Ludita Rebelde

Este un espacio de curaduría sobre las problemáticas que genera el uso irreflexivo de la tecnología y todo el trasfondo social de esta misma. "I fight for the user." - Tron

[nymphpens]

a relationship should be 50/50. they paint my portrait that'll rot for my sins while I sit pretty and do crimes

[dorians-gay]

[livingintheighties]

dorian gray (and the friend in question was henry wotton)

[burningvelvet]

[starryeyeddarlings]

writing these are addictive

[sslimbo]

[hejihra]

Perfect Days(2023), dir. Wim Wenders

[whenzombiesattack]

perfect days, 2023 dir. wim wenders

[takethemonetandletsgogh]

Perfects Days (2023, dir. Wim Wenders)

[luditarebelde]

Visit Original Link

[luditarebelde]

The American Wikileaks Hacker

Jacob Appelbaum fights repressive regimes around the world – including his own.

Appelbaum is the only known American member of Wikileaks and the leading evangelist for the software program that helped make the leak possible. In a sense, he’s a bizarro version of Mark Zuckerberg: If Facebook’s ambition is to “make the world more open and connected,” Appelbaum has dedicated his life to fighting for anonymity and privacy. An anarchist street kid raised by a heroin- addict father, he dropped out of high school, taught himself the intricacies of code and developed a healthy paranoia along the way. “I don’t want to live in a world where everyone is watched all the time,” he says. “I want to be left alone as much as possible.

[luditarebelde]

Morehshin Allahyari is an Iranian media artist, activist, educator, and curator who uses computer modeling and digital fabrication techniques to explore the intersection of art and activism. “I want my work to respond, resist, and criticize the current political and cultural situation that we experience on a daily basis,” she explains. Allahyari’s Material Speculation: ISIS, a digital fabrication project that inspects petropolitical and poetic relationships between 3D printing, oil, techno-capitalism, and jihadism, has achieved wide acclaim for proposing 3D printing technology as a tool both for resistance and documentation. The many publications featuring the work include the New York Times, Huffington Post, Wired, NPR, Rhizome, Hyperallergic, Dazed Digital, and VICE. She has exhibited at numerous institutions and festivals throughout the world, including Centre Pompidou, Paris; Museum of Applied Arts and Sciences, Australia; Hartware MedienKunstVerein and Transmediale in Germany. Allahyari was recently awarded a 2016 Sculpture Award from the Institute of Digital Art. Allahyari relocated to the United States in 2007 and currently lives in New York.

[luditarebelde]

The exhibition title is taken from a term coined by Korean American artist Nam June Paik who is considered to be the founder of video art. Paik is credited with an early usage (1974) of the term "electronic super highway" in application to telecommunications: "The building of new electronic super highways will become an even huger enterprise. Assuming we connect New York with Los Angeles by means of an electronic telecommunication network that operates in strong transmission ranges, as well as with continental satellites, wave guides, bundled coaxial cable, and later also via laser beam fiber optics: the expenditure would be about the same as for a Moon landing, except that the benefits in term of by-products would be greater”. In the 1970s, Paik imagined a global community of viewers for what he called a Video Common Market which would disseminate videos freely. The Whitechapel Gallery in London presents this major exhibition bringing together over 100 works to show the impact of computer and Internet technologies on artists from 1966 to 2016. Arranged in reverse chronological order, Electronic Superhighway begins with works made at the arrival of the new millennium, and ends with Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966. Key moments in the history of art and the Internet emerge as the exhibition travels back in time. The exhibition runs from 29 January to 15 May 2016 featuring new and rarely seen multimedia works, together with film, painting, sculpture, photography and drawing. The full list of artists included in Electronic Superhighway (2016-1966) are: Jacob Appelbaum / Cory Arcangel / Roy Ascott / Jeremy Bailey / Judith Barry / Wafaa Bilal / Zach Blas / Olaf Breuning / James Bridle / Heath Bunting / Bureau of Inverse / Technology (B.I.T.) / Antoine Catala / Aristarkh Chernyshev / Petra Cortright / Vuk Ćosić / Douglas Coupland / CTG (Computer Technique Group) / Cybernetic Serendipity / Aleksandra Domanović / Constant Dullaart / Experiments in Art and Technology (E.A.T.) / Harun Farocki / Joana Hadjithomas and Khalil Joreige / Celia Hempton / Camille Henrot / Gary Hill / Ann Hirsch / Nancy Holt and Richard Serra / JODI / Eduardo Kac / Allan Kaprow / Hiroshi Kawano / Mahmoud Khaled / Oliver Laric / Jan Robert Leegte / Lynn Hershman Leeson / Olia Lialina /Tony Longson / Rafael Lozano-Hemmer / Jonas Lund / Jill Magid / Eva and Franco Mattes / Model Court / Vera Molnar / Mouchette (Martine Neddam) / Manfred Mohr / Jayson Musson / Frieder Nake / Joshua Nathanson / Katja Novitskova / Mendi + Keith Obadike / Albert Oehlen / Trevor Paglen / Nam June Paik / Jon Rafman / Evan Roth / Thomas Ruff / Alex Ruthner / Jacolby Satterwhite / Lillian F. Schwartz / Peter Sedgley / Taryn Simon / Frances Stark / Hito Steyerl / Sturtevant / Martine Syms / Thomson and Craighead / Ryan Trecartin / Amalia Ulman / Stan VanDerBeek / Steina and Woody Vasulka / Addie Wagenknecht / Lawrence Weiner / Ulla Wiggen / The Yes Men / Young-Hae Chang Heavy Industries. This video was created and produced by ARTtouchesART. It displays the work of the artists mentioned above on the track of The Chemical Brothers - 'Asleep from Day' featuring Hope Sandoval. This video is our tribute to the video art scene of the last 50 years.

[gentlepowerthings]

General Caine- Dangerous 1983

[yodaprod]

1983

[yodaprod]

1988

[noosphe-re]

The danger is essentially intellectual laziness. Some people have been so bamboozled by the word ‘machine’ that they don’t realize what can be done and what cannot be done with machines—and what can be left, and what cannot be left, to the human beings.

Norbert Wiener, from “Dr. Norbert Wiener Dead at 69; Known as Father of Automation”, The New York Times, March 19, 1964 (via inthenoosphere)

[noosphe-re]

The Algorithmic Beauty of Plants, Przemyslaw Prusinkiewicz, Aristid Lindenmayer

[luditarebelde]

En “The Algorithmic Beauty of Plants” se computariza y simulan ciertos patrones encontrados en la naturaleza.