Also, do NOT forget about incredibly dark cases: when wars start and you need to leave your home. Men may be prohibited to leave due to mandatory draft, so you may find yourself in a foreign country alone or with small kids, yet with no (or with a very little) financial support. A useful profession and a correct mindset (that there is nothing wrong with having a job) will help you to survive this ordeal despite all odds.
Do you think Rhaenyra would have killed her siblings or it was mere paranoia on Alicent's side? The book doesn't provide a solid answer for this, and in the show it's clear that Rhaenyra would never harm her siblings.
Hi anon, I kind of went into it in this post, and although that ask was about Jace vs. Aegon III, I think the principle remains the same. In short, no, I don't think it was paranoia, but to understand why, we have to understand why Rhaenyra's brothers pose a particular threat to the stability of Rhaenyra (of Jace's) rule. Keep in mind, this isn't a moral failing specific to Rhaenyra, but simply a byproduct of the conditions of her inheritance.
I don't think Rhaenyra would have wanted to kill her siblings (or their kids), or even have planned to kill her siblings, but I also think that ultimately what she wanted wouldn't matter very much. All it would take would be someone wishing to rise in her esteem claiming that Aegon was fermenting rebellion, perhaps producing a forged letter as evidence, or an eyewitness who would swear that he had been secretly meeting with former greens. Could she risk it? Her brothers are weapons that can always be used against her. And at some point, it would be out of her control. Rhaenyra won't live forever, nor will Daemon, and when Jace attempts to take the throne, with no less than 7 legitimate male claimants alive who would have a claim ahead of him, there are bound to be challengers. The Blackfyre rebellion began with much flimsier pretexts.
We have real life examples of this. Henry VII intended to keep the remaining Plantagenets alive when he took the throne, as long as they stayed loyal. After all, they were his wife's family members, and killing them off would not be a good look. But the remaining Plantagenets would always be a threat to the Tudors. Ten year old Edward Plantagenet, the son of George of Clarence, was imprisoned in the Tower of London for 14 years before he was executed in 1499 for a supposed connection to Perkin Warbeck's scheme. Henry VII finally took action at least in part because he was negotiating a betrothal between his heir and the daughter of King Ferdinand and Queen Isabella. The Spanish monarchs did not want their daughter marrying a man whose succession could be challenged, and so Edward, the strongest claimant at that point, had to go. Henry VII's son, Henry VIII, increasingly worried about the stability of his own succession, became vulnerable to the whisperings of opportunists looking to rise in the king's esteem and eliminate their own political enemies. At this point, the remaining Plantagenet claimants became a source of paranoia, justified or not. The arrest and execution of Margaret Pole, the niece of Edward IV and Richard III, was based upon a tunic found in her home that supposedly represented her support for her son's claim to the throne and the restoration of the Catholic church in England. The tunic was almost certainly planted by Henry VIII's chief minister, the protestant Thomas Cromwell, the same man who orchestrated Henry's divorce from Catherine of Aragon (yes, the same princess whose hand Edward Plantagenet had died to secure). And Henry VIII liked Margaret, she'd been the governess to his daughter, and though they had their ups and downs, he certainly didn't hate her. Still, when her son was put forward as a rival claimant and she was accused of supporting him, she had to go too. And of course, going backwards a bit, there are famously the princes in the tower, Edward and Richard, sons of King Edward IV, who despite having been officially declared bastards (a law, you see, was not enough), were still enough of a threat to the throne that they were (most likely) murdered, whether by Richard III or one of his associates. Mere rumors that those boys still lived sparked rebellions during the reign of Henry VII.
And you can say well, there's a difference, surely, in that Rhaenyra is the rightful queen, and these other people were not? But "rightful" is not some inherent state of being, it's dependent upon who is in power. Every person who sits the throne believes themself to be the rightful king or queen. But Rhaenyra in particular gained her position because her father exercised his power and declared her heir in defiance of the expected order of inheritance, contradicting the very decision that made him king in the first place. After Viserys dies though, for all intents and purposes his wishes cease to matter. He is no longer king, and lacks any mechanism by which to enforce his wishes from beyond the grave. At that point, people will choose to support one claimant or another, based upon their own concerns (dragon math, precedent, oaths, promises made by one or the other, existing family bond) and to consider Rhaenyra or Aegon (or any other claimant down the road) the rightful king/queen. Rhaenyra's security upon the throne, like the position of Henry VII or Richard III, is inherently weaker because she comes to the throne through unconventional means. All it takes is a plague year, a famine, or a foreign invasion for any random group of lords to decide that the true king Aegon/Aemond/Jaehaerys/Maelor should be on the throne and that they should start a rebellion in his name. If Rhaenyra feels insecure in her rule, or in Jace's ability to peacefully inherit after her, it only makes sense to eliminate any potential rivals, and her brothers and their children will always be a threat, no matter her original intentions. Even if Rhaenyra keeps her word and does not harm her family, her brothers and their line pose a threat to Jace and his line as long as both lines exist.
So Alicent is not being paranoid at all, she's being realistic. If Viserys were to disinherit Rhaenyra, or were Rhaenyra to accept the peace terms and give up her claim, she would become simply another sister, but Aegon can never be just another brother to Queen Rhaenyra because in the eyes of some, he will always be a potential rallying point for dissenters, and if not him then his brothers, or his children, whether they want to be or not. That's the point Alicent is making. It's not a reflection on Rhaenyra's character, it's just that if it came down to a choice between securing her reign/Jace's succession, and the lives of her potential political rivals, it's not difficult to guess what Rhaenyra would choose.
Series Summary: Aemond is embroiled in a fierce battle to secure the Democratic Party nomination and defeat his archnemesis, Richard Nixon, in the presidential election. You are his wife of two years and wholeheartedly indoctrinated into the Targaryen political dynasty. But you have an archnemesis of your own: Aemond’s chronically delinquent brother Aegon.
Series Warnings: Language, sexual content (18+ readers only), violence, bodily injury, character deaths, New Jersey, age-gap relationships, drinking, smoking, drugs, pregnancy and childbirth, kids with weird Greek names, historical topics including war and discrimination, math.
Word Count: 8.7k
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“My uncle, he is a doctor in Zabrze,” Ludwika says, red Yardley lips, Camel cigarette. No one cares if she smokes; she’s not campaigning to be the next first lady. Fosco is puffing on a cigar. Mimi sips drowsily at her Gimlet; you could use a few shots, but you’re making do with a Pink Squirrel, something sweet and feminine and without any bite. “So I go to him and he gives me a bottle of chlordiazepoxide.”
“Oh, Librium,” Mimi says, perking up.
Ludwika waves her hand dismissively; cigarette smoke wafts through the air. “Whatever. The next day I have my audition. A tiny man who thinks he’s God. And I give it a real shot, I try my best, I’m nice, I’m charming, but he doesn’t like me. He says my teeth are too big, like a mouse’s. This is very rude. I did not comment on his fidgety little rat hands. But okay, no problem, I have a plan. No one will stop me from getting out of Poland.”
“You drugged him?” you ask, incredulous, grinning.
“You are a criminal,” Fosco tells Ludwika. “I will call J. Edgar Hoover, you should not be so close to positions of power.”
“Listen, listen,” Ludwika insists. “Here is what I do. I thank him very much for his consideration, and then as I leave I drop my purse and things go everywhere. I filled it before I left my apartment, of course. Anything I could find, empty lipstick tubes and perfume bottles, old makeup compacts with broken mirrors, coins, hair pins, tissues, pens, gum, Krówki candies, it is an avalanche. And when he bends down to help me pick up the mess—I have to encourage him, ‘oh sir won’t you grab that, I am just a stupid girl in a very short dress,’ you understand—I put the pills in his tea.”
“How many pills?” you ask.
“I don’t know. You think I had time to count? Maybe seven.”
“Seven?!” Mimi exclaims, and you take this to mean it was a generous dose.
“What? He did not die,” Ludwika says. “I wait two days and then I go back to his office. And it is so strange, can you believe it, he does not remember my audition! So I remind him that he thought I would be perfect for the ad he is shooting in Paris. He keeps squinting at me and saying ‘are you sure, are you sure?!’ Of course I’m sure! A week later, I am standing under the Eiffel Tower with a bottle of Coca-Cola. And then I book a job in London, and then another in New York City, and one of my new model friends sets me up on a blind date with Otto. Lunch in Astoria at a horrible Greek restaurant. Who wants to eat pie made out of spinach?! Now I am here with you people, and the journalists love when I smile for them with my big mouse teeth.”
All four of you laugh at your table, an elite club, the ones who married in. It’s Alicent’s 60th birthday, and the ballroom of the Texas State Hotel in downtown Houston is raucous with clinking glasses and chatter and music and the shutter clicks of photographers. The DJ is playing Fun, Fun, Fun by the Beach Boys. Alicent is dancing with Helaena and the children, and it’s the happiest you can ever remember seeing her. Otto, Aemond, and Sargent Shriver are deep in conversation by the bar, furrowed brows and Old Fashioneds, today’s newspapers and tomorrow’s itinerary. Criston is standing with the men but watching Alicent, face wistful, silver streaks in his jet black hair, and it occurs to you that they must have grown up together: Alicent a 19-year-old bride and Criston her husband’s fledgling bodyguard, the person closest to her age in the household, near and trusted and forbidden, orbiting adolescent twins like Artemis and Apollo. You keep looking around for Aegon. No one else seems aware that he’s gone.
“Otto thought he died and went to heaven when he found you,” you tell Ludwika. “His Eastern Bloc defector princess.”
“He is going to bring my mother to the States. I would be anything he wanted me to be. I would be a model, or a housewife, or a nurse. I would be Bigfoot! But this…” Ludwika gestures broadly: to the ballroom, the city, the latest stop on the campaign trail. “It is not so bad. I never expected to serve the Polish people so far from home. You know how you stop communism? You show the world that capitalism can do more for them. There must be a path to a better life, wars must be ended, injustices must be dealt with. Aemond will do that.” She grins at you, exhaling smoke through her nostrils. “You will help him.”
You reply a bit wryly: “It’s an honor.”
“We are like four legs of a table,” Fosco observes. He points at Ludwika with his smoldering cigar. “You are a Slav fleeing the Russians. My family has ancient titles in Italy and yet no castles, no land, we are essentially homeless. Mimi’s father is a third-generation oil tycoon from Pennsylvania. And she was supposed to fix Aegon.”
“I don’t think I succeeded,” Mimi confesses.
“And then when it was time for Aemond to get married…” Fosco turns to Mimi. “Do you remember? What an ordeal. The discussions went on and on and on. She must be smart, she must be sinless, she should be from a self-made family, a real rags-to-riches story of the American Dream.”
“Right.” Mimi nods groggily, reminiscing. “And from the South.”
“Yes! But not the Deep South. No, no. Someplace Aemond could actually win. Texas, Tennessee, North Carolina. Or Florida, of course.” Now Fosco notices how you’re looking at him, because you’ve never heard this before. He quickly pivots. “But the weekend Aemond met you, it was settled. Nobody could compare.”
His tone is odd; it suggests backstories, history, mythology. Ludwika appears to be just as intrigued as you are, taking a drag off her Camel, her eyes narrowing until they are thin and catlike. You ask: “Who else was being considered?”
“No one,” Fosco answers—too quickly—and he and Mimi exchange an uneasy glance.
What did Aemond and I talk about the night we met? you think dizzily. In those first hours, minutes, thirty seconds? Where I’m from. What I was studying.
Fosco, a true Italian, then attempts to deflect by flirting. He makes emphatic, passionate motions with his hands. “You were just so captivating, so clever…”
“And young enough that Aemond could easily beat Aegon’s record of five children,” Mimi adds. Fosco clears his throat and glares at her. Mimi realizes what she’s said and gazes forlornly down into her Gimlet, mortified, groaning softly. You’ve had one c-section already, and no living son to show for it. At most, you might be able to give Aemond two or three more children; and you don’t even want them. You want Ari back. You want to touch him, to hold him, even if only for a moment, even if only once.
“It’s fine,” you try to reassure Mimi, but everyone can tell it’s not.
Ludwika breaks the tension. “You do not want twenty kids anyway. Your uterus will fall out onto the floor.” And you’re so caught off-guard that all you can do is smile at her from across the table, knowing, appreciative. It’s a strange thing to be grateful for.
“She’s right,” Mimi says mournfully. “They had to sew mine back in.”
Fosco pleads: “Stop, stop, I will need a lobotomy.”
Mimi slurps on her Gimlet. “It’s sad. I used to love sex.”
“Mimi, please,” Fosco says, wincing, holding up his palms. “You are like my sister. I prefer to think you are the Virgin Mary.”
Ludwika sighs dramatically and looks to where Otto stands on the other side of the ballroom. “I used to love sex too.”
Now you’re all howling again, rocking back in your chairs. The DJ is playing Go Where You Wanna Go by the Mamas and the Papas. Cass Elliot is the real talent in that group and everybody knows it, but of course any mention of her must be dutifully accompanied by: If only she was more beautiful. If only she could lose weight and find a husband.
“I think you like it, yes?” Ludwika says to you like a dare, puffing on a fresh Camel, red lipstick staining the white paper, blood on sheets. She combs her manicured fingernails though her voluminous blonde hair. “I could tell when I met you. You dress like Jackie Kennedy, but you are not such a statue. She belongs in a museum. I can imagine you at the Summer of Love.”
Fosco and Mimi shift uncomfortably. It’s not the sort of thing they would ever ask you. It’s too personal, too easily a segue into criticizing Aemond. It’s a usurpation of the natural order. Mimi guzzles her Gimlet and flags down a waiter to get another. Fosco takes off his glasses and cleans them with his skinny black necktie.
Sex. You think back to before you began to dread it. This is difficult, like trying to remember Greek words or British manners, which fork to use with each course. Memories from another lifetime come back in flashes: tangled up with your first boyfriend in his tiny dorm room bed, Aemond peeling off your still-dripping swimsuit on the floor of your hotel room during your honeymoon in Hawaii. You shrug and give Ludwika a nod, a brisk, ungenerous answer in the affirmative. “I always feel like I could keep going.”
Paradoxically, this does not end the conversation. Ludwika, Fosco, and Mimi study you with the same bewildered, gear-spinning curiosity. After a moment Ludwika says: “Not after you’ve finished, surely. I am half dead by the end if it’s good.”
“Finished?” you ask, puzzled. All three of them gawk at you, then at each other.
Aegon breezes into the ballroom wearing the Gibson guitar he bought in Manhattan, blue like the Caribbean or the Mediterranean or the crystalline waves off the coast of Hawaii, dotted with fish and sea turtles. Your eyes go to him immediately and stay there; you can feel the swirling warmth of blood in your cheeks. As Aegon passes the table, he squeezes your shoulder—brief, familiar, welcome—and Fosco raises his thick eyebrows. Mimi is too busy gulping down her Gimlet to notice. Ludwika chuckles, low and wicked, then slides a makeup compact out of her Prada purse to check her lipstick. Aegon goes to the DJ and yells something over the music. He’s fucked up already, you can tell, pills or booze or both.
Fosco stops a passing waiter. “Signore, did you hear who won the United Nations Handicap?”
The waiter stares blankly back at him. “What?”
“The turf race at Monmouth Park. I have $200 on Dr. Fager.”
The DJ abruptly cuts off the music. Aegon gives his guitar a few practice strums to make sure it’s in tune. He stumbles when he walks, he lurches and sways. His blonde hair sticks to the sweat on his forehead. He is woefully underdressed. His white shirt is half-unbuttoned, his denim shorts tattered; on his feet he wears black moccasins. There is a small gold hoop in each of his ears. Otto keeps telling Aegon to take them out, and every time Aegon ignores him.
“Happy birthday, Mom,” you hear him say to Alicent, and she presses a palm to her heart, her dark eyes wide and shining. “When I first heard this, it made me think of you.”
Otto and Sargent Shriver—the aspiring vice president—are glowering at Aegon. Aemond smirks as he nips at an Old Fashioned, amused; but he makes sharp, intentional eye contact with each of the three journalists. You will tell the right version of this story, he means. You will not print anything we wouldn’t want written, or my family will be your enemies for life.
As soon as Aegon plucks the first few chords, you recognize the song. “Oh, that’s really funny.”
“What?” Fosco asks.
“It’s Mama Tried.” You stand and begin clapping, then motion for the rest of the table to do the same. They obey without protest, though Mimi can’t seem to keep track of the beat. Aegon is beaming as he sings.
“The first thing I remember knowin’
Was a lonesome whistle blowin’
And a youngin’s dream of growin’ up to ride
On a freight train leavin’ town
Not knowin’ where I'm bound
And no one could change my mind but Mama tried.”
Cosmo sprints over from where he had been dancing with Alicent. He grabs your hand and tugs you towards the center of the floor. “Let’s go, let’s go!” he shouts impatiently.
“Call the FBI, I’m being kidnapped,” you say to Fosco and Ludwika as you let Cosmo drag you away.
“One and only rebel child
From a family meek and mild
My Mama seemed to know what lay in store
Despite all my Sunday learnin’
Towards the bad I kept on turnin’
‘Til Mama couldn’t hold me anymore.”
At the heart of the ballroom, Criston has swooped in to dance with Alicent, slow chaste circling. Helaena has floated off to the bar to chat with Otto, who keeps all his smiles for her. The children—Targaryens and Shrivers alike—are stomping and cheering and alternating between various moves: the Mashed Potato, the Twist, the Swim, the Loco-Motion, the Watusi, the Pony in pairs. Aemond whistles to a photographer and then nods to where you are holding onto one of Cosmo’s tiny hands as he spins around at lawless, breakneck speed. Of course this would make for a good image: you being maternal, you promising the American people that they will one day have not only a first lady but a first family.
“And I turned 21 in prison doin’ life without parole
No one could steer me right but Mama tried, Mama tried
Mama tried to raise me better, but her pleading I denied
That leaves only me to blame ‘cause Mama tried.”
Cameras flash and the crowd keeps clapping. Cosmo giggles wildly each time he almost falls and you pull him back to his feet. There is a hand skimming around your waist, a listless powder blue dress your husband chose for you. Aemond replaces Cosmo as your dance partner. Aegon’s 10-year-old daughter Violeta spirits Cosmo away; Aemond reels you in close, one palm pressed into the small of your back, his left hand gripping your right. When you steal a glimpse of Aegon—still strumming, still singing—he doesn’t look so triumphant anymore. His grin is frozen and artificial. His drunk muddy eyes go steely.
“I need you to do something for me,” Aemond begins.
Of course, you once would have said. Anything. “What is it?”
“I want you to cut your hair like Jackie.”
You’re so stunned your feet stop moving. Aemond coaxes you back into the steps. “No.”
“Think about how much more versatile it would be. Jackie is an icon, she’s sophisticated, she’s mature.”
“If you wanted a wife in her thirties, you could have easily found one.”
“Honey—”
“I do everything you ask,” you say, barely more than a whisper. “Everything. I wear what you want me to. I go where you want me to. I spend ten hours a week getting my hair fixed. I keep it up, I keep it presentable. But I’m not chopping it off.”
“You’re never going to be able to wear it down anyway,” Aemond counters, so calm, so rational, like your skull is nothing but incendiary feminine mania. “If I win, you’ll be surrounded by staff and journalists for years. You can’t be photographed with it down, you look about eighteen. And like you live on a park bench in Haight-Ashbury.”
“It’s my hair. I’m keeping it.”
Aemond leans in and says, cold and severe: “You’re my wife, and everything that’s yours belongs to me.” Then he kisses your cheek as cameras click and strobe. “Think about it. Now smile.”
You force yourself to. The crowd applauds as Aegon finishes singing and flees the dancefloor. The DJ puts on Light My Fire by The Doors. You and Aemond leave in opposite directions: he goes to talk to Eunice Kennedy, who is hugging her 3-year-old son Anthony to her chest; you return to your table to drain the last of your Pink Squirrel. You need something stronger. You need to be alone so you can collect yourself.
Now Aegon has shed his guitar and is standing with his back to the wall, smoking a Lucky Strike and talking to some campaign staffer—she looks like a girl, but she’s probably your age—who is gazing up at him worshipfully. She says something that makes him laugh, his head thrown back, his eyes sparkling, and you feel like you’re waking up from your c-section all over again, your belly split open and rearranged, aching, stabbing, nauseous.
“Are you okay?” Ludwika asks, scrutinizing you.
“I’m perfect. I’ll be right back.”
You hurry out of the ballroom, the music fading behind you. You slip into one of the elevators in the lobby and hit the button for the top floor, where Aemond’s entourage has booked every suite. As the door is closing—as only a foot of space remains—Aegon shoves his way into the elevator, startling you. The door shuts behind him and you begin the ascent. Aegon slams the red emergency stop button, and the elevator jolts to a halt.
“What the hell are you doing—?!”
“What pissed you off, huh?” Aegon taunts, stepping closer. You back away from him until you run out of room; not because you want the distance, but because you’re afraid of what you’ll do if it’s gone.
“Nothing. I’m so great, I’ve never been better, can’t you tell?”
He’s so close you can feel the heat rising off his flushed skin, you can see the miles-deep murky blue of his irises, open water, shipwrecks and drowning. “You want all this to be over? You want the women with their big, adoring eyes and their short skirts to disappear? Grow up. Stop acting like a kid. Ask for it.”
“Ask for what?”
“You know.”
If you touch him now, you won’t be able to stop. There’s nowhere for us to go. There’s no way out of this family, this year, this world. “I don’t. I have no idea what you’re talking about.”
Aegon barks out a sardonic, cutting laugh. “Yeah, you’re definitely 23.”
“I thought you loved girls young enough to be your daughters. Isn’t that what gets you hard?”
“You’re a fucking coward.”
“You’re sweating on me, you pig.”
“You want it so bad,” Aegon whispers as he presses himself against you, his ribs and thighs and hips, and you clutch for the walls of the elevator so you don’t reach for him instead. His left hand is tearing your hair out of its clips and pins so it falls free like you used to wear it; the right is all over your face, your jaw, your chin, your cheeks, touching you ceaselessly, ravenously, a blind man reading chronicles of braille. You’re trying to turn away from him, but he keeps pulling you back in. You’re breathing his rum and nicotine, you’re gasping in low, starved moans. It might be more intimate than kissing, than sex. He’s already felt your body. What he asks for now is your soul. His words are warm and aching as he murmurs through loosed strands of your hair: “Tell me you want it, please, just tell me, just tell me, tell me and it’s yours.”
Your palms land on his bare, damp chest, and Aegon starts unfastening the last buttons of his shirt. Instead, you push him away. Aegon lets you. He surrenders. “I can’t,” you choke out. You hit the red button, and the elevator resumes its rise to the top floor of the hotel.
“I’m really fucked up right now,” he says with sudden realization, swaying, staring down at his feet like he fears he’ll lose track of them.
“I’m aware.”
“I’m sorry. I think…I think I wanted that to happen differently.”
“I can’t trust you when you’re like this,” you say. I feel like I can’t trust anyone. Aegon looks up at you, his glassy eyes large and wounded. When the elevator door opens, you step out and he stays in, riding it back to the lobby.
In the suite you share with Aemond, you turn on the radio and spin the dial until you find a Loretta Lynn song. You go to the minibar cabinet and down two tiny glass bottles of vodka, something that won’t make you smell like too much of a drunk. You’ll have to fix your hair before you go back to the ballroom; you’ll have to change your dress. You’re painted with Aegon’s sweat and smoke. You can’t risk your husband noticing. You slide open the top drawer of the nightstand on your side of the bed and take out the card you keep there, the one that travels with you to each stop on the campaign trail. Loretta Lynn croons from the radio, wronged and wrathful.
“If you don’t wanna go to Fist City
You’d better detour around my town
‘Cause I’ll grab you by the hair of your head
And I’ll lift you off of the ground
I'm not a-sayin’ my baby is a saint, ‘cause he ain’t
And that he won’t cat around with a kitty
I’m here to tell you, gal, to lay off of my man
If you don’t wanna go to Fist City.”
You lie on the floor and peer up at the card in your hands: jubilant cartoon cow, festive party hat. You know exactly what’s written on the inside; it’s etched into your memory like myths passed down through millennia. Nevertheless, you read it again. The original message is still crossed out, and there’s an addendum below it in hasty black ink: I thought this was blank…congrats on the new calf!
You graze your thumbprint across Aegon’s scrawled signature. It’s smudged now. You do this a lot. One day his name might disappear altogether from the stark white parchment, from memory.
You close the card and hug it to your chest like a mother holds a living child.
~~~~~~~~~~
“What’s going on between you and Aegon?”
Alarmed, you meet Aemond’s gaze, two reflections in the vanity mirror. It’s the next morning, and you’re finishing up your makeup. Your dress and jacket are striped with black and white, your jewelry is silver, chains on your wrists and small tasteful hoops in your ears. “Nothing.” There is a lull you have to fill before it becomes suspicious. “He’s been helpful, he’s been…you know. Ever since Mount Sinai.”
Aemond adjusts his cerulean blue tie, studying himself in the mirror. He’s still wearing his leather eyepatch. Putting in his glass eye is the last thing he does before leaving the suite each day. “He was a comfort to you.”
“Well, he was there.”
“Because I told him to be,” Aemond says, resting his hands on the back of your chair. “Someone had to stay at Asteria to keep tabs on things, to let me know what you were up to. Aegon was the most expendable. Mimi and the kids make for good photos, but Aegon…he’s not especially endearing to the public. Those few years as the mayor of Trenton just about ruined him. I’d love to make him the attorney general if I win, but I don’t think the people would stomach it. Maybe if he behaves himself he can have the job for my second term.”
Eight years, you think, unable to fathom it. Eight years in a fishbowl. Eight years lying under Aemond as he tries to get me pregnant with children neither of us can love.
Aemond leans down to touch his lips to the side of your throat. “I’m glad you’re finally friends,” he says. “Aegon’s not all bad. But don’t let him get you in trouble.”
“I wouldn’t.” What did you and Aemond talk about before Ari died? What was this marriage built on? The senate, the presidency, civil rights, poverty, the Space Race, Vietnam, Greek mythology. Everything but each other. Dreams and ideals that would dwarf any mortal, would render them invisible.
“And watch out for any reporters from the Wall Street Journal. They’d kill for Nixon. If they can twist your words, they will.” He gets something from inside his own nightstand: the bloodstained komboskini from when he was shot in Palm Beach. He places it in your right hand, all 100 knots. “Give this to someone today. You know how to do it, you’ve always understood this part. Pick the right person, the right moment. Make sure there are plenty of cameras around.”
“Where am I going? Lunch with the mayor’s wife, that’s this afternoon, isn’t it?”
Aemond nods. “And a few other stops. Then we’re going to the Alamo in San Antonio tomorrow.”
“Okay.”
He recoils, reaches for the left half of his face, kneads the scar tissue there as nerve pain radiates through his flesh all the way down to the bone. Once you felt such agonizing pity for him; now all you can think about is the matching scar you wear on your belly, hidden and shameful and a badge of your inadequacies: your body too weak to protect Ari, your mind too pliable to resist being ensnared by the crushing gravity of this man, this family, this life.
“How can I help?” you ask Aemond, because it’s the right thing to do. And randomly, you find yourself remembering the statue of Apollo in Helaena’s garden back at Asteria, the god of music, healing, truth, prophesy.
“You can’t.” Aemond goes to the bathroom to force his glass eye into its socket. You depart for the hotel lobby where Ludwika and Mimi, your companions for the day, are already waiting. Ludwika is wearing a rose pink Chanel skirt suit. Mimi—relatively functional, as she hasn’t been awake long enough to ruin herself yet—is dressed in delicate dove grey.
Alicent, Helaena, and the children are scheduled to tour a local high school and library; Criston, unsurprisingly, is going with them. Aemond, accompanied by Otto, has a series of meetings with local business leaders and politicians. Aegon and Fosco are headed to the Michael E. DeBakey Veterans Affairs Medical Center to promise maimed soldiers that Aemond will end the war that carved out bits of them and filled the voids with screaming nightmares. The limousine you share with Ludwika and Mimi ferries you first to the NASA’s Manned Spacecraft Center. Mimi is entranced by the reflective surface of the helmets, coated with gold to divert blinding sunbeams; in turn, the astronauts are entranced by Ludwika, who leaves lipstick smudges on their cheeks when she kisses them. Next is a tea party hosted by Iola Faye Cure Welch, the mayoress of Houston since 1964 and the mother of five children. And as you nibble daintily at triangle-shaped sandwiches and trudge through small talk about flowers and furniture, you can’t stop smiling. You can’t stop thinking about how ridiculous Aegon would think this is if he was here.
The driver mentions one last stop, then coasts through midafternoon traffic towards the city center. You spend the ride touching up your hair and makeup. Ludwika offers to let you borrow her seduction-red lipstick; you politely decline. You step out of the limo and shield your eyes from the glare of the Texas sun. It takes your vision a moment to adjust, and then you realize where you are. The sign above the main entranceway reads: Houston Methodist Hospital. The air snags in your throat, your lungs are empty. Your hands tremble violently. The earth rocks beneath your white high heels. Mount Sinai is the last hospital you walked into, and you left with your son in a casket so small it could have been mistaken for a shoebox.
“Alright, let’s go,” Ludwika says, linking an arm through yours. Mimi, badly in need of a drink, is looking deflated and edgy. “We are almost done. And I have been promised a medium-rare steak for dinner! Mushrooms and onions too! The Statue of Liberty did not lie. This country is a golden door.”
“I can’t.”
Ludwika stares at you. “What?”
“I can’t, I can’t go in there.”
“What is she talking about?” Ludwika asks Mimi, who shakes her head, mystified.
“I can’t,” you whimper.
They’ve never seen you like this. They don’t know what to do. They listen to you, that is the hierarchy; but it’s too late to change course now. Journalists are approaching in a swarm. Nurses and doctors are gathering by the front door to welcome you.
He knew, you think, suddenly furious. Aemond knew, and he didn’t tell me.
“It will be okay,” Ludwika says, patting your back awkwardly. “We are here with you. Nothing bad will happen.”
“Oh,” Mimi breathes, understanding. She looks at you with sympathy that shimmers on the surface of the opaque, polluted lake of her mind. Then she catches Ludwika’s eye and skims a hand down her own slim midsection. Ari, she mouths, and Ludwika’s face falls.
The doctors and nurses are whistling and applauding; the journalists are snapping photos and scrounging for quotes. You feel your conditioning over the past two years taking over: straight posture, gentle smile, hands clasped demurely together. But you are locked away somewhere underneath.
“Do not worry,” Ludwika tells you softly. “We will talk, we will make it easier for you.” Then she and Mimi begin boisterously shaking hands and thanking people for coming as you make your way through the crowd of journalists and towards the main entrance of the hospital.
People are saying things to you, but you don’t really hear them. You reply with words you won’t remember afterwards. You nod frequently and go wherever you are led. Doctors are explaining new research into placenta previa and c-sections. Nurses are showing you a state-of-the-art NICU for premature infants. Someone is placing a baby in your arms, and you can’t do anything but accept it numbly. You can’t look down at it, you can’t allow yourself to feel the weight of some other woman’s child. You wear your smile like armor and let the photographers capture their snapshots, painting a frame around you, deciding where you live.
Then you are introduced to the parents, women in hospital beds and men perched in chairs beside them, just like the one where Aegon slept at Mount Sinai. They take your hands when you offer them and tell you about their small children, sick children, dying children. One patient just delivered twins. The first did not survive beyond a few hours, but the second is in an incubator and gaining strength. You recall the komboskini stained with Aemond’s blood and take it out of your purse, give it to the suffering mother, watch faith rise in her face like dawn over the Atlantic. But you won’t remember her. You cannot allow yourself to.
Outside as you, Ludwika, and Mimi are headed back to the limousine, the journalists make one last attempt to poach a headline-worthy quote. “Mrs. Targaryen! Mrs. Targaryen!” a young man shouts, clambering to the front of the horde and jabbing a microphone in your face. “I’m from the Houston Chronicle. Can you tell me how the senator feels about the failure of the most recent phase of the Tet Offensive?”
You are in a fog; you don’t feel real, this moment and this city don’t feel real, and so you cannot remember what Aemond would want you to say. “The Vietnam War has claimed too many lives already. We should have never sent our men there to die. But since that is done, the best thing we can do now is end the draft immediately and then withdrawal from the region as soon as the South Vietnamese are able to defend their own territory, which is their responsibility.” The journalist already considers this effort fruitful and begins to retreat, but you have one last point to make. Ludwika and Mimi watch you anxiously. “I lost someone in Vietnam. I met him when I was in college. He had a good heart, and he joined because he thought it was wrong for poor men to have to fight while rich kids got exemptions, and he was killed in action in October of 1965.”
“This was a friend?” the journalist asks, eyes glowing hungrily. Then he adds as an afterthought: “I’m terribly sorry for your loss.”
“A boyfriend. Corporal Cameron Marino from Schenectady, New York. People called him Cam.”
A solemn murmur ripples through the crowd. Hats are removed, hands held to chests. “Rest in peace, Cam,” someone says. Maybe they have somebody they care about in Vietnam, a friend or a lover or a brother. You wave goodbye and climb into the limousine. The outpouring swells as you vanish: We love you, Mrs. Targaryen! God bless you, Mrs. Targaryen!
In the lobby of the Texas State Hotel, you tell Ludwika and Mimi not to follow you. They have to listen. After some hesitation, Mimi heads for the bar in the ballroom; Ludwika asks the staff at the front desk if she’ll be able to make a call to Poland with the phone in her room. You take the elevator to the top floor. Fosco is in the hallway, on his way back from one of the vending machines with a Fresca. When he sees your face, his jaw drops.
“Dio mio, what happened?”
“Nothing,” you say, tears biting in your eyes. You pass him, digging your key out of your purse.
“Are you sure—?”
“Fosco, please. I don’t want to talk.”
“Okay,” he says doubtfully. Then he seems to get an idea and strides away with great purpose. You take shelter in your suite, silent and dim; Aemond isn’t back yet. You brace yourself against the locked door and sob into empty, trembling hands, at last hidden away where no one can see you, where no one can be disturbed or disappointed. You know now that none of it was healed—not the loss, not the revelations—but only buried, and now it’s all been unearthed again and the pain shrieks like exposed nerves.
It’s not fair. Ari deserved better, I deserved better.
There’s nothing you can do. Your hands ache to hold someone that no longer exists. You can’t unlearn the truth of what your marriage is.
There are two knocks, quick and rough. “Hey, it’s me.” And there’s such pure intimacy in those words. You know my voice. You know why I’m here. “Open the door.”
“I’m okay, just, just, just leave me alone—”
“Open the door,” Aegon says again. “Or I’ll get security up here to do it for you.”
Swiping the tears from your face, you let him in. He’s dressed in baggy black shorts, nothing on his feet, an unbuttoned stolen green army jacket. You once thought he wore those to play the part of a revolutionary from the comfort of his East Coast seaside mansion. Now you understand it’s because he misses Daeron, because he believes he should have gone to Vietnam instead. There are several dog tags strung around his neck; some of the veterans at the medical center he visited must have gifted them to him.
“What’s wrong?” Aegon’s eyes sweep over you, seeking, horrified. “What did he do?”
You can’t answer, you can’t breathe. You back away from him as more tears spill down your cheeks.
“Hey, hey, hey, let me help you. Please don’t be upset. Did he say something, did he hurt you?” Aegon reaches out, and as soon as he touches you your knees buckle and you’re on the floor, trying not to wail, trying not to scream, and Aegon is pulling you against his chest—bare skin, borrowed metal—and his hands are on your face and in your hair, and his lips are against your forehead as he murmurs: “Shh, shh, don’t cry. It’s okay.”
“No it’s not.”
“Whatever it is, I can help.”
“I had to go to a hospital and hold babies and I, I, I never even got to touch him, not once, not ever, and I can’t now because he’s gone. He’s locked in some fucking vault, he’s just bones, but he was supposed to be a person, and those other babies are going to get to grow up but he isn’t, and it’s not fair.”
“You’re right,” Aegon agrees softly, still holding you.
“No one else knew him.”
“I did. I was there the whole time.”
“Only because Aemond made you stay.”
“No,” Aegon swears. “I was supposed to spy on you. He never told me to do any of the rest of it. I stayed because I wanted to.”
“You did,” you say, very quietly, weakly, conceding.
“And I’m still here now.”
Your lungs aren’t burning quite so much. Your tears are slowing. You unravel yourself from Aegon, averting your eyes. Now you’re ashamed; you aren’t in the habit of revealing to people how much you’re splintering like cracked glass, fresh fractures every time you think to check the damage. “I’m, um, I’m really sorry.”
“Look, I don’t mean to bring up unpleasant memories, but this is definitely not the most embarrassing thing I’ve seen you do.”
You laugh, only for a few seconds, and Aegon smiles as he mops the tears from your face with the sleeve of his army jacket. Then he turns serious again.
“Can I ask you something? It’s very personal. It’s offensive, honestly. But I have to know.”
“You can ask.”
“Do you want more children?”
More children. Because Ari was real. “Not now. Not with Aemond.”
Aegon nods, suspicions confirmed. “Can you do that sponge thing you told me about?”
“No. I think he’d be able to feel it, he’s…” You gesture vaguely. It’s difficult to say. “He’s big.”
Aegon didn’t want to hear that. He didn’t want to have to think about it. He flinches, just enough that you notice. But as much as he’d like to, he doesn’t change the subject. “What about the pill?”
“No doctor is going to write me a prescription without my husband’s permission. Especially considering who my husband is.”
“I hate this fucking country,” Aegon hisses. “Puritanical goddamn hellscape. Old Testament bullshit.” He drags his fingers through his hair a few times, then pats your cheek like he did before: twice, gently, playfully. “Come on. Let’s go smoke.”
“I can’t do it on the balcony. Someone might get a picture.”
“Okay. No big deal. We’ll go to the roof.”
You stare at him. “The roof?”
“You really think I haven’t already been up there?” He stands and offers you his hand. “You’ll love it. The view is fantastic.”
The view is good, but the grass is better. You know that it makes some people useless, others paranoid, but for you it’s always painted the world a color that is softer, kinder, lighter, more bearable. You and Aegon lie next to each other, smoking and watching twilight fall over Houston like a spell. You’ll have to shower and gulp some Listerine before Aemond gets anywhere near you. It’s interesting; each day you seem to acquire new secrets to keep from him.
Aegon asks: “Where would you be right now if you weren’t Mrs. Targaryen?”
“Probably married to someone worse.”
He raises an eyebrow. “Okay, but let’s say you weren’t. Let’s say you can do whatever you want.” He points up at the lavender sky and acts like he’s moving the emerging glimmers of stars around with his fingertip. “There, I’ve changed your fate. Who would you be?”
You ponder this. “I want to teach math to kids and then spend every summer break getting baked on some beach.”
Aegon cackles. “Hell, sign me up.” He lights a third joint for himself with his tiny chrome Zippo. “Those are the people doing the real work. Teachers, nurses, farmers electricians, plumbers, welders, firemen, therapists, janitors, public defenders. The normal, unglamorous types.”
“You don’t think presidents and senators make a difference?”
“Sure they do. But only like 5% of the job is actually helping people. The rest of it is schmoozing and tea parties and making speeches, because looking and sounding good is better than doing good. They’re addicted to vapid pretenses that make them feel important. You live like that and you forget how to be a human. I mean, look at Nixon. The man was raised as a Quaker, one of the most peaceful religions on earth, and now he’s planning to throw ten or twenty thousand more boys into the great Vietnamese meatgrinder and probably napalm the hell out of Cambodia and Laos while he’s at it to get the communists’ supply lines. The man’s got no idea who he is anymore. I’d feel sorry for him if I wasn’t so terrified he’s gonna start World War III.”
I wonder who Aemond was a few decades ago. “What makes you feel important?”
“Nothing,” Aegon says. “I’m not under any delusions that I matter.”
“I think you matter, old man.”
“Really?”
“A little bit. About this much.” You hold your hand up to show him the infinitesimal space between your thumb and index finger, and Aegon chuckles, his eyes glazed and bloodshot.
“Let’s do it,” he says with sudden, forceful conviction. “If Nixon wins in November, we’ll get out of here. I’ll go back to Yuma to teach on the reservation and you can come with me. You get a math class, I take English, or Music, or both, whatever. We’ll buy a bungalow out in the desert and make s’mores every night and look up at the stars. I’ll show you how to play guitar if you give me algebra lessons.”
You peek over at him, intrigued. “Is that all we’re going to do?”
“Well we’ll fuck, obviously.”
“Oh, obviously.” You giggle; it’s ridiculous, it’s paradisical, it’s insane how good it sounds. But surely that’s only because you’re high. “I don’t know how Mimi would feel about that.”
“She won’t care. She doesn’t want me anymore, hasn’t in years. Sometimes she just forgets that when she’s wasted. Mimi can go to Arizona too. We’ll load up the kids in a van and strap her to the roof.”
Now your voice is somber. “She was supposed to fix you.”
“Yeah,” Aegon says: slow, meditative, guilty. “I think Mimi and I have a few too many of the same demons.”
You roll over, push yourself up on your palms, and crawl to the edge of the rooftop. You prop your elbows on the ledge and gaze out into the city lights, the sky turning from violet to indigo to primordial darkness. Aegon joins you, staring down at the distant aquamarine rectangle of the hotel pool.
He asks: “You think I could make that?”
“No.”
“Should I try?”
“You definitely shouldn’t.”
“A few months ago, you would have pushed me off this roof.”
You shrug. “You’ve proved yourself useful.”
“That’s why you like me now? Because I’m useful?”
“Who said I like you?” you tease, smiling.
“You like me,” Aegon says, grinning and smug, radiant in the silver moonlight and urban incandescence. “You like me so much it scares you. But there’s no need to panic. It’s okay. I know the feeling.”
“Yeah?”
“Yeah.”
You want to touch him, you want him to touch you, you want to study every arc and angle of him like he’s a marble statue in a garden: too beautiful to be mortal, too fragile to be divine.
~~~~~~~~~~
Three nights later in Nebraska, there is a knock on the door of your hotel suite. The nannies have herded the children off to bed; the adults are unwinding downstairs in the courtyard of the Sheraton Omaha, designed to resemble an Italian garden. There’s a brand new Jacuzzi that you’re looking forward to taking a dip in. You finish pulling on your swimsuit, white and patterned with sunflowers, a one-piece with a flared skirt.
“Who is it?”
“It’s Richard Nixon,” Aegon says through the door. “Naked. Horny. Please love me.”
You laugh and let him in. He’s leaning against the doorframe in Hawaiian swim trunks and nothing else, pink sunburn glowing on his soft chest. He holds up a brown paper bag and shakes it.
“For you.”
“What is it, heroin?” Instead, you open the bag to find small, circular packs of pills. “No way. You did not.”
“That’s enough for six months,” Aegon says, smirking, proud of himself. “I’ll be back again in February. Guess that makes me your dealer, babe. I don’t accept cash, checks, or cards, only sexual favors. You want to get down on your knees, or should I?”
“How did you get these?”
“I told a doctor they’re for one of my whores.”
“Maybe they are.”
You’ve surprised him, you’ve got him thinking about it now. His face flushes a splotchy, charming pink. “So, uh, you coming down to the courtyard?”
“Yeah. Right now. Just let me hide these first. Are there instructions in here…?”
“Mm hmm,” Aegon says, still distracted, studying the entirely unremarkable carpet. You stow the paper bag of birth control pills in the bottom of your bras and panties drawer, then walk with Aegon to take the elevator down to the ground floor. You both notice the bright red emergency stop button and share a glance, smirking, taunting.
In the courtyard, Alicent is struggling to pay attention as Helaena identifies each and every species of plant and explains where in the world it is native to. Fosco is simultaneously teaching Criston how to yo-yo and berating him for not believing the Cubs will end up in the World Series. Fosco has apparently bet $500 on them. Ludwika is stretched out on a lounge chair like a cat and reading a copy of Cosmopolitan. Aemond, wearing his eyepatch and a blue pair of swim trunks, appears to be arguing with Otto over the contents of a newspaper article. Mimi is alone in the Jacuzzi, bubbles rumbling all around her as she slumps against the rim, a frosty Gimlet clutched in one hand.
“Mimi, get out of the Jacuzzi,” you order.
“I’m fine!” she slurs, and you groan, knowing you’re going to have to drag her out.
Aemond is approaching; no, not approaching, raging. “What the hell is wrong with you? What the fuck is this?” He hurls the newspaper at you, the Houston Chronicle. The headline reads: To Mrs. Targaryen, ending the Vietnam War is personal. “Why would you tell somebody that? Other papers are going to start reporting this. You gave them his full name. They’ve found his school, his friends, his gravesite in motherfucking Arlington National Cemetery—”
“You set me up,” you say. “You didn’t tell me about the hospital.”
Aegon takes the newspaper from you and frantically skims the article. “Hey, man,” he tells Aemond as he pieces it together, attempting to deescalate. It’s not a skill you knew he possessed. “She was rattled, she wasn’t thinking clearly. And there’s nothing bad in this article. It makes her sound invested and sympathetic, not…um…whatever you’re thinking.”
“You don’t get it,” Aemond seethes. “Journalists are going to start hounding his friends, his classmates, people who lived in his dorm building. Nixon’s newspapers will publish any gossip they can dig up about what she did when she was in school. Things people saw, things people overheard—”
“What, the fact that she had one boyfriend before she met you? That’s worthy of a nuclear meltdown?! Better prepare for Armageddon, a woman got laid, launch the goddamn warheads!”
“She doesn’t get to have a past! She should understand that, she signed up for this, she knew exactly what was expected of her!”
“And what about your past?” Aegon says, low and searing, and Aemond goes quiet. Their eyes are locked on each other: Aegon defiant, Aemond unnerved. You try to remember if you’ve ever seen that expression on his face before. You don’t think you have. Not even when he was shot and half-blinded. Not even when Ari died.
“What does that mean?” you ask your husband. Still staring at Aegon—tangled in a thorny, silent battle of wills—he doesn’t reply.
There are swift, thudding footsteps. Otto grabs Aegon by his hair, hooks a finger through the small gold hoop in his right ear, and tears it straight through the earlobe. Aegon screams as blood streams down his face, feeling the ravaged fringes of his flesh.
“I told you to take those out,” Otto says. “Now remove the other one before I rip it free, and go get yourself stitched up.”
You do something you’ve never done before, never even thought of. You strike out with both hands and shove Otto so hard he goes staggering backwards, his arms wheeling. The others are yelling and rushing over. Aemond is trying to yank you to him, but he can’t get a grip on your swimsuit. “I will kill you!” you roar at Otto. “I will push you down a staircase, I will slit your fucking throat, don’t you ever touch him!”
Alicent is weeping, appalled, trying to get a look at Aegon’s damaged ear. Criston is helping her, moving Aegon’s bloodied hair out of the way. Fosco links his arms around your waist and drags you out of Aemond’s reach just as he’s getting his fingers beneath a strap of your swimsuit. Helaena is covering her face with her hands and wailing. Ludwika is shrieking at Otto: “What did you do? Don’t give me that, what did you do?!”
You are engulfed with rage, red and irresistible. You’re trying to bolt out of Fosco’s grasp. You want to claw Otto’s eyes out; you want to put a bullet in him. As you struggle, you catch a glimpse of the Jacuzzi. You don’t see Mimi anymore.
“Wait,” you plead, but nobody hears you over the noise. You look desperately at Fosco. “Where’s Mimi?!”
Once he figures out what you’re trying to say, he whirls towards the Jacuzzi. “No!” he bellows, releasing you, and careens across the courtyard. You dash after him. Now the others understand, and they come running too. You see it just before Fosco dives in: there is a shadow at the bottom of the Jacuzzi. When he bursts up though the roiling water, he is carrying Mimi, limp and unconscious and blue.
Everyone is shouting at once. Fosco lays Mimi down on the cobblestones of the courtyard. Criston sends Ludwika to call an ambulance, kneels beside Mimi, checks for a pulse. Then he begins CPR. When he breathes air into her flooded lungs, there is no response, no resurrection.
“No, no, no, she has to be alright!” Aemond says, and everyone knows why. If she’s not, this will consume the headlines for days: no victorious campaigning, no speeches or photos, just a drowned alcoholic with a damning autopsy report.
“Oh my god,” Otto moans, pacing. “This can’t be happening, not this year, not now…”
Alicent seizes your hand and squeezes it until you think it will break. She is reciting prayers in Greek. Helaena is curled up under a butterfly bush, sobbing hysterically. When he realizes this, Otto hurries to comfort her.
“Don’t watch, Helaena. Let’s go inside, I’ll walk with you, there’s nothing more we can do here.”
“Mimi?!” Aegon commands, slapping her hard across the face. “Mimi, come on, wake up! Mimi? Mimi!” She’s still motionless, she’s still blue. Aegon turns to you, blood smeared all over the right side of his face. He’s petrified, he’s in shock. “I think she’s…she’s…”
“She’s gone,” Criston says; and he lifts his palms from her hollow body. The silent sky above is a labyrinth of bad stars.
So many thoughts after this chapter. It’s a bit hard to organise them, but I will try my best 😃.
I feel so sorry for all girls in this chapter (or at least three who got attention).
First of all, it’s Mimi who was saddled with an impossible task to fix another person. (The older I get the more I hate this particular narrative that is fed to little girls in all societies: maybe he is a bad boy, but a right woman will fix him. No, she won’t. No one will fix him, except for him. Because to be “bad” or to be “good” is his choice, damn. No woman can change that in men. Yet, so many women believe in their ability to be “a saviour”, and in the end most of them get hurt so badly in real life.) Mimi expectedly fails and dies as a result.
Second, it’s Ludwika who, again, is ready to sell herself for a chance to get a bit better life for her and her mother.
Finally, it’s poor Io. It’s a good thing that Io has this internal fire, she stands a chance against Aemond. I hate to think what would happen to a bit more obedient, tamer girl.
Can’t wait for the next Sunday to know what happens next 😃.
Series Summary: Aemond is embroiled in a fierce battle to secure the Democratic Party nomination and defeat his archnemesis, Richard Nixon, in the presidential election. You are his wife of two years and wholeheartedly indoctrinated into the Targaryen political dynasty. But you have an archnemesis of your own: Aemond’s chronically delinquent brother Aegon.
Series Warnings: Language, sexual content (18+ readers only), violence, bodily injury, character deaths, New Jersey, age-gap relationships, drinking, smoking, drugs, pregnancy and childbirth, kids with weird Greek names, historical topics including war and discrimination, math.
Word Count: 5.2k
Let me know if you’d like to be tagged! 🥰
💜 All of my writing can be found HERE! 💜
Here at the midway point in our journey—like Dante stumbling upon the gates of the Inferno—would it be the right moment to review what’s at stake? Let’s begin.
It’s the end of August. The delegates of the Democratic National Convention in Chicago officially vote to name Aemond the party’s presidential candidate. His ascension is aided by 10,000 antiwar demonstrators who flood into the city and threaten to set it ablaze if Hubert Humphrey is chosen instead. At the end—in his death rattle—Humphrey begs to be Aemond’s running mate, one last humiliation he cannot resist. Humphrey is denied. Eugene McCarthy, dignity intact, boards a commercial flight to his home state of Minnesota without looking back.
Aemond selects U.S. Ambassador to France, Sargent Shriver, to be his vice president. Shriver is a Kennedy by marriage—his wife, JFK’s younger sister Eunice, just founded the Special Olympics—and has previously headed the Office of Economic Opportunity, the Peace Corps, and the Chicago Board of Education. He also served as the architect of the president’s “War on Poverty” before distancing himself from the imploding Johnson administration. Shriver is not a concession to fence-sitting moderates or Southern Dixiecrats, but an embodiment of Aemond’s commitment to unapologetic progressivism. Richard Nixon spends the weekend campaigning in his native California, a gold vein of votes like the mines settlers rushed to in 1848. George Wallace announces that he will run as an Independent. Racists everywhere rejoice.
Phase III of the Tet Offensive is underway in Vietnam; 700 American soldiers have been killed this month alone. Riots break out in military prisons where the U.S. Army is keeping their deserters. The North Vietnamese refuse to allow Pope Paul VI to visit Hanoi on a peace mission. President Johnson calls both Aemond and Nixon to personally inform them of this latest evidence of the communists’ unwillingness to negotiate in good faith. Daeron and John McCain remain in Hỏa Lò Prison. The draft swallows men like the titan Cronus devoured his own children.
In Eastern Europe, the Russians are crushing pro-democracy protests in the largest military operation since World War II as half a million troops roll into Czechoslovakia. In Caswell County, North Carolina, the last remaining segregated school district in the nation is ordered by a federal judge to integrate after years of stalling. On the Fangataufa Atoll in the South Pacific, France becomes the fifth nation to successfully explode a hydrogen bomb. In Mexico City, 300,000 students gather to protest the authoritarian regime of President Diaz Ordaz. In Guatemala, American ambassador John Gordon Mein is murdered by a Marxist guerilla organization called the Rebel Armed Forces. In Columbus, Ohio, nine guards are held hostage during a prison riot; after 30 hours, they’re rescued by a SWAT team.
The latest issue of Life magazine brings worldwide attention to catastrophic industrial pollution in the Great Lakes. The first successful multiorgan transplant is carried out at Houston Methodist Hospital. The Beatles release Hey Jude, the best-selling single of 1968 in the U.S., U.K., Australia, and Canada. NASA’s Apollo lunar landing program plans to launch a crewed shuttle next year, just in time to fulfill John F. Kennedy’s 1962 promise to put a man on the moon “before the end of the decade.” If this is successful, the United States will win the Space Race and prove the superiority of capitalism. If it fails, the martyred astronauts will join all the other ghosts of this apocalyptic age, an epoch born under bad stars.
The night sky glows with the ancient debris of the Aurigid meteor shower. From down here on Earth, Jupiter is a radiant white gleam, visible with the naked eye and admired since humans were making cave paintings and Stonehenge. But Io is a mystery. With a telescope, she becomes a dust mote entrapped by Jupiter’s gravity; to the casual observer, she doesn’t exist at all.
~~~~~~~~~~
What was it like, that very first time? It’s strange to remember. You’re both different people now.
It’s May, 1966. You and Aemond are engaged, due to be married in three short weeks, and if you get pregnant then it’s no harm, no foul. In reality, it will end up taking you over a year to conceive, but no one knows that yet; you are living in the liminal space between what you imagine your life will be and the cold blade of the truth. Aemond has brought you to Asteria for the weekend, an increasingly common occurrence. The Targaryens—minus one, that holdout prodigal son, always glowering from behind swigs of rum and clouds of smoke—have already begun to treat you like a member of the family. The flock of Alopekis yap excitedly and lick your shins. Eudoxia learns your favorite snacks so she can have them ready when you arrive.
One night Aemond takes your hand and leads you to Helaena’s garden, darkness turned to twilight in the artificial luminance of the main house. You can hear distant voices, chatter and laughter, and the Beatles’ Rubber Soul spinning on the record player in the living room like a black hole, gravity that not even light can escape when it is wrenched over the event horizon.
You’re giggling as Aemond pulls you along, faster and faster, weaving through pathways lined with roses and sunflowers and butterfly bushes. Your high heels sink into soft, fertile earth; the air in your lungs is cool and infinite. “Where are we going?”
And Aemond grins back at you as he replies: “To Olympus.”
In the circle of hedges guarded by thirteen gods of stone, Aemond unzips your modest pink sundress and slips your heels off your feet, kneeling like he’s proposing to you again. When you are bare and secretless, he draws you down onto the grass and opens you, claims you, fills you to the brim as the crystalline water of the fountain patters and Zeus hurls his lightning bolts, an eternal storm, unending war. It’s intense in a way it never was with your first boyfriend, a sweet polite boy who talked about feminist theory and followed his enlightened conscience all the way to Vietnam. This isn’t just a pleasant way to pass a Friday night, something to look forward to between differential equations textbooks and calculus proofs. With Aemond it’s a ritual; it’s something so overpowering it almost scares you.
“Aphrodite,” Aemond murmurs against your throat, and when you try to get on top he stops you, pins you to the ground, thrusts hard and deep, and you try not to moan too loudly as you surrender, his weight on you like a prophesy. This is how he wants you. This is where you belong.
Has someone ever stitched you to their side, pushing the needle through your skin again and again as the fabric latticework takes shape, until their blood spills into your veins and your antibodies can no longer tell the difference? He makes you think you’ve forgotten who you were before. He makes you want to believe in things the world taught you were myths.
But that was over two years ago. Now Aemond is not your spellbinding almost-stranger of a fiancé—shrouded in just the right amount of mystery—but your husband, the father of your dead child, the presidential candidate. You miss when he was a mirage. You miss what it felt like to get high on the idea of him, each taste a hit, each touch a rush of toxins to the bloodstream.
Seven weeks after your emergency c-section, you are healing. Your belly no longer aches, your bleeding stops, you can rejoin the living in this last gasp of summer. Ludwika takes you shopping and you pick out new swimsuits; you’ve gone up a size since the baby, and it shows no signs of vanishing. In the fitting room, Ludwika chain-smokes Camel cigarettes and claps when you show her each outfit, ordering you to spin around, telling you that there’s nothing like Oleg Cassini back in Poland. You plan to buy three swimsuits. Ludwika insists you get five. She pays with Otto’s American Express.
That afternoon at home in your blue bedroom, you get changed to join the rest of the family down by the pool, your first swim since Ari was born. You choose Ludwika’s favorite: a dreamy turquoise two-piece with flowing transparent fabric that drapes your midsection. You can still see the dark vertical line of where the doctors stitched you closed. Now you and Aemond match; he got his scar on the floor of the Breakers Hotel in Palm Beach, you earned yours at Mount Sinai Hospital in Manhattan. There are gold chains on your wrist and looped around your neck. Warm sunlight and ocean wind pours in through the open windows.
Aemond appears in the doorway and you turn to show him, proud of how you’ve pulled yourself together, how this past year hasn’t put you in an asylum. His right eye catches on your scar and stays there for a long time. Then at last he says: “You don’t have something else to wear?”
~~~~~~~~~~
It’s Labor Day, and Asteria has been descended upon by guests invited to celebrate Aemond’s nomination. The dining room table is overflowing with champagne, Agiorgitiko wine, platters of mini spanakopitas, lamb gyros, pita bread with hummus and tzatziki, feta cheese and cured meats, grilled octopus, baklava, and kourabiethes. Eudoxia is rushing around sweeping up crumbs and shooing tipsy visitors away from antique vases shipped here from Greece. Aemond’s celebrity endorsers include Sammy Davis Jr., Sonny and Cher, Andy Williams, Bobby Darin, Warren Beatty, Shirley MacLaine, Claudine Longet, and a number of politicians; but the most notable attendee is President Lyndon Baines Johnson, shadowed by Secret Service agents. He won’t be making any surprise appearances on the campaign trail for Aemond—in the present political climate, he would be more of a liability than an asset—but he has travelled to Long Beach Island tonight to offer his well-wishes. From the record player thrums Jimi Hendrix’s All Along The Watchtower.
When you finish getting ready and arrive downstairs, you spot Aegon: slouching in a velvet chair over a century old, hair shagging in his eyes, sipping something out of a chipped mug he clasps with both hands, flirting with a bubbly early-twenties campaign staffer. Aegon smiles and waves when he sees you. You wave back. And you think: When did he become the person I look for when I walk into a room?
Now Aemond is beside you in a blue suit—beaming, confident, his glass eye in place, a hand resting on your waist—and Aegon isn’t smiling anymore. He takes a gulp of what is almost certainly straight rum from his mug and returns his attention to the campaign staffer, his lady of the hour. You picture him undressing her on his shag carpet and feel disorienting, violent envy like a bullet.
Viserys is already fast asleep upstairs, but the rest of the family is out en masse to charm the invitees and pose for photographs. Alicent, Helaena, and Mimi—trying very hard to act sober, blinking too often—are chit-chatting with the other political wives. Otto is complaining about something to Criston; Criston is pretending to listen as he stares at Alicent. Ludwika is smoking her Camels and talking to several young journalists who are ogling her, enraptured. Fosco and Sargent Shriver are entertaining a group of guests with a boisterous, lighthearted debate on the merits of Italian versus French cuisine, though they agree that both are superior to Greek. The nannies have brought the eight children to be paraded around before bedtime. All Cosmo wants to do is clutch your hand and “help” you navigate around the living room, warning you not to step on the small, weaving Alopekis. When Mimi attempts to steal her youngest son away, he ignores her, and as she begins to make a scene you rebuke her with a harsh glare. Mimi retreats meekly. She has never argued with you, not once in over two years. You speak for Aemond, and Aemond is a god.
As the children are herded off to their beds by the nannies, Bobby Kennedy—presently serving as a New York senator despite residing primarily on his family’s compound in Massachusetts—approaches to congratulate Aemond. His wife Ethel is a tiny, nasally, scrappy but not terribly bright woman, five months pregnant with her eleventh child, and you have to get away from her like a hand pulled from a hot stove.
“You know, I was considering running,” Bobby says to Aemond, chuckling, good-natured. “But when I saw you get in the race, I thought better of it! Maybe I’ll give it a go in ’76, huh?”
“Hey, kid, what a tough year you’ve had,” Ethel tells you, patting your forearm. You can’t tear your eyes from her small belly. She has ten living children already. I couldn’t keep one. What kind of sense does that make? “We’re real sorry for your trouble, aren’t we, Bobby?”
Now he is nodding somberly. “We are. We sure are. We’ve been praying for you both.”
Aemond is thanking them, sounding touched but entirely collected. You manage some hurried response and then excuse yourself. Your hands are shaking as you cross the room, not really seeing it. You walk right into Lady Bird Johnson. She takes pity on you; she seems to perceive how rattled you are. “Oh Lyndon, look, it’s just who we were hoping to speak to! The next first lady of the United States. And how beautiful you are, just radiant. How do you keep your hair so perfect? That glamorous updo. You never have a single strand out of place.” Lady Bird lays a palm tenderly on your bare shoulder. She has an unusual, angular face, but a wise sort of compassion that only comes from suffering. Her husband is an unrepentant serial cheater. “I’ll make you a list of everything you need to know about the White House. All the quirks of the property, and the hidden gems too!”
“You’re so kind. We’ll see what happens in November…”
“Good evening, ma’am,” President Johnson says, smiling warmly. He’s an ugly man, but there’s something hypnotic that lives inside him and shines through his eyes like the blaze of a lighthouse. He pulls you in through the dark, through the storm; he promises you answers to questions you haven’t thought of yet. LBJ is 6’4 and known for bullying his political adversaries with the so-called “Johnson Treatment”; he leans in and makes rapid-fire demands until they forget he’s not allowed to hit them. “I have to tell you frankly, I don’t envy anyone who inherits that den of rattlesnakes in Washington D.C.”
“Lyndon, don’t frighten her,” Lady Bird scolds fondly.
“Everyone thinks they know what to do about Vietnam,” LBJ plods onwards. “But it’s a damned if you do, damned if you don’t clusterfuck. If you keep fighting, they call you a murderer. But if you pull the troops out and South Vietnam falls to the communists, every single man lost was for nothing, and you think the families will stand for that? Their kid in a body bag, or his legs blown off, or his brain scrambled? There’s no easy answer. It’s a goddamn bitch of a quagmire.”
Lady Bird offers you a sympathetic smirk. Sorry about all this unpleasantness, she means. When he gets himself worked up, I can’t stop him. But you find yourself feeling sorry for President Johnson. It will be difficult for him to learn how to fade into disgraced obscurity after once being so omnipotent, so beloved. Reinvention hurts like hell: fevers raging, bones mending, healing flesh that itches so ferociously you want to claw it off.
LBJ gives Lady Bird a look, quick but meaningful. She acquiesces. This has happened a thousand times before. “It was so nice talking to you, dear,” she tells you, then crosses the living room to pay her respects to Alicent.
The president steps closer, looming, towering. The Johnson Treatment?? you think, but no; he isn’t trying to intimidate you. He’s just curious.
“Do you know what Aemond’s plan is for ‘Nam?” LBJ asks, eyes urgent, voice low. “I’m sure he has one. He’s sworn to end the draft as soon as he gets into office, but how is he going to make sure the South Vietnamese can fend off the North themselves? We’re trying to train the bastards, but if we left they’d fold in months. It would be the first war the U.S. ever lost. Does he understand that?”
“He doesn’t really discuss it with me.” That’s true; you know his policies, but only because they are a constant subject of conversation within the family, something you all breathe like oxygen.
“We can’t let Nixon win,” LBJ continues. “It’s mass suicide to leave the country in his hands. The man can’t hold his liquor anymore, getting robbed by Kennedy in ’60 broke something in him. He gets sloshed and shoves his aids around, makes up conspiracies in his head. He’s a paranoid little prick. He’ll surveille the American people. He’ll launch a nuke at Moscow.”
You honestly don’t know what he expects you to say. “I’ll pass the message along to Aemond.”
“People love you, Mrs. Targaryen.” LBJ watching you closely. “Believe it or not, they used to love me too. But I still remember how to play the game. You’re the only reason Aemond is leading the polls in Florida. You can get him other states too. Jack needed Jackie. Aemond needs you. And you’ve had tragedies, and that’s a damn shame. But don’t you miss an opportunity. You take every disappointment, every fucked up cruelty of life and find a way to make it work for you. You pin it to your chest like a goddamn medal. Every single scar makes you look more mortal to those people going to the ballot box in November. You want them to be able to see themselves in you. It helps the mansions and the millions go down smoother.”
“President Johnson!” Aegon says as he saunters over, huge mocking grin. He thumps a closed fist against the Texan’s broad chest; the Secret Service agents standing ten feet away observe this sternly. “How thoughtful of you to be here, taking time out of your busy schedule, squeezing us in between war crimes.”
“The mayor of Trenton,” LBJ jabs.
“The butcher of Saigon.”
Now the president is no longer amused. “You’ve never accomplished anything in your whole damn life, son. Your obituary will be the size of a postage stamp. I’m looking forward to reading it someday soon.” He leaves, rejoining Lady Bird at the opposite end of the room.
You frown at Aegon, disapproving. You’re dressed in a sparkling, royal blue gown that Aemond chose. “That was unnecessary.”
Aegon is wearing an ill-fitting green shirt—half the buttons undone—khaki pants, and tan moccasins. “I just did you a favor.”
“What happened to your new girlfriend? Shouldn’t she be getting railed in your basement right now? Did she have a prior commitment? Did she have a spelling test to study for? Those can be tricky, such complex words. Juvenile. Inappropriate. Infidelity.”
“You know what he brags about?” Aegon says, meaning LBJ. “That he’s fucked more women by accident than John F. Kennedy ever did on purpose.”
“That sounds…logistically challenging.”
“He’s a lech. He’s a freak. He tells everyone on Capitol Hill how big his cock is. He takes it out and swings it around during meetings.”
“And that’s all far less than admirable, but he’s not going to do something like that around me.”
“How do you know?”
“Because he’s not an idiot,” you say impatiently. “He was perfectly civil. And I was getting interesting advice.”
Aegon rolls his eyes, exasperated. “Yeah, okay, I’m sorry I crashed your cute little pep talk with Lyndon Johnson, the most hated man on the planet.”
“I guess you can’t stop Aemond from touching me, so you have to terrorize LBJ instead.”
“Shut the fuck up,” Aegon hisses, and his venom stuns you. And now you’re both trapped: you loosed the arrow, he proved you hit the mark. He’s flushing a deep, mortified red. Your guts are twisting with remorse.
“Aegon, wait, I didn’t mean—”
He whirls and storms off, shoving his way through the crowd. People glare at him as they clutch their glasses and plates, sighing in that What else do you expect from the worthless son? sort of way. You’re still gaping blankly at the place where Aegon stood when Aemond finds you, snakes a hand around the back of your neck, and whispers through the painstakingly-arranged wisps of hair that fall around your ear: “Follow me.”
It’s not a question. It’s a command. You trail him through the living room, into the foyer, and through the front door, not knowing what he wants. Outside the moon is a sliver; the light from the main house makes the stars hard to see. “Aemond, you’ll never believe the conversation I just had with LBJ. He really unloaded, I think the stress is driving him insane. I have to tell you what he said about—”
“Later.” And this is jarring; Aemond doesn’t put anything before strategy. He grabs your hand as he turns into Helaena’s garden, and only then do you understand what he wants. Instinctively, your legs lock up and your feet stop moving. Aemond tugs you onward. He wants it to be like the very first time. He intends to start over with you, the dawning of a new age in the dead of night.
Hidden in the circle of hedges, he takes your face roughly in his hands and kisses you, drinks you down like a vampire, consumes you like wildfire. But your skull echoes with panic. I don’t want him touching me. I don’t want another child with him. “Aemond…”
He doesn’t hear you, or acts like he doesn’t, or mistakes it for a murmur of desire, or chooses to believe it is. He has you down on the grass under the vengeful gaze of Zeus, the fountain splashing, the sounds of the house a low foreign drone. He yanks off your panties, but he doesn’t want you naked like he always did before. He pushes the hem of your shimmering cobalt gown up to your hips and unbuckles his trousers. And you realize as he’s touching you, as he’s easing himself into you: He doesn’t want to have to look at my scar.
You can’t ignore him, you can’t pretend it’s not happening. He’s too big for that. It’s a biting fullness that demands to be felt. So you kiss him back, and knot your fingers in his short hair like you used to, and try to remember the things you always said to him before. And when Aemond is too absorbed to notice, you look away from him, from the statue of Zeus, and peer up into the stone face of Athena instead: the goddess who never married and who knows the answer to every question.
“I love you,” Aemond says when it’s over, marveling at the slopes of your face in the dim ethereal light. “Everything will be right again soon. Everything will be perfect.”
You conjure up a smile and nod like you believe him.
“What did LBJ say?”
“Can I tell you later tonight? After the party, maybe? I just need a few minutes.”
“Of course.” And now Aemond pretends to be patient. He buckles his belt and returns to the main house, his blood coursing with the possibilities only you can make real, his skin damp with your sweat.
For a while—ten minutes, twenty minutes—you lie there on the cool grass wondering what it was like for all those mortals and nymphs, being pinned down by Zeus and then having Hera try to kill them afterwards, raising ill-fated reviled bastards they couldn’t help but love. What is heaven if the realm of the immortals is so cruel? Why does the god of justice seem so immune to it?
When at last you rise and walk back towards the house, you find Mimi at the edge of the garden. She’s on her knees and retching into a rose bush; she’s cut her face on the thorns, but she hasn’t noticed yet. She’s groaning; she seems lost.
You reach for her, gripping her bony shoulders. “Mimi, here, let’s get you upstairs…”
“No,” she blubbers, tears streaming down her scratched cheeks. “Just go away. Leave me.”
“Mimi—”
“No!” she roars, a mournful hemorrhage as she slaps your hands until you release her.
“You don’t have to be this way,” you tell her, distraught. “You can give up drinking. We’ll help you, me and Fosco and Ludwika. You can start over. You can be healthy and present again, you can live a real life.”
Mimi stares up at you, her grey eyes glassy and bloodshot but with a vicious, piercing honesty. “My husband hates me. My kids don’t know I exist. What the hell do I have to be sober for?”
You weren’t expecting this. You don’t know what to say. “We can help make the world better.”
“The world would be better without me in it.”
Then Mimi curls up on the grass under the rose bush, and stays there until you return with Fosco to drag her upstairs to her empty bed.
~~~~~~~~~~
The next afternoon, you’re lying on a lounge chair by the pool. Tomorrow the family will leave Asteria and embark upon a vigorous campaign schedule that will continue, with very few breaks, until Election Day on Tuesday, November 5th. The children are splashing and shrieking in the pool with Fosco, but you aren’t looking at them. You’re staring across the sun-drenched emerald lawn at the Atlantic Ocean. You’re envisioning all the bones and splinters of sunken ships that must litter the silt of the abyss; you’re thinking that it’s a graveyard with no headstones, no memory. Your swimsuit is a red one-piece. Your eyes are shielded by large black Ray Bans aviator sunglasses. Your gaze flicks up to the cloudless blue sky, where all the stars and planets are invisible.
Jupiter has nearly a hundred moons; the largest four were discovered by Galileo in 1610. Europa is a smooth white cosmic marble with a crust of ice, beautiful, immaculate. Ganymede, the largest moon in our solar system and the only satellite with its own magnetic field, is rumored to have a vast underground saltwater ocean that may contain life. Callisto is dark and indomitable, riddled with impact craters; because of her dynamic atmosphere and location beyond Jupiter’s radiation belts, she is considered the best location for possible future crewed missions to the Jovian system. But Io is a wasteland. She has no water and no oxygen. Her only children are 400 active volcanoes, sulfur plumes and lava flows, mountains of silicate rock higher than Mount Everest, cataclysmic earthquakes as her crust slips around on a mantle of magma. Her daily radiation levels are 36 times the lethal limit for humans. If Hades had a home in our corner of the galaxy, it would be Io. She glows ruby and gold with barren apocalyptic fury. You can feel yourself turning poisonous like she is. You can feel your skin splitting open as the lava spills out.
Aegon trots out of the house—red swim trunks, cheap red plastic sunglasses, no shirt, a beach towel slung around his neck, flip flops—and kicks your chair. “Get up. We’re going sailing.”
“I don’t want to talk to anybody.”
“Great, because I’m not asking you to talk. I’m telling you to get in my boat.”
You don’t reply. You don’t think you can without your voice cracking. Aegon crouches down beside your chair and pushes your sunglasses up into your Brigitte Bardot-inspired hair so he can see your face. Your eyes are pink, wet, desperately sad. Deep troubled grooves appear in his forehead as he studies you. Gently, wordlessly, he pats your cheek twice and lowers your sunglasses back over your eyes. Then he stands up again and offers you his hand.
“Let’s go,” Aegon says, softly this time. You take his hand and follow him down to the boathouse.
Five vessels are currently kept there. Aegon’s sailboat is a 25-foot Wianno Senior sloop, just roomy enough for a few passengers. He’s had it since long before you married into the Targaryen family. It is white with hand-painted gold accents; the name Sunfyre adorns the stern. He unmoors the boat, pushes it out into the open water, and raises the sails.
You glide eastbound over the glittering crests of waves, slowly at first, then faster as the sails catch the wind. Aegon has one hand on the rudder, the other grasping the ropes. And the farther you get from shore, the smaller Asteria seems, and the Targaryen family, and the presidential election, and the United States itself. Now all that exists is this boat: you, Aegon, the squawking gulls, the school of mackerel, the ocean. The sun beats down; the breeze rips strands of your hair free. The battery-powered record player is blasting White Room by Cream. When you are far enough from land that no journalists would be able to get a photo, Aegon takes two joints and his Zippo out of the pocket of his swim trunks. He puts both joints between his lips, lights them, and passes you one. Then he stretches out beside you on the deck, gazing up at the September sky.
You ask as your muscles unravel and your thoughts turn light and easy to share: “Why did you bring me out here?”
“So you can drown yourself,” Aegon says, and you both laugh. “Nah. I used to go sailing all the time when I was a teenager. It always made me feel better. It was the only place where I could really be alone.”
You consider the math. “Wow. You haven’t been a teenager since before I was in kindergarten.”
“It’s weird to think about. You don’t seem that young.”
“Thanks, I guess. You don’t seem that old.”
“Maybe we’re meeting in the middle.” He inhales deeply and then exhales in a rush of smoke. “What do you think, should I get an earring?”
“Yeah.”
“Why?”
“It might shock Otto so bad it kills him.”
“I’ll get two.” And then Aegon says: “It’s not cool for you to mock me.”
You are dismayed; you didn’t mean to hurt him. “I wasn’t.”
“Yes, you were. You were mocking me. You mocked me about the receipt under my ashtray, and then you mocked me again last night. I’m up for a lot of things, but I can’t handle that. Okay?”
“Okay.” You turn your head so you can see him: shaggy blonde hair, stubble, perpetual sunburn, the softness of his belly and his chest, flesh you long to vanish into like rain through parched earth. “Aegon?”
He looks over at you. “Io?”
“I don’t want Aemond to touch me either.”
He’s surprised; not by what you feel, but because you’ve said it aloud, a treason like Prometheus giving mankind the gift of fire. “What are we gonna do about it?”
If you were the goddess of wisdom, maybe you’d know.
Is it just me or their first sex with Aemond was a big red flag? To think of it, it’s weird when a guy wants to have first sex with you in front of statues somewhere in the middle of woods, sorry, gardens 😅. And he plans that, ahem, event ahead. Run, Io, run 😫.
Also, after reading about how Aemond reacted to Reader’s scar, I decided to scratch that idea about Daeron punching him. It will take forever; our Reader has two quite capable hands, she can do it on her own 😎.
Additionally, their second sex scene reminded me of joke about Athena.
In museum:
- … and here we have a statue of Athena.
- Is this a statue of her husband?
- She had no husband, she was the goddess of wisdom.
Series Summary: Aemond is embroiled in a fierce battle to secure the Democratic Party nomination and defeat his archnemesis, Richard Nixon, in the presidential election. You are his wife of two years and wholeheartedly indoctrinated into the Targaryen political dynasty. But you have an archnemesis of your own: Aemond’s chronically delinquent brother Aegon.
Series Warnings: Language, sexual content (18+ readers only), violence, bodily injury, character deaths, New Jersey, age-gap relationships, drinking, smoking, drugs, pregnancy and childbirth, kids with weird Greek names, historical topics including war and discrimination, math.
Word Count: 6.6k
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“So you smoked grass in college,” Aegon says, pondering you with glazed eyes as he slurps his cherry-flavored Mr. Misty. You’re in Biloxi, Mississippi where Aemond is making speeches and meeting with locals to commemorate the first summer of the beaches being desegregated after a decade of peaceful protests and violent white supremacist backlash. Route 90 runs right along the sand dunes. If you walked out of this Dairy Queen, you could look south and see the Gulf of Mexico, placid dark ripples gleaming with moonshine. “And swore, and had a boyfriend, and presumably, what, did shots? Skipped class on occasion?”
“Yeah,” you admit, smiling sheepishly, remembering. You stretch out your fingers. “I chewed gum, I talked during mass. And I loved black nail polish. The nuns would beat my knuckles with rulers, I always had bruises. I wore these flowing skirts down to my ankles and knee-high boots. My hair was a mess, long and blowing around everywhere. My friends and I would do each other’s makeup, silver glitter and purple shadow, pencil on a ridiculous amount of eyeliner and then smudge it out. If you saw a photo you wouldn’t recognize me.”
Aegon takes a drag on his Lucky Strike cigarette, weightless smoke and the tired yellowish haze of florescent lights. Buffalo Springfield’s For What It’s Worth is playing from the Zenith radio on the counter by the cash register. “I’d recognize you.”
“I used to skip this one class all the time. The professor was a demon. I could do the math, but not the way he wanted me to. Right solution, wrong steps, I don’t know. I learned it differently in high school, and I couldn’t figure out the formula he wanted me to use. So he’d mark everything a zero even if my answer was correct. I couldn’t stand that bastard. Then the nuns kept catching me sunbathing on the quad when I was supposed to be in Matrices and Vector Spaces. I racked up so many demerits they were going to revoke my weekend pass, and then I wouldn’t be able to go into the city with my friends. So I stole the demerit book and burned it up on the stove in my dorm. Almost set the whole building on fire.”
Aegon is laughing. “You did not. Not you, not perfect ever-obedient Miss America!”
“I did. I really did.” You sip your own Mr. Misty, lemon-lime. Across the restaurant, Criston and Fosco are eating banana splits—dripping chocolate syrup and melted ice cream all over their table—and passionately debating who is going to end up in the World Series; Criston favors the Cardinals and the Orioles, Fosco says the Red Sox and the Cubs. The rest of the Targaryen family is back at the hotel watching news coverage of the Republican National Convention, something you can only stomach so much of, Otto’s cynical commentary, Aemond’s remaining eye fixed fiercely on the screen as he nips at an Old Fashioned. “I was wild back then.”
“And you gave it all up to be Aemond’s first lady.”
You think back to where it started: palm trees, salt water, alligators in drainage ditches. “My father grew up in a shack outside of Tallahassee. No electricity, no running water, he dropped out of school in eighth grade to help take care of his siblings when his mom died. They moved south to live with their aunt in Tampa, and my father wound up in Tarpon Springs working as a sea sponge diver.”
Aegon’s eyebrows rise, like he thinks you’re teasing him. “Sea sponges…?”
“I’m serious! It paid better than picking oranges or sweeping up in a factory. It’s dangerous. You have to wear this heavy rubber suit and walk around on the ocean floor, sometimes 50 feet or more below the surface.”
“What do people do with sea sponges?”
“Oh right, you would be unfamiliar. You’re supposed to clean yourself with them, like a loofah. Soap? Water? Ringing any bells?”
He chuckles and rolls his eyes. “You’re a very mean person. Aren’t you supposed to be setting an example for the merciful wives and daughters of this great nation?”
“Painters and potters buy sponges too. And some women use them as contraceptives. You can soak them in lemon juice and then shove them up there and it kills sperm.”
“I suddenly have great appreciation for the sea sponge industry. God bless the sea sponges.”
“So my father spent a few years diving, and he fell in love with a girl who worked at one of the shops he sold sponges to. That was my mother. They got married when he had absolutely nothing, and by their fifth anniversary he had his own fleet of boats, a gift shop, and a processing and shipping facility, all of which they owned jointly. They just opened the Spongeorama Sponge Factory this past April, a cute little tourist trap. But my point is that they were partners from the start. My father listens to my mother, and she works alongside him, and it was never like what I’ve seen from my friends’ parents: dad at the office 80 hours a week, mom at home strung out on Valium, just these…deeply separate, cold planets locked in orbit but never touching each other. I knew I didn’t want that. I wanted a husband who was building something I could be a part of. I wanted a man who respected me.”
Aegon watches you as he lights a fresh cigarette, not saying what you imagine he wants to: And how is that working out? He puffs on his Lucky Strike a few times and then offers it to you. You aren’t supposed to smoke, not even tobacco—it’s not ladylike, it’s masculine, it’s subversive—but you take it and hold it between your index and middle fingers, inhaling an ashy bitterness that blood learns to crave. The bracelets on your wrist jangle, thin silver chains that match the diamonds in your ears. Your dress is mint green, your hair in your signature Brigitte Bardot-inspired updo. Aegon is wearing a black t-shirt with The Who stamped across the front. When you pass the cigarette back to him, Aegon asks: “What music did you listen to? The Stones, The Animals?”
“Yeah. And Hendrix, The Kinks, Aretha Franklin…”
“Phil Ochs?”
“I love him. He’s got a song about Mississippi, you know.”
“Oh, I’m aware. It’s one of my favorites.”
“And I’m currently getting a little obsessed with Loretta Lynn. She’s so angry!”
“She’s sanctimonious, that’s what she is. Always bitching about men.”
“Six kids and an alcoholic husband will do that to someone.”
Aegon winces, and then you realize what you’ve said. Loretta Lynn sounds a lot like Mimi. He finishes his Mr. Misty and then fidgets restlessly with his white cardboard cup, spinning it around by the straw. You feel bad, though you shouldn’t. You wouldn’t have a month ago.
“Aegon,” you say gently, and he reluctantly looks up at you, sunburned cheeks, blonde hair shagging over his eyes. “Why do you ignore your children? They’re interesting, they’re fun. Violeta invited me to help her make cakes with her Easy-Bake Oven last week. And Cosmo…he’s so clever. But it’s like he doesn’t know who you are. He might actually think Fosco’s his dad.”
Aegon takes one last drag off his cigarette and discards the end of it in his Mr. Misty cup. Now he’s fiddling with it again, avoiding your gaze. “I don’t have much to offer them.”
“I think you do.”
“No you don’t.”
“I do,” you insist. “You can be kind of nice sometimes.”
He frowns, staring out the window. You know he can’t see anything but darkness and streetlights. “I should have been the one to go to Vietnam. If somebody had to get shot at so Aemond could be president, I was the right choice. No one would miss me. No one would mourn me. Daeron didn’t deserve that. But I was too old, so Otto and my father got him to enlist. Now he’s in the jungle and my mother has nightmares about Western Union telegrams. If I was the son over there, I think she’d sleep easier.”
I’m glad you’re still here, you think. Instead you say: “Your children need you.”
“No they don’t. Between me and Mimi, they’re better off as orphans. Helaena and Fosco can be their parents. Maybe they’ll have a fighting chance.”
The glass door opens, and a man walks into the Dairy Queen with his two sons scampering behind him, all with sandy flip flops and carrying fishing rods. The dad is at least six feet tall and brawny, and wearing a Wallace For President baseball cap. You and Aegon both notice it, then share an amused, disparaging glance. You mouth: Imbecile bigot. The man continues to the cash register and orders two chocolate shakes and a root beer float. At their own table, Criston is mopping up melted ice cream with napkins and telling Fosco to stop being such a pig.
“Me?!” Fosco says. “You are the pig, that spot there is your ice cream, do not blame your failings on poor Fosco. I have already let you drag me to this terrible state and never once complained about the fried food or the mosquitos. And that thing out there is not a real beach. The water is still and brown, brown!”
“For once in your life, pretend you have a work ethic and help me clean up the table.”
“You are being very anti-immigrant right now, do you know that?”
Aegon begins singing, ostensibly to himself. “Here’s to the state of Mississippi, for underneath her borders, the devil draws no lines.”
“Aegon, no,” you whisper, petrified. You know this song. You know where he’s going.
He’s beaming as he continues: “If you drag her muddy rivers, nameless bodies you will find.”
Now the man in the Wallace hat is looking at Aegon. His sons are happily gulping down their chocolate shakes. Criston and Fosco, still bickering, haven’t noticed yet.
“Oh, the fat trees of the forest have hid a thousand crimes.”
“Aegon, don’t,” you plead quietly. “He’ll murder you.”
“The calendar is lyin’ when it reads the present time.”
“Hey,” calls the man in the Wallace For President hat. “You got a problem, boy?”
Aegon drums his palms on the tabletop as he sings, loudly now: “Oh, here’s to the land you’ve torn out the heart of, Mississippi find yourself another country to be part of!”
In seconds, the man has crossed the room, grabbed Aegon by the collar of his t-shirt, yanked him out of his chair and struck him across the face: closed fist, lethal intent, the sick wet sound of bones on flesh. Aegon’s nose gushes, his lip splits open, but he isn’t flinching away, he isn’t afraid. He’s yowling like a rabid animal and clawing, kicking, swinging at the giant who’s ensnared him. You are screaming as you leap to your feet, your chair falling over and clattering on the floor behind you. The man’s sons are hooting joyously. “Git him, Paw!” one of them shouts.
“Criston?!” you shriek, but he and Fosco are already here, tugging at the man’s massive arms and beating on his back, trying to untangle him from Aegon.
“Stop!” Criston roars. “You don’t want to hurt him! He’s a Targaryen!”
“A Targaryen, huh?” the man says as he steps away, wiping the blood from his knuckles on his tattered white t-shirt, stained with fish guts. “All the better. I wish that bullet they put in Aemond woulda been just another inch to the left. Directly through the aorta.”
Aegon lunges at the man again, hissing, fists swinging. Fosco yanks him back.
“Are you gonna call someone or not?!” Criston snaps at the girl behind the cash register, but she only gives him a steely glare in return. This is Wallace country. There’s a reason why it took four years after the Civil Rights Act of 1964 to finally desegregate the beaches.
“We should go,” you tell Criston softly.
“Yes, we will leave now,” Fosco says, hauling Aegon towards the front door. Then, to the cashier: “Thank you for the ice cream, but it was not very good. If you are ever in Italy, try the gelato. You will learn so much.”
“I can’t wait ‘til November,” the man gloats, ominous, threatening. His sons are standing tall and proud beside him. “When Aemond loses, you can all cart your asses back to Europe. We don’t want you here. America ain’t for people like you.”
“It literally is,” you say, unable to stop yourself. “It’s on the Statue of Liberty.”
“Yeah, where do you think your ancestors came from?!” Aegon yells at the man. “Are you a Seminole, pal? I didn’t think so—!” Fosco and Criston lug him through the doorway before more punches can be thrown.
Outside—under stars and streetlights and a full moon—Aegon burst out laughing. This is when he feels alive; this is when the blood in his veins turns to wave and riptides. You didn’t think to grab napkins from the table, so you wipe the blood off his face with your bare hand, assessing the damage. He’ll be fine; swollen and sore, but fine.
“You’re insane, you know that?” you say. “You could have been killed.”
Aegon pats your cheek twice and grins, blood on his teeth. “The world would keep spinning, little Io.” Then he starts walking back towards the White House Hotel.
~~~~~~~~~~
When the four of you arrive at your suite, Aemond, Otto, Ludwika, and Alicent are still gathered around the television. The nannies have taken the children to bed. Helaena is reading The Bell Jar in an armchair in the corner of the room. Mimi is passed out on the couch, several empty glasses on the coffee table. ABC is showing a clip they recorded earlier today of Ludwika travelling with Aemond’s retinue after he made an impassioned speech condemning the lack of recognition of the evils of slavery at Beauvoir, the historic home of former Confederate president Jefferson Davis. The reporter is asking Ludwika what she thinks makes Aemond a better presidential candidate than Eugene McCarthy, as McCarthy shares many of the same policy positions and has an additional 15 years of political experience.
“This McCarthy is not a real man,” Ludwika responds, her face stony and mistrustful. “He reminds me of the communists back in my country. Did you know he met with Che Guevara in New York City a few years ago? Why would he do such a thing?”
Now, Otto turns to her in this hotel room. “I love you.”
Ludwika takes a sip of her martini. “I want another Gucci bag.”
“Yes, yes. Tomorrow, my dear.”
“What happened to you?” Aemond asks his brother, half-exasperated and half-concerned. Criston has fetched a washcloth from the bathroom for Aegon to hold against his bleeding lip and nose. Aemond is still wearing his blue suit from a long day of campaigning, but he’s taken out his eye and put on his eyepatch. His gaze flicks from Aegon’s face to the blood still coating your left hand. On the couch, Mimi’s bare foot twitches but she doesn’t wake up.
“There was a Wallace supporter at the Dairy Queen,” you say. “Aegon felt inspired to defending you.”
Aemond chuckles. “Did you win?” he asks Aegon.
“I would have if the guy wasn’t two of me.”
On the television screen, Richard Nixon is accepting his party’s nomination for president at the Republican National Convention in Miami, Florida.
“He’s a buffoon,” Otto sneers. “So awkward and undignified. Look at him sweating! Look at those ridiculous jowls! And he comes from nothing. His family is trash.”
“Americans love a rags to riches story,” you say. And then, somewhat randomly: “He loves his wife. He proposed to Pat on their very first date, and she said no. So he drove her to dates with other men for years until she finally reconsidered. He said it was love at first sight. He’s never had a mistress. And jowls or no jowls, his family adores him.”
Aegon turns to you, still clutching the washcloth against his face. “Really?”
You nod. “That’s the sort of thing the women talk about.”
There’s a knock at the door. You all look at each other, confounded; no one has ordered room service, no one is expecting any visitors, and the nannies have keys in the event of an emergency. Fosco is closest to the door, so he opens it. A man in uniform is standing there with a golden Western Union telegram in his hands. Alicent screams and collapses. Criston bolts to her.
“It’s okay,” you say. “He’s not dead. Whatever happened, Daeron’s not dead.”
Otto crinkles his brow at you. “How do you know?”
“Because if he was killed, there would be a priest here too.” They always send a priest when the boy is dead. Aegon glances at you, eyes wet and fearful.
“Ma’am,” the soldier—a major you see now, spotting the golden oak leaves—says to Alicent as he removes his cap. “I regret to inform you that your son Daeron was missing in action for several weeks, and we’ve just received confirmation that he’s being held as a prisoner of war in Hỏa Lò Prison.”
“He’s in the Hanoi Hilton?!” Otto exclaims. “Oh, fuck those people and their swamp, how did Kennedy ever think we had something to gain from getting tangled up in that mess?”
“But he’s alive?” Aemond says. “He’s unharmed?”
“Yes sir,” the captain replies. “It is our understanding that he is in good condition. The North Vietnamese are aware that he is a very valuable prisoner, like Admiral McCain’s son John. He’ll be used in negotiations. He is of far more use to them alive than dead.”
“So we can get Daeron back,” Aegon says. “I mean, we have to be able to, right? Aemond’s running for president, he’ll probably win in November, we have millions of dollars, we can spring one man out of some third-world jail, right?”
The captain continues: “Tomorrow when your family returns to New Jersey, the Joint Chiefs of Staff will be there to discuss next steps with you. I’m afraid I’m only authorized to give you the news as it was relayed to me.” He entrusts the telegram to Otto, who rapidly opens it and stares down at the mechanical typewriter words.
“I have to pray,” Alicent says suddenly. “Helaena, will you pray with me? There’s a Greek church down the road. Holy Trinity, I think it’s called.”
Obediently, Helaena joins her mother and follows her to the doorway. Criston leaves with them. Otto gives his new wife a harsh, meaningful stare. Ludwika, an ardent yet covert atheist, sighs irritably. “Wait. I want to pray too,” she says, and vanishes with them into the hall.
As the captain departs, Mimi sits up on the couch, blinking, groggy. “What? What happened?”
“Go with Alicent,” Otto tells her. “She’s headed downstairs.”
“What? Why…?”
“Just go!” he barks.
Mimi staggers to her feet and hobbles out of the hotel room, her sundress—patterned with forget-me-nots—billowing around her. The only people left are Otto, Aemond, Fosco, Aegon, and you. The fact that you are the sole woman permitted to remain here feels intentional.
After a moment, Otto speaks. “You know, John McCain has famously refused to be released from the Hanoi Hilton until all the men imprisoned before him have been freed. He doesn’t want special treatment. And that’s a very noble thing to do, don’t you think? It has endeared him and the McCains to the public.”
Aemond and Otto are looking at each other, communicating in a silent language not of letters or accents but colors: red ambition, green hunger, grey impassionate morality. Fosco is observing them uneasily. Aemond says at last: “Daeron wants to help this family.”
“You’re not going to try to get him out.” Aegon realizes.
Aemond turns to him, businesslike, vague distant sympathy. “It’s only until November.”
“No, you know people!” Aegon explodes. “You pick up the phone, you call in every favor, you get him out of there now! You have no idea if he has another three months, you don’t know what kind of shape he’s in! They could be dislocating his arms or chopping off his fingers right now, they could be starving him, they could be beating him, you can’t just leave him there!”
“It’s not your decision. It could have been, had you accepted your role as the eldest son. But you didn’t. So it’s my job to handle these things. You don’t get to hate me for making choices you were too cowardly too take responsibility for.”
“But Daeron could die,” Aegon says, his voice going brittle.
“Any of us could die. We’re in a very dangerous line of work. Greatness killed Lincoln, Garfield, McKinley, Huey Long, Medgar Evers, John F. Kennedy, Malcolm X, Vernon Dahmer, Martin Luther King Jr., does that mean we should all give up the fight? Of course not. The work isn’t finished. We have to keep going.”
“Will you stop pretending this is about America?! This is about you wanting to be president, and everything you’ve ever done has been in pursuit of that trophy, and you keep shoving new people into the line of fire and it’s not right!”
“Aegon,” Otto says calmly. “It’s unlikely we’d be able to get him out before the election anyway. Negotiations take time. But if Aemond wins in November, he’ll be in a very advantageous position. The North Vietnamese aren’t stupid. They wouldn’t kill the brother of a U.S. president. They don’t want their vile little corner of the world flattened by nukes.”
“Still, it feels so wrong to leave a brother in peril,” Fosco says. “It is unnatural. Of course Aegon will be upset. We could at least see what a deal to get Daeron released would entail, maybe his arrival home would be a good headline—”
“And who the fuck asked you?” Otto demands, and Fosco goes quiet.
“Okay, then tell Mom,” Aegon says to Aemond. “Tell her you’re going to pretend Daeron made some self-sacrificial vow not to come home until all the other POWs can too. Tell her you’re going to let him get tortured for a few months before you take this seriously.”
Aemond replies cooly: “Why would you want to upset her? She can’t change it. You’ll only make her suffering worse.”
“What do you think?” Otto asks you, and you know that he isn’t seeking counsel. He’s summoning you like a dog to perform a trick, like an actor to recite a line. He’s waiting for you to say that it’s a smart strategy, because it is. He’s waiting for you to bend to Aemond’s will as your station requires you to, as moons are bound to their planets.
“I think it’s wrong,” you murmur; and Aemond is thunderstruck by your treason.
Without another word, you walk into the bathroom, turn on the sink, and gaze down at Aegon’s blood on your palm. For some reason, it’s very difficult to bring yourself to wash it away.
~~~~~~~~~~
It’s mid-August now, the world painted in goldenrod yellow and sky blue. The Democratic National Convention is in two weeks. You and Aemond are posing on the beach at Asteria, surrounded by an adoring gaggle of journalists who are snapping photographs and jotting down quotes on their notepads. You’re sitting demurely on a sand dune, you’re building sandcastles with the children you borrowed from Aegon and Helaena, you’re flying kites, you’re gazing confidently into the sunlit horizon where a glorious new age is surely dawning.
“Mr. Targaryen, what is it that makes your partnership so successful?” a journalist asks as flashbulbs pulse like lightning. “What do you think is the most crucial characteristic to have in a wife?”
Aemond doesn’t need to consider this before he answers. He always has his compliment picked out. “Loyalty,” your husband says. “Not just to me or to the Targaryen family, but to our shared cause. This year has been indescribably difficult for me and my wife. I announced my candidacy, we embarked on a strenuous national campaign that we’re currently only halfway through, I barely survived a brutal assassination attempt in May, in July we lost our first child to hyaline membrane disease after he was born six weeks prematurely, and at the beginning of this month we learned that my youngest brother Daeron was taken by the North Vietnamese as a prisoner of war. To find the strength not just to get out of bed in the morning, not just to be there for me and this family in our personal lives, but to tirelessly traverse the country with me inspiring Americans to believe in a better future…it’s absolutely remarkable. I’m in awe of her. And when she is the first lady of the United States, she will continue to amaze us all with her unwavering faith and dedication.”
There are whistles and cheers and strobing flashbulbs. You smile—elegant, soft, practiced—as Aemond rests a hand firmly on your waist. You lean into him, feeling out-of-place, bewildered that you’ve ever slept with him, full of dull panic that soon you’ll have to again.
“How about you, Mrs. Targaryen?” another reporter asks. “Same question, essentially. What is the trait that you most admire in your husband?”
And in the cascading clicks of photographs being captured, your mind goes entirely blank. You can think of so many other people—Aegon, Ari, Alicent, Daeron, Fosco, Cosmo—but not Aemond. It’s like you’ve blocked him out somehow, like he’s a sketch you erased. But you can’t hesitate. You can’t let the uncertainty read on your face. You begin speaking without knowing where you’re going, something that is rare for you. “Aemond is the most tenacious person I’ve ever met. When he has a goal in mind, nothing can stop him.” You pause, and there are a few awkward chuckles from the journalists. You swiftly recover. “He never stops learning. He always knows the right thing to do or say. And what he wants more than anything is to serve the American people. Aemond won’t disappoint you. He’s not capable of it. He will do whatever it takes to make this country more prosperous, more peaceful, and more free.”
There are applause and gracious thank yous, but Aemond gives you a look—just for a second, just long enough that you can catch it—that warns you to get it together. Fifteen minutes later, he and the flock of reporters are headed to one of the guest houses to conduct a long-form interview. This will be the bulk of the article; you will appear in one or two photos, you will supply a few quotes. The rest of the story is Aemond. You are an accessory, like a belt or a bracelet. He’s the person who picks you out of a drawer each morning and wears you until you go out of fashion.
Released from your obligations, you return to the main house and disappear into your upstairs bathroom. You are there for fifteen minutes and emerge rattled, routed. You pace aimlessly around your bedroom for a while, then try again; still no luck. You go back outside and stare blankly at the ocean, wondering what you’re going to do. Down on the beach, Fosco is teaching the kids how to yo-yo. Ludwika is sunbathing in a bikini.
“What’s wrong with you?”
You whirl to see Aegon, popping a Valium into his mouth and washing it down with a splash of straight rum from a coffee mug. “Huh? Nothing. I’m great.”
“No, something’s wrong. You look lost. You look like me.”
You gaze out over the ocean again, chewing your lower lip.
Aegon snickers, fascinated, sensing a scandal. “What did you do?”
Your eyes drift to him. “You can’t make fun of me.”
“Okay. I won’t.”
There is a long, heavy lull before you answer. When you speak, it’s all in a rush, like you can’t unburden yourself of the words fast enough. “I put a tampon in and I can’t get it out.”
Aegon immediately breaks his promise and cackles. “You did what?!” Then he tries to be serious. “Wait. Sorry. Uh, really?”
You’re on the verge of tears. “I’ve been bleeding since I had the baby, and I hate using tampons, I almost never do, but Aemond wanted me to wear this dress for the photoshoot and it’s super gauzy and from certain angles I felt like I could see the pad bulge when I checked in the mirror, so I put a tampon in for the first time in probably a year. I’m not even supposed to be using them for another few weeks because my uterus isn’t healed all the way or whatever. And now I can’t get it out and it’s been in there for like six hours and I’m scared I’m going to get an infection and die in the most pointless, humiliating way imaginable.”
“Okay, calm down, calm down,” Aegon says. “There’s no string?”
“No, I’ve checked multiple times. It must be a defective one and they forgot to put a string in it at the factory and I didn’t notice, or the string somehow got tucked under it, I don’t know, but I can’t get it out, it’s like…the angle isn’t right. I can just barely feel it with my fingertips, but I can’t grab it. I’m going to have to go to the hospital to get it taken out, but I’m scared word will spread and journalists will show up to get photos when I leave and then everyone will be asking me why I was at the emergency room to begin with and I’m going to have to make up something and…and…” You can’t talk anymore. There are other reasons why you don’t want to go to the hospital. You haven’t stepped foot in one since Ari died; the thought makes you feel like you are looking down to see blood on your thighs all over again, like you’ll never have enough air in your lungs.
“Did you bleed through it? Because that should help it slide out easier.”
“I don’t know,” you moan miserably. “I mean, I guess I did, because there was blood when I checked a few minutes ago. I had to stuff my underwear with toilet paper.”
“Why didn’t you just tell Aemond you couldn’t wear this dress?”
You give him an impatient glance. “I’m tired of having the same conversation.” When do you think you’ll be done bleeding? When do you think it’ll be time to start trying again?
Aegon sighs. “Do you want me to get it out for you?”
“Please stop. I’m really panicking here.”
“I’m not joking.”
You stare at him. “You can’t be serious.”
“I have fished many objects out of many orifices, you cannot shock me. I am unshockable.”
“I’d rather walk down to the sand right now and strangle myself with Fosco’s yo-yo.”
“Okay. So who are you gonna ask to drive you to the hospital?”
You hesitate.
“I’d offer to do it,” Aegon says, grinning, holding up his mug. “But I’m in no condition to drive.”
“But you are in the proper condition to extract a rogue tampon, huh?”
“Two minutes tops. That’s a guarantee. My personal best is fifteen seconds. And that was for a lost condom, much trickier to locate than a tampon.”
Perhaps paradoxically, the more you consider his offer, the more tempting it seems. No complicated trip and cover story? Over in just a few minutes? “If you ever tell anyone about this, I will never forgive you. I will hate you forever.”
Aegon taunts: “I thought you already hated me.”
You aren’t sure what you feel for him, but it’s certainly not hate. Not anymore. “Where would we do it?”
“In my office. And by that I mean my basement.”
“Your filthy, disease-ridden basement? On your shag carpet full of crabs?”
“You’re in luck,” he jokes. “My crab exterminator service just came by yesterday.”
You exhale in a low, despairing groan.
“Hey, would you rather do it on the dining room table? I’m game. Your choice.”
You watch the seagulls swooping in the afternoon air, the banners of sailboats on the glittering water. “Okay. The basement.”
You walk with Aegon to the house and—after ensuring that no one is around to notice—sneak with him down the creaking basement steps, the door locked behind you. Aegon is darting around; he sets a small trashcan by the carpet and tosses you two towels, then goes to wash his hands in his tiny bathroom, not nearly enough room for someone to stretch out across the linoleum floor.
You’re surveying the scene nervously. “I don’t want to get blood all over your stuff.”
“You’re the cleanest thing that’s ever been on that carpet. Lie down.”
You place one towel on the green shag carpet, then whisk off your panties, discard the bloody knot of toilet paper in the trashcan, and pull the skirt of your dress up around your waist so it’s out of the way. Then you sit down and drape the second towel over your thighs so you’re hidden from him, like you’re about to be examined by a doctor. Your heart is thumping, but you don’t exactly feel like you want to stop. It’s more exhilarating than fear, you think; it is forbidden, it is shameful, it is a microscopic betrayal of Aemond that he’ll never know about.
Aegon moseys out of the bathroom, flicking drops of water from his hands. He wears one of his usual counterculture uniforms: a frayed green army jacket with the sleeves rolled up to his elbows, khaki shorts, tan moccasins. He kicks them off before he kneels on the shag carpet. He checks the clock on the wall. “2:07. I promised two minutes max. Let’s see how I do. Ready?”
You rest the back of your head on your linked hands, raise your knees, take a deep and unsteady breath. “Ready.”
But he can see that you’re shaking. “Hey,” Aegon says kindly, pressing his hand down on the towel so you’re covered. “Do you want me to go to the hospital with you? I’ll try to distract people. I’ll pretend I’m having a seizure or something.”
“No, I’m okay,” you insist. “I just want it out. I want this over with.”
“Got it.” And then he begins. He stares at the wall to his left, not looking at you, navigating by feel. You feel the pressure of two fingers, a stretching that is not entirely unpleasant. He’s warm and careful, strangely unobtrusive. Still, you suck in a breath and shift on the carpet. “Shh, shh, shh,” Aegon whispers, skimming his other hand up and down the inside of your thigh, and shiver like you’ve never felt before rolls backwards up the length of your spine. “Relax. You alright?”
“Fine. Totally fine.”
“Oh yeah, it’s definitely in there,” Aegon says. His brow is creased with comprehension. “No string…you’re right, it must either be tangled up somehow or it never had one to begin with. Maybe you accidentally inserted it upside down.”
“Now you insult my intelligence. As if I’m not embarrassed enough.”
“I should have put on a record to set the mood. What gets you going, Marvin Gaye? Elvis?”
“The seductive voice of Richard Milhous Nixon. Maybe you can get him on the phone.”
Aegon laughs hysterically. His fingertips push the tampon against your cervix and you yelp. “Sorry, sorry, my mistake,” Aegon says. There are beads of sweat on his forehead, on his temples; now his eyes are squeezed shut. “I’m gonna try to wiggle it out…”
As he works, there are sensations you can’t quite explain: a very slow-building indistinct desire, a loosening, a readying, a drop in your belly when you think about the fact that he’s the one touching you. Then he happens to press in just the right spot and there is a sudden pang of real pleasure—craving, aching, a deep red flare of previously unfathomable temptation—and you instinctively reach for him. You hand meets his forearm, and for the first time since he started Aegon looks at your face, alarmed, afraid that he’s hurt you again. But once your eyes meet you’re both trapped there, and you can’t pretend you’re not, his fingers still inside you, his pulse racing, a rivulet of sweat snaking down the side of his face, his eyes an opaque murky blue like water you’re desperate to claw your way into. You know what you want to tell him, but the words are impossible. Don’t stop. Come closer.
Aegon clears his throat, forces himself to look away, and at last dislodges the tampon. It appears dark and bloody in his grasp. “No string,” he confirms, holding it up and turning it so you can see. “Factory reject.”
“Just like you.”
He glances at the clock. “2:09. I delivered precisely what was promised.” He chucks the tampon into the trashcan and then grins as he helps pull you upright with his clean hand. “So do you like to cuddle afterwards, or…?”
You’re giggling, covering your flushed face. “Shut up.”
“Personally, I enjoy being ridden into the ground and then called a good boy.”
“Go away.” You nod to where he disposed of the tampon and say before stopping to think: “You’re not going to keep that under your ashtray too?”
Aegon freezes and blinks at you. He smiles slowly, cautiously. “No, I think that would be a little unorthodox, even for me.” He pitches you a clean washcloth from the bathroom closet. “That should get you upstairs.”
“Thanks.” You shove it between your legs and rise to your feet, smoothing the skirt of your dress. “I owe you something. I’m not sure what, but I’ll figure it out.”
“Hey,” Aegon says, and waits for you to turn to him. “Maybe I’m not that bad.”
“Maybe,” you agree thoughtfully.
Just before you hurry upstairs, you steal a glimpse of Aegon in the bathroom, the door kicked only half-closed. He has turned on the water, but he’s not using it yet. Aegon is staring down at the blood on his hand, half-dried scarlet impermanent ink.
~~~~~~~~~~
Hi, it’s me again. I’m in solitary confinement. There’s a guy in the cell next to mine; we talk to each other with a modified version of Morse code. Tap tap tap on the wall, he taps back, etcetera etcetera, you get the idea. You’re not going to believe this, but he says his name is John McCain. Well, actually, he told me his name is Jobm McCbin, but I think that’s because I translated the taps wrong. I might be in the Hanoi Hilton, but at least they have me in the VIP section! Hahaha.
Every few hours the guards show up to do a very impressive magic trick: they wave their batons like wands, I turn black and blue. Sometimes one of my teeth even disappears. Isn’t that something? Houdini would love it. There’s a rat that I’m making friends with. I give her nibbles of my stale bread, she gives me someone to talk to. She’s good company. I’ve named her Tessarion.
Allow me to make something absolutely fucking clear.
Is it ok to hate Aemond? I guess I will hate him anyway 😂. Poor Daeron. And Alicent. I do hope that Daeron will be freed eventually, and then he will punch Aemond on the national television. “Here go your teeth, Mr. President.”
Really love Ineffable Divorce from the perspective of the other shopkeepers... to them, one day, some gorgeous guy showed up naked on Mr. Fell's doorstep and a couple of days later, Mr. Fell had disappeared and so had the naked guy... so the whole neighborhood thinks Aziraphale ran off with Gabriel and that's why the bookshop is now being operated by this odd little person hired by its sad and distracted owner-- Mr. Fell's abandoned ginger goth husband with the gorgeous old car. Nothing has been this juicy on the street in decades...