Wendy O Williams of the Plasmatics smashing a television with KROQ

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Wendy O Williams of the Plasmatics smashing a television with KROQ
New York City’s American Museum of Natural History in 1939 debuting the world’s largest fossil exhibit of its time. It consisted of over 200 specimens spanning a 200 million year time period.
Syd Mead concept cars. Scans by x-ray delta one
Hardware (1990)
CLASSIFIED
MILITARY FILE
Amethyst, Princess Of Gemworld #1, May 1983, cover by Ernie Colon
Just heard about Ernie Colon’s passing. Sad news.
Disclaimer: I am not an expert, don’t burn your house down please.
I made this little guide to sigils a few months ago, and now I’m finally posting it. You can still buy the physical zine here if you’d like to toss a couple bucks my way.
Check out this super-engaging guide to sigilcraft, created by @inkanddestroy! It covers a few other traditional methods for sigil creation, summing it all up very nicely.
Neuromancer Count Zero Mona Lisa Overdrive Burning Chrome William Gibson Series
Gollancz, 2016-2017 Design: Sinem Erkas Cover art: Daniel Brown
This is my friend TJ, wearing a costume she made for Halloween, 1977. She was 16 at the time. Now, keep in mind: there was no internet to search for images. She could not have rented and paused the movie, because it wasn’t released on video until 1982. No, TJ just went to the movie a bunch of times, took notes with a flashlight, drew a bunch of sketches, and put this together. In 19-fucking-77. So let’s bury this bullshit about how women didn’t grow up on Star Wars.
Hell yeah TJ
TJ I salute you!
Batman Villains Year 2018
Created by Well - Bee
This is my friend TJ, wearing a costume she made for Halloween, 1977. She was 16 at the time. Now, keep in mind: there was no internet to search for images. She could not have rented and paused the movie, because it wasn’t released on video until 1982. No, TJ just went to the movie a bunch of times, took notes with a flashlight, drew a bunch of sketches, and put this together. In 19-fucking-77. So let’s bury this bullshit about how women didn’t grow up on Star Wars.
Hell yeah TJ
Doctor Strange pin-up by Steve Ditko, from Marvel Collectors’ Item Classics (1965) #10
Steve Ditko is dead and the world is a little less magical.
Happy Birthday, Ray Harryhausen!
Happy Birthday to Ray Harryhausen, an artist whose work and influence are as awesome and awe-inspiring as any monstrous titan. Harryhausen was a magician as much as a filmmaker, capable of illusions as wondrous as any conjurer’s. Like Prometheus, he breathed life into clay and created beings as alive as the actors they played against. Stop-motion is an expensive and time-consuming process, so to know that one man was responsible for the skeletons in Jason and the Argonauts, the Cyclops in 7th Voyage of Sinbad, the saucers in Earth vs. The Flying Saucers, and many, many more brilliant creatures is just astounding.
Harryhausen himself was one of us: a fan of monsters who dreamt of fantastical adventure. As a boy, he saw 1933’s King Kong and was astonished by Willis O'Brien’s now-legendary effects. He went on to work with O'Brien on Mighty Joe Young, a tremendously fun movie that never fails to put me in a good mood. From that point, Harryhausen became the O'Brien to generations of future artists, including Tim Burton, George Lucas, Steven Spielberg, Joe Dante, Phil Tippet, and James Cameron. Knowing Harryhausen’s love for genre fiction and idolization of Willis O'Brien makes his incredible work all the more endearing and that much more genuine. From fan to legend, Harryhausen is an icon to monster lovers and dreamers everywhere. He sent us on fantastical journeys, introduced us to magnificent monsters, and made the world feel truly magical. Ray Harryhausen was cinema’s greatest sorcerer. .
So, you have decided that you finally want to make your own embroidered patches. That’s great! Whether you are an artist or designer who wants to see your work in thread form, an event organizer looking to make patches for your upcoming event, or if you need patches for your business or organization, we can help! With over 40 years in the business, we know just what it takes to produce amazing patches.
This guide will help you through the process. From coming up with a concept to receiving your final product, we will guide you step-by-step. First, let’s take a look at some of the different options you can choose from.
Introduction to Patch Options
Embroidery Percentage
Your patch’s embroidery percentage refers to the amount of your patch that is covered with thread. A patch is embroidered on to a fabric called “twill.” A patch with less than 100% embroidery will still have some of its twill showing.
Patches up to 99% embroidery will be a little cheaper than ones that are 100%. When making the choice between these options, consider your design first. When twill is visible, it’s usually used as the ‘background’ color. If your design has a solid background color, then less than 100% might be a good option for you. Or maybe you prefer the look of a 100% embroidered patch. It’s up to you!
Patch Border Options
Embroidered patches have two border options: Merrowed and Die-Cut.
Merrowed borders wrap around the outside of the patch and are slightly raised. Merrowed borders are possible on designs that aren’t too complex. Squares, ovals, rockers, circles and similar shapes can have merrowed borders.
Die-cut borders can be used on simple shapes as well. But, they are usually used on complex shapes. If your design has a piece that protrudes out or has complex edges, it will most likely need to have a die-cut edge. There is no price difference between the two options.
Backing Options
There are a variety of backing options available for embroidered patches. If you’re looking to save a little money, the plastic backing option is included in our orders for free. For an additional small per-patch fee, you can also have iron-on, adhesive, hook and loop (one or two sides), pin back, or magnetic backings. You can also choose to have no backing at all.
Thread Colors
We have hundreds of vibrant thread colors to choose from. Your first 10 thread colors are included for free with your order, and additional colors are available for a small per-patch fee. If your patch is less than 100% embroidery, you can also select the color of your twill. The twill does not count towards your total thread count. You don’t have to select thread colors yourself, though; our expert team can pick the closest match for you. With so many colors to choose from, we will most certainly have a thread to closely match each color in your design.
Designing your first patch
So now that you are familiar with your options, let’s talk about your design! Embroidery can be really beautiful, but it does have limitations. Designing your patch in a smart way will ensure that your patch is recognizable, readable, and beautiful. It’s also important not to load up your patch design with too many elements. Unless your patch is huge, having many tiny elements on a single design will usually make it look cluttered. This also gives less space for details. Consider which parts of your design are the most important and focus on those instead of giving less attention to several elements. We also have a team of talented artists to help you out with design as well.
Text size
We recommend that any text on an embroidered patch be at least 0.25” high. With text that is at the minimum size, your font choice needs to be something simple. Myriad, Helvetica, or Arial are all great font choices for minimum size text. Text with embellishment, script, or very thin lines will usually not stitch well at small sizes.
If your design has small text, you can also enlarge the size of your patch to accommodate the stitching, or you can also switch the process to a woven patch instead. These types of patches have a completely different look from embroidered ones, but they allow for much smaller text and details.
Choosing Colors
We offer up to 10 thread colors for free, but sometimes designs packed full of color will go well-over 10. If you don’t want to pay the additional fee for 11+ colors, consider combining similar colors. For example, if you have 2 different yellows, you can eliminate one and make them both the same. Make sure to pick colors with enough contrast to make your patch readable. Depending on the situation, sometimes using fewer colors can make a more striking design than one will many colors.
Patch Design
Coming up with an interesting or unique design can sometimes be difficult. Try taking a look at our patch gallery for some inspiration. It might be tempting to add several different elements to your patch, but that isn’t always beneficial to the design. Simple designs can have lots of impact!
We can also blend colors to make beautiful gradients, and stitch in different directions to create beautiful textures. There are also some unique-looking threads available: glow-in-the-dark, metallic, and neon!
What if I’m not a designer or artist?
Don’t worry; all of our orders come with artwork set-up for free. Whether your design just needs some small tweaks or you only have a napkin drawing, we have you covered. If you don’t have finished art, here are a few tips for describing what you are envisioning to your artist:
1. Be as descriptive as possible! If there are any details that are important to you, let us know!
2. Feel free to send us photos or examples to help the artists know what you’d like.
3. Make a rough sketch, if possible. Even if it’s not very detailed, having a sketch can be really helpful to our artists.
The Order Process
Once you have an idea of what you want, you can start the order process. Our process is fairly simple, but let’s go through it step by step.
One you get a free quote through our website, you will be assigned a dedicated account manager. Your account manager will be able to advise you on pricing and help you decide if you are unsure which product you want. If you need assistance with artwork, you will have direct access to your assigned artist.
Your artist will send you a digital rendition of your patch for your approval. Once you are satisfied with your artwork, we will then move on to the next step. If you have finished artwork, we will inspect it to make sure it will stitch properly before we move on.
The next step is for you to approve a sewn sample. We will send you a photo of a single sewn sample for your approval. At this step, most patch samples look great and we proceed to full production. However, sometimes small adjustments, like color changes, need to be made. You will have this opportunity to make small changes to your patch if necessary.
It usually takes about 2-3 weeks for us to complete an order and ship it to you. Rush services are available as well.
Hopefully, this cleared up some questions you might have had about making custom embroidered patches! Leave us a comment, or send us an email if you need any more information. If you’re ready to make your first patch, get a free quote from Stadri Emblems here! Read this post on our site Send us an ask if you have any questions!
This is where I get my stuff made, if anyone is wondering!
Hmm Patches?
Are there like 500 of you out there who would want a patch I made?
I may have to look into this...
Brazillian illustrator and designer Butcher Billy (previously featured here) turned each episode from Stranger Things Season 2 into a worn and dog-eared vintage paperback book cover. Together they’re Stranger Tales: The Second Season.
But that’s not all, Butcher Billy also imagined each episode as its own Atari cartridge:
Follow Butcher Billy on Instagram to check out more of his pop culture-inspired designs.
[via SYFY]
This is AMAZING.
On March 31 the Swedish Museum Of Natural History opens a new exhibition called Fossils & Evolution. My part of this production was to provide illustrations of the animals in their natural environment. With permission from the museum, I’m releasing the material on my website. I couldn’t have done these images without the help from the following people at NRM:
Thomas Mörs - Senior Curator, Fossil Vertebrates
Stephen McLoughlin -Senior Curator, Paleobotany
Christian Skovsted - Senior Curator, Fossil Invertebrates
Daniella Kalthoff - Curator, Zoology
Tove Frambäck - Producer
For the full series, go here.
For information about the exhibition go here.
this cured my depression. my anxiety. my bills. my job. everything’s fine. i hope you have a good day
not to be dramatic or anything but I would die for this goblin