full of love (professionally diagnosed)
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"I'm Dorothy Gale from Kansas"

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@madstudyhoney
full of love (professionally diagnosed)
Sex Education â Season 2
When youâre young you think everybody out there really⊠really gets you. But you know, actually, only a handful of them ever do. All the people who like you, despite your faults. And if you discard them, they will never come back. So, when you meet those people, you should just hold onto them. Really, really tightly. And donât let them go.
How could you ever be broken?
iâm back, with brand new journalling toys
my roles in life
GIRL ON VERGE OF NERVOUS BREAKDOWN
RECLUSE
GIRL #6
EMOTIONAL EXHIBITIONIST
GIRL WITH BLISTERS ALL OVER FEET
SNOBBY RELATIVE YOU CANT RELATE
student :) daughter :) friend :)
BITCH
one day we will get to spend thanksgiving with people we want to spend it with. one day we will get to spend thanksgiving with people we want to spend it with. one day we will get to spend thanksgiving with people we want to spend it with. one day we will get to spend thanksgiving with people we want to spend it with. one day we will get to spend thanksgiving with people we want to spend it with.
but, until then, we will spend it alone â with the cat. and thatâs okay.Â
frog and toad with tea (ÂŽïœĄâą á” âąïœĄ`)
Essentials
my profsâ advice/comments on impostor syndrome â
âiâll tell you how iâve learned to deal with this sort of thing. i didnât develop a sense of joy in my academic study until i realized that what really matters is the work itself. itâs not about trying to impress anybody or trying to earn a specific grade. itâs all about loving the work, the reading, the writing, the critical conversation. and i think you do love those things, and you do enjoy your academic work when you can get out of your own way about it. now, where iâm at in my career, i have to think about what gets me up in the morning, and thatâs not publishing 20 articles a year or seeking external approval. what it is, is writing, reading, and teaching about what I love, my own little academic world that iâve created.â â prof c
 âi wrote shitty papers in college, and i still got a phd. youâre not supposed to know everything yet! youâre still learning! you know what, write that on a post-it and stick it on your laptop. you donât have to know it all yet. you donât have to be perfect.â â prof s
âwhile i can assure you that you should not feel like an imposter, i can also confess that the syndrome is common at all levels of academia â so you should not think yourself abnormal to be experiencing it.â (x)
âi hate to say/write this, but itâs sort of true: that you having these impostor-syndrome reactions, these worries about disappointing those you respect ⊠to me, that sort of signals that you do have traits common to many successful academics! even people who have masses of success behind them â and, come to think of it, particularly the people who have a lot of cred *and* outside affirmation of it â suffer from impostor syndrome *if* (and the if is important) they genuinely care about the quality of their work. so: if itâs possible to think of these feelings as symptomatic of a characteristic many good academics share, then please do.                                              (âŠ) the important thing is this: how counterproductive it can be for self-sabotaging people to think of themselves as being âbornâ to do something. it makes any possibility of missing the mark immediately existential. academic work is something one chooses because one has a strong interest in a certain field of study, an ability to study and produce credible work (as judged by âauthoritiesâ in said field), and a social possibility to choose to proceed in that direction. sometimes, i, at least, find it helpful to remind myself of the simple facts of this.            (âŠ) i do think itâs important to put the activating gesture of entering grad school very firmly in your own hands. you are choosing this. you are choosing it because you want it, others have said that you are capable, and you have the practical possibility of choosing it. this is enough. the work will be enough without the existential heft, and the existential heft will not make the work better.â â s
 from my lit teacherâs wife, an english prof at ucb who graduated from yale â âyesâi feel like this oftenâand so does every person iâm close to in academia, and every graduate student ever. the key is to just feel the fear and do it anyway, especially when âdo itâ means âwrite.ââÂ
Amsterdam by jefferson kent york
Stuff I Learned at My Writing Workshop (That Iâm Kicking Myself in the Head for Not Realizing Sooner):
- The difference between a book that grabs you from the beginning vs. one that youâre on the fence about tossing out the window is winning your trust. Itâs why itâs âeasierâ to read books by authors you already know, or fanfic where youâre familiar with the characters. Winning the readerâs trust as quickly as possible should be your first goal as a writer when youâre going back and editing your first draft. This can be accomplished by things like: speaking authoritatively about the subject (even if itâs utter bullshit), graceful prose, or establishing quickly in the story what itâs about. For example,âCharacter A had a problem. Character B didnât love them back, so Character A was going to kidnap them so they would.â Maybe itâs not a story you want to read, but you are now firmly couched in what you signed up for in this story and the promise the author is going to deliver on before the end.Â
- Characters need goals. They need goals in every moment and in every scene. Every character needs a goal in every moment and in every scene. Maybe theyâre not directly pursuing that goal right this very moment but itâs probably always at the back of their mind. Romances and detective stories are the easiest to deliver on this need. Character A wants to win their love. Detective A wants to solve the case. Even when theyâre having tea with grandma, their thing is at the back of their mind. Keeping your character and your story focused on this thing they want helps pull your reader along and keeps them engaged on the âSo what?â and âWhy are we reading this scene?â questions of why they should keep reading.
- Characters shouldnât just have things they like, they should have obsessions. This is the one Iâm kicking myself for. The scientists in Pacific Rim are eccentrically obsessed with studying their thing. Thorin in the Hobbit is obsessed with regaining his home. Katniss Everdeen is obsessed with protecting her sister. Every crazy whackadoodle fandom darling character is obsessed with something. What do they have in common? Theyâre intensely obsessed with the thing that they care about. We love characters who are obsessed with things beyond reason, whether itâs reclaiming their home stolen by a dragon, or building artisanal bird houses, saving your sister, or studying monsters. Everyone âlikesâ things, but people and characters who are obsessed with something fascinate us. Examine the characters youâre most attracted to writing in fanfic, and examine your original characters if youâre trying to build those, and figure out what are they obsessed with and how does that inform their character. Thatâs the thing thatâs going to make readers care about them.Â
âI shall lie low and do nothing.â
â Virginia Woolf, from a diary entry written c. June 1931 featured in âThe Diaries of Virginia Woolf,â (via violentwavesofemotion)
Beautiful journal by @navanotes
âToday I forgive myself. Not just once. Again, and again, and again. As many times as it takes to find peace.â
â Unknown
13.10.2019 // a recent spread i did in my journal and an adorable âgo away iâm readingâ pin my friend got for me <3
new college, oxford. october 2019