Masao Yamamoto
Untitled #1612 & #1616
from the series Kawa = Flow, n.d. (c2010)
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Not today Justin
Xuebing Du
taylor price

Janaina Medeiros
will byers stan first human second

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Monterey Bay Aquarium
hello vonnie
"I'm Dorothy Gale from Kansas"
macklin celebrini has autism

pixel skylines
Alisa U Zemlji Chuda
cherry valley forever
One Nice Bug Per Day

祝日 / Permanent Vacation
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Cosmic Funnies
Sade Olutola

JBB: An Artblog!

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@maicul-blog
Masao Yamamoto
Untitled #1612 & #1616
from the series Kawa = Flow, n.d. (c2010)
Kids by the window. Banaue, Philippines. April 2014. #banaue #philippines #kids #banawor #latepost #blackandwhite #nikon
Jyoti Bhatt. “AHIR” BOYS
René Burri
Escaliers dans les rues de Leonforte, Sicile, 1956.
From Magnum Photos
source
Kendal Street. London. 1969.
Photographer: Sirkka-Liisa Konttinen
Harold Cazneaux - Surf Wheel aka The Take-off, Sydney,1931
Lauren Bacall. 1949.
Photographer: Alfred Eisenstaedt
Chief S.O. Alonge did something previously unheard of during his 50 year engagement as the photographer of the royal court of Benin, Nigeria: he focused his lens back onto his own people. As the first indigenous royal court photographer, his photos shied away from the rigid, formal style of his colonial predecessors.
Alonge’s photographs and legacy are remembered in a newly opened exhibition at the National Museum of African Art, “Chief S.O. Alonge: Photographer to the Royal Court of Benin, Nigeria.” The exhibit runs through Sept. 2015. You can read more about Alonge, as well as the exhibition, here.
Workers leaving Pennsylvania shipyards, Beaumont, Texas
John Vachon
June 1943
Beastie Boys, 1984
by Josh Cheuse
Ed van Wijk
Felice Beato (1832-1909)
Portrait of a Young Burmese Woman, circa 1875
In 2006, Tokyo-based photographer Asako Shimizu was finally able to fulfill her dream of traveling to Bolivia’s Salar de Uyuni, the largest salt flat in the world. There, inspired by the spectacular image of the seemingly endless horizon, as well as her relationship with the Earth, Shimizu captured a series of stunning photographs titled On Her Skin.
Tom Wood
Ceremonial Royal Guard, Bulgaria, c.1930s
Póvoa de Varzim, década de 50/60.