An assortment of paintings by Mark Rothko (1903-1970)
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@mark-rothko
An assortment of paintings by Mark Rothko (1903-1970)
Mark Rothko, Untitled, 1969
Acrylic on paper mounted on hardboard
© 1998 Kate Rothko Prizel and Christopher Rothko/ ARS
Mark Rothko, No.2 (Yellow Center), 1954
Oil on canvas, 289.5x173.5 cm
© Tehran Museum of Contemporary Art
© Kate Rothko-Prizel & Christopher Rothko
Mark Rothko, Untitled, (White, Black, Rust, on Brown) ,1968
Acrylic on paper
© Kate Rothko Prizel and Christopher Rothko / ARS
Mark Rothko, Untitled (Study for Social Security Building Mural), 1940
signed and inscribed “Don’t Sell” on the reverse
oil on gesso board
18 7/8 by 13 7/8 in. 47.9 by 35.2 cm.
© Kate Rothko Prizel & Christopher Rothko / Artists Rights Society
Mark Rothko - Orange, Red, Yellow, 1961, oil on canvas, 236.2 x 206.4 cm
Christie’s
1961 exhibition of work by Mark Rothko (September 25, 1903 – February 25, 1970) at the Whitechapel Gallery in London. Photo by Sandra Lousada.
Mark Rothko - No. 7 (Dark Over Light), 1954, oil on canvas, 228.8 x 148.8 cm
Christie’s
Rothko
Untitled, 1968
Mark Rothko
Ohne Titel (Blau, Gelb, Grün auf Rot), 1954
Untitled (Blue, Yellow, Green on Red), 1959
Mark Rothko, Untitled (Black and Gray), 1969
Acrylic on canvas, 68 X 60 1/8 inches
Private Collection
© Kate Rothko Prizel and Christopher Rothko/ARS
I don’t immediately recognize if this is a much brighter and bluer version of one of our many dark 1969 Rothkos (collected here: 1 2 3 4) but even if we have seen this before, it’s certainly a revealing surprise. As frequent readers of this blog may have noted, generally Rothko’s “Black and Grays” are scanned as just that. The variations are there but we only see a hint of grey-green or a coat of brown, nothing so oceanic and free as this. The top part here is typically black as night but the lower portion shows us how layered Rothko’s work really is. These blues and white-yellows churn under greys and give movement to what seems flat and stagnant in a poor scan. Even if this is a little lighter than the naked eye might see, it’s great to see the underpinning. Seen in person it would not be surprising to see underpainting of mauve or dark purple tones on the upper half.
Mark Rothko,Untitled (Browns), 1957
92 X 77 inches, Oil on canvas.
Collection of Adriana and Robert Mnuchin
© Kate Rothko Prizel and Christopher Rothko/ARS
Very pleased to have this bold Rothko which I had never seen, on the blog now
Mark Rothko, No 17 (Mulberry and Brown), 1958
© Kate Rothko Prizel & Christopher Rothko / Artists Rights Society (ARS)
old friends
Mark Rothko, Untitled, Undated (likely late 30′s)
Philadelphia Museum of Art, PA
© Kate Rothko Prizel and Christopher Rothko/DACS 2016
Mark Rothko
Entrance to Subway
1938
Oil on canvas