds of the city and the chatter on his side. āItās fine.ā You say, drag out the vowels because youāre bored, because you wish you were with him. Heās always so relaxed on summer break, so content and breezy and fascinating. You havenāt seen him since he was kissing your hair goodbye in France. You need to know if you can actually return to something normal.
āItās fiiineee.ā He mocks, laughs with whoever else is with him. You smile, all toothy and stupid. āComing home today?ā You can hear the hope in his voice. Youāve been here for less than twenty-four hours, itās an unusually short trip. Most times, youāre here for a minimum of a weekend, almost always more. He shouldnāt be expecting you.Ā
āYeah.ā You check the time on your watch. āIn a few hours.ā
āYou want to come on the water tonight?ā He asks.Ā
āLa Mala?ā Of course, he says, like it shouldnāt even be a question. āWith?ā He speaks to someone else in Italian, you think you hear Andrea say something, and then Charlesā voice is louder, off speaker, you assume.Ā
āLorenzo and some camera guys. Weāre doing some⦠comment dire, day with my life?ā
āI donāt know.ā You hesitate, because the last thing you want to do is be one of three people, to be on display somewhere on Instagram or Youtube or wherever the video theyāre making is going. You love him, but the attention is overwhelming and you like to stay as far from it as possible, especially when youāre nervously sorting out the normalcy of your relationship.Ā
You took a photo of him once, with a fan, just walking around the city. You werenāt even in the photo, didnāt say more than two sentences to the guy he was posing with. And yet, when he posted it on Twitter, said Charles was with some girl, posted a screenshot from your Instagram and said her, he was with her, you had a full inbox begging to know if you were dating Charles, calling you obscene vulgarities, threatening you. You werenāt even in the fucking picture.Ā
āIt will be fun.ā He says. āI havenāt seen you since france.ā Exactly, you havenāt seen each other since France. Just over a week. Itās chump change for the two of you, at least it was, before his spit dripped down your thigh and he came in the back of your throat. Now, a week is the opportunity for an awkward plant to take root, grab onto you and make everything weird and uncomfortable and wrong/ āWeāre having pasta.ā He says, can sense your uncertainty, knows it sweetens the deal.Ā
āNo chicken?ā
āNever again.ā He laughs. āYouāre coming?ā
āI guess.ā
āYou guess.ā God, he is a child, truly. āCall me when you land, yes?ā
āYeah.ā
ā ā
You canāt remember the last time you felt so nervous to see him. Sitting on the edge of the concrete landing, watching him cruise in on a little boat full of strangers, itās almost worse than watching him race. Do you have to say something? Is he going to say something? Do you ignore it? Thatās the agreement, right? Everything goes back to normal. Normal, normal, normal.
He looks like heās been in the sun all day, cheeks pink and rosy, the blue of his shirt mellowing him out, making him glow. A God, Heaven shining down on him, presenting him to you like a gift. You hate that you have to share him with anyone when heās like this, especially with strangers, with people who donāt know how lucky they are to see him like this.Ā
āDid you miss me?ā He calls out when heās within earshot. You stand up, take your shoes off because there is no way that boat is making it all the way to you.Ā
āWho called who?ā You say, and he laughs.Ā
You hopped off the landing into the shallow water, walked out to the boat on your tip-toes, trying to keep the bottom of your pants as dry as possible. You had a change of clothes in your bag, but, even a minute in wet pants is too long. He helps you into the boat and you introduce yourself to the strangers pointing cameras at you.Ā
This was a mistake. It doesnāt even take the distance from the landing to the yacht for you to realize that. So fucking uncomfortable, cameras in your face, recording your conversations, watching the way you look at him. You can already see the comments calling you pathetic, calling you a whore, calling you a bitch.Ā Ā
It is pathetic, you remind yourself when your hand is on his, stepping around him, moving from one boat to another. They will think itās pathetic and theyāll be right.Ā
Thereās more production people waiting for your arrival, waiting to take your place next to Charles and capitalize on the fleeting light and beautiful scenery. Itās unusual, thereās nobody here. You introduce yourself to them, too, because it feels strange not to.Ā
Once youāre onboard, you change in the guest suite. Sweats and a hoodie because the sun is setting, dusk settling on the horizon, bringing in wind with the tide. Bowl of pasta in your lap, mindless television playing, you lounge on the couch, watch Charles do an interview on that stupid little boat, rocking back and forth like a buoy on the open water.Ā
You want to reach out and grab his hand, hold it still, stop him from pulling his fingers and twisting his rings because then nobody will know heās nervous, that heās off balance. āWhat do you think theyāre talking about?ā You ask, pulling Lorenzoās attention from the television. āHe looks nervous.ā
Lorenzo laughs, quiet, under his breath. āYou.āĀ
You donāt turn back, know your face is going to give it away, can feel the blood rushing, the skin of your cheeks boiling. Thereās no way he knows, right? Charles didnāt tell him. He wouldnāt. Lorenzo has no idea how close his joke hits, how deep the knife cuts. Heās just an older brother, living with the sole purpose of embarrassing you. āWhat?ā You say, force out a laugh and almost choke on it.
āKidding.ā He says, and goes back to whatever is on TV. Your eyes stay on Charles, though, infatuated with the way the wind runs its fingers through his hair, the way it tugs on his shirt and inches the boat closer and closer to the yacht, to you. You stare so hard he can feel it, catches your eyes mid-sentence, smile pulling on his words. Youāre convinced the upturned corners of his lips can lift even the lowest of spirits. He winks, and then heās back in the conversation like he never missed a beat.Ā
Charles has made fast friends with the crew long before you got there. You wonder if they know each other, if theyāve met before. Light words flow with the waves, your body relaxing at the loss of the cameras, put aside to enjoy the experience, to breathe in the moment. His pull is gravitational, even through the strange tension and the awkwardness of the unknown. In your uncertainty, you linger just out of his reach, now comfortable enough to participate in their conversations. He catches you staring off into space, into the vast, starry sky, silently identifying the constellations above you. He pulls your mind back to your body with the tap of his foot on your outstretched leg. With what has to be the softest smile to ever grace this beautiful Earth, he calls you to his side with careful eyes and a subtle nod.Ā
You scooch closer to him, half-expect his arm to lazily drape itself around you because thatās what always happens. It doesnāt, and a pit of something grief-like settles in your chest. Instead, your arms hang at your sides, upper arms gracing each other every time one of you even thinks about breathing. Your hands are knotted in your lap, thumb examining the texture of your palm, fingers tugging on each other with agonizing anxiousness.
You were so naive to think, even for a split second, that you would go back to normal. THe tension you thought would settle has only become increasingly taught.Ā
āYou okay?ā He asks. You nod with a weary smile. A lie, and he knows it. āYou worked all weekend?ā He continues to prod, ignores the conversation happening around you like itās just the two of you in a bubble.Ā
āNo, just today.ā You said. āMeetings all day.ā You donāt look at him, eyes focused on your hands, popping knuckles and digging nails into your palm. You canāt remember the last time you were so unsettled in his presence. āI got a huge logo redesign deal.āĀ
āOf course you did.ā He bumps your shoulder, jolts you. āYouāre the best theyāve got and they know it.ā
āIām not the best one there.ā
"Maybe not the most confident.ā He laughs, reaches into your lap and grabs your hands, stilling them like a patient partner would do. āBut definitely the most talented.ā He squeezes your hand tighter, and you slide your fingers between his, envelope his hand in both of yours like youāre the one doing the comforting, squeeze back, thank you.Ā
Your head falls to his shoulder, sigh like youāre carrying the weight of the world, like youāre moments away from breaking down into a pile of ash, blown away with the breeze. A new normal. Maybe thatās what youāll have to do, create a new normal thatās just as sweet as the old one. When the only options are a life of awkward anxieties or one without him in it entirely, a new normal doesnāt seem so sad.Ā
ā ā
He gets stopped seven times on the walk from the berth to the parking garage, takes careful time to be kind, especially to the kids. Heāll never not stop for a child, making their grabby hands, freckle faced days time and time again. Youāre a good guy, you say after the fifth, know itās the last thing he wants to do after his long day. I donāt know how you do it.
He shakes his head, sighs. āLe strict minimum ne fait pas de moi un bon gars.ā
āYou go beyond the bare minimum.ā
He shrugs. āThe bar is in Hell, I suppose.ā
You take the train to Monza, hunkered over your laptop for the entirety of the ride, working. You werenāt planning on coming in until late Friday night,but Charles asked you if youād get on the next train, if youād come with him to sponsorship dinners and obligatory events in the leadup to the weekend. Please, heād texted. Sayingno, doing anything but getting on the 6 am departure this morning, didnāt feel like an option.Ā
You texted Isa for three hours trying to figure out what the dress code was for these events, planning out your outfit. All you could get from Charles was, I donāt know, Iām wearing a blazer, probably. The last thing you wanted to do was stick out like a sore thumb, draw anymore attention to yourself or embarrass him. Underdressed, overdressed, you donāt know which is worse.Ā
You check your phone, scroll through social media and pick at a meal from the dining cart. Youāre met with the same stuff youāve been seeing since that stupid Monaco Vlog on Charlesā YouTube channel. The general consensus amongst all the strangers who know you so well, is that you and Charles are dating. I want this. They way they look at each other. Couples who are best friends make me melt. A friend told you those should make you smile, they donāt, because you arenāt dating. You arenāt dating and heās going to see them and everyone wants to know everything about you and someone asked on a bikini picture how good Charles was in bed. None of them made you smile.Ā
Does she know sheās the third choice? Not smiling. Charles, serial monogamist or serial cheater? Not smiling. Youāre a whore. Youāre a slut. I hope you die, bitch. No smiles.Ā
They stung, they made you cry at your reflection in the mirror, private your accounts, limit your comments. They were everywhere, in your Instagram DMs, your Twitter mentions, your TikTok ForYou page. It was suffocating.Ā
Charles was trying his best to check up on you, which only made it all worse. You wanted to believe he wasnāt seeing them. He was just making sure your head was above water, and it was those best intentions that got you invited here, you assumed. Itās easier to keep an eye on you when youāre with him.Ā
It was a good idea, a good effort, for sure. It was a miscalculation, though, Charles seemingly forgetting just how much attention he has to give to strangers at these events. In a room full of people, dressed in your best cocktail attire, sipping a martini and watching people fight for his attention, you canāt remember feeling so alone, so on display.Ā
Everyone knows, or thinks they know, youāre Charlesā girlfriend. Youāre a bigger extension of him than ever. Side-stepping cameras wonāt cut it anymore, theyāre hungry to judge you. Look who Charles brought, what do we think of her? Look what sheās wearing, how she speaks, how she stands. They hate you, youāre sure of it. You arenāt classy enough for this scene, not sweet enough, not pretty enough. You arenāt important enough.Ā
āHow are you doing?ā Isa finds you leaning on a tall table, poking your olives around your drink with the toothpick they were originally skewered on.Ā
āAre these things always this weird?ā You ask, voice laced with hope that there is a learning curve, that there is some top-secret strategy she can give you so you donāt feel so shitty and deflated again tomorrow night.Ā
She laughs. āYouāll get used to it. But, yeah.ā
āAny advice?ā
āThreaten a sex strike if he leaves you alone for too long.ā Your eyes go wide, shocked by her words. She just shrugs, downs the remainder of her drink. āWorks every time.ā
āCharles and I. Weāre not. Weāā You stumble over your words, and she looks at you with raised brows and a grin that makes you think Charles might be blabbing to the whole grid. āWeāre not sleeping together.ā
āArenāt you, though?ā
āDid Charles say something?ā
She smacks her hand over her mouth, muffling her laugh. āNo, but you just did!ā
You nod, jaw clenched, tongue running over the front of your teeth. Youāve been so paranoid that Charles was going to tell someone and youāre the one who canāt keep their mouth shut. āIt was once, and you canāt tell anybody.ā You whisper, sharp. āNot even Carlos.ā
āIām going to tell Carlos.ā
āYou canāt.ā It comes out as more of a plea than an argument. āHeāll say something to Charles, and then Charles will know I told someone.ā
She says your name so sweet and patient, like youāre a preschooler about to get a passive-aggressive scolding. āIāve never seen two people look like they want to fuck more than the two of you. If Carlos says something, it wonāt be the first time someone has vocalized it to him.ā Itās a horrifying thought that burrows all the way to your bone marrow. Youāve always thought you were so good at hiding it.Ā
Youāre drowning at this party, under the waves of lingering and prying eyes. Itās been an hour since youāve spoken to Charles, forty-five minutes since youāve seen him. You pull out your phone and delete all your social media. This is so much worse than wallowing about death threats in the comfort of your own bedroom with the familiarity of your favorite ice cream.Ā
ā ā
Youāre doing your hair when he knocks on the door. Impatient, impatient, impatient. You donāt answer, he keeps knocking, over and over again. āWhat?ā You say, sharper than warranted, opening the heavy door with as much force as it will allow.Ā
āThis is what youāre wearing?ā He says, walks right past you and into your room. Youāre not in the mood for his humor today.
āThatās really funny, coming from you.ā You say, go back to the bathroom, hairspray your hair, pull a few face framing pieces out from the low ponytail.Ā
āI look great.ā Says the man who hate-crimed an entire country with his jeans in Monaco, who is cosplaying as a banana this weekend.Ā
āDid you dress yourself?ā
He appears in the doorway of the bathroom, leaning on it, looking annoyingly handsome in his suit jacket and white button up. āI did.ā
āOh,ā You lock eyes with him in the mirror, put on a phony smile, fingers digging through your makeup bag on the counter searching for eyelash glue. āHow nice for you.ā
You watch him check his wrist in your peripheral, opening the cardboard lash box and pulling them out, carefully applying glue to one. āWhat arenāt you ready?ā He asks.
āIāll be ready at five.ā You said, setting the falsies on your lash line, trying not to make your concentration face because you know heās watching.Ā
You put glue on the other lash. āWeāre leaving at four-thirty.ā Your head snaps up from the task at hand.Ā
āYou told me five.ā
āI did not.ā
āYou did.ā You say, continue putting the lash on before the glue dries because you donāt have another set with you. Quicker, this time, because apparently youāre running a half hour behind.Ā
āI told you it starts at five.ā He says.
Oh. He did tell you that. āWe have to be there when it starts.ā You say in unison, your foggy recollection becoming clear.Ā
āWonderful.ā You laugh, to nobody at all.Ā
āAre you okay?ā He asks, and it feels earnest, makes you laugh harder while you hove all your makeup back into the tiny cosmetics bag. Thereās no way heās that clueless, you think, blink hard in the mirror a few times, size up your hair and makeup.Ā
āNo, Iām not okay!ā You say, toss the bag onto the counter with a heavy noise. āI donāt want to be here, I donāt want to do this.ā You push past him in the doorway, stop in the little hall between the bathroom and the bedroom, next to the mini fridge and Keuring-clad kitchenette, sigh at the ceiling so you donāt cry, donāt ruin your makeup. Youāre already running late, no time for tear streaks. āI feel like a fucking idiot.āĀ
āYouāre not an idiot.āĀ
You scoff, donāt even know why youāre angry, so emotional, why every nerve in your body feels supercharged. āYou do a great job of letting me feel like one.ā You donāt mean it, not really. You say it anyway. You know it will hurt him, and youāre tired of hurting alone.Ā
āWhat did I do?ā
āNothing.ā You say, hoist the ironing board out of the wardrobe. āYou did nothing.ā You donāt bother setting the legs up, just lay it across the bed.Ā
āWhat was I supposed to do?ā He asks, grabs the iron from your hands and fills it with water in the kitchenette sink, sets it on the iron board, plugs it in and turns it on. You did through your suitcase for your dress and blazer, shaking them out like theyāre dusty old relics rather than something youād bought just for this.Ā
You donāt know what to tell him. You canāt summarize all of your emotions into something succinct and comprehensible, especially not while youāre in the middle of feeling them. Everyone wants me dead, everyone is staring at me, I know IāmĀ not good enough for this. I want to be good enough for this, to make you proud, but itās so hard. āYou left me alone last night.āĀ You say, roll your eyes and take the tears with it. Elaboration feels like a giant, insurmountable, unachievable challenge. āYou left me alone last night.ā All you can do is repeat yourself, stare at the dress in your hands, examine the stitching like your life depends on viewing the heather grey fabric at a microscopic level.Ā
You canāt look at him, know heās going to be staring at you with soft, sad eyes. You see him look at you like that and itās game over. Youāre not leaving the hotel tonight, not making it to that event. Youāre going to cry yourself a bath, melt into a puddle of your own tears.Ā
āIām sorry.ā He says.Ā
āDonāt be.ā You flatter out the dress on the ironing board. āYouāre doing your job.ā You move the iron in hard, quick lines over the fabric.Ā
āIām still sorry.ā Heās behind you, wrapping his arm over the front of your chest, pulling you back against his chest in some kind of strangely affectionate reverse-hug. It feels to right, so you squirm from his grip, keep at the hasty ironing.Ā
āDonāt feel bad for me.ā Flip the dress, iron the other side. āI can hold my own in a room full of strangers.ā
āI know you can.ā You hate the tone in his voice; proud, almost. Youāre not his to be proud of, even if everyone else seems to think you are.Ā
āCan we just?ā You look at him for the first time since he dropped the time bomb on you. āAnything but?ā He nods. You nod, switch the dress out for the blazer.
Ā āI like this jacket.ā He says. You look at the outfit, grey dress, green blazer, white accessories. You thought it was too Christmas-y, the red accents on the bottoms of your heels and the red of your lip. Itās Ferrari red, Isa convinced you, very subtle. āYou look good in green.ā
āGreen is my favorite color.āĀ
āI know.ā He laughs.
āYou know.ā You yank the iron cord from the wall and pull your top over your head without thinking. You meet his eyes, and they donāt dare to waiver from yours. You nod, an I really just flashed you nod, sigh, pick up the dress and walk past him into the bathroom. āYou can stare, Charles. I have good boobs.ā A laugh from the other room while you step into the dress, pull the straps over your shoulder and leave the back unzipped. āAnd, youāve literally been inside me.ā You add for good measure. He coughs, chokes on his own laughter.Ā
Leave it to anything but to abandon one elephant and pick up a new one. āWeāre talking about that now?ā
You smile at your reflection in the bathroom mirror, wonder if he can hear it in your voice, if he knows you that well, listened to you speak so intently for so long that he can pick out minor fluctuations like that. āTalking about what?ā
āYou are.ā He pauses, you tug on the hem of your dress and it doesnāt give any. You thought there was more fabric than there is. āAre you on something?ā You can hear the smile.
āI havenāt been not talking.ā You say, coming out of the bathroom, ball of pajamas wadded up tight in your hand. He tracks you across the room, back exposed, while you put the clothes in your bag. You walk back to him, pull your ponytail to one side, gesture for him to zip up the back of your dress. You suck in before he does it, even though the dress fits.Ā
āYouāve been telling people?ā He says, his warm fingers gracing your skin, sending goosebumps up your spine. This never would have happened before, you lie to yourself. Youāve been blushing everytime he looked at you since you were in high school.Ā
āMaybe.ā You say quietly, bit the smile off your bottom lip when his fingers linger at the top of the zipper. āHave you?ā
āNo.ā He says, and when you turn around his eyes trail up your body slowly, taking your permission to stare as gospel, soaking up every inch of you with unabashed eyes.Ā
āI told Isa.ā You say, shove an earring through your lobe.
āYou.ā Your words pull him back from the glossy eyed size-up with a chuckle. āYou told Isa.ā The other earring, and then you clasp a necklace, wish you had the nerve to make him do that, too.
āAccidentally.ā You add, pull the blazer on, tug on the dress again. Still not budging.Ā
āDoes that mean I can tell someone?ā He pretends to mess with the settings on his watch. Pretends, you know, because his watch is never wrong. He changes it as soon as heās in a new location. That watch has been right since his plane landed.
You sit on the edge of the bed, put your heels on and wonder if the red bottoms are really with the pain and suffering. āNo.ā
āAre we going to talk about it?ā He asks, follows you to the bathroom where youāre already twisting your tube of lipstick, painting them a dark, lustful red. Ferrari red, a dark, ferrari red.Ā
āWeāre running late.ā You close the lipstick, put it into your handbag and clasp that shut.
āWe are.ā He says, and youāre already tugging the door open and gesturing him out. āIām sorry for not looking out for you last night.ā He says in the middle of the elevator ride. āReally.ā
āDonāt.ā You say. āWe agreed, anything but.ā
ā ā
Anything but, you agreed, but heās silently apologizing all night. Youāre not out of armās reach for more than a few minutes the entire night, and when you are, heās got eyes on you, eyes on the bathroom door, eyes on the back of the head of whoever blocks his sightline. He finds you in the crowd every time. The green, he says, I just look for the pretty girl in green. āDonāt say things like that to me.ā You told him, even though it makes you warm and fuzzy and grateful when he says it, when heās there every time you look for him.
āQuesta ĆØ la tua ragazza, no?ā Mattia says to Charles when he introduces you. Youāve met him before, always in passing, though, so itās a safe assumption to think he wonāt know you.Ā
āQualcosa del genere.ā Charles says, thinks you donāt catch it, pulls you closer to his side.Ā
āChe cazzo significa?ā Mattia asks, and all three of you laugh with varying levels of awkwardness, too much to say for anything to be whispered in the unsaid.Ā
By the end of the night, you've spoken to more people than you can count and done so in three languages, four, if you count the butchered Spanish class Carlos held with you. Youāve been confused for his girlfriend a dozen times, and somewhere along the line his corrections progressed from just a friend, through no correction at all, to yes.Ā
āWhy did you say that?ā You asked the first time he did it.Ā
āTheyāre going to think what they want to think.ā He said. It felt like a cop-out answer.Ā
You donāt know if youāre more affected by his presence or if the hoards of strangers are, but it seems like everyone is more interested in what you have to say instead of just staring you down. Calling yourself comfortable would be quite a stretch, but, the room tonight feels a little less like a fishbowl and a little more like a cocktail party.Ā
You love watching him on stage, really love it, him addressing the audience. You almost burst into laughter, the customer service voice that transcends industries and languages and is something you never get to hear from him. He oozes confidence, talking and laughing with the MC and Carlos and Mattia. Heās so pretty under the hard lighting, it makes all his features look sharper, more defined, somehow. Heaven-sent.
When he comes back he says heās hot, takes off his blazer and hangs it from the back of his chair, rolls up his shirt sleeves. Itās very grassroots political, very, mind-numbingly attractive. āHow are you doing?ā He asks, takes a sip of your drink because his is empty, maintains insightful, careful eyes and contrasts them by wriggling his brows over the lip of your glass.Ā
āIām good.ā You say, nod and smile so he knows you mean it.Ā
āReally? He sets the glass back down on the tablecloth.Ā
āReally.āĀ
ā ā
Youāre at the track early Friday morning, watching Arthurās practice session with Carla. You havenāt seen him race nearly as much as youād like to this year. In Bahrain, you didnāt come to anything except Charlesā race, so scared about bringing Michael along. No Imola. You wish you could have been in Silverstone, watched it on your phone at work with the volume on level one. The only time youāve actually seen him race in person was in Barcelona, and you were basically hungover that entire weekend. Hungover, and trying to convince yourself Charles was going to kiss you.Ā
You were going to watch him as much as you could this time around, make up for all the ones you missed. That was one excuse for staying away from Charles. The other, everything the two of you did felt emotionally charged. Youāre either wishing you could wring his neck, or wishing you could nuzzle into it. Sometimes both. A lot of times, both.Ā
You grab lunch with Carla in general hospitality and then sneak your wayĀ into the Paddock Clubās pit lane walk to blow some time. Charles is doing his warm up, probably playing football or doing neck exercises that could be in the directorās cut of a Fifty Shades of Grey film. Carlos, though, Carlos is talking to some engineer about something or another, and you catch each otherās eye. He smiles, looks away, and does a double take, furrowing his brows. You just shrug, make him laugh and shake his head.Ā
āHeard you were being sneaky today?ā Charles asks when youāre leaving the track. Someone ahead is taking pictures of him, one of the regulars, one you recognize but donāt know. Heās the one that always asks Charles for a smile and is responsible for half the pictures in his living room.Ā
You step several feet to the side, remove yourself from the frame, out of the shot. Arthur laughs. No free food for anyone, not even the ones he likes. Itās going to be a long time before you volunteer yourself to be tormented online.Ā
He says your name, the photographer, and it startles you because you donāt know him. He shouldnāt know your name, youāve never introduced yourself to him. Charles looks in your direction, holds out his hand and even though you donāt want to take it, donāt want any pictures of you two walking hand-in-hand, you also donāt want to leave him hanging like that in front of a camera. So, you take his hand and let yourself get pulled back into the shot. Maybe theyāll never see the light of day, you can only hope. Surely, a million other things will be more interesting than this.Ā
Mr. Photographer, Kym, Charles calls him. Kym asks your opinion on the yellow, and Charles laughs because you havenāt been shy with him about your distaste for them. You know Ferrari is really pushing it, though. āI think theyāre great. Very avant garde.ā You lie.
Yellow not a favorite color? He asks, says your name again.Ā
āShe thinks yellow is a cowardās color.ā Charles says, laughs with Kym the photographer. You cringe, even though heās right. āShe likes green.ā
ā ā
You wake up miserable on Saturday, spend the day in your hotel room with the shades drawn and the do not disturb sign hanging from the door handle. Flu symptoms, someone from Ferrari, someone worried about Charlesā possible exposure, delivers a rapid test to your door. Negative.Ā
You have your phone playing on the lowest possible volume, still too loud, if youāre being honest, and listen to Arthurās Sprint Race, to FP3, to Quali.Ā
I thought you didnāt have it in the straights, you mustered up the nerve to text him. Pole, right? You werenāt positive where anyone was starting tomorrow, too many penalties. If you had to bet on being right about one, though, itās that Charles is on pole. Youād bet on that blind, though.Ā
We donāt, he replies an hour later. Extremely timely for him, especially on a race weekend. How are you feeling?
Like shit. Even with the brightness all the way down, your eyes still yearn to be clawed out when met with the LCD screen.Ā
Sorry.
You wallow, pick at the entirely too expensive meal from room service, take a few too many Advils because youāre pretty sure this bug will kill you before the liver damage gets a chance. You nap, you shower, shiver and shake, and nap some more. COnsider scoping your brain out and squeezing it until it pops, your pulse making your temples bulge.Ā
Your phone lights up the dark room. You donāt know how long youāve been staring at the ceiling, forcing your eyes closed until galaxies and oil spills of color paint themselves across your eyelids. It could be eleven in the morning. It could be eight at night. Will you answer if I knock?
You say yes, figure heās still at the track. Heās not.Ā
A single, quiet knock on the door, he couldnāt have used the force of more than a single knuckle. Your eyes are squinted shut when you open it, hand shielding your eyes. He laughs, just as quiet as his knock, slides into the room and pulls the door closed as fast as the slow-closing hinges allow.Ā
He puts the back of his hand on your forehead. You search to make out his features in the pitch-black darkness. āIām dying.ā You say, pitiful.
āYouāre not dying.ā You think heās smiling, can hear it, even with congested sinuses and clogged ears.Ā
āI promise I am.ā Your voice is so nasally and muffled and sick.Ā
āPoor thing.ā His voice is half an octave higher when he mocks you.Ā
āDid you just come here to be mean?ā
āNo. I came to check on you.ā
āConsider me checked.ā You said, crawling back into bed. Even with your hands moving wildly in front of you in the dark room, you still run into the side of the bed with a thud. āDonāt laugh.ā You warn, and he tried his hardest not to. You read once that orgasms can cure headaches. Briefly, you consider the logistics of it.Ā
Not worth it, you decide. Youād rather have your brain explode all over the walls of this dark room than make things any weirder, leave more feelings and emotions to linger in the shadows of the unknown. āSommes-nous bons?ā He asks, and your face controls into a twisted mess. No way is he doing this now. No way.Ā
āPourquoi ne serions-nous pas bons?ā You mutter, after much hesitation.Ā
āJe ne sais pas.ā He says. āVous vous sentez loin.ā
āJe suis lĆ .ā You lie, and reach your hand out. He finds you in the darkness, or you find him. You find each other, thatās all that matters, really. You move in the bed messily, tangling the sheets and comforter with your legs, pulling him with little force onto the bed. āIām here.ā You repeat with your head on his chest, rising and falling with each breath. You donāt say it because you mean it, you say it because you know when his thoughts are on the verge of becoming all consuming. You say it because the last thing he needs to be thinking about this weekend is if youāre distancing yourself from him. You might know him better than he knows himself, you think sometimes.Ā
When you wake up in the middle of the night, youāre feeling alive, less corpse-like. Heās not in the room anymore.Ā
You wonder if itās possible to distance yourself from Charles, or if your lives are so completely and utterly intertwined that itās too late for that. A life lived together too long to make distinctions, you think. Nothing is yours, not really.Ā
Fight or flight, you will freeze every time. You canāt take the leap, have the hard conversations. If you do it, and it goes terribly wrong, crashes and burns brighter than the sun, thereās no walking away, no picking up the pieces and putting yourself back together again.Ā
When you were young, your Mother once told you she thought you and Charles were each one half of a puzzleāincomplete without the other. Youāre lucky to have him, she told you, people spend their whole lives looking for the other half of their puzzle.Ā
You always found comfort in it. Now, you think maybe you and Charles are two separate puzzles that have been combined into the same box. Sure, they could be sorted, but pieces are probably missing, stolen by time or never there to begin with. The only way to sort each other apart would be to dump it all out on the table, slowly rebuild from the corners in, constantly checking the box to make sure that piece is a piece of you, not him. Nobody has time for that task, not even the people who love the puzzles, not even the puzzles themselves, so you sit on a shelf all mixed up until the end of time.Ā
He came to see you on your nineteenth birthday. Drove in from Monaco to the apartment you were renting with University friends. Four bedrooms, six people, two emotional support cats, low ceilings, broken fire escape, one bathroom, and a pantry full of cheap alcohol.Ā
When he arrived, there were significantly more than six people, the pantry full of liquor was a kitchen full of liquor, and you were dancing on a table, drunk in a way only a nineteen year old is on her birthday. Even sloppy and shitfaced, you could make out the distinctive tone of his holler over the hoots of the rest of your cheer squad.Ā
Youād laughed, giddy and loud, jumped off the table and threw yourself into his arms. āVous ĆŖtes ici?!ā You yelled into his ear, adjusting the strap of your top.Ā
āJe suis lĆ .ā He said, at a sober volume. āBon anniversaire.ā
āMerci!ā You laughed, hiccuped. āBuvons!ā
He should have been playing catch-up, but youād never let a friend take a shot alone. A gruesome mistake you learned when you were curled over the porcelain toilet bowl two hours later.Ā
He had your hair knotted into a shitty ponytail, too loose, the part of your haircut meant to frame your face falling victim to the contents of your stomach. He rubbed his hand on your back, like a parent would, and told you it was going to be okay. You spit, laughed into the toilet because he was always so annoyingly sweet to you. You looked over your shoulder and told him so. Youāre too sweet to me, you said, he looked at you all sober and earnest and chillingly, and then you threw up again.Ā
You rallied, though. The birthday girl always rallies. You smoked a cigarette from the perch of your bedroom window and listened to Charles talk about some girl and lecture you, going on and on about how you really shouldnāt be smoking. Itās quite bad for you. You wondered what would happen if you threw yourself out the window, if it would hurt more than his bashful words about her. Itās only the third floor. It wonāt kill you. Hearing him say her name and blush one more time might, though.
Jealousy is ugly on you. You realize that in the weeks that follow, and decide that until you have the balls to say something to him, to take charge, you donāt get to be jealous of who he spends his time crushing on. Jealousy is for women who lose, and youāre not even playing, not even on the team.Ā
Itās a good thing you do, put it behind you, because he brings her to the family cabin you spend Christmas at every year. He warms her hands in his and kisses her under the mistletoe hung in the entryway. At the end of the week, he thanks you for being so kind and warm and welcoming to her. You smile, hug him. Anytime, you told him, cry yourself to sleep for three days thinking about how happy he is.
Sheās too good for you was the nicest thing you ever said about her. It was a lie. Nobody is too good for someone as sweet as him.Ā
You see him next in Austin, a late birthday celebration in the land of unfamiliar accents and oversized portions. The losing battle for the championship is over, Max won in Japan and sat in some stupidly oversized armchair in the cool-down room. Itās ridiculous, honestly, Iām glad I didnāt win, he told you. You went along with it even though you know heād give an arm and a leg to look like a fool in an oversized armchair in a cool-down room in Japan.Ā
Despite that, because of that, whatever, the pressure is off his shoulders a bit, the need to perform at superhuman level lowered. He seems lighter when you hug him.Ā
āI did a hot lap with Brad PItt.ā He tells you.
You laugh at the absurdity of his life, follow him on his walk up the paddock. āAnd?ā
He shrugs. āTires were shit.ā His typical day at the office might be batshit insane, but heās always going to be Charlesālittle boy who loves cars-Leclerc.Ā
āTires were shit.ā You repeat. āThat's all you got for me?ā
āHe didnāt speak much.ā Make him speak, Charles. Itās Brad fucking Pitt, you wouldāve said if it was a few months earlier and things were normal and deadpan and sarcastic between the two of you. You roll your eyes instead.Ā
ā ā
āYou guys should not let them do this.ā You tell the girl working the counter at Austināsāan amusement park in, you guessed it, Austin, Texas. Americans are incredibly creative, youāve come to learn. āTheyāre going to kill each other.āĀ
She canāt be making more than minimum wageāseven U.S dollars and twenty-five cents an hourābut there isnāt any amount that is enough to deal with this crowd in karts. Two of the most competitive men on the planet, egged on by each other and by the group of guys in line behind you trying to pay for your groupās tickets.Ā
Do not let them pay for you, you told Charles and he nodded, told you he knew, paid for everyoneās tickets. At any moment it feels like a little red dot is going to appear on your head and Ferrari is going to take you out. They wonāt be thrilled to discover both their poster-boy and Disney prince were out late the night before a race, even less thrilled when they find out Charles and Carlos were risking injury in search of cheap thrills with strangers.Ā
You and Isa share a laugh, feel like mothers chasing toddlers around at Disneyland. We should do that, we should do this. Oh! Look at that, we canāt leave without doing that.Ā
You watch them ignore the teenager telling them the rules about the karts, telling everyone not to run into one another. Itās just the four of you; Charles, Carlos, Isa, and you. You know theyāll be crashing into each other before you get through the first turn.Ā
They argue about if theyāre fighting for first or fastest lap, flip a coin and throw a fit about the results, play rock-paper-scissors to come to a decision. They lap you and Isaāthe rule followers who donāt exceed the speed limitāfly around the track at a speed you didnāt expect anyone to be able to pull from the cheap karts.Ā
Carlos wins, Charles contests, says heās going to formally protest it. Then, they want to switch to two-seater carts, so you and Isa are passengers to their reckless driving. Charles wins that round. Carlos and Isa leave after that, claim theyāre tired. You and Charles stay for a meal.Ā
āItās a pre-podium celebratory meal.ā You said.Ā
āYouāre going to curse me.ā He groaned.Ā
For the first time in what feels like a lifetime, a meal shared with Charles is awkward, stiff. Before today, youād barely spoken since Monza. Your social media was still full of death threats, or so youād been told. The apps have yet to be redownloaded, itās not healthy for anyone to see that kind of stuff.Ā
This is how it happens, you think. How lifelong friendships fall apart. There isnāt a separation spot that you can pinpoint and say yes, this is where it all went to shit. Itās a gradual separation, a day without a call, a week without a text, a month without speaking. Slow, steady, and sure, until eventually, you live separate, untangled lives.Ā
āSo,ā He says, eats a fry. āThat big work deal?ā
āYeah.ā You nod, cross one leg over the other on the cold metal chair. āItās good. Almost done, I think.ā
āIām sure you killed it.ā
āYeah.ā Uncross the legs. āThanks.ā Cross them again. The positioning of your legs isnāt the problem, the cold metal chair that doesnāt sit evenly on the floor and rocks when you shift your weight isnāt whatās making you uncomfortable. The food is good and the drinks are cold and your waitress is a sweetheart with a southern accent and long blonde hair.Ā
Yāall came from the race? She asked. We were busier than ants at a picnic all weekend. You told her yes. I like yāallās accents, and that was the end of it. He couldnāt get away with that interaction anywhere else in the world.Ā
Everything is perfect, but youāre still uncomfortable. The problem is him. The problem is you. Everything breaks under enough pressure, even unbreakable things.Ā
āI miss you.ā He said, because the closer your bodies are, the further away your minds wander.Ā
āIām here.ā You lie.Ā
He sees right through it. āNo, youāre not.ā Any possible defense would be weaker than the lie, so you donāt bother, sit in suffocating silence and pick at your fries. āThings have been weird since we slept together.ā It was a mistake, you brace for the impact of it. Sleeping with him wasnāt a mistake, not for you. It was everything that has followed that was the issue. It should have been the end of a chapter, a closing book, one way or another. Instead, youāre writing an epilogue and flying by the seat of your pants, stumbling over your words and forgetting characterizations and just trying to make it to the next page. You should be in a new book entirelyāa book without him or a book with him on every page.Ā
It was a mistake, you brace and brace but it never comes. He doesnāt say it. The other shoe doesnāt drop. He just looks at his hands, twists his rings on his fingers, pops his knuckles. āI donāt know how to fix this.ā He speaks, finally, and it reminds you of when he kissed you, when you didnāt know how to make everything better.Ā
More silence, until youāve both cleaned your plates, until Mary-Grace, the sweet talking southern-belle, sets the check down on Charlesā side of the table, until you watch him google how much gratuity heās supposed to leave because heās always scared heās going to mess up tipping when youāre in the U.S.Ā
Distance is good, you think. Distance. People need distance. āAbu Dhabi is going to be my last race.āĀ You whisper.Ā
He laughs almost, sliding his card into the leather folder and setting it back on the edge of the table. āItās going to be everyoneās last race.ā
āMy last race for a while, Charles.ā My last race, ever, you think, if distance goes the way you think it will. āIām going toāI think we.ā You sigh. āWe need some space, I think.ā
āNo. Donāt be stupid.ā He shoos your words, brushes them under the rug.Ā
āWe canāt fix it. We both know we canātāā
ā--I donāt know.ā You speak over each other, building a Jenga tower of lies and one-ups until you finally snap into a different language.Ā
āI love you.ā He blurts, cuts you off like itās some grand admission, like you havenāt been saying it to each other since before the word love had any sort of connotation to it, back when it was just something people said to each other. The distance, it doesnāt mean you donāt love him. Youāll always love him, heās Charles. You just. You need to breathe, and you canāt catch your breath when heās around.Ā
āI love you, too.ā You say, like you have a million times before, like youāre almost offended he thought any of this meant you didnāt love him.Ā
āNo, no.ā His voice is desperate, pleading with you to understand something youāre clearly missing. Surely, he doesnāt mean. āHow do you⦠je suis amoureux de toi.ā You clench your jaw and blink, and youāre pretty sure one eye closes before the other.
āDonāt say that to me.ā You say. Not, Iām in love with you, too, even though you are. Youāre trying to put yourself first here, trying to objectively look at your life, at the things in it that are hurting you. Mixed signals, hurting you. Death threats, hurting you. Unwanted attention, hurting you. The common thread is him, you need to separate yourself from him and heās saying the only thing that could make you waiver.Ā
āPourquoi pas?ā
āBecause.ā You dig your shaky fingers into your leg, burrow them into the denim. Itās going to bruise, you donāt care, so will this conversation, so will walking away. āYou donāt mean it.ā Shake your head, lip quivering like a little girl who got hurt on the playground. He does mean it.You know him well enough to know he does, which only makes it that much fucking harder. āAnd Iām not going to say it back.āĀ
You love him so much, more than oxygen, maybe. Youād throw it all away for him, your heart would let you lose yourself if it meant making him happy, if it meant being with him. Youād stay off social media and pretend nobody was wishing for your death. Youād sit at awkward dinner parties and watch races with limbs that didnāt feel like your own. Youād do it all, if your heart was in charge, because you love him, and canāt fathom losing him.Ā
Space. Space will make it better, ease the sting of unspoken feelings and heavy words and stupid little games. Space will wash the salt from the wound.Ā
He says your name like a plea, a desperate prayer, bloody knees and lit candles. You say nothing, too much internal conflict to sort out to verbalize anything.Ā
The drive to the hotel is deafeningly silent. You can hear the tires of the rental car on the road below, can hear his feet on the pedals, the grind of his teeth because heās angry at you. Heās angry and he doesnāt want to be. In love with you and he doesnāt want to be. You understand it well, recognize your own emotions being reflected back at you. If you listen hard enough, you convince yourself you can hear the traffic lights changing colors.Ā
You fly home commercial the next morning, skip the race, hear about his podium three days later from a friend.Ā
You donāt go to Abu Dhabi.
--
You donāt go to November, or Decemberās family dinner. He doesnāt text you, doesnāt call, makes no attempt at playing phone tag.Ā
--
You skip Christmas at the cabin, find out after the fact that heād done the same thing.Ā
You told your sister after you got off the phone with Mom that you wouldnāt be there, told her as a heads up, so she knew the shit-show of slamming cupboards and passive aggressive comments she was walking into tomorrow.Ā
Go to your dadās birthday. He texted you for the first time in months. I wonāt go.
Iām an adult. Thereās no way to send a message like that without sounding like a child.Ā
I wish I could see my dad on his birthday. Nobody does the guilt-trip like he does. Go. I promise I wonāt be there.
You were the one who blew things up, who demanded space and time and distance. If anyone should suffer because of it, itās you, not him. You should be there.
Not more than you. You disagree, but heās impossible to argue with without being face-to-face.Ā
I can be an adult. You say, even though you arenāt so sure you can be. We can both go.
ā ā
You lingered in your apartment, wondered if he was really going to show up, if you were actually going to get in the car and drive over there, if it was too late to say youād caught Covid or something.Ā
You change clothes seven times. Seven, because you want to look good, but not like you tried to look good. Effortlessly glamorous and classy and sophisticated. You donāt know why, itās not like heās the one who wronged you. If anyone should be spending extra time in the bathroom today it should be him, he should be trying to prove you wrong, to show you your mistake in walking away.Ā
It wasnāt a mistake. It was the biggest mistake. There were two very distinct sides to the coin. Youāre back on social media, back to living your life without death threats and constant judgment. You havenāt spoken to your best friend in months, have no idea what heās up to, donāt know anything more than his millions of followers. You miss him, but you donāt miss being Charles Leclercās friend, Charles Leclercās girlfriend. You like having your own name, being a person with traits that go beyond knowing him. You hate not seeing him, not being with him, worrying that youāre going to run into him around any corner. Itās a small, congested city. He could be any of the faces in the crowd.Ā
You get to your parents house after your sister and your brother-in-law and your niece. The house smells like pasta sauce and your momās flowery candleāthe one that is teetering awfully close to potpourri and death and elderly woman. The Bianchiās arenāt comingāthey thought the party was next weekend, called and apologized three different times in the past forty-eight hours, according to your dad. The Lecelercās are yet to arrive.Ā
You slip into comfortable conversation with your family, Mom is right, you arenāt avoiding any of them. You help her out in the kitchen, get yelled at for tasting the sauce, chase your niece around the house, fulfill your duties as the fun aunt, sneak her candy from the jar in Dadās office and swear just enough that she might call the dog a bitch.Ā
Arthur and Pascale get there first, before Lorenzo and Charles. Theyāll be here late, Pascale says to someone, not you. āMy brother is an idiot.ā Arthur says when you greet him with a tight hug. You havenāt seen him since Monza, either.Ā
āYou donāt know what youāre talking about.ā You say. You havenāt seen him, but youāve spoken to him, congratulated him on moving to F2, offered to take him out to dinner the next time your schedules lined up. Drama with Charles wasnāt going to stop you from celebrating the closest thing youāll have to a baby brother.Ā
You almost forget heās coming. Almost, and then heās knocking and walking through the door with a small, gift-wrapped box and an expensive bottle of wine, charming smiles onto everyoneās face with just his easy presence. He looks good. He always looks good, but damn, he looks good in that sweater and those jeans and his glassesāhe should wear his glasses more, youāve always thought. He doesnāt hug anyone, and you wonder if itās so he doesnāt have to hug you. Instead, he hoists Gigi up into the air and steals her seat on the sofa. Itās his seat, unassigned, but assigned by years of occupying it at every family function. Gi wants to lay claim to it, but sheās just as happy on Charlesā lap as she is curled up in the corner seat of the sectional.Ā
You keep meeting his eyes, snapping them back to the ground every time. Itās sad, if you think about it too long. You were right,the two of you are too entangled. Thereās no separating you, not with ties that run so deep, not when you and Charles are just pieces of a giant web of people. There are a million invisible strings and unseen connections that intertwine every member of your family and every last one of your friends.Ā
Youāre painfully cordial. He helps your mom serve dessert, hands you a plate with a corner piece of cake and your favorite ice cream, doesnāt have to ask you like he does everyone else. You donāt even know how he knows your favorite flavor of ice cream, why he remembers that you love the corner piece of cake.Ā
You thank him, tell him the wine he brought is good and overpriced. Iāve missed being judged for every purchase I made He said, and you told him he couldnāt get rid of you that easily. Itās weird, the weirdest, because he did get rid of you pretty easily.Ā
āIām going to F1. Sauber.ā He told you in his kitchen while the two of you were washing dishes. You dropped the forks into the dishwasher with a spattering of clangs.
āReally?ā You asked, a glaring absence of excitement in your voice. You knew it was coming, everyone knew it was only a matter of time, a talent like his is destined to get to the top. You knew it was coming, but, still, you selfishly and silently hoped it wouldnāt work out. He was yours, and you wanted to keep him to yourself, hated how much you already had to share him with the rest of the world. Gone for nine months of the year, away from home and away from you, it will be so lonely.Ā
Heās happy to leave you behind, overjoyed, even, and you struggle to come to grips with it, struggle to separate the emotions heās feeling about achieving the dream versus the ones he feels about leaving you. It feels like the end of the world to your young and naive heart, like nothing is ever going to be the same, like youāre losing another person you love more than life.Ā
ā ā
It was the beginning of the season, he hadnāt been home in almost two months, was in the middle of a double header, China and Azerbaijan, you think. You were just trying to survive to Monaco. Heād never been so busy, youāve never missed him so much.Ā
Your roommates were having a party, and you were working late. When you got home, his favorite song was playing through the apartment. You donāt know the name, arenāt even sure about the artist, but you know every word, learned them all against your will. Listened to him sing it under his breath while he cooked and scream it during long car rides and blast from his headphones so loud you were worried heād have hearing damage. He was always, always, singing this song, and you were always, always, asking him to turn it off.Ā
You wished he was here right now, singing it out of tune and thinking heās a popstar. You wish you could begrudgingly sing it with him. Instead, you grab a snack from the pantry and lock your bedroom door and put in your headphones, play your music so loud you canāt hear the party on the other side of the door. Tune it out, turn off your longing for him with it.Ā
You canāt wait until you graduate, until you can pack everything up into a little suitcase and spend all of your money and follow him around the world, canāt wait until you never have to miss him again.Ā
Come see me. He texted, a month after your Dadās birthday, right before pre-season testing in Bahrain. Heās already there, or so you can piece together from the text, from the attachment in the subjectless email heād sent you. Plane ticket, two, actually. Nice to Dubai, Dubai to Muharraq. Both first class.Ā
No. You replied. Get a refund.
See you tomorrow night. You hated the cockiness of the reply, hated more that you were already packing a suitcase. He didnāt even ask if you were working, didnāt check to see if your schedule was clear or if it was even something you wanted to do.Ā
Your sister drives you to the airport. āI think Iām in too deep.ā You told her. You two have never done shallow, she said. You promised to protect yourself, to prioritize yourself, and to text her updates whenever you had them.Ā
You wished your life was as simple as hers, a good job and a husband and a perfect baby girl. Big family parties and plenty of babysitters for date night and a village that loved and supported everything they did. She had the perfect family, had all her ducks in a row and her shit situated. āI love living vicariously through your insane life.ā She said, and you kissed her cheek goodbye.Ā
ā ā
You follow his instructions, feel like youāre on a delusional scavenger hunt. Board the plane, land in Dubai, board another plane, land in Muharraq, get on the bus, talk to Azim at the front desk of the hotel, he knows youāre coming. Azim isnāt there. He works the night shift, apparently.Ā
Azim is not here. You texted your sister.Ā
Who is Azim?
They call Azim, he answers, and itās all sorted out when the day-shift manager hands you a key. You wonder what Charles had told Azim. Thereās a girl coming, be discreet. It doesnāt seem like him, none of it seems like him. Azim, Iām drunk and tired and invited my best friend, who claims to need space from me, to my room. Please let her in. That felt like more of a possibility, felt like it would confirm your suspicions, that he doesnāt want you here. He wants you, of last year, here. You, of France, likely.Ā
Youāre not having sex with him. Not happening, you wonāt fold, not even if he asks nicely. It would solve nothing, and has already fucked up enough of your relationship. If you suck his dick again, you wonāt be able to be cordial at birthday parties, heāll forget what kind of ice cream you like, and neither of you will ever be seen at the christmas cabin again.Ā
When you get to the room, the suite, you find thereās two bedrooms. Maybe he wasnāt looking for France, maybe he got into the room and saw there was another room and had a momentary lapse where he thought, you know who would enjoy being here? He bought the tickets, sent the text, and by the time he realized what heād done, it was too late to back out.Ā
Youāre replying to emails on the couch when he walks through the door. That redesign deal, after months and months of back and forth about something as small as the shade of one pixel versus another, is finally launching this weekend. Youāre trying to make sure everything is in order, putting the final bows on the project and making sure no ends are left loose.Ā
āHi.ā You call out, in case he forgot he invited you.Ā
āHi.ā He says, appears in the lamp-lit room all comfy in that one sweatshirt youāve always loved on him. āAre you watching LāAtalante?ā He asks, moving past you and into the kitchen. Itās too normal. Eerily so, the plane might have passed through the z-axis or something and now youāre in an alternate timeline where none of it ever went sour.Ā
āNo.ā Everytime you watch it you think of him. Not in the cheesy, God, I love him and he is such the main character in this love story, way. In the God, I love him and wish he was here to make fun of me for loving this movie, way. āHavenāt watched it in a while.ā
āShame.ā He says. āI liked that movie.ā
You donāt feel like humoring him about this again, vividly remembering exactly where it got you the last time. Really, you could blame all of this on that fucking movie. If you never watch it, he never asks to come in, you never have sex, and everything is happy-go-lucky between the two of you. āHowās the car this year?ā
āDonāt know yet.ā He says, pulls a bottle of water from the fridge, the seal snapping when he turns the cap. āWhy arenāt you watching LāAtalante?ā He takes a drink.
āI told you.ā You say quietly, unfocused on your words, fingers rapidly moving across your keyboard.Ā
āNo, you told me you havenāt watched it.ā He says, flops down onto the couch. āI want to know why.ā
āI donāt know, because I havenāt felt like it.ā You tell him, a little more annoyed this time. You havenāt watched the movie. A lot of people donāt watch their favorite movie all of the time. āWhy do you care so much? Did you call me out here to play anything but?ā
āI called you out here because I miss my best friend.ā
āYou donāt know me, anymore.ā
āItās been a few months, not a few lifetimes.ā Even then, heād probably still remember the corner piece of cake and his hand would probably still hover behind you protectively and find you in the dark rooms and the crowded rooms. You know no amount of time could make you forget his favorite song, or at what point in his day he gets nervous, what he needs when everything is going wrong, and the way he can sober you up with one look. āI still know you. I still love you.ā You sympathize with it, relate to it, because nothing is as hard as trying to unlove another person, youāve come to learn. āI miss my best friend.ā
Donāt break. I still love you, Charles. Donāt break. I miss my best friend, too. Donāt break. Donāt break. āWe can pretend for a weekend.ā He says. āJust, be normal again. Be us again.ā Us. There is no us. Donāt break.Ā
Itās not like itās an argument you can just apologize and move on from. He canāt apologize for loving you, for needing to vocalize it. You canāt apologize for loving him, for not being able to take the leap. Normal, normal sounds so good.Ā
Can we go back to normal after this?Ā
Yeah. Back to normal.Ā
You never should have let yourself believe him. You wonder if he loved you, then. If he knew when he said it that it was a lie. You canāt remember when you knew you loved him, like really, really loved him. It was gradual, you suppose, a combination of time and sweetness and jealousy, of grief and joy and innocence. At some point, you were forced to face the sobering reality, but, you donāt know how long youāve loved him like this. Does he remember a moment, or was it gradual for him, too?Ā
āBack to normal.ā You said. The ultimate game of anything but, the final boss of your friendship. āJust for the weekend?ā
āWhatever you want.ā He says. āWe can do whatever you want.āĀ
Donāt break. Do not break. āOkay,ā you crack, and then, with the force of your entire heart, āyeah.ā You break.Ā
A long time ago, before the gradual realization, you thought Charles and you were platonic soulmates. Today, can you go back to that? To the platonic love. Was there ever a fork in the road, a wrong turn, a path where you end up somewhere else, or have you always been destined to end up like this, in a hotel room, in a foreign country hiding from the rest of the world and pretending everything is light and breezy and comfortable when itās far from.Ā
ā ā
Itās Monday morning, and your weekend together is over. It was a shorter adjustment period than you could have predicted, like relatives who donāt see eachother but once a year. Itās awkward hellos and bombed small talk until suddenly one of you makes a joke and itās like you were apart for minutes instead of months.Ā
You go to this tourist attraction together, the Tree of Life. Itās a four-hundred-year-old tree thatās like, ten meters tall or something. It sits alone in the middle of the desert and nobody knows how itās still alive. Itās a spectacle, according to Google, and was nominated to be another wonder of the world. Someone says its roots run fifty meters deep, and it sticks with you, the idea that thereās so much beneath the surface. You wonder if the tree had a companion four hundred and some odd years ago, if it always imagined spending every day with the companion tree, if their roots were tangled fifty meters below the surface. The tree is gone, now, but maybe its roots are still there, fifty meters down, all tangled up in the roots of this tree.Ā
Itās probably not from the Garden of Eden like they claim, and thereās surely a scientifically sound explanation for where the tree is getting its water from in the middle of the desert in a rain-less country. Itās just a big tree, destined to dry up and fall over and burn with the rest of the planet. Itās just a big tree, unless it isnāt.Ā
Does the tree know if itās special or if itās just that? You donāt know if what you and Charles have is something special or if youāre just something, but, then again, you arenāt a tree. Maybe the tree knows. Maybe you know. How does a person know that they know?
Charles seems to know, to think youāre worth his unrelenting patience, deserving of the corner slice and the color green, of the stars and the sand and everything in between. He understands you, and he still seems to know, to declare with confidence in the rush of a sports bar in the middle of Texas that he loves you. Heās sure enough that he skips Christmas because you thought space would make everything better, doesnāt tell you that youāre wrong even when you so obviously are, doesnāt stop loving you when you push him in the opposite direction.Ā
Youāve never been that sure about anything, you think.Ā
āLooks a bit lonely, doesnāt it?ā He offers into the dry air, taking a picture with his phone. You hadnāt thought of it as lonely until he said something, viewed it as possessing an other-worldly strength and unmatched level of determination. The tree never told its companion it loved it, the tree kept to itself and eventually, learned to live alone in the sand.Ā
You shook your head. āItās strong.ā
āYou can be both.ā The tree can be both, heād meant to say, because the Tree of Life is not a metaphor. Itās just a tree.Ā
ā ā
The weekend, the game of anything but, the avoidance of the Worldās biggest elephant, is over. Itās Tuesday, now, breakfast from room service in the suite, awkward tension filling all the available space, compromising each molecule at an atomic level. Heās wearing a red t-shirt, because he always is, and it sits on him so nicely, looks so comfortable on his skin. Youāre wearing a yellow pajama top and the silky material is charged with static and clings to you in all the spots you wish it wouldnāt.Ā
How do you know when itās real? You had texted your sister in the middle of the night prior, two-twenty-three if you remember correctly. You couldnāt sleep, had a bad dreamācouldnāt decide what was worse, the nightmare while you sleep or the nightmare when you wake.Ā Ā
You donāt. She replied at a normal hour, when normal people wake up after going to sleep at a normal time. You never know for sure.
Thatās fucked.
āI booked a flight home last night.ā You told him, picking at the plate of eggs in front of you, the fork scraping on the ceramic plate like nails on a chalkboard, your teeth clinking against the metal everytime it was in your mouth. Just, wrong. In every possible way.Ā
āWhy?ā He asks, takes a drink of orange juice, a new quirk, you think. He always used to complain about the pulp getting stuck in his teeth. Donāt be such a princess, youād tell him and he would roll his eyes, drink the remainder of the glass just to prove he could do it without complaining.Ā
āThe deal was a weekend.ā You say, pretend youāre not conflicted, regretting buying the ticket, admit youāre running away again. āThe weekend is over.ā
āYouāre just going to leave again?ā He nods, reassures himself through the sentence, wipes his mouth with a cloth napkin. āNot even going to talk about it?ā You stay quiet, teeth clicking against the fork. āIāyou are. God, you are soāā
āāAnything but.ā You invoke it like a constitutional amendment, like a prophecy, like an unbreakable law.Ā
āāāOh, va te faire foutre.ā Your head rears back, but you donāt let it sting, know you deserve it. āWeāre not doing Anything-fucking-but.ā Itās been a long time since he was angry with you, openly like this, cussing you out. Heās scary when heās angry at you, because heās always calm about it. Raises his voice, maybe, but never yells at you. You wished heād scream sometimes, it would be easier to read.Ā
āThis weekend was really great, Charles. I donāt want to ruin it.āĀ
āI just. I donāt understand.ā He runs his hand over his stubble, deep in contemplation, trying to analyze you, make sense of you. Good luck, you want to tell him. āI love you. I really, really fucking love you. Je sais que je ne suis pas fou. Vous le sentez aussi.ā
A single, heavy tear falls from the corner of your eye. You wipe it with the rough cuff of your jacket before it can trail down your face. The inside of your cheek is bleeding, you think, because you canāt feel the pressure from your teeth but you can taste copper. āIām scared.ā There, you said it. You admitted it, exhaled it with the weight of the world, vomited it into his lap.Ā
His lips are tight in their frown, eyes red and glossy like heās going to cry, too. He laughs, though, a sad and defeated chuckle. āYou think Iām not scared?ā He asks, voice fighting against itself not to crack. āIām scared as hell to want you.ā
Heās scared? But, nothing scares him. Heās fearless, youāre frightened. Unflinching and hesitant. Gutsy and cowardly. Nothing scares him, not even his own mortality. Youāre supposed to believe that you, of all people, you, scare him? Impossible, you think.
āI didnāt tell you for fun.ā He continues. āI told you, because it was eating me alive. I was so scared to tell you, thought I would ruin us. Mais tu partais, et je ne pouvais pas te perdre. Je ne pouvais pas.āĀ
Why, why, why is this so fucking hard for you. Sixteen-year-old you, twenty-year-old you, twenty-five-year-old you. Every version of you is screaming at you, weāve loved him forever, this is all youāve ever wanted from him. They kick your shins and gut-punch the breath from your lungs and scrape their nails behind your eyes. They are furious, because for longer than you can remember every wishāshooting stars, birthday candles, fountain pennies, fallen eyelashes, dandelions, and ladybugsātheyāve all been for the same thing. The very thing being served to you on a desert platter, all you have to do is pick up the fork.Ā
Pick up the fork. Eat the corner piece of cake and savor every bite. Be scared. Be terrified that the world is going to take something pure and wreck it. Be scared, but do it together. Pick up the fork.
āI love you, too.ā
You feel strangely out of place with someone else to look after in the paddock. Ferrari hospitality had been your home away from home for years now. The paddock was always different, but maintained a comfortable familiarity, recognizable faces, names, buildings and colors. He was wide-eyed and curious and you smiled at the way the sun bounced off his hair, the excitement he couldnāt contain when amongst the chaos youād become accustomed to.Ā
āAsk before you touch, please.ā You told him, his hand in yours, the same warning Charles had given you the first time he brought you through a garage.Ā
He is heard before he is seen, a loud laugh, a familiar voice calling out your name as soon as he turned the corner. āHi.ā You beam.
āHiā He says, kisses you, runs his hand through the boyās hair. āQuoi de neuf, Crevette?ā
āIl fait chaud, papa.ā He says, with poor enunciation and the dramatic waving of a little hand, fanning himself. Charles nods, hoists the little man onto his hip, whispers something in his ear. A private conversation between the two of them, you donāt dare intrude. āDis-sa.ā Charles says, repeats it when heās met with a giggly belly laugh.Ā
āWe go.ā He says, in little, butchered english with a thick french accent. Itās easier to decipher a babble.Ā
Charles laughs, quirks his brows at you, shrugs. āWe go.ā He backs away from you slowly.Ā
āWe go, where?ā You say, laughing, too, because you canāt not laugh at your little boyās giggle. Itās too pure, cracks even the toughest exteriors. Charles looks to his mini-me. āOù allons-nous mon amour?ā
āYou coming for ice cream, Maman?ā Charles asks, holds out his free hand because itās a rhetorical question. Heās looking at you with the eyes that make you sober and find you in any crowd, but he doesnāt have to have eyes on you to know youāre coming. āDo you think they have Mamanās favorite flavor?ā He asked.Ā
resurrecting this account for this amazing masterpiece!! iāve read this fic about four times now, and itās great every time. no words, just obsessed. this is probably one of my favorite of all time <3
āAre you ever afraid of losing y/n?ā Johnnyās sudden question cut through the silence that had previously occupied their room, the abrupt noise and heavy topic making Hyuck almost drop his controller.
He quickly paused his game before turning around in his seat to look at his roommate.
āHuh?ā He asked, still taken aback at the unexpectedly deep topic at 8pm on a Tuesday night.
āY/n. Are you ever afraid of losing her?ā Johnny asked again, his expression nothing beyond pure interest and curiosity.
Hyuck swallowed, thinking about whether he wanted to say the truth. He knew his answer, but he wasnāt sure if he wanted Johnny to know it. He trusted Johnny with anything, but this wasnāt something he had ever spoken about with anyone before, choosing instead to keep his insecurities to himself.
āYeah. Everyday.ā He admitted, avoiding eye contact with the tall boy watching him.
bitch that last sentence omg IM BAWLING. this is so cute š MY LITERAL FAVE i couldnāt stop smiling the whole time, you know how many pauses i had to take bc my heart couldnāt take it LMAOO
part two.
pairing:Ā rockstar!Jungkook x reader
genre: band!au, strangers to lovers, lots of fluff, smut, future angst
warnings: overstimulation, he spits in your mouth yum(jungkook has a thing for spit ok), multiple orgasms, oral, face sitting, fingering, its sweet & playful okay
word count: 21k+
summary: What do you do when a cute boy barges into your car and demands you floor it because heās being chased by security? Well, you floor it of course, and somehow manage to fall for him because of it.
authorās note: Iāve been writing this for ages whenever iād get a minute to spare but its here and will be two parts!! plsplspls give it a read and drop some feedback or a reblog. please listen to I Donāt Mind by Defeater, that song it the reason I wrote this lmfao.Ā
philophobia, n. - a fear of love, or falling in love [an NCT fic]
as a rich, socialite party girl queen bee, youāre, honestly, a spoiled brat who gets whatever and whoever she wants. enter two boys who want something from you that you never planned to give up any time soon.
playlist: here (full credit to @hyungjunjpg)
ask the characters tag: here
table of contents;
teaser //Ā one (particular taste) > part two, part three // two (thereās nothing holding me back)Ā > part two // three (kid in love)Ā > part two // four (nervous) // five (fallinā all in you) > part two // six (lights on) // seven (where were you in the morning?) // eight (lost in japan / no promises / why) // nine (like to be you) // ten (queen) // eleven (ruin) // twelve (i need it / because i had you / three empty words) // thirteen (mutual)Ā // fourteen (perfectly wrong)Ā // fifteen (when youāre ready) // sixteen (crazy)Ā // epilogue (never be alone)
the main leads are literally both my biases and i could not contain myself throughout this whole thing I LOVE THIS SERIES SO MUCH if i could marry a series it would be this one CHEFS KISS i love the fact that she had character development i love the writing the smut ugh everything about this was amazing love love love ā¤ļø
Synopsis: You get invited to a stupid prestigious party by some stupid rich boy who wants to get laid. Maybe youāre going half as a favor to your best friend, and maybe youāre also going to get laid. Either way, itās still stupid.
Member: Doyoung/Reader
Word Count: 4,886
Notes: i thought about posting this all at once but then i said fuck it and decided to give you it in parts for extra suffering :) there is going to be smut in here just as a forewarning + this is sort of that fuckboy doyoung everyone was asking for?? or something more ;) enjoy maybe? ^^
Part 1 | Part 2 | Part 3 | Part 4 | Part 5
omg this was such a rollercoaster but it was amazing from start to finish GOD I JUST WISHED IT WAS ALL HAPPY AUNSHINE RAINBOWS AHH but for sure still one of my favorites i loved the inclusion of the texts man just take my heart DUDE DKWKSKWO
summary; Congratulations! You have been selected for the very first season of Bachelor NCT. A show where you will get the chance to meet our line up of twenty one and find your one true love. Fall for the bachelors during fun romantic dates and casual nights in - experience conflict and difficulty as they all fight to be selected for a rose. Be warned, you can only have one of them in the end.
word count; 12.5k (ongoing)
relationship; ot21 x reader
tags; female reader, the bachelor au, ot21, fluff, angst, suggestive, interactive story, (adding with chapter updates)
a/n; my present for 1000 followers nwn. a long series where you guys vote as i post and change the story for yourselves. thank you all so so so much and i hope this shows my gratitude.
omg this is just immaculate *chefās kiss* i was so tired but i saw this and i just had to force myself to stay up and read it and i have no regrets š
after spending one night in the makeshift stands of a street race, you find yourself getting more and more involved with a particularly alluring racer.
a/n: thank you so much to my sweet beta readers @nsheeteeā and @jeongcheolbabyā for helping me out with this once again. you two are so wonderful and kind!!
tag list: @iridesuhnceā @jewel-s-blogā @roses-and-revengeā @szchra711ā @sunflowerbaebaeā
omg this was absolute GOLD UGHHHH you have no idea how many breaks i had to take while reading this bc my heart couldnāt take the fluff š„ŗ but like the dialogue in this was amazing!! AND there wasnāt any slut shaming even when she was mad šš throughout the whole thing i was like damn is this what a healthy relationship looks like LMAO anyways moral of the story this is one of my favorites!! ā¤ļøā¤ļø
itās ty track!!! and heās sitting on an office chair in some kind of conference room
ātoday isā¦january 17ā
āweāre actually preparing for our comeback but todayās our day off,,,so i thought we should do something special for taeheeās birthday!!ā
āitās not her birthday today, but come to think of it, we never did something really special for her on her birthdayā
āher birthdayās two days after christmas, so either weāre super busy, or at home with our families. even as trainees we didnāt get to celebrate properly with herā
taeyongās looking down and thereās like a guilty aura around him
it makes czenniesā hearts hurt
āwe brought her out to restaurants and sheās told us countless times of how sheās greatful for it,,,but i just thought we should give her something more specialā
i have a really soft spot for kpop ocās/additions and taehee is one of my favorites š„ŗ like the amount of work and creativity the author puts into everything makes me appreciate their posts more!! the author captures each memberās personality so well like you know theyād do it irl lol
BASICALLY MORAL OF THE STORY IF YOU LIKE KPOP ADDITIONS AND NCT THEN I REALLY RECOMMEND THIS ACCOUNT! 𤧠so much respect and appreciation to the author š„ŗš„ŗ
Genre:Ā rich kid!au - angst, smut, slow burn-ish, pining, fluff
Word count:Ā 41.2k (i am so sorry.)
Comments: okā¦. i got rly engrossed in the plot and world building so i went super buckwild on this. i apologize for that. i worked on this for a whole month + 2 weeks so ā¦. enjoy! iād love love looove hearing some feedback! also UNEDITED.Ā
Warnings: very, very, very explicit sexual content - rough sex, choking, throat-fucking, degradation, dirty talk, oral sex, dom!jaehyun, sub!reader, overstimulation, unprotected, breeding kink | strong language, various sexual scenes, infidelity(? kinda).Ā
Even the most pure become tainted when their eyes meet his. This was doomed from the start; you knew it was dangerous, you knew it was bad - but all those thoughts left your mind the second he made you feel good.Ā
[ ā ] This piece involves a very problematic scenario (ie. infidelity). Please note that I do not promote nor advocate it. This is a work of pure fiction, involving a plot that is compelling to read and write about. Please read the trigger warnings listed and assess if you are comfortable to proceed - I do not wish to harm or trigger anybody. Adding on, while this work of fiction features real people, I would like to remind you that how I portray them does not, in any way, correlate to how they truly act in real life - I am just using them as characters for a plot. I do not wish to defame or insult anybody, I am just here to practice my passion in writing and entertain you.
I WAS BAWLING THROUGHOUT THE ENTIRE LAST HALF I WAS SO MAD AHHHHH
but 1000/10 would recommend bc it really makes you feel everything the main character was feeling like bitch when she was mad i was MAD and when she was sad i was fucking sad
pairing - lee taeyong x female!reader
genre - angst, fluff, smut ; rich kid!au, bad boy!au, fake dating!au
rated - mature (this fic deals with some dark themes, please keep in mind that this isnāt for the faint of heart!)
warning - explicit language, explicit sexual content, heavy alcohol & drug abuse, mature themes
words - 22.129 (iām sorry these just keep on getting longer)
summary - Your world is rooftop brunches and riverside dinners, men in black suits and women in Versace dresses, sipping mimosas as you discuss the state of the market or the state of someoneās vineyard or the state of someoneās marriage. There arenāt many things that surprise you anymore, but it seems like Lee Taeyong might be one of them.
Or; in which you hire the resident bad boy to piss off your rich, snobbish parents, and get a little more than you bargained for.
note - i wrote the smut part of this at my university library so Iām officially going to hell. also: taeyong is just a soft boy with resting bitch face. fight me.
also! if the read more doesnāt work, it isnāt my fault! it only shows up on mobile when a post is reblogged.
GOD THIS HAD NO RIGHT BEING THIS GOOD ;-; I WAS IN TEARS FOR MORE THAN HALF OF IT AND IM SO IN LOVE WITH THIS THAT I HAVE TO TYPE IN ALL CAPS UGHHH I CANT EVEN DESCRIBE HOW WELL WRITTEN IT IS OR HOW REAL IT IS OR HOW IT LITERALLY GRABS YOU BY THE NECK AND MAKES YOU JUST WANNA FOCUS ON ONLY IT
sjakidiais okay well itās safe to say itās one of my most favorite fics :,))
the first link for a thread of petitions + donation links in the replies leads to a removed account for me so here is another link of a thread with the same petitions + donation links in the replies!!!!!!
and a thread on "how to properly be an ally, how to educate yourself, & ways you can help !"
Summary: History used to be your favorite class of the day.Ā Used to.Ā But that was before the visions, the lashing out and the incredible, undeniable heartache that erupted every day. History was Jaehyunās least favorite class too.Ā
Authorās note: Goddamn, where have I been? ITāS BEEN FOREVER! How are all of you? Iām back from hell and better than ever! Jkjk, anyways, Iāve been super obsessed with NCT lately, especially Taeyong, so ironically I write about Jaehyun apparently??? Anyways! Requests are open still, but I canāt promise Iāll get it done super fast since Iām on vacation. Anywho, Enjoy this piece of shit I just wrote!
Important Note:Ā inspired by an idea of @tenpiocaās. thank you for letting me write this, ash! also this is unedited, mistakes will be fixed in the future
jaehyun is my weakness and this THIS IS IT god i wish i could experience it like my first time reading it again because itās so good and cute and so well written *THE BIGGEST CHEFāS KISS* JSKWKSKSKSKSK
Inspired by Love at First Touch by @bagelswritesā
Summary: In a world where a bruise marks the first touch of your soulmate, time is the only thing that matters. The marks take hours to appear, sometimes even days if youāre really unlucky. Once First Touch is initiated, both parties only have a few weeks to find the other. From then on, the body begins to reject any form of sustenance other than the touch of the other. If one fails to find their soulmate in time, they starve to death.
So what happens when your soulmate is a world famous idol?
And youāre just one fan in a sea of many who canāt even speak the same language?
A/N: SMUT WRITTEN BY @httpjeon AKA THE LOML.Ā Photo of hobi originally by twt user GUWOLJK! Thank you to @mortaljin @please-donts @yoongspeach @harooāmar @ms-universe @usangie-tsukino @attaeboy and @heartweaver for allowing me to use their names!
āSeriously, why the hell didnāt Joon drive?ā Taehyung whined, pressing two fingers against his already swollen eye.
Hoseok let out a chuckle as he slid into his and his boysā usual booth.
As per tradition, Fridays called for lunch at Rosieās Diner.
An old woman by the name of Rosie Salinger was the owner of the joint; she had been running the diner since right about around the turn of the 20th century. Her age didnāt mean much it would seem, as she was as notoriously feisty ā her tongue and mind as sharp as the red cat-like glasses she sported on the bridge of her nose.
Hoseok let his eyes flicker over to the annoyed blond.
Taehyung was typically the groupās designated driver, but seeing as he no longer had a car ā a result of a drag race gone south ā Jungkook had driven this time around. Problem was that Jungkook was what one might call an⦠inexperienced driver.
On the way over to Rosieās a squirrel had paused in the middle of the road and with Jungkook being the anxious driver that he was his foot found the break pedal abruptly, sending Taehyung straight into the rearview mirror.
this had no reason to be this good š¤§š¤š¤ i had this in my likes for a while, and i forgot to come back to it and iām so glad i saw it again :,) it made me so happy and i could not stop smiling and it made me feel so many butterflies, that i had to take a few breaks š„“