Landscaping
happy eridian noises
WHOLESOME AND CUTE :D

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❣ Chile in a Photography ❣

roma★
One Nice Bug Per Day

Discoholic 🪩
Keni
Show & Tell
Cosmic Funnies
will byers stan first human second
Claire Keane
$LAYYYTER

ellievsbear
The Bowery Presents
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izzy's playlists!

oozey mess
noise dept.
trying on a metaphor
Mike Driver

Jar Jar Binks Fan Club

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@maggerson
Landscaping
happy eridian noises
WHOLESOME AND CUTE :D
the poster that this incredible illustration is based on is extremely striking. but while searching for it, I also found earlier posters for conveying this message along with a corresponding one for summer, and I fucking love them. absolutely lovely graphic design work. (both are from 1924, artist is Austin Cooper)
the one I was looking for originally also has a summer variant. (artist is Frederick Charles Herrick: 'it is warmer below' is from 1927, 'it is cooler below' is 1926)
I also like Edward McKnight Kauffer’s London Underground posters, the 1923 Natural History Museum one is such cool piece of visual art
my brother and I get on bandcamp and click on songs from the live updating list of albums that are selling and we listen to 30 seconds or so of a song and if we like it we add it to a playlist. and we call this "foraging for music."
anyways one of terminology we have coined to talk about music is "Knee Music" which is derived from the fact that album covers that show a person's knees tend to sound the same as each other. It's kind of a sleepy, grungy indie folk pop sound with youthful-sounding, vocals that affect a candid and vulnerable feeling.
or anyway we found multiple album covers with knees in quick succession, and they all sounded the same, hence "Knee Music"
but it doesn't have to be knees to be Knee Music. any kind of blurry, candid-looking photos that include skinny white people is likely to be knee music
My other brother's method of foraging for music is slightly more complicated: he gets on everynoise and uses random number generators to get a random genre, a random artist, and then a random song from that artist.
For a while, his method was slightly different, instead choosing a random genre and listening to it until he found a song from that genre that he liked.
However, this could be very time-consuming. once he became trapped for a long time in "geek rap" which was mostly a lot of people rapping in potentially spanish or portuguese (?) about Five Nights at Freddy's
My brother and I have a rating system where we rate songs on a scale of 1 to 7, where 1 is absolute dogshit and 7 is the best song ever.
The challenge in this is that even if a song isn't particularly pleasant to listen to, novelty will increase the rating, because it's something interesting we haven't heard before. So, it's incredibly difficult for a song to get the lowest rating, because a song that is outstandingly bad has something different about it to make it bad, which paradoxically makes it good.
We had a very hard time rating this song, Burial Etiquette- Ivy Staircase in Ruin. We both disliked it, but we had never disliked a song in this way. The harsh vocals are so far to the background and relatively quiet that it's like, a kind of generic song but there's a guy screaming incoherently somewhere in the next room
We didn't like the harsh vocals, but we also thought they should raise the rating of the song because they made it weirder. We ultimately didn't settle on a rating at all for it.
We both agree that the best random song we found is Butcher Brown- No Way Around It. It is groovy and makes you want to dance, with a unique style.
The genre is Funk, so we looked into funk some more, but it turns out that funk is not very popular anymore and it was popular mostly in the 1970s.
Only one other random song we rated with a 7, which is Thrailkill- Cattywampus.
Those are the two songs we rated with a 7. I haven't counted up how many songs we rated yet, but the ratings suggest that an excellent song is hard to find...
The random songs we rated with a 6 are these. a 6 rating means it is a really good song that we would listen to again and again but not the most excellent song possible
Benny Bleu- Five Miles from Town
Death Threat Cassette- Use Your Delusion
@red-naxe
(Regarding the song Burial Etiquette- Ivy Staircase in Ruin)
exactly! weird art has a charm and fascination to it.
today's foraging for music was successful as we found two more songs that we gave a rating of 6
Gabor Szabo- Some Velvet Morning It has a unique and complex energy with some unusual twangy strings in it that sound good and kind of groovy, and a lovely solo in the middle. It is skillful and fun, doing a lot of different things with subtlety.
Spillings- Terminal Agitation This song is atmospheric, menacing and unsettling, slowly building and developing, the sounds distorting and corroding, with an ominous voice and tortured screams. I love how the kind of "dripping" sound at the beginning ties it all together. It pulls off what it is trying to do so exceptionally well, evoking feelings of dread and horror and inspiring a story to unfold in your mind.
so strange when people assume 'waking up early' means increased productivity bc no??? im awake so i can read fanfic in bed before breakdown breakfast
who on earth is out there waking up early to get shit done??? the purpose of waking up early is to have QUIET TIME LOUNGING IN BED before the world gets LOUD & ANNOYING AS FUCK
i just found out about this bird (scale-crested pygmy tyrant) trying to find the most biodiverse countries and i feel tears welling up in my eyes because its so cute
why does it look like that i love him so much he's a little fella
I think this might be one of the most incredible, unsettling and symbolic photos of today’s America I’ve ever seen. I can’t stop looking at it. It’s perfect.
The state of graphics creation in the wildland fire world is, shall we say, abysmal. Which isn't really anyone's fault! Graphics/design training is not a part of wildland fire training at all, and it used to be that outsourcing graphics was a viable if expensive option. But as the pace of the wildland fire world continues to increase exponentially, outsourcing just isn't possible for most graphics. This means a lot of people with zero training are forced to make graphics in house and they're just doing things as best they can.
This has resulted in some...ah...not great stuff. Which is not on the people creating them at all, usually! They're being asked to do things not in their job description that they have no background or training in.
But there needs to be training. If people can learn to run a damn chainsaw, they can figure out font hierarchies and basic color theory.
So, in my never-ending quest to shove better art skills into the wildland fire world, I created this 25 page guide last year! It covers why good graphics matter, the history of art in the wildland fire world, basic design terms, and basic design principles.
Now, I know, I KNOW, some other professional designers/artists are going to look at this and go "Katy, what the fuck? Some of this is not right." I know. But I wasn't going for the Most Technically Perfect and Correct way to do things, I was going for easy to understand and grasp at a basic level when you're just starting out and not aiming to become a full on design pro. Because let me tell you, the bar is in hell. If I have ONE MORE PERSON tell me that PowerPoint is the best and only accessible design program (yes, fucking PowerPoint) I am going to lose my mind. So yes, maybe I didn't explain the full breadth of DPI and print qualities and color spaces. But if it stops at least one brochure being made in PowerPoint then I'm calling it a win.
You can view and download the full guide on my website if you're interested.
Imagine Luke and Leia ending up in the clone wars era but all of their force abilities are “what the actual fuck?” levels of bullshit, and neither of them ever realized that the things they could do with the force were considered extremely high level techniques.
that is one of my FAVORITE things to imagine yes. To me this is less about ‘Skywalker bullshit’ (though there is some of that) and more about the training they (didn’t) receive.
The high-Midi-chlorians-actual-descendents-of-the-force thing makes it easier to tap into the force, makes it more possible to do so without accidentally exhausting yourself. But, in universe, under the right circumstances and with the properly channeled belief anyone can do anything. That’s why Palpatine had to make the galaxy want an empire, why his first strategy was misdirection and his top priority was crushing hope. Chirrut was supposedly force-null and he walked through an army. Han navigated that astroid field because he had to. The force is everywhere.
In an amusing but possibly unintended turn of events, 6-12 weeks of training in a swamp with an elderly frog who only talks in riddles without ever being exposed to Jedi culture except as a myth is actually IDEAL if you’re looking to maximize a Jedi’s raw strength. Most Jedi training that we see in the prequels is explicitly designed to put the breaks on a force-users raw power (for honestly very valid reasons). Channeling all violence through a single weapon that will start screaming if you get too violent, training to use it defensively, is definitely the soft-ball alternative to just squashing people like meatballs.
Meditating, wearing beige, the code, shunning attachments, all that stuff is built around making sure force users never run above first or second gear even in stressful situations (again valid, when you run your jedi in the red sometimes they become murder monsters). The downside of this is that when they’re forced to maintain that placid pace for years at a time (i.e: prolonged war), they’re much more likely to burn out.
When Yoda told Luke do or do not, told him a luminous being was he, told him size matters not, the amazing thing isn’t that Luke believed him. That was karking objectively provable. Yoda lifted a spaceship, so now Luke knows he can too if he just thinks he can. So he does. Vader and Palpatine conquered a galaxy. Luke believes he can stop worlds, crush armies, conquer planets and so he can.
The incredible thing about Luke is what he doesn’t do despite being tapped into the Force utterly free of mental restraint. Luke’s op character trait is his compassion, not his strength.
I assume at some point Luke puts Leia through a similar 2 month meditation class where he convinces her that her only limitations are the ones she imposes on herself. She has a complete meltdown when she realizes that she actually could have boiled Tarkin alive with her mind and saved Alderann. This causes a volcano to go off, devastating the ecology of a small moon. On the flight home, both of them slightly charred, she tells Luke that she wanted to focus on politics and didn’t really want to be a Jedi anyway. Luke nods quickly, supporting her decision, and resolves to seek out some Jedi texts about how to teach people they can do anything but also…maybe…not…anything.
And thus the Jedi order is reborn.
- - -
In the time travel version of this, it means that Luke is assuming that all of the Jedi are restraining themselves like he is. And they are, but they also aren’t, because their breaks are subconscious, built in since childhood, and have a lot of failsafes so even if they turn darkside they still restrain themselves pretty good (a la Dooku).
Leia is, again, less interested with the Jedi-specific aspects of the war (especially now that she doesn’t have to feel guilty about being one of the only people who can pick up that mantle) and more interested in the diplomatic side. Again, Palpatine can only succeed if the galaxy at large accepts this, and from where she’s standing they’re fucking moving in that direction. If being a Jedi is tapping into the mystical energy field that binds all living things together to channel it through one specific person in one specific place, then politics is manipulating that same power for a diffuse impact on as many people as possible.
This status-quo lasts until a major clone wars battle where Luke’s like ‘wait- the entire other side is sub-sentient droids? No living beings, and no droids with complex personality matrices? And they’re currently, actively killing living, sentient humans? Well kriff, come on! This is a no-brainer!’
Luke takes a deep breath. The air- it doesn’t disappear or anything- but it- it stops moving. It’s hard to explain…but breathing has an odd…resistance. The hair on the back of every clone’s neck stands up. Several get vaguely sea sick. One pukes a little. Plo Koon stumbles back, head ringing and afraid.
Luke Skywalker stands up and clenches his fists. 10,000 droids crumple like flimsi in the hands of a child. The battlefield is eerily quiet for a moment, then that imperceptible hum (which no one noticed until it stopped) fades and the air returns to its normal density. A few of the shinies start whooping, then the whole battalion is cheering.
Luke massages his temples, smiling wryly at Master Koon. “I guess I can see how that would get exhausting if you were doing it everyday.”
Plo Koon just stares.
Han, unimpressed, inside a prison cell, watching Dooku throw things around in a show of power: Yeah, but can you do that while doing a keg stand? My Jedi can do that while doing a keg stand.
I mostly don't mask anymore, but the exception I make is airplanes and airports.
happy Barely Keeping It Together Wednesday to all who celebrate
"In my workshops, I often ask people of color, "how often have you given white people feedback on our unaware yet inevitable racism? How often has that gone well for you?" Eye-rolling, head-shaking, and outright laughter follow, along with the consensus of rarely, if ever.
I then ask, "what would it be like if you could simply give us feedback, have us graciously receive it, reflect, and work to change the behavior?" Recently, a man of color sighed and said "it would be revolutionary."
I ask my fellow whites to consider the profundity of that response. It would be revolutionary if we could receive, reflect and work to change the behavior. On the one hand, the man's response points to how difficult and fragile we are. But on the other hand, it indicates how simple it can be to take responsibility for our racism."
Chapter 8, White Fragility- Robin diAngelo
In the time I have spent consuming media that involves popular bad™ male characters and/or M/F ships where the male character is morally gray or outright evil or conflicted or basically anyone who isn't completely safe and defanged, I have often comes across this statement and its countless other variations.
"Stuff like this is made to brainwash young girls into thinking that they can 'fix' dangerous men. Such girls usually end up in abusive relationships and their parents are right to worry."
It is rather strange to come across such a gross generalization, operating on an assumption that girls are blank slates whom anyone can manipulate and who can't distinguish between real and make believe on top of it.
In my entire "career"(if you can call it that) of engaging with fiction , the girls and women that I have run into in fandoms happened to be some of the most intelligent, talented, cool, witty and insightful people I have ever met. I've devoured the fics they have written. I have delighted in the arts and edits they've made. Their perspectives and interpretations about the characters and their relationships are genuinely fascinating to read about regardless of whether I agree with it or not. They are the ones who are most often at the receiving end of the antis' ire for no valid reason but they just keep deriving joy and inspiration from their favourite characters and ships and keep sharing it with others through stories, art and thoughts. They are not just smart but incredibly resilient, sensitive and aware not just about the media they consume but about the world around them and its issues.
I look up to their brilliance. I marvel at their passion. I admire them. I adore them.
my thesis
I don’t like this actually
This is depressing does anyone else find this depressing
I would actually make the argument that the heart of the problem here is not either about fans, as the article claims, or production companies being exploitative cowards, as some of the comments are claiming. The heart of the problem is the increasingly eroding privacy we are seeing in the modern age.
There's some people in the comments saying "fandoms have always been like this" and others saying "No, it's worse than it was." And both are to some extent right. Fans (or at least a small percentage of fans, and the larger a fanbase gets the larger a group this will describe) have always been Like That; but they did not always have the level of access to creators and actors that they have now.
The notion that a performer needs to be constantly available to public scrutiny, that their personal information should by default be available to any rando with google, is pretty new. It used to be that actors would only be expected to engage with the public on limited, specific, and controlled occasions, usually with security provided. Now they're being asked to rawdog exposure to the mob 24/7 on their own.
(Also, production companies have always always always been exploitative cowards, just to get that straight; reading the biographies of literally any actress from golden Hollywood years makes that clear. It's just, again, more public now.)
There has also been a negative feedback loop as fandoms come to realize that the constant access they have to creatives increases their leverage and power. It did not use to be the case that this was so; fandoms pre-internet largely worked under the assumption that they didn't really have any meaningful way to contact or influence the publication houses. Even if they sent a letter or a campaign of letters, they wouldn't even know whether the letters were being received or read unless the publishing house chose to respond. So, without that expectation of access, the drama usually stayed internal. Nowadays, with constant immediate feedback from creators and publishers, fans are ever more incentivized to act out to try to push an agenda, get attention, or just vent whatever is going on in their lives onto a face contractually obliged to be friendly to them.
a ton of people have unexpectedly followed me over the last 2 days so here is my rent-lowering gunshot:
the american south is the most racially diverse and poorest region of the united states, and any political sentiment that treats the south is stupid or expendable is inherently racist and classist. a lot of y'all are racist and classist. the south is also the heart of american culture. argue with a wall. you cannot deny that everybody in the entire world does not emulate artists from atlanta. there is vested interest in keeping the south poor and uneducated BECAUSE this is the most racially diverse region in this country. if you actually give a fuck about progress, you would fight for the south, not mock us.
“Because the truth is, tech doesn’t have an image problem. It doesn’t have a message problem. It has an intention problem. What’s wrong with the axe murderer who broke into my house is not that he hasn’t successfully persuaded me to buy into his narrative. What’s wrong is that he’s trying to kill me with an axe. Similarly, when you launch a product that’s designed to put millions of people out of work, block access to sources of verifiable truth, replace human creativity with slop, and lower the barriers to every sort of atrocity, the problem isn’t that you haven’t told the public a good story about those things. The problem is that you are trying to do them.”
— The 40 Most Rage-Inducing Problems in Tech
Say it with me! Wheelchairs aren’t sad! Mobility aids aren’t sad! Mobility aids are instruments of freedom!
Forgive me if this is inappropriate but
So are
colostomy bags
Diapers
insulin pumps
Oxygen systems
Braces
catheters
rollators
hearing aids
compression garments
prosthetics
FREEDOM AIDS
- canes
- service animals
- noise cancelling headphones/ear defenders
- wheelchair attachments
- fidgets
IT’S DISABILITY PRIDE MONTH YALL
BE UNAPOLOGETICALLY DISABLED AND TAKE UP ALL THE SPACE AND TIME YOU NEED!!!!!
this is amazing 🐈 ♥️♥️
im blowing up this is adorable