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@meetthehildegardss
OH MY BLOG IS BACK??
might fuck around and walk into a thick fog and never return idk
I think more creators should openly tell their fans to fuck off and stop being weird
I wasn’t always this way. I had a life-shattering experience. I can get home if I put myself back together. They’ll want me again. This isn’t the end.
IN THE GREEN | Book, music & lyrics by Grace McLean
Stop romanticizing the moon
she’s my mom and i would die for her
anyway Bridgerton has me pissed for a variety of reasons so here's an incomplete list of period drama tv shows to binge instead of that overdramatic clusterfuck:
(thank you to @meetthehildegardss for help w the list)
- The Great (Hulu)
1740s russia. loosely inspired by real events. dramatized history of the marriage of peter the iii & catherine the great of russia, politics & romance. period accurate costuming w artistic liberties. 1 season (ongoing)
- Gentleman Jack (HBO)
1830s england. based on real events. lesbians with a happy ending, family drama, & the beginnings of the coal industry in northern england. accurate period costuming. 1 season (ongoing) (s2 coming in 2021?!!)
- The English Game (Netflix)
1870s england. based on real events. the origins of standardised football (soccer) in england w some interpersonal drama. pretty accurate period costuming. 1 season (limited series)
- Anne with an E (Netflix)
1890s canada. based on/inspired by Anne of Green Gables by LM Montgomery. growing up, literature, & a little bit of romance. accurate period costuming. 4 seasons
- Peaky Blinders (Netflix)
1920s england. organized crime, family drama, & romance. idk about the costumes but they're gorgeous. 5 seasons
- Land Girls (Netflix)
1940s england. inspired by real events. drama & romance on a small farm & estate; centered on women in the home land army during wwii. period accurate costuming. s1 & s2 are the best (s3 sucks)
- Lovecraft Country (HBO)
late 1950s america. based on Lovecraft Country by Matt Ruff. reimaginging of HP Lovecraft's works tied to themes of Jim Crow era America; horror & romance. period accurate costuming. 1 season (currently)
- Call the Midwife (Netflix)
1950s-1960s england. inspired by the memoirs of the same name by Jennifer Worth. midwifery, romance, & community in the east end of london. period accurate costuming. 9 seasons (ongoing)
- The Queen's Gambit (Netflix)
1950s-1960s america. based on the book of the same name by Walter Tevis. chess with a bit of romance (but mostly chess). period accurate costuming. 1 season (limited series)
- The Marvelous Mrs. Maisel (Amazon Prime)
1950s-1960s america (nyc). comedy, marriage, & family drama. period accurate costuming. 3 seasons (ongoing)
- The Crown (Netflix)
1950s-1980s england. based on real events. a dramatised history of queen elizabeth ii's reign & the royal family. period accurate costuming. 4 seasons (ongoing)
if you have more suggestions, or want more info about any of these, feel free to send an ask! i would more than happy to talk about any of these shows 😊
taking a break from my cleaning because i was relistening to hadestown and they're always "where'd you get that melody" and it sounds like orpheus stole a song and everyone else is like hey orpheus that doesn't belong to you
babygirl you are strange and offputting
Grace talking about how much she loves her cast in that playbill article just makes me 🥰🥰🥰
Like Them
Hi dear! I just finished listening to In the Green and I'm in love, it's so beautiful and the vocals are amazing. However I'm having a hard time understanding it. Would you be willing to do a summary of like each song so that I can figure out what's happening? Totally understand if that's too much work though, I'm happy just listening to it without fully understanding. Love you!
Hi! I wouldn’t mind at all 🥰
Some of these descriptions are going to be longer than others bc I know more about certain songs. Also disclaimer, I haven’t seen the show in person so this is based on reviews & interviews I’ve seen talking about the show & the music itself! If anyone has corrections, pls let me know!
(tw for mentions of rape, I’ll tag accordingly)
O Virga ac Diadema: this is actually a song written by Hildegard von Bingen, who was a brilliant scientist, composer, philosopher (among other things) in the Middle Ages & who this musical is based on! Most, if not all, of the Latin chanting sections are taken from Hildegard’s own work! I’ll probably mention this again when the next one comes up.
Death Ceremony: following the death of her sister (which we will get into later) Hildegard is given away by her mother to Jutta. Hildegard was the youngest of 10 siblings and very shaken by her sister’s death, so this was likely done to lessen the burden on the family. My understanding is that this song is Jutta officially taking over the care of Hildegard. She is excited at the idea of Hildegard being acquainted with death (through the lessons she plans to teach her) because it is what she herself has been pursuing in her search for “the light.” The slam at the end of the song represents the two being locked in the cell together.
If I Had a Knee: in this song we become acquainted with the “pieces” of Hildegard. Because of, as she says, a “life shattering experience” she has broken into the Mouth (Ashley Pérez Flanagan), Eye (Rachael Duddy), and Hand (Hannah Whitney). This is how she has processed her trauma. She believes her mother sent her away because she is broken like this and if she just becomes whole (or one “piece”) again she will be able to return home. We also get a little forshadowing to Confession when she sings “If I had a knee I could climb out the window.”
The Rule: Jutta promises she can help the Hildegards become whole again because she used to be broken & knows what they are going through. She also believes that helping the Hildegards will give her the freedom she has been searching for and show her “the light.” We get a little look into Jutta’s life as a noblewoman here too! Jutta also brushes away the Hildegard’s questions about how she broke (or HER life shattering experience) and insists that the only thing that matters is she was able to get herself under control (by locking herself in the cell) and become whole again.
I Am Hungry: I Am Hungry is centered around Mouth and the desires held by that piece of Hildegard. These solo (ish) piece songs I believe are how Jutta learns about & tries to “fix” Hildegard one piece at a time. Mouth battles with feeling ungrateful, despite this opportunity to become whole thanks to Jutta, being uncomfortable in her own skin, and feeling like a monster. I don’t know as much about this song but it is a Bop and Ashley Pérez Flanagan is SO good.
Eve: this is one of the lessons Jutta teaches (directed at Mouth) on how to make her trauma easier to bear. I believe this lesson is given after Hildegard has her first period? Jutta’s lessons are starting to reveal her own pain and flawed judgement with the line “if you kill your every care, your burden will be less to bear.” Once again, A Bop
Ritual: time is passing in the cell! The Hildegards are still working to become whole, with the help of Jutta (who sings “it takes time to be whole” in response to the Hildegards’ “I’m trying”). They are becoming frustrated because they are still broken and are not sure what they are supposed to be learning.
Little Life: perhaps realizing that the Hildegards are more inclined to believe in light & life than the death-oriented lessons Jutta tries to teach them, Jutta gives another lesson. Jutta further shows she has gone through trauma too in understanding the Hildegards are “hiding the feeling [they’ve] done something wrong.” We also learn the name of Hildegard’s sister (Agatha) and that she has died. Jutta insists that Hildegard can get past her pain by sacrificing parts of herself (“you have nothing to lose if everything’s gone”). This also begins the instruction to dig (in which the Hildegards dig their own grave to help them become whole).
Sun Song: Hand remembers her childhood fondly & running through the woods with her sister Agatha before her death. She is trying to reason with Jutta and show her that the outside world is beautiful and that they don’t have to lock themselves away (literally). Eventually, Jutta recounts her own youth. She was engaged but decided to run away from her family instead of submit to her would be husband. She and Hand sing about the freedom they experienced in the outside world.
In The Green: the talk of the outside world awakens Jutta’s own trauma (her voice overlapping with that of Shadow, the broken piece of her that holds said trauma). When she chose to run away, she was found out and raped by a man (he is familiar to Jutta, so we can assume this is her would be husband) in the garden she was running through. In the end Jutta appears both to be yelling “leave me alone” to the man in her memory and to Shadow, who she has buried away and pretends does not exist anymore. “In The Green” or “The In The Green memory” is how this memory is referred to later in the musical.
Burial: as reasoning with Jutta does not work, the Hildegards turn on her and say they will no longer help her find the light. Jutta yells back “okay, stay broken. Have it your way.” Then the Hildegards turn on each other (mostly on Hand, the one they sing “you don’t belong here” to). They blame their trauma on Eye for having seen “Agatha’s secret,” Mouth for not keeping the secret, and Hand for not helping Agatha. More foreshadowing to Confession with “Agatha’s bleeding, I am not helping.” They all individually begin to break down and, because they feel they can’t focus on Jutta’s tasks: watch, wait, and try, they fully focus on digging until...
Underground: the Hildegards’ digging unearths Shadow, a piece of Jutta that she hid away, insisting she had already become whole. Shadow holds the memory of the day Jutta was raped, and understands that the pieces of Hildegard hold similarly traumatizing memories from the day their sister died. Shadow does not want to be revealed because Jutta does not want that memory to be part of her. (Think back to The Rule when Jutta says “when I see the light, I will erase my history for good” and tell be that doesn’t make you SO SAD)
Confession: the Hildegards tell their story to Shadow. Agatha sneaks out at night to meet with a man. Hildegard is scared Agatha is going to run away with him so tells their mother. Their mother is angry (likely because their family was lower nobility & did not approve of the relationship?). Agatha gets pregnant and has no husband, so wants to get rid of the baby so she isn’t ostracized or reminded of what happened. She convinces Hildegard to come with her to find herbs by the river that will “take the swelling from her belly.” This ends up killing her while Hildegard watches in horror. This also shows us how Hildegard was broken “I shouldn’t have seen (eye), I shouldn’t have said (mouth), I shouldn’t have lead her across the river (hand).”
Sun Song Reprise: after finally talking about their trauma, the Hildegards reflect. They realize that they can’t ever be how they used to be, but they can still be alright and will carry Agatha’s memory within them. They realize they don’t have to become “whole” to fix themselves.
Light Undercover: Shadow is in awe at how they’ve overcome their memory and found “the light.” She wants them to stay with her and share their light. The Hildegards realize hiding their trauma was what truly broke them and try to get Shadow to share the in the green memory with them so they can carry the burden of it together. Shadow is adamantly against this, saying Jutta made her disappear and she is content with the light from the Hildegards. The Hildegards insist that Shadow can find her own light if she just speaks about the memory.
The First Verb: the Hildegards sing about the lessons they’ve learned and the flaws in their previous mindsets. They want to help Shadow overcome her history. Shadow sings “I saw myself inside of a dream, but with your help I can wake up, make myself scream.” Essentially to become part of Jutta again and help her.
O Viridissima Virga: another song of the real Hildegard’s! A lot of her works revolved around nature and the earth mother which is is really cool thematically with the show. In my opinion ig
Light Undercover/ In The Green reprise: The Hildegard’s continue to try and coax the light out of Shadow who finally recounts the memory (voluntarily or involuntarily I do not know).
The Ripening: Jutta, presumably faced with her history once again, is conflicted. She believes she has done everything right but she still isn’t free, the only thing she’s ever wanted. She has sacrificed her whole life to her work and yet, is still trapped in darkness. Existential. Crisis.
Forgiveness: (if I’m interpretting correctly) Jutta has died. The Hildegards feel they were too late but now reflect on the lessons they have learned once again. “You have to be broken to see light in the dark.” Presumably why Jutta could never see the light is because she insisted she was not broken anymore and buried her broken pieces away.
Integration: Hildegard takes over Jutta’s place at the monastery and teaches and helps more women heal. This song is a lot about the rest of her life! If you have a little bit of background knowledge about Saint Hildegard (I don’t have much) this probably makes a good deal more sense.
Exorcism: Hildegard is faced with a member of the family her community helped destroy. Another woman who was silenced (this time by Hildegard’s influence). Story isn’t over?
Helpful timeline & things: Hildegard was 14 when she was locked in the cell with Jutta. Jutta had already been in the cell for 6 years. They remained in it together for 30 years. The only opening was a small window through which they were delivered food.
Some parts of this are my own interpretation so it’s totally cool if you see some lyrics as meaning different things!
Also, if you have questions about any songs in particular, feel free to shoot me another ask! Hopefully this helps!

Little correction to the timeline portion at the bottom:
Hildegard came into Jutta’s care at age 8 but they were enclosed in the cell together (where the musical begins) when she was 14.
Quick addition about I Am Hungry and Eve: Jutta is encouraging Hildegard to starve herself that she stops having a period. So I think that I Am Hungry is as you said, but also Mouth literally being hungry from being starved, then Jutta’s explanation in Eve.
quote from this review:
When Hildegard has her first period, Jutta explains the curse of original sin: “Eve had a hunger she couldn’t contain./ She was punished for wanting to gain./So her want became her stain.” The best way of dealing with Eve’s burden, it would seem, is to stop eating and pretty much deny the life of the senses altogether.
Oo another thing I mentioned but have noticed more. Jutta seems to be giving lessons to the Hildegards individually
So Eve is the lesson Jutta teaches Mouth,
Little Light is the lesson she teaches Eye (because Eye is the main one responding in this song)
Which probably means Sun Song + In The Green & its aftermath were the result of Jutta trying to teach Hand (which explains why they were the main two arguing in the beginning of Burial)
Just a little thing I thought was cool 🤷♀️
Thank you @euphonetic!!
It’s 1106, & the world is a very scary place 😔
Quick little mother & young Hildegard based on a new reference!
ITG Costumes part two!
Part one.
2/?
Mouth - played by Ashley Pérez Flanagan. Same costume as Eye and Hand.
Holds mouth puppet until the end of Eve
Shadow - played by Mia Pak. Similar costume to Jutta & same costume throughout.
Marchioness - played by Ashley Pérez Flanagan. Does not feature in any songs. Appears in The Other Tithe
See Mother in part one.
Richardis - played/puppeted by Grace McLean. Does not feature in any songs. Appears in The Other Tithe.
This is the same puppet that is used for young Hildegard
Old Hildegard - Played by Hannah Whitney. Only songs are Integration & Exorcism.
Two costumes for this one! The first one in The Other Tithe & the second in Integration
Alcolytes - played by Rachael Duddy and Ashley Pérez Flanagan. Only feature in Integration.
The same blue base costume as the Mother/Marchioness I believe, but I can’t find photos of these costumes either
Sigewize - played by Mia Pak. Only in Exorcism.
I only have one photo of this costume, but you can see the sleeve of the Alcolyte costume on the right, so that’s pretty exciting.
& I’m pretty sure that’s everything? I have more photos but they’re mostly of staging & won’t fit. Shoot me an ask if you have any questions & I’ll do my best to answer!
Love that Sigewize appears in one song & l’m still far too attached
You guys want to listen to The Ripening real quick
just as a favor
so you know how sad I am right now