maria trialoni

[mariatrialoni]

Daniel, 15, 24 x 18cm, pencil on paper,© Maria Trialoni private collection, Kiel, Commissioned work

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Kai, 14, 30 x 21cm, colour pencil on paper,© Maria Trialoni private collection, Kiel, Commissioned work

[mariatrialoni]

Ὁ Ταρκόφσκι γιὰ τὴν τέχνη

Ὁ Ἀντρέι Ταρκόφσκι ἀπαντᾶ στὸ ἐρώτημα "τὶ εἶναι τέχνη", σχολιάζοντας τὴν ταινία του "Ἀντρέι Ρουμπλιόφ".

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studio days, 14, Hamburg © Maria Trialoni

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Die Archive, 1945-1952(archives constantly being enlarged)

variable dimensions, 14, Carbon copy ink on paper, glass © Maria Trialoni  The archive and the process of its creation are directly connected with history and the preservation of historical documents. The work consists of an archive of old newspaper, telegrams , images etc, which notes and recounts the historical documents on the inland Helgoland (1945-1952). Part of the private historical archives,which has been copied by using carbon paper, examines the notions of the production and reproduction, mass communication, information, memory, time and narration.By replication I create these historical documents with the intention of bringing to light historical moments that tend to be forgotten, re- examining historical events and keeping their memory alive.

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studio days, 14, Hamburg © Maria Trialoni

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Frieda, 14, 12 x 17cm, pencil, colour pencil & deco paper on paper,© Maria Trialoni present for a friend

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forthcoming group exhibition "Was ist die Insel? Arbeiten über Helgoland" at Kulturdeich/Veddeler Bogen, Hamburg, © Maria Trialoni 9. Mai 2014 - 19H : Vernissage und Eröffnungsfeier Wir präsentieren:  Ausstellung vom 10.-11.Mai 13:00 - 21:00 Die Studierenden der Grundklasse von Lene Markusen an der Hochschule für bildende Künste Hamburg haben über die Insel Helgoland recherchiert. Nach einem sechs- tägigen Aufenthalt vor Ort werden nun die entstandenen Arbeiten in einer Ausstellung gezeigt. Jan Breuer, Tim Ehrich, Mascha Frey, Johanna Geyer, Sean Keller, Shira Lewis, Lene Markusen, Seoungkyung Park, Signe Raunkjær, Anastasia Schmidt, Anika Schmidt, Lisa Stolzenberger, Laslo Strong, Maria Trialoni, Anja Zihl- mann, Antonia Zielinski Fünf Gehminuten vom S Bahnhof Veddel entfernt - wir werden blaue Schilder anbringen, die euch den richtigen Weg weisen.

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Die Ansichtskarten, 14, 30 x 21cm each drawing, graphite on paper. © Maria Trialoni  The series of drawings “Die Ansichtskarten” focuses mainly on the historical facts during the World War II on the island Helgoland. At that time the island played role as Naval Base. This “island-fortress”, which was entrenched by Adolf Hitler, was destined on 20th century to be used as a bombing range from the Allies. Specifically on 18th April 1945, the British Royal Navy committed a devastating bombing of the island which effected to be uninhabited. The inhabitants of the island had survived in underground shelters, although the next day they were evacuated from the island. In 1947, the British once again tried to destroy all the military facilities of the island with the largest non-nuclear explosion in history ,so - called “Big Bang”. Finally in 1952 Helgoland was restored to the German authorities. Based on those historical facts and the fact that the island was uninhabited caused of the constant bombings I created a series of photorealistic drawings which contain “old and used” postcards with pictures, which documents all the historical facts at that time.  For me the act of creating a photorealistic drawing becomes documentation of historical pictures’  narrative.

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forthcoming participation in das weisse haus, Vienna, Austria,  - © mETIC theatre group: Maria Trialoni & Yorgos Tsamis

Exhibition opening: May 6, 2014, 7pm, Duration: May 7 - 31, 2014 IN THE FLESH - co-op a cooperation of the art institutions Kunstraum Niederoesterreich, Kunsthalle Exnergasse and das weisse haus on the occasion of the Mediterranea 16, Young Artists Biennale.

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cold days in the studio, 14, Hamburg © Maria Trialoni

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Dissolved girl, 13, 16 x 20,50cm, pencil & colour pencil on paper, © Maria Trialoni

[saatchiart]

Saatchi Online’s Artist of the Week: Maria Trialoni

Retrospective Re-statements

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Mediterranea 16 opening days-Young Artist Biennial-Ancona 2013

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Granny, 12, acrylic & pencil on paper, pasted on wall, © Maria Trialoni

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The Window, 08, photo printing on canvas, 80cm, thread, © Maria Trialoni

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The Recycling Of Human Traumas, 07, sculpture/installation, variable dimensions, rope & fiber glass, © Maria Trialoni