PUT YOUR BEARD IN MY MOUTH
sheepfilms
occasionally subtle
Claire Keane
cherry valley forever

@theartofmadeline
Fai_Ryy
Show & Tell
almost home
ojovivo
YOU ARE THE REASON
2025 on Tumblr: Trends That Defined the Year
wallacepolsom
Mike Driver
todays bird

oozey mess
we're not kids anymore.
Jules of Nature
Keni
Cosimo Galluzzi
seen from United States
seen from United States

seen from United States

seen from Malaysia

seen from Iraq
seen from Venezuela

seen from United States
seen from United States
seen from United States

seen from Malaysia
seen from United States

seen from Malaysia

seen from United States
seen from United States

seen from United Kingdom
seen from Vietnam
seen from United States
seen from United States
seen from United States

seen from Chile
@maxsevere
THE PROWLER (1981) dir. Joseph Zito
Naomi Osaka at 2026 Wimbeldon wearing Hana Yagi
hayley williams, silver spring
happy pride month from the first husbands of horror
Dior Homme
Kate Moss by Inez & Vinoodh (2001)
Adriana Lima
commons and sense
In 1932, a powerful and graceful moment was captured by photographer Maynard Owen Williams for The National Geographic Magazine—Princess Nirgidma of Torhout standing beside her hunting eagle. Dressed in traditional Mongolian attire, the image radiated both nobility and cultural pride.
Read more of her story here...
Grace Kelly’s car in “To Catch a Thief” (1955) was a first-generation Sunbeam Alpine roadster, made by England’s Sunbeam-Talbot Company between 1953 and 1955. As the story goes, Alfred Hitchcock and his production team had yet to choose a car for Grace’s character to drive in the pivotal chase scenes. Some had suggested a Jaguar, but a powerful car like that just didn’t seem right for a delicate millionairess. Others mentioned popular sports cars of the day like the bulky Mercedes 190SL. Ford’s popular two-seat Thunderbird was ruled out as too American.
See more here...
Gown and country- Cosmopolitan US (1998)
Monica Vaughan by Tiziano Magni