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āļāđāļāļ reply tweet āđāļāļĒāđāļĄāđāļāļģāđāļāđāļāļāđāļāļ block
āļāļāļāļĩ āļāļąāļ āļāļēāļĢāļāļģāđāļĢāļ·āđāļāļāļĢāđāļēāļĒ āđ
āļ§āļąāļāļāļĩāđ Google āđāļāļĩāđāļĒāļ§āļāļąāļ Henry Brooks Adams āđāļāđāļĢāļ·āđāļāļĒ āđ āļāđāļāļąāļāđāļāļīāļāđāļāđāļāļāļāđāļāļāļ§āļēāļĄāļāļķāļ āļāđāļēāļŠāļāđāļ
âItâs always the good men who do the most harm in the world.â
Henry Brooks Adams āđāļāđāļāļāļąāļāļāļĢāļ°āļ§āļąāļāļīāļĻāļēāļŠāļāļĢāđ āđāļāļīāļāļāļĩ āļ.āļĻ. 1838 āđāļĨāļ°āđāļŠāļĩāļĒāļāļĩāļ§āļīāļ āļ.āļĻ. 1918
āđāļāļŠāļĄāļąāļĒāļŠāļāļāļĢāļēāļĄāļāļĨāļēāļāđāļĄāļ·āļāļ (American Civil War) āļāļķāđāļāđāļāļīāļāļĢāļ°āļŦāļ§āđāļēāļāļāļĩ āļ.āļĻ. 1861 āļāļķāļ 1865 āļāļąāđāļ āđāļāđāļēāđāļĄāđāđāļāđāļāļĒāļđāđāđāļāļŠāļŦāļĢāļąāļāļāđāļĄāļĢāļīāļāļē āđāļāļĢāļēāļ°āļāđāļāļāļāļīāļāļāļēāļĄāđāļĨāļ°āđāļāđāļāđāļāđāļĨāļāļēāļŠāđāļ§āļāļāļąāļ§āđāļŦāđāļāļąāļāļāļīāļāļē (Charles Francis Adams Sr.) āļāļķāđāļāđāļāđāļĢāļąāļāļĄāļāļāļŦāļĄāļēāļĒāļāļēāļāļāļĢāļ°āļāļēāļāļēāļāļīāļāļāļĩ Abraham Lincoln āđāļŦāđāđāļāđāļāđāļāđāļāļāļāļąāļāļĢāļĢāļēāļāļāļđāļ āļāļĢāļ°āļāļģāļŠāļŦāļĢāļēāļāļāļēāļāļēāļāļąāļāļĢ āļ āļāļĢāļļāļāļĨāļāļāļāļāļ āđāļāļ·āđāļāļāļģāđāļāļīāļāļ§āļīāļāļĩāļāļēāļĢāļāļēāļāļāļēāļĢāļāļđāļ āđāļāļ·āđāļāļĄāļīāđāļŦāđāļŠāļŦāļĢāļēāļāļāļēāļāļēāļāļąāļāļĢāđāļŦāđāļāļ§āļēāļĄāļāđāļ§āļĒāđāļŦāļĨāļ·āļāļāļąāļāļāđāļēāļĒāđāļāđ (Confederate States) āđāļĨāđāļ§āļāļķāļāļāļĨāļąāļāļĄāļēāļĒāļąāļāļŠāļŦāļĢāļąāļāļāđāļĄāļĢāļīāļāļēāđāļ āļ.āļĻ. 1868
āļāļĢāļ°āđāļĒāļāļāļĩāđāļĒāļāļĄāļēāļāđāļēāļāļāđāļāļāļąāđāļ āļĄāļēāļāļēāļāļāļĢāļ°āđāļĒāļāđāļāđāļĄāļ§āđāļē
âI disagree with my brother Charles and Theodore Roosevelt. I think that Lee should have been hanged. It was all the worse that he was a good man and a fine character and acted conscientiously. These facts have nothing to do with the case and should not have been allowed to interfere with just penalties. Itâs always the good men who do the most harm in the world.â
āļāļĄāđāļĄāđāļāļĢāļēāļāļ§āđāļē Henry Brooks Adams āļāļđāļāļŦāļĢāļ·āļāđāļāļĩāļĒāļāļāđāļāļāļ§āļēāļĄāļāļąāļāļāļĨāđāļēāļ§āđāļĄāļ·āđāļāđāļŦāļĢāđ āđāļ wikiquote āļāļāļāđāļ§āđāđāļāđāđāļāļĩāļĒāļāļ§āđāļē āļĄāļēāļāļēāļ American Heritage (December 1955) āļŦāļāđāļē 44
āļāļ·āđāļ âLeeâ āļāļĩāđāļāļđāļāļāđāļēāļāļāļķāļāđāļāļāđāļāļāļ§āļēāļĄāļāļĩāđāļĒāļāļĄāļēāļāļĩāđ āļŦāļĄāļēāļĒāļāļķāļ Robert Edward Lee āļ§āđāļēāđāļāđ āļāļļāđāļ āđ āļāļ·āđāļāļāļĩāđāļāļąāļāđāļŦāļĄāļāļĢāļąāļ?
āļāđāļēāļŦāļēāļāļ§āđāļē āđāļĄāđāļāļļāđāļāļāļąāļāļāļ·āđāļ āđāļāđāļāđāļāđāļēāļāļ°āđāļāļĒāļāđāļēāļāļŦāļđāļāđāļēāļāļāļēāļāļąāļāļāđāļēāļ§āļāļēāļĢāļāļĨāļēāļāļĨāļāļĩāđāđāļĄāļ·āļāļ Charlottesville āļĢāļąāļ Virginia āļāļĢāļ°āđāļāļĻāļŠāļŦāļĢāļąāļāļāđāļĄāļĢāļīāļāļē āđāļĄāļ·āđāļāđāļāļ·āļāļāļŠāļīāļāļŦāļēāļāļĄāļāļĩāļāļĩāđ (āļ.āļĻ. 2017) āļāļāļĄāļĩāļāļđāđāđāļŠāļĩāļĒāļāļĩāļ§āļīāļ 3 āļāļ āđāļĨāļ°āļāļēāļāđāļāđāļāļāļĒāđāļēāļāļāđāļāļĒ 30 āļāļ āđāļāļ·āđāļāļāļĄāļēāļāļēāļāļāļ§āļēāļĄāđāļĄāđāļāļāđāļāļāļāļāļāļāļāļĨāļļāđāļĄāļŦāļāļķāđāļ āļāđāļāļāļēāļĢāđāļāļĨāļĩāđāļĒāļāļāļ·āđāļāļŠāļ§āļāļŠāļēāļāļēāļĢāļāļ° āļāļēāļ âLee Parkâ āđāļāđāļ âEmancipation Parkâ āđāļĨāļ° āļāļēāļĢāļāļĒāļēāļĒāļēāļĄāļāļĩāđāļāļ°āļĢāļ·āđāļāļāļāļāļĢāļđāļāļāļąāđāļāļāļāļ Robert Edward Lee āļāļĩāđāļāļąāđāļāļāļĒāļđāđāđāļāļŠāļ§āļāļŠāļēāļāļēāļĢāļāļ°āđāļŦāđāļāļāļąāđāļ āļāļģāđāļŦāđāđāļāļīāļāļāļēāļĢāļāļĢāļ°āļāđāļ§āļāļāļāļāļāļđāđāļāļĩāđāđāļĄāđāļāļāđāļāđāļāđāļĢāļ·āđāļāļāļāļąāļāļāļĨāđāļēāļ§ āļāļāđāļāļīāļāđāļāđāļāļāļĨāļēāļāļĨāļāļķāđāļ
Robert Edward Lee āļāļ·āļāļāļēāļĒāļāļĨāļāļāļŠāļģāļāļąāļāļāļāļāļāđāļēāļĒāđāļāđ āđāļāļŠāļĄāļąāļĒāļŠāļāļāļĢāļēāļĄāļāļĨāļēāļāđāļĄāļ·āļāļāļāđāļĄāļĢāļīāļāļąāļāļāļąāđāļāđāļāļ
āļāļēāļĒāļāļĨ Lee āđāļāđāļāļāļēāļ§ Virginia āđāļāļĒāļāļģāđāļāļīāļ āļāļķāļāđāļāđāļēāļĢāđāļ§āļĄāļāļąāļāļāđāļēāļĒāđāļāđ āļŠāļēāļĄāļēāļĢāļāđāļāļēāļāļāļ°āļāļāļāļāļģāļĨāļąāļāļāđāļēāļĒāđāļŦāļāļ·āļāļĄāļēāđāļāđāļāļĨāļāļāļāļāļāļĢāļ°āļāļąāđāļāļāđāļēāļĒāđāļāđāļāļĩāđ Gettysburg āđāļ āļ.āļĻ. 1863 āļāļķāđāļāļāļ·āļāđāļāđāļāļāļļāļāđāļāļĨāļĩāđāļĒāļāļŠāļģāļāļąāļāļāļāļāļŠāļāļāļĢāļēāļĄāļāļĨāļēāļāđāļĄāļ·āļāļ āļāļāļāļģāđāļāļŠāļđāđāļāļ§āļēāļĄāļāđāļēāļĒāđāļāđāļāļāļāļāđāļēāļĒāđāļāđāđāļāļāļĩāđāļŠāļļāļ
āļŠāļāļāļĢāļēāļĄāļāļĨāļēāļāđāļĄāļ·āļāļāļāļāļĨāļāđāļāļāļĩ āļ.āļĻ. 1865 āļŦāļĨāļąāļāļŠāļāļāļĢāļēāļĄ āļāļēāļĒāļāļĨ Lee āđāļĄāđāļāļđāļāļāļąāļāļāļļāļĄ āđāļĄāđāļāļđāļāļāļĢāļ°āļŦāļēāļĢāļāļĩāļ§āļīāļ āđāļāđāļāļđāļāļĒāļķāļāļāļĢāļąāļāļĒāđāļāļēāļāļŠāđāļ§āļ āđāļĨāļ°āļāļđāļāļāļąāļāļŠāļīāļāļāļīāđāļāļāļēāļĢāđāļĨāļ·āļāļāļāļąāđāļ āļāļđāļāļāļāļīāđāļŠāļāļŠāļīāļāļāļīāđāļāļāļ§āļēāļĄāđāļāđāļāļāļĨāđāļĄāļ·āļāļāļāļāļāļŠāļŦāļĢāļąāļāļāđāļĄāļĢāļīāļāļē
āļāļĩ āļ.āļĻ. 1870 āļāļēāļĒāļāļĨ Lee āļĄāļĩāļāļēāļāļēāļĢāļāļāļāđāļĢāļāļŦāļĨāļāļāđāļĨāļ·āļāļāļŠāļĄāļāļāđāļĨāļ°āđāļŠāļĩāļĒāļāļĩāļ§āļīāļāļāđāļ§āļĒāđāļĢāļāļāļāļāļāļ§āļĄ
āļāļĩ āļ.āļĻ. 1975 āļŦāļĢāļ·āļāļāļĢāļ°āļĄāļēāļ 100 āļāļĩāļāđāļāļĄāļē āļāļķāļāđāļāļīāđāļāļĄāļĩāļāļēāļĢāļāļĢāļ°āļāļēāļĻāļāļ·āļāļŠāļīāļāļāļīāđāļāļāļ§āļēāļĄāđāļāđāļāļāļĨāđāļĄāļ·āļāļāđāļŦāđāļāļąāļāļāļēāļĒāļāļĨ Lee
āļāļēāļĒāļāļĨ Lee āđāļāđāļāļ§āļĩāļĢāļāļļāļĢāļļāļĐāļāļāļāļāđāļēāļĒāļāļĩāđāļāđāļēāļĒāđāļāđ
āļāļēāļĒāļāļĨ Lee āļĢāļąāļāļāđāļēāļāđāļāļīāļâĶ āđāļāđāļāļāļāļāļĩâĶ
āļāļēāļĢāđāļāļīāļāļŠāļāļāļĢāļēāļĄāļāļĨāļēāļāđāļĄāļ·āļāļ āđāļāđāļāđāļĢāļ·āđāļāļāļĢāđāļēāļĒ āđāļāļīāļāļāļ§āļēāļĄāđāļŠāļĩāļĒāļŦāļēāļĒ āļāđāļāļāļĩāļ§āļīāļāļāļđāđāļāļĢāļīāļŠāļļāļāļāļīāđāļĄāļēāļāļĄāļēāļĒ
āļāļĄāđāļĄāđāļĄāļĩāļāđāļāļŠāļĢāļļāļāđāļĢāļ·āđāļāļāļāļāļāļāļēāļĒāļāļĨ Lee āļŦāļĢāļ·āļ âāļāļāļāļĩâ āļāļāļāļ·āđāļ āđ āļāļĨāļāļāļāļāđāļĄāđāļĄāļĩāļāļ§āļēāļĄāđāļŦāđāļāđāļĢāļ·āđāļāļāļāļĨāđāļŠāļĩāļĒāļŦāļēāļĒāļŦāļĢāļ·āļāļāļĨāļĢāđāļēāļĒāļāļāļāļŠāļāļāļĢāļēāļĄāļāļĨāļēāļāđāļĄāļ·āļāļ āļŦāļĢāļ·āļ āļāļ§āļēāļĄāļ§āļļāđāļāļ§āļēāļĒāļāļ·āđāļ āđ āļāļĩāđāđāļāļīāļāļāļķāđāļāļāļēāļāļāļ§āļēāļĄāļāļąāļāđāļĒāđāļāļāļāļāļāđāļēāļĒāļāđāļēāļ āđ
âItâs always the good men who do the most harm in the world.â
āđāļāļĩāļĒāļāđāļāđāļāļīāļāļ§āđāļē āđāļĢāļēāļāļ§āļĢāļāļīāļāļēāļĢāļāļēāļāļĢāļīāļāļāļāļĩāđāđāļāļĩāđāļĒāļ§āļāđāļāļāđāļĨāļ°āđāļŦāļāļļāļāļēāļĢāļāđāļāđāļēāļ āđ āļāļĩāđāđāļāļīāļāļāļķāđāļāļāđāļ§āļĒ āļāļķāļāļāļ°āđāļāđāļēāđāļ (āļāļĩāđāļĄāļēāļāļāļ) āļāļģāļāļĨāđāļēāļ§āļāļĩāđāđāļĢāļēāļāļāļāđāļēāļ āđāļāđāļāļĩāļĒāļīāđāļāļāļķāđāļ
https://soundcloud.com/doctorcap/aow-swingin-coverwav
brussels to bangkok, story of a bridge
The postcard above takes us back to Brussels around 1970. In those days a highway viaduct existed along the largely residential Boulevard Leopold II. In the 1980âs the elevated road was demolished and rebuilt in Thailand, or so the story goes.
The Leopold II viaduct was a product of the postwar vision that cities should be accessible by car to be attractive. It was built to improve traffic during the Worldâs Fair of 1958 and connected the brand new ring road around central Brussels with the highway to Oostende. Announced as a temporary measure, the viaduct stayed for over 25 years, attracting ever more cars and chasing away residents. It was finally torn down in 1984 and replaced with a 2,5 kilometer-long tunnel.
The classic story is that the dismantled bridge was shipped to Thailand and rebuilt in Bangkok. But according to this article things are a bit more complicated. The Bangkok bridge would have been made up of parts of another temporary bridge that was put up next to the viaduct during its demolition (see picture below from Wikipedia).
In any case Belgian engineers constructed Bangkokâs first of many flyovers with used parts from a Brussels bridge as a gift from the Belgian government. This way the minister of Public Works hoped to get orders for more bridges and also buses. As this didnât happen, the taxpayer-funded operation of moving the bridge was rather controversial.
The investment was not useless for the Thai though, because the so called Thai Belgian Bridge still stands after a second life of more than 25 years. Not bad for a temporary construction even if it seems that the bridge is now temporary closed for repairs. (Bangkok photo squaremarie-louise41.blogspot.be)
History of Thai-Belgian Bridge
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New Ways to Share in the Moment
Today weâre announcing two updates: live video on Instagram Stories and disappearing photos and videos for groups and friends in Instagram Direct.
In August, we introduced Instagram Stories as a way to share all the moments of your day, not just the ones you want to keep on your profile. Weâve seen stories open up a new side of what people share on Instagram, and now over 100 million people use it every day. With todayâs announcement, youâll soon have two more ways to share freely and in the moment.
Announcing Live Video on Instagram Stories
Live video on Instagram Stories helps you connect with your friends and followers right now. When youâre done, your live story disappears from the app so you can feel more comfortable sharing anything, anytime.
Itâs easy to go live â just swipe right from feed to open the camera, tap the âStart Live Videoâ button and start sharing for up to an hour. Your friends may get a notification when you go live so they can tune in. While youâre live, you can pin a comment for everyone to see or turn comments off altogether.
When someone you follow starts a live story, youâll see âLiveâ under their profile photo in the stories bar. During the broadcast, you can comment and like as much as you want. You can also check out new live stories on Explore. Tap âTop Liveâ to see exciting live stories happening at that moment and swipe right and left to easily skip around.
Live video on Instagram Stories and Explore will be rolling out globally over the next few weeks.
Launching Disappearing Photos and Videos for Groups and Friends in Instagram Direct
Now you can send disappearing photos and videos directly to groups and individual friends in a spontaneous, pressure-free way.
Since launching improvements to Instagram Direct last year, the number of people using Direct each month has grown from 80 million to 300 million people around the world. In fact, many of them use group threads every day to stay in touch with their closest friends and family.
Todayâs update keeps regular direct messages the same and adds a more visual way to connect with your closest friends â all in one convenient place.
Swipe right into the camera to take a photo or video, then tap the arrow to send it privately. You can choose a group or create one in just a few taps â and you can also send to individual friends at the same time. Send anything you want, from inside jokes to your worst selfies. Unlike other messages in Direct, these photos and videos disappear from your friendsâ inboxes after they have seen them. And youâll see if they replayed it or took a screenshot.
Whether your account is set to public or private, you can only send disappearing photos and videos to people who follow you.
To open your inbox, tap the new paper airplane icon at the top right corner of your feed or swipe left. Youâll see disappearing photos and videos in a bar at the top. Tap the ones with blue rings to see what your friends sent you. In a group, you can see everyoneâs responses â and who else has seen them â in a slideshow format. Then when youâre done, just tap their faded profile photo to send a quick response.
Disappearing photos and videos in Instagram Direct will start rolling out globally today.
You can learn more about live video on Instagram Stories and disappearing photos and videos in Instagram Direct in the Instagram Help Center.
I'm not a special one.
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Happy birthday Nobi Nobita
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