La Brea (Sister Midnight), 2014
Acrylic, dye and burlap
60 x 48 in (152.4 x 121.92 cm)
Xuebing Du

@theartofmadeline
Cosimo Galluzzi
Sade Olutola
Sweet Seals For You, Always
Today's Document
todays bird
Monterey Bay Aquarium

❣ Chile in a Photography ❣
almost home

JVL
let's talk about Bridgerton tea, my ask is open
trying on a metaphor

Discoholic 🪩
styofa doing anything
Not today Justin

#extradirty
Show & Tell
Peter Solarz
he wasn't even looking at me and he found me
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States

seen from United States
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seen from Germany

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seen from Croatia

seen from Japan
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seen from Iraq
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@lstnwtch
La Brea (Sister Midnight), 2014
Acrylic, dye and burlap
60 x 48 in (152.4 x 121.92 cm)
Richard Long, Cornwall Summer Circle
John Cage: Four 2 (1990)
Agnes Martin, Untitled XVI
8 July 2014: frieze/static form/division by Ian Vine
Agnes Martin, Not the One
Jürg Frey Streichquartett II
Stephan Mathieu Live at cafe OTO London 8th May 2011
Roman Opalka, details from OPALKA 1965/ 1-∞, 1965-2011
In 1965, in his studio in Warsaw, Opalka began painting a process of counting—from one to infinity. Starting in the top left-hand corner of the canvas and finishing in the bottom right-hand corner, the tiny numbers are painted in horizontal rows. Each new canvas, which the artist calls a ‘detail’, takes up counting where the last left off. Each ‘detail’ is the same size (196 x 135 cm), the dimension of his studio door in Warsaw. All details have the same title, 1965/1-∞; the idea does not date although the artist has pledged his life to its execution: ‘All my work is a single thing, the description from number one to infinity. A single thing, a single life.’ (via)
Opalka died on August 6, 2011. The final number he painted was 5,607,249.
"Time as we live it and as we create it embodies our progressive disappearance,” Opalka wrote in an essay in 1987. “We are at the same time alive and in the face of death — that is the mystery of all living beings.”
Ian Vine: static form (2013) for electric guitar and electronics recorded in one take with no overdubs composed & recorded 20 July 2013 released 22 July 2013 Ian Vine: guitar, electronics recorded at first moon http://ianvine.bandcamp.com/track/static-form ————————
film: Ian Vine
this film uses stock footage from the Internet Archive https://archive.org/details/stock_footage
Agnes Martin (1912-2004), Untitled (1978), watercolour and coloured ink on transparentized paper, 22.9 x 22.9 cm. Via MoMA.
Ian Vine: replica (2013)
for clarinet, vibraphone, 2 electric guitars and electronics
The House Of Bedlam & Ian Vine
Carl Raven, clarinet: Mark Norman, vibraphone: Tom McKinney, guitar: Ian Vine, guitar and electronics
Wolfgang Tillmans Urgency XXII, 2006 Framed C-type print 238 × 181 cm
Stars by Agnes Martin (1963)
Agnes Martin |
Untitled Drawing, 1979 pencil, ink, and watercolor on paper 10 1/2 x 10 1/2 inches (26.7 x 26.7 cm)
Robert Curgenven: Cornubia & Imperial Horizon from SIRÉNE
Raoul de Keyser Untitled 2004 hand-painted watercolour on copperplate etching 260x180mm