Doechii for Outlander Magazine
Photographed by Elliot Hensford
The Bowery Presents
PUT YOUR BEARD IN MY MOUTH
Hole
let's talk about Bridgerton tea, my ask is open
Show & Tell
ojovivo
★
d e v o n

roma★

bliss lane
No title available
𓃗
taylor price
NASA
KIROKAZE
No title available
One Nice Bug Per Day

Kiana Khansmith

gracie abrams
Noah Kahan

seen from Singapore

seen from Türkiye

seen from Türkiye

seen from Australia

seen from Türkiye
seen from Poland

seen from Türkiye

seen from Algeria
seen from Spain

seen from Australia
seen from France

seen from United States
seen from Peru
seen from United States
seen from Saudi Arabia
seen from Canada

seen from Malaysia
seen from Brazil
seen from Singapore
seen from Singapore
@luna-annarita
Doechii for Outlander Magazine
Photographed by Elliot Hensford
Doechii at Tom Ford AW25
Some of my favorites of the night …. I love black women
lisa bonet, 2000.
Art Nouveau revival-style custom bathroom sink & mirror design by glass artist Lyn Hovey & woodworker Jamie Robertson (1980s)
Scanned from the book, 'Contemporary Crafts for the Home' (1990)
Byzantine terracotta relief slab with Pegasus, from the 6th century AD, dimensions 22 x 23 x 2 cm, provenance from a private collection and professionally restored.
Black Cotton Net Coat
1910s
Museum of Vancouver
Marcel Roux (1878–1922), “La Visiteuse (la Mort)”
etching, 1907 — source
Jessica Stam @ Jean Paul Gaultier Spr/Sum 2007
Minerva Britanna, or, A garden of heroical devices, 1612
betsey johnson spring 1997
“Canarina’s Gaze” by René Lalique, 1928.
Polish actress Helena Makowska (1893 - 1964), diva of the Italian silent cinema, c. 1910s.
Manuscript leaf from an antiphonal on vellum, originating from a large liturgical choir book of the Order of Saint Benedict; Spanish, late 16th century.
The leaf contains texts belonging to the Office of the Seven Sorrows of the Blessed Virgin Mary, identifiable by the red Latin rubric: “Officium de Septem Doloribus B.M.V. Ad Vesperas Antiphona.” It features Gothic libraria script in black ink with red rubrics. A highlight is a large, decorated capital 'D' containing an image of a heart pierced by seven swords—one of the most characteristic iconographic representations of the devotion to the Sorrows of Mary. On the other side, there is a large capital 'O' in red and blue, accompanied by numerous rubricated capital letters.
Antiphonals of this size were used for liturgical choral singing in churches and religious communities. Their large format allowed multiple singers to read from a shared lectern simultaneously.
Material: Vellum Period: 16th century Origin: Spain Dimensions: 70 × 50 cm