devil's minion
YOU ARE THE REASON
almost home

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NASA

roma★
taylor price
occasionally subtle
RMH
Peter Solarz
i don't do bad sauce passes
d e v o n

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Not today Justin
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hello vonnie
tumblr dot com
trying on a metaphor

Kaledo Art

oozey mess
styofa doing anything

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@lysands
devil's minion
I love when trauma makes characters messy. I love when characters don't know how to show love. I love when they lash out. I love when they're vile and break down. I love characters who aren't perfect victims. I love when stories don't excuse behaviour but allow you to understand it
House is like doctor who for American actors like why tf is Amanda Seyfried here
rin and chaghan are such an underrated duo. they’re so funny and they have the whole altan thing going on but when qara died and chaghan said “rin… what am i going to do?” i broke. “they were so similar when she thought about it. too young to be so powerful, not close to ready for the positions they had been thrust into”
Loustat this loumand this no stfu I just want ten seasons of Louis and Claudia in a cute found family sitcom
oh my favorite trope? two people who go through something so unique and agonizing and entirely beyond words that they have no choice but to create a bond that transcends all other types of love, thus acting as the sole point of understanding for the other person in a world that cannot fathom what they’ve been through
ever since i was a little girl i knew i wanted to be a stressed adult male protagonist splashing water on his face in the bathroom
hate when you find a character whose so infuriatingly Your Type that its embarrassing like yeahg no one is gonna be surprised when i announce this is my new Guy Of The Month
actually the fact that odysseus knew he'd be gone for 20 years makes the gears in my brain turn. You kiss your son goodbye knowing you will miss every milestone of his. He will be a grown man and will not remember you. You will be a father only by title. Your wife will lay alone in your wedding bed, she will wake and see the side you've slept on is empty. You won't hold each other for a long, long time. Your parents may not even be there to welcome you back. You know you will return, but the war stretches on and on. Your comrades fall. Your ships are on fire. Your best warriors are nothing but ashes in an urn. But it's eventually over, you can go home. But still, there's more time left. First it's a storm. It's winding up in strange lands. It's hunger. It's temptation. Your men grow weary. You have twelve ships and then you have one and then it's only you on a single timber. You know you will return, but everything has gone so horribly wrong that you can't help but wonder if the fates fooled you. Everyone you know is either dead or are living again. You are the only one stuck in between. Neither dead or alive. You sit on a beach staring out to the sea from the moments the birds sing til the sun dips over the horizon. Every day is the same - you sit on the stones and weep, you trek the shores, during the night you're in her bed. Your skin is cracked and sunburnt, your beard long and tangled, your hair etched with more and more silver hairs. Your eyes are dull, sunken. Your bones ache when you walk, your breath is shorter. The sun rises and sets. The waves wash away your footprints. You are growing old but the island is the same. You are left behind. Your home will change and you won't change with it. In fact, everyone will change, but you will not recognize what's different. Some of the lines under your eyes will be the hauntings of war, while your wife's will be from the sleepless nights of buying you time. You flinch when you see each other. You expected to see someone else, and she expected to see no one at all. You could once hold your boy in your arms, but now it feels like he's the one holding you. The trees in your orchard have grown taller. Some of the houses in your kingdom are empty. The children that sat on your knees now have their own children on their own knees - or they lie dead, by your own hand. Who are you? Who is your son, your wife? You will get to know each other, you will change together eventually. But there will still be something off, like a brick not fitting quite right in the foundation. Off like a living man among the dead, someone who wasn't fated to die, but was supposed to die a long time ago. A dead man among the living. You will not belong, even though you are the father of your son, the husband of your wife, the son of your father, the king of your land. There will always be something missing, something aching.
And you are willing to let it all happen when you lift your baby son from the field, away from the plow.
BREAKING: Undertale stageplay in development, in collaboration with songwriter Lin Manuel Miranda
Fantasy high junior year coming out during my junior year ??? Fantasy high reflecting all my fears about junior year ??? This season is going to break me isnt it
Godd Saltburn was disappointing. I'm tired of pretty movies pushing style over substance, wanting to be giffed on Twitter more than telling a unique and thought-provoking story. It seemed like it wanted to disturb and upset specifically an American middle-class non-queer audience without saying anything. In this age where all media coddles the white belly of US audiences, more films should seek to disturb and upset, but you gotta do it with purpose. It seemed especially gross that the homoeroticism of the film was a product of the weirdo, manipulator character, making its queerness another element yet to disturb. We could've got a movie where it was upsetting that a queer character couldn't pursue their sexual/romantic interests bc of the times (early 2000s) but instead lust and desire were portrayed as gross and harmful. Ugh, the wasted potential! Here we have a character who would do anything to be part of the landed class - a class Oliver can never be a part of because he must be born into it - and he swallows semen and menstrual blood as a surrogate way to access this unattainable lifestyle. He fucks the soil that he will never be able to truly own. But each of these instances have been meme'd to death - the "bathtub" scene, the "vampire" scene, the "grave" scene - and you see one of two responses: audiences being so disturbed they're nauseated or audiences taking it as a badge of honor that they could enjoy SUCH disgusting imagery. And i blame the film for that! Because it doesn't sit in its metaphors, it dismisses its themeing for shock! Saltburn is soo upsetting to me because the bones could build something spectacular, but instead we got Creepy Gay Guy Kills His Way To The Top (snooze! Done before!) Anyway fight with me about this more I have soo many thots. May December did it better.
I was on Taskmaster and the first task was to eat as many bananas as we could but I ate all of the bananas before the task had even started so I got 0 points.
okay work it
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‘Killers Of The Flower Moon’ Can’t Escape Its Own White Gaze by Merryana Salem / Killers Of The Flower Moon (2023). Dir. Martin Scorsese
Saku is safe but at what cost
self-flagellation and self-bullying are all bad motivators for change BTW. it can be hard to escape from a spiral but genuinely u have to be nice to urself or nothing will change
you have to take care of yourself and not punch yourself down because you feel like you 'deserve it'. if you feel like the world is against you, you should at least be on your own side while you work through things.