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mine: all of my original posts
will byers stan first human second
Sweet Seals For You, Always
🩵 avery cochrane 🩵

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The Bowery Presents

if i look back, i am lost
Lint Roller? I Barely Know Her
Noah Kahan
sheepfilms
Monterey Bay Aquarium
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ojovivo
macklin celebrini has autism
wallacepolsom

#extradirty
One Nice Bug Per Day

tannertan36
Keni

❣ Chile in a Photography ❣
🪼

seen from Germany

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@maclaineshirley
find me elsewhere: letterboxd
posts: gifs / caps / soundtrack / posters / on-set materials
mine: all of my original posts
“Feelings can creep up just like that. I thought I was in control.” In The Mood for Love (2001) dir. Wong Kar-wai
“It was still dark. I threw the rope over a tree but it didn’t catch hold. I tried once, twice but to no avail. So then I climbed the tree and tied the rope on tight. Then I felt something soft under my hand. Mulberries. Deliciously sweet mulberries. I ate one. It was succulent, then a second and third. Suddenly, I noticed that the sun was rising over the mountaintop… What sun, what scenery, what greenery! All of a sudden, I heard children heading off to school. They stopped to look at me. They asked me to shake the tree. The mulberries fell and they ate. I felt happy.”
Taste of Cherry (…طعم گيلاس) dir. Abbas Kiarostami, 1997
-Thank you very much. -YOU’RE NOT WELCOME!
The Florida Project (2017) dir. Sean Baker
Mississippi Masala dir. Mira Nair || 1992
THE GREEN, GREEN GRASS OF HOME ‘在那河畔青草青’ dir. Hou Hsiao-hsien
I know it can’t be described. It’s a world of liberated feelings. Do you know what I mean? To me, man is a tremendous creation, an inconceivable thought. In man is everything, from the highest to the lowest. Man is God’s image, and in God there is everything. So human beings are created, but also the demons and the saints, the prophets and artists and iconoclasts. Everything exists side by side. It’s like huge patterns changing all the time. In the same way, there must also be countless realities, not only the reality we perceive with our dull senses but a tumult of realities arching above each other inside and outside. It’s just fear and priggishness to believe in limits. There are no limits. Neither to thoughts nor to feelings. It’s anxiety that sets limits. When you play the slow movement of the Hammerklavier Sonata you must feel you’re living in a world without limitations in an activity you can never see through or explore.
Autumn Sonata, dir. Ingmar Bergman, 1978.
Why are you killing everybody? Why are you making everybody die? The Fall (2006), dir. Tarsem Singh
“Will we meet again, Mr. Umberto?”
Umberto D. (Vittorio De Sica, 1952)
What will happen to me if I fail your test?
Ex Machina (2014) dir. Alex Garland
Television without people: Twin Peaks (Pilot, 1990, David Lynch, dir.)
If only I could vanish like I never existed. Burning 버닝 (2018) dir. Chang-dong Lee
At Sea (2007) dir. Peter Hutton
Michaela Coel in I May Destroy You (2020) dir. Michaela Coel & Sam Miller
Carol (2015) dir. Todd Haynes
JESSICA LANGE as FRANCES FARMER Frances (1982)
La mujer sin cabeza (2008) written & directed by Lucrecia Martel cinematography by Bárbara Álvarez