Day 1960 - 20 June 2016
Akemi Homura
.//projectTiGER
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occasionally subtle
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if i look back, i am lost

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@m-brewczynski
Day 1960 - 20 June 2016
Akemi Homura
.//projectTiGER
"please god, let me have a happy dream"
Our destiny is connected
Art by Yenkurl
★ 【门徒】 「 homura & madoka 」 ✔ reprinting permitted (2.22.25)
art by anelectron00
(Source)
魔法少女まどか☆マギカ
art by anelectron00
(Source)
ehe.
The Definitive Holy Quintet Polycule Situation
this is the truth, it was revealed it to me in a dream so you're not allowed to argue with it
Possible reasons all magical girls are gay
When Kyubey mods your body during the contracting process to make you strong enough to fight witches he also makes you into girls
Being a magical girl involves a dangerous secret lifestyle that can only be shared or understood by other girls in the same situation and so all of your friends and love interests after contracting will be magical girls for the same reason there are lots of gay soldiers
The potential to make a contract requires a deep malaise, an inability to fit yourself into the bounds of the ordinary life society expects of you, a hidden desire so great you’d throw away your life for it. All of this correlates very nicely with queerness and ensures the contractee demographic is mostly gay to begin with
Magical girl culture has heavily normalized lesbianism to the point where meeting a magical girl with a boyfriend is regarded as bizarre and unusual and this encourages newly contracted girls to pursue each other
Actually Kyubey only bothers offering contracts to baby lesbians. He thinks they’re better negentropy generators the same way girls are better than boys. He has a special magic incubator gaydar system to evaluate prospects and everything
History's most desperate little lesbian threw everything she had into a wish that altered the fate of every meguca to come after her
I love how people are like “but madohomu is queerbaiting” like bestie in rebellion Madoka jumped into Homura’s arms and then just continued the conversation while on top of her. How else am i supposed to read “they talked alone together in a field of flowers and one started braiding the other’s hair while embracing her” this isn’t subtext this is text. These are some girlfriends. Not to mention all of the outside material having deadass saying “they talk about each other as if they had found a lover”.
Re: tags: So, fun fact: Homura’s use of “ai” is almost certainly a Japanese pun. Now, she means the romantic meaning for sure (indeed, possibly the simplest reading of “the last, Love, is yet to appear” in the description of the Clara Dolls given how the rest of them are named is that Homura (who was raised attending a Catholic school of some variety[1] and was likely bullied, fertile ground for internalized homophobia) is in denial that she is in love with Madoka in that way until right before the “AI YO” scene), but there are at least two kanji that can be read “ai” - one means love, and the other means grief. Both are applicable! (Higurashi in anime form uses the latter as the title of one of its OST tracks, which is how I learned about this.)
(That said, if we allow unrequited love (before Rebellion at least) MadoHomu isn’t even the most obviously gay girl in PMMM - have you ever gone and looked at Kyoko’s body language wrt Sayaka in the main series? Girl has it down bad for Sayaka by no later than midway through episode 5. She’s licking her lips, she’s flaunting what she’s got, the entire works - unfortunately for her I’m not sure she quite understands what she’s feeling and worse has some pretty misguided ideas about how to get someone to love you and that bites her in the ass.)
[1] - Not 100% confident this was an orphanage given Homura living on her own after the events leading up to the series and some of the direction associated with the events leading to her transfer; I would not be surprised if Butch Gen borrowed a page from the backstories of two When They Cry characters, both unwanted children from wealthy families shipped off to a Catholic school of the non-orphanage kind that had a class precisely for such girls (with lower academic standards than the regular classes), and Homura is in the same boat.
One of my favorite madohomu scenes of all time takes place in the anime, episode 8 at the 17:50 mark to be exact. After Homura kills Kyubey before Madoka can make a contract with him, she approaches Madoka and asks why she's so self-sacrificial, tells her to stop demeaning herself by thinking so lowly of herself, begs her to think of the people who think the world of her, those who'd be mournful if, god forbid, anything were to happen to her, to please think of those trying to keep her safe. From Madoka's perspective, this is the first time the usually stoic, cold, and standoffish Homura is being vulnerable, open, and emotional. From Madoka's perspective, this is the first time she's seen someone so seemingly brave as Homura cry. The first time she's ever heard her voice above her usual calm and collected tone. This is the first time Madoka sees Homura so upset, so frustrated, so afraid.
Madoka, whom has never met this girl aside from seeing her in a strange dream, sees Homura fall to her knees and cry and, as if on instinct, Madoka stands up to comfort her.
And, in this moment, Madoka has some moment of clarity, recognition, familiarity. It goes by pretty fast, but if you capture this moment frame by frame, you can tell in the way her face changes and she stares at seemingly nothing. She goes from staring down at Homura worriedly to getting caught off guard by something. It kind of looks like she's looking at something off screen until a black void of static accompanied by a low buzzing plays for a brief second before Madoka, out of nowhere, asks "Have we met before?" Then you realize she was experiencing that feeling of familiarity from seeing Homura so upset. "Wait, have I done this before. Have I comforted this girl before? Have I seen her cry before?"
This scene is so powerful to me, because this Madoka doesn't know Homura. Or, at least, she shouldn't. Yet, when she sees this girl fall to her knees crying, when she sees this seemingly emotionless girl so broken and fragile, and more importantly as soon as Madoka stands to comfort her, she has this sense of "Have we met before? Have we done this before? Have I seen you like this before?"
Even in her "dream," she wanted to protect Homura, wanted to stop what was happening in front of her: Homura giving up her life to defeat Walpurgisnacht and failing. That's the reason why she agreed to become a Magical Girl in the "dream"; she wanted to change the outcome of Homura's fate. In the first timeline, she saved Homura from a Witch. Despite Homura wishing to be the one protecting Madoka, the moment Homura lets her brave facade down, shows vulnerability, is afraid and frustrated and upset, Madoka stands up to do what comes naturally to her: comforting and protecting Homura. And that's what sparks her recognition. She stands to comfort her because deep down she feels like she knows her from somewhere, that they've met somewhere, sometime before. Throughout the anime, when Sayaka and Mami were antagonistic towards Homura, Madoka kept saying "Is she really that bad?" and "I feel like we could all be friends" and "What if she's telling the truth?" Because she's known her throughout 100 time loops, she's protected her throughout 100 time loops, she's loved her throughout 100 time loops. This is kind of an underrated madohomu moment yet it's one of the most solidifying on Madoka's end.
I like the idea that the soul in a Soul Gem sorta dies (like it collapses under the weight of its corruption) and leaves an imprint in the shape of the person's grief, anxieties, fears, etc. Their magic then fills that void left behind by the soul's death, but it becomes a twisted version of what was there.
Anon, I fucking love this??? It would definitely explain why Witching out is so irreversible; the magical girl's soul isn't just corrupted, it's gone. Just straight up doesn't exist anymore and can't be recovered or healed.
Your theory also slots in nicely with the 3 instances of de-witchification we see in the PMMM franchise (that I can think of off the top of my head at least):
In The Different Story, Madoka uses her wish to bring Sayaka back from the dead after she turned into a Witch. This was one of Homura's later timelines, so Madoka has godlike potential at this point; nothing is beyond her abilities, so she could have recreated Sayaka's soul, plucked it from a different time, etc.
In Tart Magica, Lapin used her wish to reverse Isabeau's Witch transformation. However, the corruption caused by the transformation was irreversible; Isabeau still retains a Witch's mindless malice and most of her personality seems to be gone.
As for Rebellion (where Homura turns into a Witch but then is brought back), I've always assumed it was a special case because of the Incubator barrier. And in any case, we're once again factoring in Literal Goddess Madoka.
What's interesting about this is there was an event in Magia Record that kinda confirmed this! The event follows Kanae and Mel after their deaths, watching the main story as it unfolds and trying to support Yachiyo. At the end of the event it's revealed Kanae was showing all of this to the last pieces of Mel's soul (or maybe imagining what she'd show her? It's been a few years since I've read the event) as it disappeared because magical girls who witched out had their souls destroyed.
There was like a little café where all the souls of magical girls who died in battle were, but girls who became witches no longer had a soul so they didn't exist. Kanae died from her soul gem shattering, so at least they get an afterlife?
Yes, I remember that! It also lines up with what we see in the original anime; when Madoka is having her conversation with Mami and Kyoko in the afterlife in the final episode, Sayaka is notably absent. Whereas Mami and Kyoko died in battle against Witches (and both of them had their Soul Gems destroyed to boot), Sayaka became a Witch herself. The implication is like you said: magical girls who become Witches get their souls destroyed.
Can't remember if this is ever said explicitly, but I really vibe with the idea that Sayaka summons multiple cutlasses because Mami- who does the same unlimited weapon trick- was the first (and only) magical girl Sayaka saw in action.
adding something but i noticed sayaka also mirrors a lot of mami's other behaviors too!
She saw how Mami went out of her way to help others which made sayaka prioritize that as a magical girl, not wanting to kill witches since it means letting people die when she felt she could have saved them
she also probably saw the rivalry between homura and mami which mirrors hers with kyoko- sayaka was also alone for the most part when fighting even though she brought madoka alongside her (like how mami used to do w sayaka and madoka) and saw herself as the hero figure and kyoko + the witches as the villains (like in a classic magical girl series almost)
+ sayaka never got to see mamis breakdown with madoka about not being the sort of perfect role model they thought she was so sayaka still completely idolized mami without really knowing her problems and how it affected her (like how sayakas problems will eventually affect her and leave her wondering why she wasnt as great as mami)
YES! So much of Sayaka's character is tied to how she idolizes and borderline deifies Mami. She views Mami as the perfect, ideal, invincible magical girl who's a paragon of justice. Unlike Madoka, she never got to see Mami express weakness and aspects of her personality (her loneliness, depression, fatigue, etc) that humanized her. Sayaka only ever knew Mami as the perfect magical girl, and Madoka probably didn't see the point in bringing up her and Mami's last conversation.
I really want to write a longer analysis where I sink my teeth into this, but for now I just want to point out how Sayaka's idealization of Mami is what led to her downfall (one of a few factors, anyway). Sayaka is unable to cut herself any slack for not living up to the image of Mami she built up in her head. She dislikes Kyoko and Homura for not being "allies of justice"-type magical girls when Kyubey himself tells her that magical girls as selfless as Mami are a rare breed. And as we learn in spinoff manga and other supplementary material, Mami bending over backwards to be a hero is arguably a trauma response to the fact that the incident that made her a magical girl also made her an orphan.
There are a few spinoffs that explore Sayaka and Mami being magical girls together and their dynamic is so interesting. The Different Story manga is the best example imo.