
@theartofmadeline

bliss lane

titsay
Not today Justin
The Stonewall Inn

roma★
noise dept.
"I'm Dorothy Gale from Kansas"
Interview Vampire Daily
YOU ARE THE REASON
occasionally subtle
RMH
TMBGareOK. The Official They Might Be Giants tumblr
Cosmic Funnies
let's talk about Bridgerton tea, my ask is open
$LAYYYTER
almost home
Noah Kahan

tannertan36

Product Placement
seen from Bolivia

seen from United States
seen from Algeria
seen from Kenya
seen from Indonesia

seen from Venezuela

seen from United States

seen from United States
seen from Canada

seen from United States
seen from Malaysia
seen from Chile

seen from Vietnam
seen from Italy
seen from Iraq

seen from Italy
seen from Australia

seen from Colombia

seen from Canada

seen from Singapore
@mattwilsn
Iphone snaps from this past weekend.
Hunter, 2014
A project about the expectations, transformations, and strangeness of growing up.
Nan Goldin - Couples and Loneliness
Wedding bed, Berlin (1997)
Nothing will ruin your 20’s more than thinking you should have your life together already.
—Unknown (via chloescheffe)
Matt Wilsοn
Ahndraya Parlato - Towards an Uncertain Sight (2009-ongoing)
3 Women (Dir. Robert Altman, 1977)
“I’d rather face a thousand million savages than one woman who’s learned how to shoot.” - 3 Women (1977)
Tetsuo: The Iron Man (1989)
Set Your Goals - The Few That Remain
John Divola, Isolated Houses in the Desert (1995-1998)
Antoine Cordet
APPLAUSE FOR YOUR MADNESS; acrylic on linen
Balance and Composure - Lost Your Name
Installation View - Rineke Dijkstra: A Retrospective
Extraordinary photos of young hitchhikers and freight train hoppers by Mike Brodie
Mike Brodie (tumblr | facebook) first began photographing in 2004 when he was given a Polaroid camera. Working under the moniker, The Polaroid Kidd, Brodie spent the next four years circumambulating the U.S. amassing an archive of photographs that would go on to make up one of the few, true collections of American travel photography. Having never undergone any formal training, he chose to remained untethered to the pressures and expectations of the art market.