by avdidit
Jules of Nature

ellievsbear
Today's Document

if i look back, i am lost

shark vs the universe
Misplaced Lens Cap

tannertan36

Kiana Khansmith
No title available
styofa doing anything
Cosmic Funnies

JVL
AnasAbdin

❣ Chile in a Photography ❣
NASA

Janaina Medeiros
🪼
No title available
ojovivo
will byers stan first human second
seen from Malaysia

seen from United States

seen from Finland
seen from China

seen from United States
seen from India

seen from United States

seen from Australia

seen from Brazil
seen from T1

seen from Türkiye

seen from United States
seen from United States
seen from Argentina

seen from Malaysia
seen from United Kingdom

seen from United States

seen from United States
seen from United States
seen from United Kingdom
@mayfliea
by avdidit
Simone Weil, tr. by Richard Rees, First and Last Notebooks
season 1, episode 1: apéritif
Alejandra Pizarnik, tr. by Patricio Ferrari & Forrest Gander, from The Galloping Hour: French Poems; “I check for you in the wind”
[Text ID: “Your eyes blind everything, even the / night, your name written inside me.”]
Jenny Xie, from "Zuihitsu", Eye Level
3x02 || 3x03 || 3x04 || 3x05
the soft animal of my body loves violence and destruction. sorry
Leila Chatti, from Deluge; “Portrait of the illness as nightmare”
[Text ID: “Your heart hisses in its cage.”]
Guido Reni, St. Sebastian, 1625 Oil on canvas
Forester McClatchey, “Alpine Meadow”
Scanners - David Cronenberg 1981
Notorious (1945) dir. Alfred Hitchcock Rebecca (1940) dir. Alfred Hitchcock Wuthering Heights (1939) dir. William Wyler Wake of the Red Witch (1948) dir. Edward Ludwig Sunrise: A Song of Two Humans (1927) dir. F. W. Murnau The Birds (1963) dir. Alfred Hitchcock
— I'm glad your sickness, Marina Tsvetaeva (translated from the Russian by Elaine Feinstein)
The Illuminated Man, Duane Michals, 1968
...that face like a beloved face known long ago, and lost, and now returned, although I never knew him before, although he is a stranger, still that face which I have always loved before I ever saw it so that to see him is to remember, although I do not know who it is I then remember, except it might be the vague, imaginary face of desire.
Angela Carter, from 'Nights at the Circus'
I’m not casual I will kill us both