“I’m a master of speaking silently—all my life I’ve spoken silently and I’ve lived through entire tragedies in silence.” - Fyodor Dostoevsky, The Meek One

Game Changer & Make Some Noise

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@me-writing-iguess
“I’m a master of speaking silently—all my life I’ve spoken silently and I’ve lived through entire tragedies in silence.” - Fyodor Dostoevsky, The Meek One
tell me why i can’t even get to 5k when i have SO. much plot to get through. literal months of time have to pass in this piece and i’m over here stuck @ 3.8k
Freshly squeezed - ripe for the picking. Shedding layer after layer so the flesh is dripping; heart hanging heavy on the vine like fruit born before the rush of summer; plump, rich, sweet. I am ready to be consumed, despite my many bruises - beauty is skin deep, I beg for teeth to open me - give me release, give me some peace.
A Yearning Heart // ©️@rarasworldbro
pixar please do these again why did you stop doing these
“A kitchen is the best—I mean the saddest—room for tears. A bedroom is too easy, a bathroom too private, a living room too formal. If someone falls to pieces in the kitchen, in the space of work and nourishment, they must be truly coming undone. The bright lights offer no comfort, only illuminate. The floor should be vinyl and cold.”
— Heather Christle, from The Crying Book
My love is a pack of matches
In the hands of a toddler
I am gasoline and greasepaint
A half-drunk hooker swathed
In polyester pink, rippled skin
So shiny and stretchless
A lit cigarette in a
5 year drought and I wear
Windows in the places I should
Hide, I have never known safety
But I am intimate with despair
She is the mouth, I am the wound
a paper love, that’s all. i fell for you because when you were walking to class you mimed forgetting your phone before turning around. i fell for you because as you held your dog’s leash, you let him pull his way towards me. i fell for you because i heard you on the phone saying “it’s a beautiful sunset here too, mom”. i fell for you because you reached for your glasses before reading something or for the look on your face when you saw the raccoon in our yard or the way your shoulders shifted during the movie. i folded you and your face into my pocket. i don’t know your name, but that’s okay. i have so many of these loves that they have formed libraries.
in the white space of my depression i take out each little paragraph of love. a woman who passed me hot sauce because she overheard me asking my partner. a little girl and her kitten. a man singing a lullaby to his daughter. these are good places and people to keep. they are weightless, you see. when i am drowning i remind myself: here is love, if it exists.
and if i exist, maybe i am in someone’s library of goodness. they saw me dancing in my car to my chemical romance in the year 2019. they heard me reciting shrek as if it was romeo and juliet. they watched one of my silly, lonely moments - and i was not alone, then. even if i felt it so wide and hungry that it took up all the space in me. if i can love a shadow, then maybe a shadow might love me. it is okay i do not get confessions or movie dates or songs written about me. it is okay if the love i get is just this, a flashing, to remind someone: the world is so lovely, and we are all stories worth remembering.
It’s hard to explain why I’m absent.
I’ve been sleeping well. I’m doing better. My skin is thirsty. Touch my lips and I am yours.
Please don’t send me roses.
Tuck your scent instead
into crisp November mornings
so upon each opening of eyes,
the thorns that grow
through gaps of time
won’t pierce as much,
so upon wisp of wind
on weary cheek,
the sweetness of your kisses land,
gentler than the softest petals.
-
1736. Please don’t send me roses
I don’t know how to live with this paralyzing woe
utterly disillusioned, I now see my true foe
frozen in terror as this predator nears his doe
insidiously he comes, dealing assiduous blows
clinging ever tightly to his target, never letting go.
my arch nemesis cynthia is, of course, at the bank, because we both were sent like clockwork to pick up the checks of our husbands. she is wearing a lovely long green gown, which i know was on behalf of me, because, as my husband will tell you, our house abhors green and glamour. already the tellers look at each other under their little hats, for they love our tirades, i’m sure, although not more than i hate them.
“oh, is that your knitting?” my arch nemesis cynthia peers her eyes at my hands. “is it some kind of… sock?” everyone knows she and i used to be close before we were married and our husbands, smartly so, have introduced us to the idea of true vengeance.
“it is a scarf,” i say. i want to tell her that when the time comes and the world gets cold it will go over my mouth and i will breathe warm air and it will fill my lungs and i will be able to run around with my love even in the dark night. “it is not,” i say, “over surprising that you should be caught unawares of a scarf,” i say, “as i’m sure enjoying winter festivities are too beneath the handsome qualities your husband prefers.” pompous ass.
the tellers pass each other eyes for now it has started and they are delighted.
my arch nemesis cynthia thrusts out her hand. a white bottle. “rat poison,” she says. “i would expect the whole town knows about your little problem.” stage whisper. “such a shame, my dear.” then she rustles her long green skirts - which i know she wore on behalf of me - and she shimmies herself out of the room like royalty. oh, she floats everywhere she goes, beautiful black hair behind her. the bottle in my palm is cold. i will devise how to get her back starting first thing tomorrow.
the week, as always, is a long week, for there is much to make and do and knit and be. my husband comes home and i love him for who he is; for he never comes home without checking the state of the house up and down. he is the kind who loves his home so completely and sets each room like a stage for a great band to come playing. i am too ashamed to tell him why so many of the rats go missing, only make him a stew the next morning to celebrate. his favorite, although not mine, i’m afraid. plenty left over.
my arch nemesis today - of course - in a green the color of rotting. a bruise is uncarefully covered on her cheekbone, so striking against all of her dainty. her husband would say it was for her ungraceful nature, and i know mine would agree. i strike first, already delighted by my master plan, shoving over our best picnic basket tied with a bow. “i made you and yours a stew,” i say, “for beneath all that you carry” all that horrible wealth of your husband “it seems you’re getting rather skinny.” i can’t resist one last comment. “i am worried you’re about to waste to nothing.”
She plucks it out of my hand. “yes, if it weren’t for you and your husband’s dwindling wealth,” her sarcasm is biting, “i’m sure i will be nothing in, oh, 5 weeks time.” she arches a brow. “so long from now.”
“i am counting the days,” i tell her. her lips purse. the tellers behind me make a choked titter. perhaps, by their estimation, i have won this round quite completely. i go home to my husband smiling. he asks where i have been and i tell him i’ve been at the bank, but he checks anyway because i like to get up to tricks and he doesn’t like to fall for it. it is a good game we play. at night, when he is asleep, i am so in love that i must convince myself to pull the covers over my nose and practice breathing. how silly to wake him up for a young girl’s feelings.
the first week of five: she gives me a solid, ugly ring that requires three knuckles to hold. “i feel so badly for your status, and i must remember to practice charity,” she says. “it such a small thing, but do be careful amongst all that thin pine furnishing of your house, which dents so easily.” my husband appears at the bank’s front door. just checking. so lovely to be picked up by him. at night, in a rage, i try it - beneath the table bends easily. i scuff out the scratch with walnut before my husband can see. i pull the covers over my face in bed and breathe.
the second week: i wear her ugly ring and give her more stew, this time hearty with meat. her dress is a meadow. my heart each time it sees her collapses on itself. she hands me clothes for my husband, since his wealth continues to go missing, and the charity of her heart is so loving. i am so ashamed i bury them far by the old tree, where all my shames go hiding. again, the covers. it, by now, helps me sleep. i have gotten so good at it that i can simply shimmy my shoulders to be perfectly toasty and buried.
the third week: she asks how comes my knitting. i tell her it’s nearly complete. she asks how comes my husband, whom she must know has been ill recently, and who is doing quite badly. i go home to him, shaking. even sick he is a good housekeeper, who comes home examining for dust and dinge so i do not fall behind on my chores. who checks over and being sure i spoke to only him and no one more. tell me, who else has a man so involved, in this day and age?
the fourth week she is envy green. i shove a whole heaping of stew at her, for now her husband has gotten it. i say it will return him to spirits, she laughs, a sudden, beautiful sound, even in the quiet of a bank. everyone stares. maybe it is the stress that is making her quite improper. i feel the same way. so much is happening and it always seems she knows. she says she heard he has left me nothing in the will, which everyone already knows. she says she doubts either of us can dig upwards from the hole we’re both in. i look at the bruise on her nose. i tell her to mind her own husband, and be careful where she goes.
the fifth week: so final. her, garishly lime green. and i in black, to pick up a check that hardly seems the effort. it will be enough to cover my husband’s funeral. she smiles at me and hands me a silver bottle. she says quietly: now that i am destitute, there is one thing for it all, and everyone would understand quite completely. it would be quiet, and quick, and complete.
it is the night of the new moon, so dark no man can see in it. i receive notice her husband has died, and i am sorry to say i find a terrible joy in it. the air has changed cold. i have left a note asking to be buried in my scarf, the last thing i have made on this earth. i go through each perfect room, but there is nothing else to take with me, for the house has always been his and his alone, and now aches to be gone of him. i would not serve as a good tender for it. having spend so many nights watched carefully, the silly girlish freedom i’d gain would surely set the house ablaze.
i follow her instructions. quick, quiet, complete.
the horrible rustling is what does it. like a million green skirts. and then it is dark, and i am in my own coffin, eerie with pine. my head hurts but i must be quick and quiet. they have listened and buried me with my scarf. i shimmy my shoulders just-so and get it over my face. bring my arms up, ugly ring heavy, and begin to hit as hard as i can, over and over, the thin wood of my husband’s favorite furniture, the cretin. it would be pine, of course - he left me no money to be buried in any nicer recourse.
the wood splits so horribly, and then it is very hard to breathe, harder than under the covers, and i have to remind myself to be patient and continue to dig upwards, while my throat closes and my heart beats so loudly and the whole thing is so heavy it is a universe. the shifting of gravedirt is loud, and loud, and i feel i will be turned into a worm, and i fear everyone has forgotten about me, or i have gotten the timing wrong, or i will really die down here in the dirt and the cold
but then her hand, and my hand, and we are both digging towards each other, and she lifts me so easily from the ground like a plucked turnip and holds me against her, us both panting and muddied. we can only stay like this for so long, here in my pauper grave, and then we are both running to the old tree where we met, and unburying a second thing; my lovely box of shame, and men’s clothes, and all of my husband’s dwindling fortune i have slowly been squirrelling away.
my love and angel cynthia, who has black hair like a curtain and a mind so fast i sometimes am in frank awe at it, who is, even now and dirty and raw: even now the only sun in my life.
like this, i a man in an almost-dawn, and us cleaned by the river, and her smiling so widely, and only a faint bruise on her, and our pasts behind us in ugly garish colors. and her delicate hand and beautiful nose and when i finally get to kiss her it feels like green feels; my favorite color, all warm and nature and sunny grace and grass and lying awake so filled with love it makes you shake.
i hold her, and she holds me, and our future is a love like a dream unburied.
“a whole orchestra of feeling is crammed into this small, hollow cupboard. the crescendo of its noise, of its voice, of its desire, is so significant - it is just barely contained. she tries to bottle up the music notes in different jars and containers, placing the sound of violins in a green Tupperware container and the piano keys in old pasta sauce jar. she thinks it easier if she separates the feeling, the noise and she thinks only about how it will be quiet and still once again. but the individual notes, no matter how small, begin to fester and grow and ferment in their small cramped places. they become potent and deadly and it isn’t long before they’re so pickled with feeling that they not only burst from their mahogany cupboards but begin to stain the beige carpet and stink up the cream drapes. and when she comes back into the kitchen to try bottling them up again, she only gets stung on the wounds in her sallow skin and all she can taste is the brackish brewed water of leftover harp cords. and it isn’t long when her soft sweet hair becomes this sour thing and her fragile heart only becomes attuned to the viciousness and terror of the organ pipes. her nails become a salty lick of untuned guitar strings and her footsteps echo a broken cello. But like a broken record, she screws that lid shut and pulls stainless steel pots and pans and even pulls out all the stops and invests in a rice cooker and a multitude of heavy-duty thermoses. And she begins all over again.”
— begin again // s.g.
oh but where will i bury her, my love, all good and holy? where will i put her now that she is no longer mine? how do i fit an unsung wedding into a dress pocket and say i am happy when she was the only garden that grew fruitfully. i spoke her name so often it was a chanting. i found myself a songbird, always finding a new honey moment to come bring home to our nest. a better story to tell. a new way to put the glow in her and bask in it and know a warmth that cut to my core.
where will i put her, while she still walks this earth? her lips now kissing some other girl. her hair growing out into someone else’s fingers. knitting a new future without me as a feature. she looks so fucking happy.
i wake up tangled in the ghost of once-was, panting, telling myself to put back in graves what is already dead. each morning i kill it again, and then in the shower, and then at breakfast, and then and then and then. i come to bed with bloody hands and her memory still rotting in the sheets. i don’t cry but i still catch her smell and find myself angling into the wind, mindlessly walking, as if home is around the corner and the map had just forgotten.
i say “i loved her” to the flowers i say “i loved her” to the trees i say “i loved her” to the snails and the worms and they all sigh back at me. is it loved or are you still loving?
i go to sleep and she’s alive again, all covered in dirt. wiggled her way out of every place i tried to put her.
“I want to melt into you, to be so terribly close to you that my own self disappears.”
— Anaïs Nin to June Miller, c. February 1932 (via blackshivers)
on days like this day
the water on the inside of my body
reinvents itself
as water on the outside of my body
money was a violence that nobody else understood. they went out to a bar or they went out to dinner or they went and got their nails done. i watched them just… buy things. just say “fuck it” and throw money at the problem. it was okay that the laptop broke, they’d buy a new one. it was okay that they lost their scholarship, or that the school asked so much, or that they needed new clothes for sports. someone would pay. they’d pay for the violin lessons or the dance classes or the new car. the money would just arrive for these people, like a magic word.
and in my head, ticking, was numbers. the chime of: that sandwich is three hours of work. that vacation is sixteen weeks of saving. that new dress is three dinners. we need new tires so subtract that from the food budget and maybe i can pick up four shifts and if nothing happens between now and christmas that leaves me with twenty in savings.
the constant questions: where am i going to get the money. what if i get sick. where am i going to get the money. is eating even worth it.
the other day i was reading an article about the world’s most expensive dining experience. two thousand dollars a person.
if i’m lucky, i think. i’ll die before my student debt kicks in.