DULCE PAN

lucien. 22. he/they.

[lucien-leigh]

may those who accept their fate be granted happiness, may those who defy it be granted glory

[cuartosol]

can you tell who they're looking at? :)

[kunnus]

Bullies

[angelgesic]

I think the most heart breaking part of anthy is that despite everything she still loves her brother. She only allows herself to feel resentment for him in the end but. Fuck. She loved him so much. And he knew that.

[chaos-of-the-abyss]

hm rgu just has a really nuanced take about how patriarchy harms men. it says that men are brought up in a society that encourages them to harm women and emulate other misogynistic, abusive men [touga emulating akio, and to a lesser extent saionji emulating touga and later akio]. this often does come at some cost to their own psyche, because the men they are emulating hurt and abuse them too [touga is abused by akio, saionji is abused by touga though touga is not nearly as skillful with it]. but regardless, they are punching downwards to mistreat the women in their lives the same way their abusive male role models do [touga abusing nanami, saionji abusing anthy], and they choose to act this way to women because, despite the conditions of patriarchy inflicting a toxic and self-destructive relationship with other men on them, they are willing to imitate and obey the same men that hurt them if it means they can keep the privilege and power over women that the patriarchy grants them by default for being men. [touga wants to be akio's successor, he wants to inherit the world that akio has constructed for himself, which is built on the foundation of patriarchal power over women. and to do this touga deliberately keeps himself on akio's radar rather than pull back once it becomes clear what akio's intentions with him are. touga believes he's letting himself be manipulated, he believes he is consenting to it, and that that will be worth it if it means claiming akio's seat of power in the future. (of course what touga doesn't consider is that he cannot meaningfully consent to any advances akio makes, because he's a minor and akio is an adult.)]

rgu asserts that yes, patriarchy does harm men, but that harm comes almost exclusively from other men. and, more importantly, while abusive men may have been hurt by the patriarchy at the hands of other men, it is still their choice to hurt the women around them. and rather than dawdle and sympathize with harmful men for how they themselves were hurt by other harmful men, it's more important to prevent them from hurting anyone else

[themosttenderestofbees]

everyone wants to do dark fairytale reimaginings but only utena dares to say that the fairytale itself is a dehumanizing patriarchal cage that traps all parties involved in their respective roles and furthers the suffering of everyone involved. and how all that suffering is then shifted onto the women's shoulders specifically

[cihuiwugao]

[tomonohebi]

[creativelycomplex]

Fine ass brown men of IWTV, I am endlessly obsessed with you.

[cihuiwugao]

To the revolutionaries

[m1ke-png]

Utena: —and then LeBron James like… he like… shit sorry, I lost my train of thought just looking at you <3

Anthy:

(Click on the image for better quality)

[ohtori-dropout]

Utena truly said what if Eurydice knew from the start that Orpheus would look back. She knows that this is how the story must end. Orpheus remains optimistically oblivious as he trudges forward. Eurydice waits for him to look back. Look back already, as other so-called "heroes" would. He does not look back. He climbs the crags and steps of the Underworld even as Hades accosts him, leads him down and down and down back to the depths. She wants him to look back, look back and end this spiraling journey of cliffs and chasms. That is how the story ends, after all. Is he purposefully denying fate, or does he truly not know what is to come? All stories have a certain end. He does not look back. She begins to ask him to look back, to beg in woven myth to let it be done already. She throws herself off a cliff, Look back, look back, watch me fall and know that it is done. He casts his head aside as he grasps her arm in his hand. He does not look back. He reaches the precipice, where the story must end even as all else has failed. He is shown a future (a fantasy) without sorrow, without her. He does not look back. Forward, forward. He thinks himself a hero. "Look back," a blade pierces his chest, "look back at your killer. Let this story end, as it should, as it will, for you are no prince." He does not look back. Forward, forward, as rock gives way to dirt. He collapses at the maw of Hades, dewkissed grass at his fingertips. He does not look back. Eurydice steps into sunlight.

AN: Holy shit this blew up

I’d greatly appreciate it if anyone seeing this checked out the addendum as well for a more rounded perspective/a short glimpse at my full opinions on the matter that aren’t filtered through Orpheus and Eurydice. Also, to anyone seeing this who hasn’t watched Utena yet (I’ve seen y’all in the tags), welcome!

[aibivy]

[haliaiii]

I finally finished Utena and it was really good!!

[littleforest-walk]

[berlogauwu]

Use and used

[ratbebes]

ARMAND COME PICK YOUR BABY UP HE LONELY