~OwO~ @lysandiel - Tumblr Blog

Mel, 26

“I am wearing almost all vintage. Wish I knew the brands instead of throwing them all under the vague vintage tag ha. Top thrifted in NYC, coat thrifted in Naples, shoes thrifted in Rome, bolo tie found on Depop. Skirt semi thrifted...thrifted curtain turned skirt from my brand Meadow Land. I like when traditionally feminine and put together looks are twisted and made slightly messy. In this case, a chaotically yet particularly draped lace fabric.”

Oct 6, 2024 ∙ Carroll Gardens

lobotomy-jpeg

Oh huh! I hadn't realized I didn't post this one here on Tumblr! I finished this study in early March and have plans to have it be one of 3 pieces to go together 🙂‍↕️

[ID: Digital painting of Sherlock Holmes and Toby the dog, a study of Leyendecker's "Man with a dog" (1909) for Collier's Weekly. Holmes is in his coat, striped pants, top hat and grey scarf, Toby following a trace by his side. They are painted mid-motion. /end ID]

missjamiekaye

Kitties in the Garden. A little gift I made for a friend of her little visitors.

eldritchenthusiast

No answer lies there. It cannot care, especially for what it no longer knows.

cottaqecore

wyatt kortright

morganbritton132

Me: You know how when you were a kid and you’d wish that you’d get sick or injured in a way that would justify why you didn’t live up to your potential?

Everybody, apparently: No?

doppelbangin

Run into a cave and break your ankle so that people have to come find you and they see you lying at the bottom of this beautiful cave and maybe there’s a waterfall and the light from the crystals makes you look really beautiful and they say “Are you okay?” and you say “I think so” and they say “oh my God have you been here alone this whole time with a broken ankle” and you say “it’s okay” and they say “you’re so brave” and you are brave and you look so beautiful surrounded by cave crystals and everyone stands over you and says “oh wow” and “you poor beautiful thing” and “I’m so sorry we let you run into the cave but I’m so glad we found you” and let them carry you home and promise to be your best friends forever and that everything’s their fault and also they named the cave after you and you’re prettier than all of your enemies and your enemies all died of jealousy while you were in the cave.

“How to Respond to Criticism” by Danny M. Lavery for The Toast

gamemakerm

seems like plenty of people are lacking the Vitamin

tschlv

Brushstroke Practice #2

necarion

They should just bite the bullet and make a female James Bond. Hot, athletic, suave. She wears tuxedos with a somewhat feminine cut, drinks vodka martinis, drives sports cars, and goes by "James", because why not.

Also, because this is incredibly important to Bond for some reason, she needs to be an incredibly predatory, womanizing lesbian. Some perfectly happy married straight woman needs to become gay by the end of the movie.

We live in the future, and we can admit that all of the cool things that a Male James Bond can do are things a Female James Bond can do. But at all costs, we need to avoid making this thing feel "woke" of self-aware. If Female Bond is not exactly as toxic and awesome as any of the male ones, we will have failed, and might as well be making another franchise.

soymoss

emo heron in boots

the-etcetera-archive

Source: Bookbinding For Book Artists; Keith A. Smith, 1998.

kaybebog

Philip Smith’s bookbind for Finnegans Wake

celestial-sphere-press

Book Decoration: AKA All The Ways I Don't Use a Cricut

(this post is for people who don't want to buy an expensive cutting tool, or for those that do have an expensive cutting tool that would like to mix things up a little)

1. Print That Shit

If you're already printing your own textblocks, an easy step for titles is to print them. Above is a title printed onto an "obi" of decorative paper. I measured out where I wanted things on the finished book and laid it out in Affinity, then printed it on a full sheet & trimmed it down to wrap around the book. A more simple method is to print & glue on the label into a slight indent in the cover (to protect it). A third option is to do the spine in bookcloth, while you print on paper for the cover and then glue that paper onto the boards (this usually looks even better when it is a three-piece bradel bind).

2. Foil Quill / Heat Pens

The heat pen is one of my go-to tools, but it can be a bit touchy about materials. The most popular version is the We R Memory Keepers' Foil Quill (which is one of the most ergonomic), but other pens exist that can get you to a higher heat temp, finer lines, or more consistent foil. For example, I have a pen created by a local Japanese bookbinding studio that fares way better on leathers than the WRMK quill & with a finer tip, but it's hell to control. Best results in general are on paper or smooth bookcloth (starched linen, arrestox, colibri - even duo will work but its less solid). The fuzzier a bookcloth is, the less your foil quill wants to deal with it. This means the heat n bond method of making bookcloth does not play nice with a heat pen usually, but there are two solutions: 1) use this tutorial on paste + acrylic medium coated bookcloth instead that will get you a perfect surface for the heat pen, or 2) use the pen on paper & then glue onto the cloth. I did a video tutorial for both foil quill use and this type of homemade bookcloth for @renegadeguild Binderary in 2023.

You get the most consistent results by tracing through a printed template that is taped in place, as I do in the video above.

3. Paint That Shit

Acrylic paints will do you fine! The above is free-handed with a circle template, because I wanted that vibe. If you need straight lines that won't seep, lay them down with tape first & then paint over it first with a clear Acrylic medium, then your color. Same goes for stencils. Two more examples of painted bookcloth:

4. IT'S GOT LAYERS

By using layers of thinner boards, you can create interesting depths & contrasts on your cover. You can also make cutouts that peep through to the decorative paper behind. The most important part to this technique is the order in which each edge is wrapped. To get a good wrapped inside edge, you will split the turn in into tabs to get them to conform to a curve. You can also layer multiple colors of bookcloth without multiple layers of board, as seen below left, so long as you mind your cut edges for fraying.

5. Inlaid... anything

Mirrors! Marbled paper! I saw someone do a pretty metal bookmark once! The key is creating a little home for it to live in, which is pretty similar to the above layering method. On one layer you cut the shape, & glue that layer onto the bottom solid board before covering. You can do the top layer as an entire 1 mm board (like I did for the mirrors) or a sheet of cardstock, like I would use for inlaid paper.

6. Decorative Paper

Decorative paper is always helpful & adds to the paper hoard... & its effects can be layers with other techniques, as below. Marbles, chiyogami, momi, or prints & maps of all kinds can be great additions. Some papers may need a protective coating (such as wax or a sealer).

7. Stamps (with optional linocut)

While I've not used many more regular rubber stamps, I do know some who have, successfully! And I've used one once or twice with embossing powder (see photo 3 up, the gold anchor on the little pamphlet bind). What also works is to carve your own linocut or stamp, & then use block printing ink to ink it onto your fabric (as i did above). A bit time intensive, but it was nice how easily reproducible it was, and I liked the effect I got for this particular bind.

These methods are not exhaustive, just ones I've used, and there are of course many others. I haven't gone too into detail on any of these for the sake of length (& post photo limits) but feel free to ask about more specifics. Usually I'm using them in combination with other options.

nemfrog

Luxury bookbinding integrates leather and fabric. La statuaire polychrome en Espagne. 1908.

A crimson morocco leather frame with elaborate gilt tooling creates a lavish window revealing a panel of woven brocade: gold floral scrollwork on olive ground laced with roses. Open the book and the frame disappears. A characteristic example of French luxury publisher's binding of the late nineteenth and early twentieth centuries.