@definitelynotabanana
[id for the first photo: similar to the second photo, but the fire is labelled “all the stuff i have to do” and the phone is labelled “fanfiction”. /end id.]
occasionally subtle

Discoholic 🪩
Stranger Things

祝日 / Permanent Vacation

blake kathryn
will byers stan first human second

Origami Around
Today's Document
h
RMH
Monterey Bay Aquarium

Love Begins

⁂
tumblr dot com
ojovivo
hello vonnie
Peter Solarz
Cosmic Funnies
almost home

tannertan36
seen from United States

seen from Malaysia
seen from United States

seen from Türkiye
seen from Sweden
seen from United Kingdom
seen from United States
seen from Brazil

seen from Türkiye

seen from Panama

seen from Greece
seen from Türkiye
seen from Sweden

seen from Türkiye

seen from United States
seen from Sweden
seen from United States

seen from Australia

seen from Iceland

seen from Singapore
@lonelypond
@definitelynotabanana
[id for the first photo: similar to the second photo, but the fire is labelled “all the stuff i have to do” and the phone is labelled “fanfiction”. /end id.]
pride button concepts
not guaranteeing anything, but…
(the general design language will be applied to different hazard symbols and pride flags)
(from left to right) which one do like most?
white background, flag symbol
black background, flag symbol
flag background, black symbol
flag background, white symbol
...and what size? (all are the same price)
1.5 in
2.25 in
3 in
okay now if you HAD to choose between these two
white
black
here are my current ideas:
(the colors definitely need a lot of tweaking so ignore them for now)
feel free to give me your suggestions btw
maybe they should all have hands or figures in them? and each year I could pick a different theme?
what about all hands?
...and one with all bodies
all hands, all bodies, or no theme?
all hands
all bodies
no theme
Happy Pride Month to those two women dancing together in the foreground of the boat scene in Godzilla (1954).
I’m sorry your romantic foibles were overshadowed by a big ass atomic lizard thing.
out of the tags with you
the best fanfic is the one the author had fun writing actually.
the second best is the one the author used to work through some issues.
the third best is the one the author wrote out of spite due to some really dogshit discourse going on in their fandom
Don't be a Drag just be a Queen
That's right Babes, I built a train track pointed directly at Beverly Hills and it will hit and destroy every mansion in that god forsaken place
I just want everyone to eat well and get old
every single one of us should have the chance to get old and bald and wrinkly and fat. I mean that sincerely
An Archive of Our Own, a project of the Organization for Transformative Works
Chapters: 3/? Fandom: Love Live! School Idol Project Rating: Not Rated Warnings: No Archive Warnings Apply Relationships: Nishikino Maki/Yazawa Nico Characters: Nishikino Maki, Yazawa Nico, Sonoda Umi, Ayase Eli Additional Tags: High Friction Flirting, opera - Freeform, Social Media, influencer culture, Classical Music, fashion - Freeform, Profanity, Nico is not a calm person, Rants Summary:
Influencer, singer, and livestreamer Nico Yazawa is desperate to land a role playing a famous teenage singer from the early 20th century who started as a caberet singer, eventually becoming a reknowned opera singer. Nico is having trouble getting people to believe she can be more than cutesy, pink, and fluffy. Maki Nishikino is a rising classical pianist with a habit of listening in on Nico Nico Ni’s streams. She has no idea Nico’s chaos stream is about to crash into her life.
the best fanfiction you've ever read was written by a woman in her 40s before she made dinner for her kids. it was written by a teenager after school when they should've been studying for a history test. and a barista came up with the idea while they cleaned the espresso machine and busser fact-checked it on their break and the post-doc edited between writing grant proposals and the nurse apologized for typos in the notes after a long shift and behind every drabble and one-shot and multi-chapter fic there is a person with a wonderful and interesting and chaotic life and it is such a privilege that we get to be apart of it because they decided to do this thing we all share, for fun.
‘Hands weaving magnetic-core memory, IBM, Poughkeepsie, New York,’ 1956. Photograph by Ansel Adams.
My mother used to make computer cores as a "work from home" side business. As a child I got spending money via un-winding the ones that failed testing so that the magnetic center could be re-used. I got between $0.05 and $0.25 per core depending. Mom got more for the finished ones, of course, though I don't know how much. Her sister was an expert, and did the more complicated kind, some of which ended up in satellites and/or were used by NASA!
They were all done by hand using a kind of treadle-operated frame with a little (crochet!) hook to pull the wires around the cores. The people making them were mostly housewives who did this as a side-job in the 80s and 90s. I don't know if it's still done that way anywhere in the USA today, but the history of computing and space exploration is littered with "women's work" like this.
Ever think about how Eliot is known - widely known, globally known - for violence? That he's killed and maimed countless people, sometimes with his bare hands? That hardened criminals, assassins, hear his name and are afraid? Ever think about how it must feel to have someone like Parker, who is fully aware of his past and everything he's capable of, get in his space and physically tease him and put stupid hats on his head like he's her own giant dress-up doll, with zero fear, zero hesitation? To be on the receiving end of that bone-deep trust, where it never even seems to occur to her that poking the beast could be dangerous?
I think about it a lot.
#i also think about the way Eliot yells at Parker and Hardison sometimes#because! he's so controlled! so soft-spoken! with everyone#because he knows he IS scary and dangerous. he keeps his demeanor so mild to put people at ease#but when Parker and Hardison get under his skin he shouts at them and shows his irritation#as if HE is trusting THEM to know that his anger will never ever come with violence. that he is never a threat to them.#he can let his guard down. he can be human. and cranky. and imperfect. he can be teased like a regular person.#i just wonder how it feels. to be seen as lovable and funny and playful and safe.#to be seen as a man after so many years of only being a weapon. (via mariposakitten)
Look, I have nothing against my older gifs still gaining notes - I honestly love it! BUT, this was my second ever leverage gif, and lets just say that it's just not up to par when compared to my current stuff. So, here you all are, a new improved version of this gif!
An Archive of Our Own, a project of the Organization for Transformative Works
Chapters: 3/? Fandom: Love Live! School Idol Project Rating: Not Rated Warnings: No Archive Warnings Apply Relationships: Nishikino Maki/Yazawa Nico Characters: Nishikino Maki, Yazawa Nico, Sonoda Umi, Ayase Eli Additional Tags: High Friction Flirting, opera - Freeform, Social Media, influencer culture, Classical Music, fashion - Freeform, Profanity, Nico is not a calm person, Rants Summary:
Influencer, singer, and livestreamer Nico Yazawa is desperate to land a role playing a famous teenage singer from the early 20th century who started as a caberet singer, eventually becoming a reknowned opera singer. Nico is having trouble getting people to believe she can be more than cutesy, pink, and fluffy. Maki Nishikino is a rising classical pianist with a habit of listening in on Nico Nico Ni’s streams. She has no idea Nico’s chaos stream is about to crash into her life.
The similarities are uncanny... — artwork by Stella-Exquisa on DeviantArt. Been awhile since I last drew a Love Live/Pokémon cross over draw
I wish more fantasy settings had the stuff discworld does. I don't mean the big themes, although I do wish more books had those too. I mean fantasy settings where there are newspapers, birth control, pizza, vibrators, crisps, unions, dog biscuits, fan clubs... just normal stuff that turns up when you have a lot of people in one place. A lot of fantasy seems to take the view that you won't have any of this stuff if you've got magic, but why wouldn't you? Some fantasy settings don't even have pencils. And what about toilet paper? Food that isn't enormous, elaborate feasts? Literacy rates? Pop culture? It feels like Ankh-Morpork in particular is just ticking over as usual when we're not looking and that it really does have a million people in it. And yet sometimes other fantasy just... doesn't bother with any of this stuff at all.
Yes, this! Ancient Rome had take out. Ancient Sumerians had complaint letters about folks who shorted them on substandard copper. People wrote stupid graffiti on the walls of Pompeii. There were children who doodled dogs in the edges of their books as far back as children had books. The monks illuminated manuscripts had cat paw prints where they got into the ink. People have been people for all of history and sure, there are grand sweeping empires, but inside the empires are little stories about the actor who messed up his line in Orestes.
Discworld Heritage Post
This kind of detail does so much to help a world feel real and large.
In real-world cities, there are fifty people on the bus with you. You pass hundreds of people on the sidewalk. You blow your nose, buy batteries, step around puddles, are late for work, check the mailbox, wiggle your door key a little to the left on humid days, decide whether today is cold enough for your winter coat, and so on. Real life has lots of people and lots of mundanity in it even when you are doing big important things. Even when you are living in big important times! And while stubbed toes aren't always part of interesting stories, a world that isn't large and real enough to hold stubbed toes is less interesting.
For those who suffer no fools. 💚
Not to be former Catholic-blogging on main but Chicago Pope can WRITE, y'all
Breaking the chains of new forms of slavery 173. This distorted view of the human person is reflected today in various forms of servitude directly linked to the digital economy. Nothing in the world of AI is immaterial or magical. Every seemingly immediate and flawless response is the result of a long chain of mediation, involving vast networks of natural resources, energy infrastructure and, above all, people. A significant part of the digital economy’s functioning relies on the silent work of millions of people engaged in essential yet largely unseen activities, such as data labeling, model training and content moderation, often involving disturbing material. In many cases, these workers are young people, predominantly women, working under demanding conditions for minimal wages. Added to this invisible labor is the even harsher work of extracting the resources required for the production of the devices and microprocessors on which AI depends. In some regions of the world, children and adolescents work in dangerous conditions, crushing the materials from which rare earth elements are extracted. The bodies of these people are scarred, injured and worn down so that computational flow may continue uninterruptedly. Furthermore, criminal networks use online platforms, messaging systems, anonymous payment methods and profiling techniques in order to recruit, control and transport victims of trafficking — very often minors — reducing men and women to “data” to be tracked and “packages” to be moved around within the same digital circuits that support much of the global economy. This reality deeply challenges the moral conscience of our time. It is not enough to invoke efficiency, nor to celebrate the benefits of innovation, if they are built on a chain of exploitation that remains deliberately hidden. If technology promises emancipation, yet produces new forms of global subordination, it stands in contradiction to the fundamental principle of human dignity.
MAGNIFICA HUMANITAS OF HIS HOLINESS POPE LEO XIV ON SAFEGUARDING THE HUMAN PERSON IN THE TIME OF ARTIFICIAL INTELLIGENCE
This reality deeply challenges the moral conscience of our time. It is not enough to invoke efficiency, nor to celebrate the benefits of innovation, if they are built on a chain of exploitation that remains deliberately hidden. If technology promises emancipation, yet produces new forms of global subordination, it stands in contradiction to the fundamental principle of human dignity.
i went and read/skimmed through the encyclical and damn. bangers all around:
Text of tweet under the cut because it is loooong.
But... Stochastic Parrots.