by Quim Marin Studio
Jules of Nature
RMH
PUT YOUR BEARD IN MY MOUTH
Lint Roller? I Barely Know Her
Sade Olutola
"I'm Dorothy Gale from Kansas"

oozey mess

⁂
tumblr dot com

Janaina Medeiros
Misplaced Lens Cap
todays bird
🪼
Show & Tell

if i look back, i am lost
Noah Kahan

Origami Around

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No title available
YOU ARE THE REASON

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@melodyrosestein
by Quim Marin Studio
Kengo Kuma’s Architecture of the Future
“... Kuma’s use of these materials is also social, and is intended as a social criticism. For him, the Japan of the economic miracle, which built itself up on masses of concrete, long ago lost its way. Finding one’s way back to the techniques that predated modernization can also point the way to a different economic framework. “We have to create that new system,” he said. “The architect can show the system of the society.” Show people what they build, he implied, and I will show you who they are.”
Infra Realism by Kate Ballis
Australian photographer Kate Ballis has toured Palm Springs with an infrared camera and coloured filters to produce these images, which show the muted desert city in lucid purple, pink and red tones. Melbourne-based Ballis created the Infra Realism series to offer alternative views of Palm Springs’ famed mid-20th century architecture, having captured its vistas many times previous.
European national science academies report warns tepid emission cuts not enough.
The analysis is well known to everyone who has paid even a little attention: the world hasn’t yet done enough to lessen the impacts of climate change. The last Intergovernmental Panel on Climate Change report included greenhouse gas emissions scenarios that could limit global warming to two degrees Celsius or less, but we’re not even close to a trajectory that would achieve any of them.
But there’s something about those two-degrees scenarios you may not know, which climate scientists have been talking a lot about recently. Those scenarios involved a substantial deployment of technologies to actively remove CO2 from the atmosphere. Without those technologies, we’re even further from sufficient emissions cuts.
Continue Reading.
Detalle de la fachada del jardín, Casa en Insurgentes Mixcoac, (hoy Universidad Panamericana) Goya 35, Insurgentes Mixcoac, Benito Juárez, México, DF 1954 (remodelada, ampliada y destruida)
Arq. Agustín Caso Bercht
Detail of the garden facade, House in Insurgentes Mixcoac (now Universidad Panamericana) Goya 35, Insurgentes Mixcoac, Benito Juarez, Mexico City 1954 (remodeled, enlarged and destroyed)
An Exhibit of Lorenzo Mattotti’s Covers for The New Yorker
Mystery Train Zine by Hilda Wong (more here)
Jeanne Fountain / TM RSI SGM / Issue 3 / 1987
Amanda Parer’s Giant Inflatable Rabbits Invade Public Spaces Around the World
#ThenTheyCameforMe reexamines the incarceration of Japanese Americans during World War II and presents new research telling the story of the people whose lives were upended. Opening tomorrow, January 26, 2018! #ICPMuseum http://bit.ly/2iY1QVB 📷 Dorothea Lange
2018 Predictions
• Donald Trunp will make up an assassination attempt against him (not stage one, just say it happened)
• Very brief trend of wearing shirts inside out
• Hackers will attack Ajit Pai and uncover some sort of secret fetish of his (my guess is piss or feet but who can say)
• Mothman sighting will re-emerge followed by most likely another bridge collapse or maybe a building
• Someone (Florida Man) is gonna try (and fail) to eat a crocodile alive
• Boston Dynamics is finally gonna make a robot you can ride
• A prank youtuber will do a livestream where they will actually get murdered for real
• The Hot New Meme™ will just be screaming (think rickrolling but 1000× worse)
Mara Sánchez Renero examines Afro-Mexican history in her photographic series, “El Cimarrón Y Su Fandango.” The project is the latest installment of #ICPprojected. http://bit.ly/2Dx3Lpf
Cottage Christian Taeubert’s Studio
I just spent the last 48 hours scanning 12 rolls of film and almost every photo is a drunk selfie in strange bathrooms.. not very proud
Insomniacs
Angels
In the words of the artist Franck Bohbot:
“Almost everyone has some idea of what Los Angeles is, even if they’ve never been there. Home to Hollywood, the city churns out myth after American myth. Some see the city as a necessary part of a glamorous life — they migrate there to become stars. Others live ordinary lives and work ordinary jobs in this city of spectacle. And some see LA’s darker side — east coaster Jack Kerouac famously wrote that Los Angeles is “the loneliest and most brutal of American cities.” These photos highlight the oddly authentic beauty in this city of myth, however lonely and brutal, however packaged and commercial. Here, even the metallic glinting pole of exercise equipment along the shoreline, or a solitary streetlight in neon darkness, or a thrust of power lines cutting across the sky, captures something essential about the so-called “city of angels.””
Robert Brownjohn, Ivan Chermayeff and Tom Geismar, A Return Exhibition of Graphic Design by Brownjohn, Chermayeff & Geismar at Gallery 303, The Composing Room, Inc., 1959 (or 1958), MoMA, New Yor, NY