KPOP DEMON HUNTERS (2025) + TUMBLR REACTIONS
KIROKAZE
untitled
h
RMH
EXPECTATIONS

titsay
let's talk about Bridgerton tea, my ask is open
$LAYYYTER

No title available

@theartofmadeline
The Stonewall Inn
Sweet Seals For You, Always

izzy's playlists!
Not today Justin
Keni
tumblr dot com
No title available

❣ Chile in a Photography ❣
One Nice Bug Per Day
sheepfilms
seen from United States

seen from Italy

seen from Bangladesh

seen from Singapore

seen from India
seen from Kazakhstan
seen from Bangladesh
seen from Venezuela
seen from India

seen from Italy
seen from United States
seen from Malaysia

seen from Maldives
seen from T1
seen from United Kingdom
seen from Morocco

seen from China

seen from Iraq

seen from Italy

seen from United States
@macaroni-mcmac
KPOP DEMON HUNTERS (2025) + TUMBLR REACTIONS
I LOVE THEM!!!
best part of KPop Demon Hunters is all the ridiculous faces the girls make
Never not reblogging.
@wolfertinger666
“why do you still use tumblr?”
listen— i have to keep track of my hyper fixations somehow
jokes to make after failure that aren’t self-deprecating:
I’m the best to ever do it
Nobody saw that (best if said loudly)
No one’s ever done it like me
I could be President/they should make me President
Behold, a mere fraction of my power!
The public wants to be me soooooo bad
I’m an expert in (thing you just failed at)
How could this have happened to god’s favorite princess?
Nothing ibuprofen and a glass of water cant fix
I’m being sabotaged
hey! fuck ICE, fuck donald trump, free palestine, cheers to the queers, black lives STILL matter, protect the dolls, fuck capitalism, eat the fucking rich! :)
"This film was an incredible opportunity for me. And more than anything, I thought it was an opportunity for me to write a love letter to cinema, to all the things I love about going to the movies. [...] In many ways it's most important movie I've made, straight from me to all of you." - Ryan Coogler
SINNERS (2025) BEHIND THE SCENES (1/2) Dir. Ryan Coogler
Some after "Sinners" reading material if you're interested in Black American and Indigenous History (and the immigrants who came over, too). I put in the Jones-Rogers book too so y'all won't think the 58% had no serious role in shaping the horrors of America.
I can't get over how Sinners is such a rich text on assimilation and whiteness and the dangers of "civility" and music as a way to look both forward and back
And it's also a phenomenal vampire movie where a lot of hot people get covered in blood and there's a B plot about eating out girls
if sinners (2025) taught me anything, it's that it IS actually always about race.
you can be oppressed, and still promote and maintain the very same systems of oppression onto other marginalized people. being oppressed in one dimension doesn't allow you to be exempt from oppressing in other dimensions. the "villain" of the movie, remmick, being from the time period of the english colonization of ireland, all the while wanting to take a piece of sammie's own culture from him, use him for it. and this plot point coming after remmick witnesses the significance of sammie's playing within his culture, for his ancestors and how it would shape Black culture in the future.
even in today's society, ive noticed that people treat Black people like a commodity. our worth is only as much as other people decide it to be, and that's usually dependent on how much the oppressor can take from us. for example, the controversy of"internet slang" and how it is blatantly just AAVE with a bad disguise on
do you listen to Black musicians? do you watch Black movies? do you engage with Black creators? do you defend the racist tendencies you notice in your friends, in your family, or do you stay silent? do you listen when Black people tell you you've said or done something racist? do you actually care about not being racist, or do you just not want to look like you're racist?
i just think people have a very specific take on what racism is, and that if they're not committing KKK-levels of violence on people, then they're not racist. or if you've experienced oppression in one form, you cannot possibly be engaging with oppression in another form. but the ways in which we interact with other people and the world will always be through the lens of race, because that is simply what it means for oppression to be systemic, especially in the US and our current political climate
anyway 10/10 movie. highly recommend
it really frustrates me to think about how people are inevitably going to take Remmick’s one (1) singular statement about how much he resents the way the Irish were colonized and forcibly converted to Christianity and use it as fuel for “actually he had a point” and “he was right actually” and “he’s not really the villain here” posts, when the whole point is that Remmick is, through the vampiric hive mind he’s creating, forcibly assimilating people into yet another manipulative and parasitical system. he doesn't value the cultures of the people he assimilates—notice how all the vampires he turns dance to his culture's music using his culture's dances, and how he only uses the languages or knowledge other vampires have to offer when he needs to manipulate someone. Remmick is extremely transparent about the way he sees the people he turns as resources to exploit.
he’s perpetuating a cycle that he claims to hate and resent, and I think the movie is pretty damn clear about the fact that he doesn’t see anybody as valuable or useful to him except as prey and as pawns—otherwise he would just, you know, focus solely on people who actually consent to being turned. but he looked sad in that one scene and he’s an apparently attractive white cis man so people are gonna bend over backwards justifying all the harm he did.
the comparison of the Irish experience to the Black experience, finding out that Remmick comes from a time when the Irish were colonized... while still acknowledging that he was able to use that privilege to escape the vampire hunters... and the first thing he did was un-racist those fuckers in the home he ran in to.
and the absolute juxtaposition of Sammie escaping the vampire hivemind with his life, only to go back home to the church where he is expected to give up the music of his life to assimilate into his father's church
FUCK
Ryan fuckin Coogler the man that you are
i'm not going to shut the fuck up about this movie
remmick and the vampires present a false dichotomy
Hogwood (the man who sold the twins the mill) and the KKK are very obviously bad, they are outright malicious bigotry, they use the n-word and plan to lynch the moore's and their community, they are so blatantly racist and hateful it's unavoidably obvious
remmick and the vampires however say that they believe in equality, say that they want to create a community, and yet remmick's goal throught the movie is to both metaphorically and literally steal sammie's ability for his own goal of reconnecting with his irish ancestors, a white man wants to harm a young and upcoming black man and use talents for his own goals without giving any regard to said black man's autonomy or agency
when sammie sings 'I lied to you' in the juke joint and calls forth the spirits from the past and future, it's a blend of cultures; west african, east asian, native american, and african american song and dance blend together across time and space to tell the stories of blues; where it takes its inspiration from, the music genres it then inspired, the complex history of black american culture and its intersections with other peoples of colour in the USA
when remmick and the vampires kill and turn the people in the juke joint, and then perform rocky road to dublin, only remmick's irish culture is on display, there is no influence from the black and asian people he has forcibly assimilated into his song, it's juxtaposition with the earlier scene is blatant, remmick is more than happy to assimilate people of colour into his 'community' of 'equals', and yet its only whiteness that is celebrated, that is normative
remmick claims that he's doing people a favour by turning them immortal, conviently ignoring that he literally has to suck the life out of them to do so, trapping their spirits on earth, he claims that he's the good guy, that the KKK were gonna come and lynch everyone at the joint in the morning anyways, conviently ignoring that he's doing the exact same thing; a white man leading a mob to kill a bunch of black people
in the final confrontation with sammie remmick repeatedly dunks him into the river, a forceful baptism. both the celtic irish and enslaved west africans had their religions suppressed and destroyed by colonialsm, had christianity forced upon them by the british empire, and in that scene we see remmick repeating that cycle, using christianity to inflict harm, and sammie reclaiming christianity, despite all the complex emotions he has arround it, as many colonised peoples have and still do, when he recites the lord's prayer
remmick and the vampires are no less racist than hogwood and the KKK, are no less predatory or evil, they're just less blantant about their bigotry, they represent the system, the normalised white supremacy that is seeped into the very foundation of culture in america, the point isnt that remmick would call any of the black characters in the movie the n-word, i dont think he would, the point is that his exploitation and desacration and inserting-himself-into-when-he-wasn't-invited of the juke joint is a microcosm of what white people have done to black american arts and culture since ever since there have been black and white people in america, and even before that
theres a reason vultures are shown early on in this movie
saw a theory that the SmokeStack twins were posing as one man in Chicago, which helped them get away with stealing from both sides. i'm poised to believe that because visually their clothing was very clearly of the two mobs. smoke was full irish— tweed, bowler hat. while stack had the full mafia look. yk italian leather shoes, fedora etc etc . like the details!!
The portrayal of white people who have been violently separated from their own culture stealing the power of black culture and music to try to get reconnected was SO literal and somehow not at ALL heavy-handed or trite. Fkn remarkable.
The funniest part of Sinners was when the Native Americans just said “yeahhh good luck with that”