Girlhood is a spectrum

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@marikamlp
Girlhood is a spectrum
Can I interest you in a JackieShauna yearning edit in those tiring times?
I love when fanfics make Shauna super jealous of Jackie and Nat becoming closer. I need more JackieShaunaNat triangle fics
So seems some people on tumblr are actually interested in seeing edits. I promise I will work on another JackieNat edit I have an idea for for all of the JackieNat fans.
Enjoy this JackieShauna edit I crafted after the release of The Great Divide in the meantime. And the opening is long but please endure it
Feast
Okay people, real question. Is anyone here on tumblr interested in seeing edits? Iāve recently started editing and of course I had to spread the JackieNat propaganda so this is me trying to post edits on tumblr for the first time.
Something something, same character, different font
I love you jackienat
My girl is alive and well! She survived the cave
shauna youre so problematic but its okay
Girlfriends who kill together, stay together āØļø
And since I'm pretty sure they don't have a ship name, I now dub them irhi
Survivor Jackie Taylor through the seasons:
Mainly designed based off of my vision for her in my fic Promise Me Fire but can also be viewed as general survivor Jackie designs šāāļø
Scar chart below the cut
more pre-crash nat
hate to beat a dead horse but I think what I find particularly cheap about the route Yellowjackets took in season three is that the opening sequence combined with the foreshadowing of the first season really buttered me up to think that the show was going to tell a story of how religion starts, what people do when they give up hope, and what girls who love the game will do to up the stakes. The opening sequence references the winter, the symbol, the tiger pit, and a girl running in just a nightgown. It reeks of tradition, of a game with rules, of preparation and ceremony.
Instead, itās season three and we still have no meaning behind the symbol (pre-crash or post-crash). The winter repeats, but only because of basically two or three girls actively threatening the rest of the group (some people like this, but personally it seems like a weaker route to me). The tiger pit is coincidence ā but what I wanted, especially after Javiās death, was for the girls to institute methods like this so no one feels totally responsible for a death. Like a way for them to actively deny that theyāre responsible, instead of an inactive way for them to deny their responsibility. Again, seems cheap (personally). Mariās choice to run in the nightgown is again just a product of the moment instead of a collective choice. And all of this is fine, I guess, itās just ultimately uninteresting.
All of it lacks intent. Itās set up with no meaning, just fakeouts and some sense of doom. I just think evil dictatorship starts in the absence of society is perhaps overdone? And also⦠why make the show about girls so stereotypically corny. Like it turned into a queen bee show in season three rather than that stereotype being something that the show seemed aware of and willing to use as a tool, but not relying on in order to set up the hierarchy of characters.
Considering they abandon the Lottie cult leader plot entirely too and just kill her I think this also points to them just abandoning the religious aspects that are clearly hinted at in the first two seasons.
THIS
I love this show, but I feel lied to by the premises of it. Like, if you look at season one and season three, itās just so clear that the idea for the hunt was so much different than what we saw. Even with season 2, I thought weāll see girls giving into this idea of a cult more and more to a point where we see rituals, dances, sacrifices and all that. But whenever something with the vibe like that happens in season 3, itās not something that was already established, but it just happens, in the heat of the moment. So in short, I love the show and characters, but I mourn what Yellowjackets could have been.
Jackieās Diary
I needed to come here and share something I saw on twitter (X?) recently about Jackieās diary that we see Shauna look through in adult timeline in season one
I knew that thereās evidence hinting that it was Shauna who written this diary post crash (one example was Iām pretty sure the fact that some movies listed in it came out after they were rescued), but this is actually another level of crazy. This does not only mean Shauna post rescue tried to connect back to Jackie by writing her diary/notebook, BUT she actively gave up one of the notebooks she took herself to the wilderness to make it into Jackieās. The MASH game seems to be on one of the first pages which means this whole diary is just a thing Shauna made up in the wilderness, continued to do it post rescue AND left it at Jackieās home in her bedroom. I love my obsessed bisexual satan who canāt cope properly.
"We call to Jackie... Guide us..."
an icon commission that I got way to indulgent with for @marikamlp
Thank you again, @simply-simplid!! This is a truly amazing work. Everybody, go check out her art and writing, sheās really talented!
The burden of leadership in Yellowjackets
There is such an interesting burden that each of the Yellowjackets leaders (Jackie, Lottie, Nat, and now Shauna) have had to carry of being the groupās scapegoat; the embodiment of the groupās darkness and therefore the one demonized to absolve the rest of their sins. Each have served as a symbol of the state of the group at a given time, a physical manifestation of their deepest needs and urges.
Jackie was a symbol of society, representing the teamās pre-crash identities and last shreds of civilization they clung to in the wilderness. Before the crash, she was revered and worshipped, but as the groupās desperation began to increase and their needs began to shift to something more primal, Jackie became a living reminder of the life they left behind and the societal constraints they were just starting to shed. Her resistance to change and insistence on old social norms made her an easy scapegoat for the groupās early struggles to adapt. The traits that once garnered admiration from the group (Jackieās composure, her traditional femininity, her social confidence) became liabilities in the wilderness. What once made her a leader now made her a threat, a mirror reflecting who they used to be and how far they were falling. Therefore, Jackie was the first to be cast out; a symbol they could sacrifice to avoid confronting the shame of their own loss of innocence and moral decay.
Lottie was a symbol of faith and spirituality in a time of desperation for the group. As starvation and fear took hold, the team turned to something larger than themselves for meaning; something to explain the inexplicable and justify the unthinkable. But as the groupās belief in her grew, so did their dependence on her. Their belief in her as a prophet gradually evolved into worship of her as a divine figure in her own right. They made a teenage girl into a god. She became the scapegoat for the horrors they committed in her name. When the faith they had placed in her didnāt offer the salvation they hoped for and she inevitably broke under the weight of their expectations, they dismissed her as ācrazyā and cast her out again. Even after the crash, the narrative persists that Lottie made them do those terrible things, when in truth, they molded Lottie into the figurehead they needed to justify the things they were already willing to do.
Natalie became a symbol of pragmatism and conscience, a reflection of the groupās desire to return to order after the chaos of winter. Like Jackie before her, she tried to reestablish some sense of society, grounding her leadership in fairness, logic, and restraint. She didnāt ask for power, but she stepped into it because the group needed someone to set limits, to draw a line between survival and savagery. In many ways, she embodied the groupās collective remorse; their quiet longing to repent for Jackie and Javiās deaths and to take the necessary steps to prevent that kind of darkness from ever surfacing in them again. But following Natalie meant confronting what they had done, and few were ready for that. Coach Benās return gave the group an easier target; someone to redirect their guilt and rage onto. Instead of reckoning with their own actions, they focused on punishing him for his perceived betrayal. Natalieās calls for reason and restraint began to feel like judgment, and her moral clarity became alienating. Therefore, she was ridiculed and cast down when the groupās remorse and attempts at recreating civilization were overpowered by their own primal urges.
Shauna is a symbol of the group's brutality and rage. Her turn as leader has come at the peak of the groupās suppressed grief, anger, and loss of control. The group needed someone to act out their darkest impulses, and Shauna became that person. She was made the butcher (literally and symbolically), tasked with executing the physical horrors the others could not. The group unthinkingly offers her up to execute Nat after the card draw and elect her to butcher Javiās body. By pushing her into that role, they created a vessel for their own savagery, then blamed her for it. And by continuing to blame her, they can go on pretending they had no choice, that the darkness lives in her, not in them.
I keep coming back to Vanās line about Lottie in Season 2: āSheās like this because of us.ā The survivors may try to distance themselves from their leadersā choices, they may point fingers, assign blame, but the truth is, Jackie, Lottie, Nat, and Shauna became exactly what the group needed them to be. They needed Jackieās normalcy, Lottieās faith, Natalieās pragmatism and remorse, and eventually, Shaunaās rage and capacity for violence. The leaders didnāt act in a vacuum; they were shaped, elevated, and used by the group. And the others were just as complicit in everything that followed. Jackie, Lottie, Nat, and Shauna didnāt just carry carried the weight of their own sins, they carried the entire groupās. They were not simply leaders. They were vessels, absorbing the groupās collective fear, projection, and shifting morality. And in doing so, they became the easiest ones to sacrifice when the group needed someone to blame.
š¢ ISRAEL HAS KIDNAPPED ALL 12 CREW ON BOARD THE MADLEEN HUMANITARIAN AID SHIP šØ
Earlier this evening, the IOF boarded The Madleen humanitarian aid ship, headed to break the siege on Gaza.
As a result, 12 foreign nationals have been kidnapped by the IOF and their fate is currently unknown.
You can help.
You can contact the relevant ministries of foreign affairs for the crew on board The Madleen and also the UK foreign ministry as this was a UK flagged ship.
This is a violation of international law and an attack on the UK's sovereignty.
The crew on board The Madleen also reported white "paint" being poured on them and it's unknown what this substance was.
Please write to your local representatives and the relevant ministries of foreign affairs to demand the safe release of all 12 crew members who were on board The Madleen.
This is a crisis.