MAHRINNART

trinidadian fine artist

[mahrinnart]

180 view

‘The Attack,’ is a maximalist installation that aims to immerse viewers into an intense sensory environment that is modeled after my bipolar mixed episode experience. With bright colors and unconventional usage of Trinidad-esque shapes, the bedroom stage setting attempts to mimic my experiences with psychosis, specifically my self mutilation visions in a less gory manner. It aims to educate viewers about my bipolar experience, and create informed conversations about the mentally ill in our local context. 

[mahrinnart]

MAGAZINE COVER, MARINNA SHAREEF, CASSIE BINDOO

‘The Attack,’ is a maximalist installation that aims to immerse viewers into an intense sensory environment that is modeled after my bipolar mixed episode experience. With bright colors and unconventional usage of Trinidad-esque shapes, the bedroom stage setting attempts to mimic my experiences with psychosis, specifically my self mutilation visions in a less gory manner. It aims to educate viewers about my bipolar experience, and create informed conversations about the mentally ill in our local context. 

[mahrinnart]

ROTI TEXTURE, MARINNA SHAREEF

‘The Attack,’ is a maximalist installation that aims to immerse viewers into an intense sensory environment that is modeled after my bipolar mixed episode experience. With bright colors and unconventional usage of Trinidad-esque shapes, the bedroom stage setting attempts to mimic my experiences with psychosis, specifically my self mutilation visions in a less gory manner. It aims to educate viewers about my bipolar experience, and create informed conversations about the mentally ill in our local context. 

[mahrinnart]

FLOOR DESIGN 

THE ATTACK, 2019 by Marinna Shareef. 

‘The Attack,’ is a maximalist installation that aims to immerse viewers into an intense sensory environment that is modeled after my bipolar mixed episode experience. With bright colors and unconventional usage of Trinidad-esque shapes, the bedroom stage setting attempts to mimic my experiences with psychosis, specifically my self mutilation visions in a less gory manner. It aims to educate viewers about my bipolar experience, and create informed conversations about the mentally ill in our local context.

[mahrinnart]

FRONT WALL 

THE ATTACK, 2019 by Marinna Shareef. (White light mode) 

‘The Attack,’ is a maximalist installation that aims to immerse viewers into an intense sensory environment that is modeled after my bipolar mixed episode experience. With bright colors and unconventional usage of Trinidad-esque shapes, the bedroom stage setting attempts to mimic my experiences with psychosis, specifically my self mutilation visions in a less gory manner. It aims to educate viewers about my bipolar experience, and create informed conversations about the mentally ill in our local context.

[mahrinnart]

EATEN ALIVE, MARINNA SHAREEF 2019

THE ATTACK, 2019 by Marinna Shareef. (White light mode) 

‘The Attack,’ is a maximalist installation that aims to immerse viewers into an intense sensory environment that is modeled after my bipolar mixed episode experience. With bright colors and unconventional usage of Trinidad-esque shapes, the bedroom stage setting attempts to mimic my experiences with psychosis, specifically my self mutilation visions in a less gory manner. It aims to educate viewers about my bipolar experience, and create informed conversations about the mentally ill in our local context.

[mahrinnart]

YOU CALLED AT A BAD TIME, MARINNA SHAREEF 2019

THE ATTACK, 2019 by Marinna Shareef. (White light mode) 

‘The Attack,’ is a maximalist installation that aims to immerse viewers into an intense sensory environment that is modeled after my bipolar mixed episode experience. With bright colors and unconventional usage of Trinidad-esque shapes, the bedroom stage setting attempts to mimic my experiences with psychosis, specifically my self mutilation visions in a less gory manner. It aims to educate viewers about my bipolar experience, and create informed conversations about the mentally ill in our local context.

[mahrinnart]

DIRTY DEPRESSION, 2019 MARINNA SHAREEF

THE ATTACK, 2019 by Marinna Shareef. 

‘The Attack,’ is a maximalist installation that aims to immerse viewers into an intense sensory environment that is modeled after my bipolar mixed episode experience. With bright colors and unconventional usage of Trinidad-esque shapes, the bedroom stage setting attempts to mimic my experiences with psychosis, specifically my self mutilation visions in a less gory manner. It aims to educate viewers about my bipolar experience, and create informed conversations about the mentally ill in our local context.

[mahrinnart]

THE BEADED CURTAIN

-made from local Trini snacks and resin

THE ATTACK, 2019 by Marinna Shareef. (White light mode) 

‘The Attack,’ is a maximalist installation that aims to immerse viewers into an intense sensory environment that is modeled after my bipolar mixed episode experience. With bright colors and unconventional usage of Trinidad-esque shapes, the bedroom stage setting attempts to mimic my experiences with psychosis, specifically my self mutilation visions in a less gory manner. It aims to educate viewers about my bipolar experience, and create informed conversations about the mentally ill in our local context.

[mahrinnart]

THE BED

THE ATTACK, 2019 by Marinna Shareef. (White light mode) 

‘The Attack,’ is a maximalist installation that aims to immerse viewers into an intense sensory environment that is modeled after my bipolar mixed episode experience. With bright colors and unconventional usage of Trinidad-esque shapes, the bedroom stage setting attempts to mimic my experiences with psychosis, specifically my self mutilation visions in a less gory manner. It aims to educate viewers about my bipolar experience, and create informed conversations about the mentally ill in our local context.

[mahrinnart]

THEFLOOR

THE ATTACK, 2019 by Marinna Shareef. (White light mode) 

‘The Attack,’ is a maximalist installation that aims to immerse viewers into an intense sensory environment that is modeled after my bipolar mixed episode experience. With bright colors and unconventional usage of Trinidad-esque shapes, the bedroom stage setting attempts to mimic my experiences with psychosis, specifically my self mutilation visions in a less gory manner. It aims to educate viewers about my bipolar experience, and create informed conversations about the mentally ill in our local context.

[mahrinnart]

“MANIA”, the acrylic painting

THE ATTACK, 2019 by Marinna Shareef. (White light mode) 

‘The Attack,’ is a maximalist installation that aims to immerse viewers into an intense sensory environment that is modeled after my bipolar mixed episode experience. With bright colors and unconventional usage of Trinidad-esque shapes, the bedroom stage setting attempts to mimic my experiences with psychosis, specifically my self mutilation visions in a less gory manner. It aims to educate viewers about my bipolar experience, and create informed conversations about the mentally ill in our local context.

[mahrinnart]

THE CLOCK

THE ATTACK, 2019 by Marinna Shareef. (White light mode) 

‘The Attack,’ is a maximalist installation that aims to immerse viewers into an intense sensory environment that is modeled after my bipolar mixed episode experience. With bright colors and unconventional usage of Trinidad-esque shapes, the bedroom stage setting attempts to mimic my experiences with psychosis, specifically my self mutilation visions in a less gory manner. It aims to educate viewers about my bipolar experience, and create informed conversations about the mentally ill in our local context.

[mahrinnart]

Pictured: “Weather or Not,” Acrylic Painting

THE ATTACK, 2019 by Marinna Shareef. (White light mode) 

‘The Attack,’ is a maximalist installation that aims to immerse viewers into an intense sensory environment that is modeled after my bipolar mixed episode experience. With bright colors and unconventional usage of Trinidad-esque shapes, the bedroom stage setting attempts to mimic my experiences with psychosis, specifically my self mutilation visions in a less gory manner. It aims to educate viewers about my bipolar experience, and create informed conversations about the mentally ill in our local context.

[mahrinnart]

THE ATTACK, 2019 by Marinna Shareef. (White light mode) 

‘The Attack,’ is a maximalist installation that aims to immerse viewers into an intense sensory environment that is modeled after my bipolar mixed episode experience. With bright colors and unconventional usage of Trinidad-esque shapes, the bedroom stage setting attempts to mimic my experiences with psychosis, specifically my self mutilation visions in a less gory manner. It aims to educate viewers about my bipolar experience, and create informed conversations about the mentally ill in our local context.

[mahrinnart]

THE ATTACK, 2019 by Marinna Shareef. (Black light mode) 

‘The Attack,’ is a maximalist installation that aims to immerse viewers into an intense sensory environment that is modeled after my bipolar mixed episode experience. With bright colors and unconventional usage of Trinidad-esque shapes, the bedroom stage setting attempts to mimic my experiences with psychosis, specifically my self mutilation visions in a less gory manner. It aims to educate viewers about my bipolar experience, and create informed conversations about the mentally ill in our local context.

[mahrinnart]

THE ATTACK, 2019 by Marinna Shareef. (Black light mode) 

‘The Attack,’ is a maximalist installation that aims to immerse viewers into an intense sensory environment that is modeled after my bipolar mixed episode experience. With bright colors and unconventional usage of Trinidad-esque shapes, the bedroom stage setting attempts to mimic my experiences with psychosis, specifically my self mutilation visions in a less gory manner. It aims to educate viewers about my bipolar experience, and create informed conversations about the mentally ill in our local context.