Merle Oberon

roma★
hello vonnie
occasionally subtle
Cosimo Galluzzi
NASA
One Nice Bug Per Day
taylor price
Three Goblin Art
d e v o n
Game of Thrones Daily
noise dept.

★
Keni

Discoholic 🪩

PR's Tumblrdome
Show & Tell

Andulka

#extradirty

祝日 / Permanent Vacation
Misplaced Lens Cap
seen from United States
seen from United States
seen from Malaysia

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seen from United Kingdom

seen from Singapore
seen from United States
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seen from France
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seen from United States
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seen from China
@filminghere
Merle Oberon
JAMES STEWART AS JEFFERSON SMITH MR. SMITH GOES TO WASHINGTON (1939)
Tony Curtis and Janet Leigh, 1950s
Glorifying the American Girl (1929)
Humphrey Bogart and Ross Alexander in China Clipper (1936, dir. Ray Enright).
SUNSET BOULEVARD (1950) — dir. Billy Wilder
It is a drama of steadily mounting tension and complication, shot through with intimations of repressed instincts and thwarted desires that keep a wild kind of terror barely held in leash hovering over the most ordinary comings and goings in that lonely house. It is much more than a melodrama, because everything that happens grows out of the inner natures of the people involved—the boy with his wiles and smiles and dimly glimpsed flashes of mania, the lonely old lady with her greed and selfishness and childless dependence, the girl with her surface hardness and inner sensitiveness, her unblossoming youth and her curiosity—half romantic, half cynical. – National Board of Review Magazine, June 1937
Night Must Fall (1937) dir. Richard Thorpe
I hate to sound melodramatic, Mr. Nolan, but to save my wife any discomfort, I would cheerfully kill a dozen guys like you.
ROBERT MONTGOMERY and ROSALIND RUSSELL in FAST AND LOOSE (1939)
Clark Gable as Peter Warne IT HAPPENED ONE NIGHT (1934) dir. Frank Capra
Clark Gable reading.
The Last of Mrs. Cheyney (1937) dir. Richard Boleslawski
James Stewart and Lucille Ball
RITA HAWORTH in Gilda (1946) — Dir. Charles Vidor
Loretta Young by John Rawlings, US Vogue, 1940
Loretta Young, one of Hollywood's great beauties, is photographed by Vogue in one of the most beautiful new turbans, Large-As-Life pink tulips are thrust through black satin loops, to nod dreamily over the brow. The turban of cashmere fleece looks sculptured to the head. Lilly Daché. Jewels by Flato
Gene Tierney, 1940s
Greta Garbo and director George Cukor on the set of Two-Faced Woman, 1941
When I first was exposed to Agnes Moorehead, I remember thinking that she was too hammy/overacted for my tastes. But the more I see of her, the more I really, really like her.
Just watched her in Caged and absolutely loved her in it. I also love her in Mrs. Parkington (even with the bad French accent lol).