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@marianofortunymarsal
mariano fortuny
Mariano Fortuny at his atelier in Rome, c. 1872-1873. Photo: Institut Amatller d’Art Hispànic, Barcelona.
Cecilia Fortuny seated in her husband Mariano’s Rome studio.
The elder Fortuny had a passion for collecting objets d’art. In the towns of southern Spain, in the villages of North Africa, in the antique markets of the European capitals, he sought out rare pieces of Hispano-Moresque pottery, Persian carpets, Islamic metalwork and armoury of every sort, all of which accumulated in his Roman villa alongside antique Spanish furniture and a rich collection of traditional fabrics and textiles. The young Mariano grew up amidst this profusion of treasures. As a child they aroused his curiosity; later they inspired many of his own motifs, ideas and constructions.
—Guillermo de Osma, 1980
Mariano Fortuny, Malvas Reales/ Hollyhocks (detail), c.1872 Oil on canvas, 124 x 66 cm Museo Nacional del Prado, Madrid (Spain)
Mariano Fortuny, El tribunal de la Alhambra/Alhambra’s Tribunal, 1871 Oil on canvas, 75x59 cm Fundació Gala-Salvador Dalí, Figueras (Spain)
Garden of Fortuny - Mariano Fortuny y Marsal
1872
Mariano Fortuny - Anachorète. 1865
Arab before a tapestry, 1873, Mariano Fortuny
Fantasy on Faust - Mariano Fortuny
1866