Marlene Dietrich at a horse race in 1938.
One Nice Bug Per Day
Lint Roller? I Barely Know Her

gracie abrams
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Today's Document
$LAYYYTER

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shark vs the universe

titsay
d e v o n
Misplaced Lens Cap

blake kathryn

★
"I'm Dorothy Gale from Kansas"

Discoholic 🪩
TVSTRANGERTHINGS

Kiana Khansmith
𓃗
almost home
seen from United States
seen from United States
seen from United States
seen from Malaysia
seen from United States

seen from United States
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seen from Australia

seen from Australia
seen from Türkiye
seen from Bangladesh
seen from Canada
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seen from Türkiye
seen from Chile
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seen from Saudi Arabia
@magnificentobsession
Marlene Dietrich at a horse race in 1938.
playing stupid games but im really bad at them so im not even winning the stupid prizes
how to say "I love you" in x-files [504/?] ⤷ 4.01 — “Herrenvolk”
Nineties outfits in The Watermelon Woman (Cheryl Dunye, 1996)
idiots (affectionate)・[74/?] ⤷ 3.19 — “Hell Money”
I’ll remember everything — the sound of your voice… your worried looks… the warmth of your arms around me… the touch of your lips.
I MARRIED A WITCH — 1942, dir. René Clair
Angela Bassett as Stella Payne in HOW STELLA GOT HER GROOVE BACK (1998)
The X-Files 8x03 - Patience
idiots (affectionate)・[76/?] ⤷ 3.22 — “Quagmire”
GRACE KELLY as FRANCES STEVENS
TO CATCH A THIEF (1955) dir. alfred hitchcock
who needs enemies when you have your own brain
I get in theory why people complain about het ships or whatever, I get wanting to watch queer media I really do, but I guess where y’all lose me is like. I saw some asshole on a post about Sinners complaining it was “hetslop”—this person was specifically doing so while also claiming Remmick was a queer character and thus they were justified in caring more about him than the Black protagonists. which is a whole other disgusting can of worms that has been well addressed by others at this point. but even in the absence of that part of the argument, like, no, i actually don’t think that a hunger for queer stories is an especially good excuse to deride and dismiss a piece of landmark Black filmmaking, especially as a non-Black person. I have a post that’s been going around encouraging folks to engage with more Native stories and characters, and I had someone come onto that post saying in the tags that they’d need these stories to be queer in order to care. and I just think that, you know, sucks! like obviously as a queer Native I also want to see more of those stories too. but idk how else to put it other than to say that Black people and people of color shouldn’t have to be like you in order for you to care about our narratives and experiences. and I think some of y’all are using this disdain for heterosexuality as a cover for your unexamined racial biases. it’s not okay to be racist to people just because those people happen to be straight, and you continue to be white before you are queer.
on an even more basic level than that, also, I simply just think some of y’all NEED to learn how to interact with media and storytelling without ships and fandom in mind. like if not being able to write fic about two men kissing is genuinely going to be a dealbreaker for you I think that’s actually something you need to work on within yourself because at that point I think you’re no longer really interacting with art and themes and narrative so much as just kind of playing with toys. which is, like, fine I guess. have fun. but it wouldn’t kill you to disengage from that from time to time. especially if would allow you to actually appreciate rich and deeply moving cultural stories from communities of color that you desperately need to learn how to see as human
Mamma Mia! (2008) dir. Phyllida Lloyd
cptsd kind of annoying. Release me
msr are like ‘ok we can share souls and minds and hearts but not hotel rooms. that would be TOO far’
idiots (affectionate)・[79/?] ⤷ 3.22 — “Quagmire”
they dont tell you this but you carry your upset younger self in you like a parasitic twin