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indie

Make sure you don’t start seeing yourself through the eyes of those who don’t value you. Know your worth even if they don’t.

Thema Davis (via marshalmathrs)

loveallthingscomfy

sangreymiel

scarlettsociety

Wish I could push pause sometimes.

#decor#decorationtips#decoration#interior#interiordesign#interiordecoration#designing#qotd#quoteoftheday#thinking#flower#pinkrose#rose#blackboard#

joslo

iwearwhatiwearr

Drawing inspired from tattoos

Created by Trisha Rao

iwearwhatiwearr

A B S T R A C T

I was strongly inspirited by Jenny Saville and Nielly Francoise in producing this painting. The silhouettes are drawings I created from Jenny Saville’s artwork. The use of colour in this painting is influenced from the colours that Nielly Francoise uses in her art. I wanted to experiment with gouache and pro markers in order to create an abstract contrast between the two mediums. The silhouettes overlap each other to create a metaphysical image.

Created by Trisha Rao

burning-soul

easyservicedapartments

veerlele

iwearwhatiwearr

I studied a foundation in art and design. During that time i did a workshop in Photography. It was one of the most interesting workshops i had attended. It was such a great experience. I learnt how not only take interesting photographs around Newcastle Upon Tyne, England. But also learnt how to...

iwearwhatiwearr

I am researching into Damien Hirst’s artwork.

‘For the Love of God’, a platinum skull set with diamonds, is one of Hirst’s most important and widely recognized works. It acts as a reminder that our existence on earth is transient.

Hirst combined the imagery of classic memento mori with inspiration drawn from Aztec skulls and the Mexican love of decoration and attitude towards death. He explains of death: “You don’t like it, so you disguise it or you decorate it to make it look like something bearable – to such an extent that it becomes something else.”

In the face of the industry’s ability to establish their irreplaceable value, it becomes necessary to question whether they are “just a bit of glass, with accumulated metaphorical significance? Or whether they are genuine objects of supreme beauty connected with life.”

The cutthroat nature of the diamond industry, and the capitalist society which supports it, is central to the work’s concept. Hirst explains that the stones “bring out the best and the worst in people […] people kill for diamonds, they kill each other”

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