Stop The Violence

Can you tell I love Quinn Fabray?

[marley-bean]

They had to change the I Feel Pretty lyrics from “pretty and witty and gay” to “pretty and witty and bright”, otherwise the secret would be out

[marley-bean]

[gendergentle]

[sararye]

50 shades of kurt hummel ♥ [more]

[pervertphobia]

girl get off the fucking floor 😭

[mistyintherivers]

do the people still yearn for quinntina or is that just me?

[goatpunishm3nt]

Rachel Berry's Technology

Barbie BAR201 CD Player / Radio

It is an AM/FM radio that has a cd player at the top. Top-loading CD player with programmable memory. AM/FM stereo radio with rotary dial scale. Built-in AM antenna & telescoping FM antenna. AC cord & stereo headphone jack included. Power supply: AC 230V or 6 LR14/C batteries (not included).

2. Nextplay TriplePlay # NP109-CR.

It is a radio, ipod speaker, and alarm clock! Hence the triple. It is made by Nextplay, which is the same people who made the glee radio and karaoke machiene.

3. Apple Ipod Classic 6th gen

Hey, look! The killers are here! It is in a metal case, and an Ipod Classic. This specific model is the 6th gen. I actually have this! The way I can tell which model this is aside from the clickwheel is how in the photo above, you can see the music player. This is only visible in 6th gen. It was released in 2008, meaning it must be relatively new for her!

4. iPhone 4 and an Agent18 phone case

This was easier to find than I thought! There are still some of these cases available on Ebay and other secondhand sites, I might need to buy myself one! It is for the iPhone 4, 4se, and 5! I have my own iPhone 4, it is actually one of my favorite phones!

5. Cisco Flip UltraHD video camera

This was seen in the diary vids, like the video of Cory and Dianna! I thought I would put this here, since while looking, I found this. This is a phone I have heard of, but never owned. Its been on my list for a bit, though!

6. Nokia 6500 slide (unsure)

Okay, this is the first one I am not 100% sure on! It looks like the slide, because of the camera and the slide. This was before she got the S4, due to the fact its before it came out, or directly after.

Help needed!

This was my last one to look for. I cannot find it for the life of me! The closest I have gotten is the ASUS Eee PC in Pink.

There was a color more similar to the photo above, but I can not find an image of it open.

Thank you to everyone who read this, I made this because I am a huge tech nerd! If I can find more, maybe I will continue this.

[versains]

@pscentral event 02: comedy ↳ glee but it’s just the lines i quote daily

[avengerassemble]

[quinnfabrays]

[trashybooksforladies]

[rilowitz]

[gleegifs]

[ravengleek]

[sapphirebluejewel]

Platonic Relationships I Want To See More Of - Tina Cohen Chang and Quinn Fabray

"Artie told me that you said Brown is not an Ivy League school?" "That’s not what I said. I said it’s barely an Ivy League school."

[tanhands]

i want the ocean right now santana/tina

Santana's fascinated at first because touching Britt is all about another tight firm sculpted and manicured body, because the Cheerios are who they are and they're symbols before they're people and a symbol, Santana knows, cannot show any flaws or it will be toppled and trampled and left broken and alone in the dust. The one dyke who'd been on the Cheerios when Santana had just gotten in, nobody had ever proven anything, but she (her name was Chao and she'd had a mouth like a macaron but Santana never says that name aloud) had quit suddenly and Sue had thrown everything in her changeroom locker out onto the gym floor and instructed the remaining Cheerios to scavenge what they wanted before it was compacted into a cube and sent to Chao's parents at their expense, and Santana had busted her Cheerio gang violence cherry by shoving some stick girl out of the way to grab a black CD sleeve with a red x on it that says "so jealous" and Santana listens to that CD once a month and no more because it makes something like hot strawberry licorice uncoil in a bullwhip low down in her belly.

-- but anyway Britt, she's seal-smooth and groomed and taut all the way to her panty line and beyond, and when Santana touches Tina's leg through her fishnets, fucking around and laughing and joking, there's something new. Like one of those stress relief jelly toys crammed in a net bag and then squeezed; Tina's flesh gives, it takes, it swells and it retreats. The moment passes but Santana finds more moments. Makes them for herself. When they're dancing and she slaps Tina's ass the way you do as a good friend when you're girls because touching each other doesn't necessarily mean anything when you're girls, only Santana aims a little lower so she can see when Tina's skirt flips with the movement and there's tiny dimples just under the curve of her butt, there one moment and gone the next, flower petals on the ground. Santana doesn't wonder what those would feel like if she touched them real light with just the very tips of her fingers and she doesn't think about doing the same thing with her tongue. Tina's already starting to look at her sometimes, unafraid and unmoving in her sloe-black stare that's almost, almost almost a little mocking. Tina goes through Santana's bag one day and she finds that black single with its red x and she takes it, and Santana pretends she doesn't give a fuck because getting mad at Tina doesn't work. It never works. Tina's too accustomed to everyone getting mad at her.

The CD never comes back but another one does through the slats of her locker, a burned one in a handmade paper sleeve of magazine pictures packing-taped onto cut-up pieces of a Froot Loops box, and ransom note lettering except it's entirely x's. There's not even a name on it but there's a track listing on a slip of black paper in silver pen and somewhere between songs by Veruca Salt and L7 and The Runaways, there's "i know i know i know" by Tegan and Sara.

Santana considers breaking the CD and shoving it into Tina's locker. She considers throwing it across the choir room like a discus and announcing loudly that people need to stop abandoning their trash on her like she's a church step accepting unwanted teen babies (Quinn's away this week, it's fine). She forgets to do those things and it goes home with her and Santana listens to it under her covers with her eyes shut. i know i know i know. Tina, the next day, is wearing a black jean jacket with the sleeves cut off, a red x painted on the back. Santana's fingertips, later, feel the edges of the thick poster paint as she starts to peel it off and Tina's thighs jiggle, the way girl thighs do.

[ sharing earbuds/playlists - one realizes that the song they introduced the other to is on their regular playlist ]

[tanhands]

Twenty years later, Artie Abrams makes a tell-all documentary about the REAL lives of high school show choirs. Which three (or more) characters would consent to be featured, and what sort of things would they talk about?

Rachel has the most outrageous hair and eyelash extensions when she shows up, and she namedrops people left and right who she's worked with in the industry since graduation. At one point her phone rings and she semi-apologetically takes it ("I'm expecting a call from Juloo! That's what Julie Taymor asked me to call her") and then it's Jesse but she rallies and feigns excitement over a supposed stage musical version of Beverly Hills Teens she's in the running to headline. She pointedly sips every five minutes from a yellow-and-pink striped bottle of a prebiotic throat coat that she's shilling and makes sure her diamond wedding ring catches the light as much as possible.

Tina and Sam show up together, cuddling so extensively that Artie eventually asks archly if Tina wouldn't mind sitting in her own chair. Tina laughs loudly and too long at every joke Sam makes, though mostly he's talking about how being in show choir really prepared him for his arduous self-made career as a SUBERS driver, ie. he drives, sings, and strips for his passengers. When pressed about how lucrative a business this is, Sam admits it can get dicey in colder months when his junk's in danger of frostbite, and Tina says it's FINE because she makes ENOUGH money working at the film school to cover the lean months and that IMPROVISATION was something they learned as members of the New Directions. Artie says that they weren't allowed to improvise at all, they had set routines they needed to stick to, and Tina, with a fixed grin, jabs Sam in the side until he catches on and fakes going into anaphylactic shock from peanut particles in Artie's sweater to end the interview.

Towards the end of the second episode credits there's a suspense edit with a woman who appears only in silhouette and Artie saying he hadn't expected her to participate, and then there's a flash of Quinn saying, "--what could you expect, from underpaid and frankly offensive teaching and costumes that smelled like Funyuns?"

Quinn is there properly for the third episode, and she promises to reveal all of the ND's most scandalous secrets just for Artie, breaking her silence of all these years despite the many many tabloid rumours that have run amuck since she married Biff McIntosh. In fact Quinn just goes roundabout in circles dropping super anticlimactic stuff like how Puck tried to convince the new kids to put quail eggs up their butts to help their posture, and how Will Schuester once lost Brittany for an entire afternoon before finally locating her trapped in a mall's revolving glass door, dehydrated and disoriented. Artie tries to prompt her to talk about juicier things, who was cheating on who or hooking up with who, and Quinn eventually rolls her eyes and says, "You, okay? I hooked up with you when you were dating Kitty because one time she showed me a picture of myself she had up in her locker and it was one where my jawline looked fat. So I slept with you and then you broke up with her."

Artie leaves this in the final edit, citing documentarian integrity, but obv it's just a brag. He has a coda of Lauren Zizes, who begins by saying, "Oh yeah I can totally tell you about the time when--" and then the rest of her segment, interspliced with the credits, is mostly censorship bleeps of names and the actions they performed with each other. Artie is subsequently sued by Bryan Ryan, Aphasia, and 3 years' worth lineup of Vocal Adrenaline.

[quinn-puck]

quinn fabray + respecting authority