#big mood
taylor price
Interview Vampire Daily
Fai_Ryy
Keni
𓃗

No title available
🪼
No title available
Sade Olutola
Mike Driver

oozey mess

Origami Around
cherry valley forever
Doug Jones
Show & Tell

blake kathryn
EXPECTATIONS
Monterey Bay Aquarium
Misplaced Lens Cap

#extradirty

seen from United States

seen from Pakistan
seen from Sweden

seen from United Kingdom
seen from Malaysia

seen from United States
seen from Bangladesh

seen from Indonesia
seen from New Zealand
seen from United States
seen from Iraq

seen from Argentina

seen from Iceland
seen from Japan
seen from Nepal

seen from Sweden
seen from United States

seen from Brazil
seen from Congo - Brazzaville
seen from United States
@meowskiiiiiii
#big mood
An old and homely grandmother accidentally summons a demon. She mistakes him for her gothic-phase teenage grandson and takes care of him. The demon decides to stay at his new home.
It isn’t uncommon for this particular demon to be summoned—from exhausting Halloween party pranks in abandoned barns to more legitimate (more exhausting) ceremonies in forests—but it has to admit, this is the first time it’s been called forth from its realm into a claustrophobic living room bathed in the dull orange-pink glow of old glass lamps and a multitude of wide-eyed, creepy antique porcelain dolls that could give Chucky a run for his money with all of their silent, seething stares combined. Accompanying those oddities are tea cup and saucer sets on shelves atop frilly doilies crocheted with the utmost care, and cross-stitched, colorful ‘Home Sweet Home’s hung across the wood-paneled walls.
It’s a mistake—a wrong number, per se. No witch it’s ever known has lived in such an, ah, dated, home. Furthermore, no practitioner that ever summoned it has been absent, as if they’d up and ding-dong ditched it. No, it didn’t work that way. Not at all. Not if they want to survive the encounter.
It hears the clinking of movement in the room adjacent—the kitchen, going by the pungent, bitter scent of cooled coffee and soggy, sweet sponge cakes, but more jarring is the smell of blood. It moves—feels something slip beneath its clawed foot as it does, and sees a crocheted blanket of whites and greys and deep black yarn, wound intricately, perfectly, into a summoning circle. Its summoning circle. There is a small splash of bright scarlet and sharp, jagged bits of a broken curio scattered on top, as if someone had dropped it, attempted to pick it up the pieces and pricked their finger. It would explain the blood. And it would explain the demon being brought into this strange place.
As it connects these pieces in its mind, the inhabitant of the house rounds the corner and exits the kitchen, holding a damp, white dish towel close to her hand and fumbling with the beaded bifocals hanging from her neck by a crocheted lanyard before stopping dead in her tracks.
Now, to be fair, the demon wouldn’t ordinarily second guess being face-to-face with a hunchbacked crone with a beaked nose, beady eyes and a peculiar lack of teeth, or a spidery shawl and ankle-length black dress, but there is definitely something amiss here. Especially when the old biddy lets her spectacles fall slack on her bosom and erupts into a wide, toothy (toothless) grin, eyes squinting and crinkling from the sheer effort of it.
“Todd! Todd, dear, I didn’t know you were visiting this year! You didn’t call, you didn’t write—but, oh, I’m so happy you’re here, dear! Would it have been too much to ask you to ring the doorbell? I almost had a heart attack. And don’t worry about the blood, here—I had an accident. My favorite figure toppled off of the table and cleanup didn’t go as expected. But I seem to recall you are quite into the bloodshed and ‘edgy’ stuff these days, so I don’t suppose you mind.” She releases a hearty, kind laugh, but it isn’t mocking, it’s sweet. Grandmotherly. The demon is by no means sentimental or maudlin, but the kindness, the familiarity, the genuine fondness, does pull a few dusty old nostalgic heartstrings. “Imagine if it leaves a scar! It’d be a bit ‘badass,’ as you teenagers say, wouldn’t it?”
She is as blind as a bat without her glasses, it would appear, because the demon is by no means a ‘Todd’ or a human at all, though humanoid, shrouded in sleek, black skin and hard spikes and sharp claws. But the demon humors her, if only because it had been caught off guard.
The old woman smiles still, before turning on her heel and shuffling into the hallway with a stiff gait revealing a poor hip. “Be a dear and make some more coffee, would you please? I’ll be back in a jiffy.”
Yes, this is most definitely a mistake. One for the record books, for certain. For late-night trips to bars and conversations with colleagues, while others discuss how many souls they’d swindled in exchange for peanuts, or how many first-borns they’d been pledged for things idiot humans could have gained without divine intervention. Ugh. Sometimes it all just became so pedantic that little detours like this were a blessing—happy accidents, as the humans would say.
That’s why the demon does as asked, and plods slowly into the kitchen, careful to duck low and avoid the top of the doorframe. That’s why it gingerly takes the small glass pot and empties it of old, stale coffee and carefully, so carefully, takes a measuring scoop between its claws and fills the machine with fresh grounds. It’s as the hot water is percolating that the old woman returns, her index finger wrapped tight in a series of beige bandages.
“I’m surprised you’re so tall, Todd! I haven’t seen you since you were at my hip! But your mother mails photos all the time—you do love wearing all black, don’t you?” She takes a seat at the small round table in the corner and taps the glass lid of the cake plate with quaking, unsteady, aged hands. “I was starting to think you’d never visit. Your father and I have had our disagreements, but…I am glad you’re here, dear. Would you like some cake?” Before the demon has a chance to decline, she lifts the lid and cuts a generous slice from the near-complete circle that has scarcely been touched. It smells of citrus and cream and is, as assumed earlier, soggy, oversaturated with icing.
It was made for a special occasion, for guests, but it doesn’t seem this old woman receives much company in this musty, stagnant house that smells like an antique garage that hadn’t had its dust stirred in years.
Especially not from her absentee grandson, Todd.
The demon waits until the coffee pot is full, and takes two small mugs from the counter, filling them until steam is frothing over the rims. Then, and only then, does it accept the cake and sit, with some difficulty, in a small chair at the small table. It warbles out a polite ‘thank you,’ but it doesn’t suppose the woman understands. Manners are manners regardless.
“Oh, dear, I can hardly understand. Your voice has gotten so deep, just like your grandfather’s was. That, and I do recall you have an affinity for that gravelly, screaming music. Did your voice get strained? It’s alright, dear, I’ll do the talking. You just rest up. The coffee will help soothe.”
The demon merely nods—some communication can be understood without fail—and drinks the coffee and eats the cake with a too-small fork. It’s ordinary, mushy, but delicious because of the intent behind it and the love that must have gone into its creation.
“I hope you enjoyed all of the presents I sent you. You never write back—but I am aware most people use that fancy E-mail these days. I just can’t wrap my head around it. I do wish your mom and dad would visit sometime. I know of a wonderful little café down the street we can go to. I haven’t been; I wanted to visit it with Charles, before he…well.” She falls silent in her rambling, staring into her coffee with a small, melancholy smile. “I can’t believe it’s been ten years. You never had the chance to meet him. But never mind that.” Suddenly, and with surprising speed that has the demon concerned for her well being, she moves to her feet, bracing her hands on the edge of the table. “I may as well give you your birthday present, since you’re here. What timing! I only finished it this morning. I’ll be right back.”
When she returns, the white, grey and black crocheted work with the summoning circle is bundled in her arms.
“I found these designs in an occult book I borrowed from the library. I thought you’d like them on a nice, warm blanket to fight off the winter chill—I hope you do like it.” With gentle hands, she spreads the blanket over the demon’s broad, spiky back like a shawl, smoothing it over craggy shoulders and patting its arms affectionately. “Happy birthday, Todd, dear.”
Well, that settles it. Whoever, wherever, Todd is, he’s clearly missing out. The demon will just have to be her grandson from now on.
this is so sweet. it made me want to hug someone.
i had to
I WOULD WATCH SIX SEASONS AND A MOVIE
Okay but she takes him to the little cafe and all of the people in her town are like “What is that thing, what the hell, Anette?” and she’s like “Don’t you remember my grandson Todd?” and the entire town just has to play along because no one will tell little old Nettie that her grandson is an actual demon because this is the happiest she’s been since her husband died.
Bonus: In season 4 she makes him run for mayor and he wins
I just want to watch ‘Todd’ help her with groceries, and help her with cooking, and help her clean up the dust around the house and air it out, and fill it with spring flowers because Anette mentioned she loved hyacinth and daffodils. Over the seasons her eyesight worsens, so ‘Todd’ brings a hellhound into the house to act as her seeing eye dog, and people in town are kinda terrified of this massive black brute with fur that drips like thick oil, and a mouth that can open all the way back to its chest, but ‘Honey’ likes her hard candies, and doesn’t get oil on the carpet, and when ‘Todd’ has to go back to Hell for errands, Honey will snuggle up to Anette and rest his giant head on her lap, and whuff at her pockets for butterscotch. Anette never gives ‘Todd’ her soul, but she gives him her heart
In season six, Anette gets sick. She spends most of the season bedridden and it becomes obvious by about midway through the season that she’s not going to make it to the end of the season. Todd spends the season travelling back and forth between the human realm and his home plane, trying hard to find something, anything that will help Anette get better, to prolong her life. He’s tried getting her to sell him her soul, but she’s just laughed, told him that he shouldn’t talk like that. With only a few episodes left in the season Anette passes away, Todd is by her side. When the reaper comes for her Todd asks about the fate of her soul. In a dispassionate voice the reaper informs Todd that Anette spent the last few years of her life cavorting with creatures of darkness, that there can be only one fate for her. Todd refuses to accept this and he fights the reaper, eventually injuring the creature and driving it off. Knowing that Anette cannot stay in the Human Realm, and refusing to allow her spirit to be taken by another reaper, so he takes her soul in his arms. He’s done this before, when mortals have sold themselves to him. This time the soul cradled against his chest does not snuggle and fight. This time the soul held tight against him reaches out, pats him on the cheek tells him he was a good boy, and so handsome, just like his grandfather. Todd takes Anette back to the demon realm, holding her tight against him as he travels across the bleak and forebidding landscape; such a sharp contrast to the rosy warmth of Anette’s home. Eventually, in a far corner of his home plane, Todd finds what he is looking for. It is a place where other demons do not tread; a large boulder cracked and broken, with a gap just barely large enough for Todd to fit through. This crack, of all things, gives him pause, but Anette’s soul makes a comment about needing to get home in time to feed Honey, and Todd forces himself to pass through it. He travels in darkness for a while, before he emerges into into a light so bright that it’s blinding. His eyes adjust slowly, and he finds himself face to face with two creatures, each of them at least twice his size one of them has six wings and the head of a lion, one of them is an amorphous creature within several rings. The lion-headed one snarls at Todd, and demands that he turn back, that he has no business here. Todd looks down, holding Anette’s soul against his chest, he takes a deep breath, and speaks a single word, “Please.” The two larger beings are taken aback by this. They are too used to Todd’s kind being belligerent, they consult with each other, they argue. The amorphous one seems to want to be lenient, the lion-headed one insists on being stricter. While they’re arguing Todd sneaks by them and runs as fast as he can, deeper into the brightly lit expanse. The path on which he travels begins to slope upwards, and eventually becomes a staircase. It becomes evident that each step further up the stair is more and more difficult for Todd, that it’s physically paining him to climb these stairs, but he keeps going.
They dedicate a full episode to this climb; interspersing the climb with scenes they weren’t able to show in previous seasons, Anette and Honey coming to visit Todd in the Mayor’s office, Anette and Todd playing bingo together for the first time, Anette and Todd watching their stories together in the mid afternoon, Anette falling asleep in her chair and Todd gently carrying her to bed. Anette making Todd lemonade in the summer while he’s up on the roof fixing that leak and cleaning out the rain gutters. Eventually Todd reaches the top, and all but collapses, he falls to a knee and for the first time his grip on Anette’s soul slips, and she falls away from him. Landing on the ground. He reaches out for her, but someone gets there first. Another hand reaches out, and helps this elderly woman off the ground, helps her get to her feet. Anette gasps, it’s Charles. The pair of them throw their arms around each other. Anette tells Charles that she’s missed him so much, and she has so much to tell him. Charles nods. Todd watches a soft smile on his face. A delicate hand touches Todd’s shoulder, and pulls him easily to his feet. A figure; we never see exactly what it looks like, leans down, whispering in Todd’s ear that he’s done well, and that Anette will be well taken care of here. That she will spend an eternity with her loved ones. Todd looks back over to her, she’s surrounded by a sea of people. Todd nods, and smiles. The figure behind him tells him that while he has done good in bringing Anette here, this is not his place, and he must leave. Todd nods, he knew this would be the case. Todd gets about six steps down the stairway before he is stopped by someone grabbing his shoulder again. He turns around, and Anette is standing behind him. She gives him a big hug and leads him back up the stairs, he should stay, she says. Get to know the family. Todd tries to tell her that he can’t stay, but she won’t hear it. She leads him up into the crowd of people and begins introducing him to long dead relatives of hers, all of whom give him skeptical looks when she introduces him as her grandson. The mysterious figure appears next to Todd again and tells him once more he must leave, Todd opens his mouth to answer but Anette cuts him off. Nonsense, she tells the figure. IF she’s gonna stay here forever her grandson will be welcome to visit her. She and the figure stare at each other for a moment. The figure eventually sighs and looks away, the figure asks Todd if she’s always like this. Todd just shrugs and smiles, allowing Anette to lead him through a pair of pearly gates, she’s already talking about how much cake they’ll need to feed all of these relatives.
P.S. Honey is a Good Dog and gets to go, too.
the last lines of the show:
demon: you’re not blind here – but you’re not surprised. when…?
anette: oh, toddy, don’t be silly, my biological grandson’s not twelve feet tall and doesn’t scorch the furniture when he sneezes. i’ve known for ages.
demon: then why?
anette: you wouldn’t have stayed if you weren’t lonely too.
demon: you… you don’t have to keep calling me your grandson.
anette: nonsense! adopted children are just as real. now quit sniffling, you silly boy, and let’s go bake a cake. honey, heel!
honey: W̝̽̂̿͂͝Ọ̮̹̲̪̋ͦͅO̸̘͔̬͊F̜̫͙̟͕͖̙̋ͫ͌͗
that addition is a+ :)
THE ONLY ENDING I WILL EVER ACCEPT FOR THIS
Every time this post shows up on my dash, it gets better (and more heart wrenching. Y’all! Stop cutting the onions okay?!).
If ever don’t reblogging this, I’m either dead, dying, or buried under cat.
A friend of mine asked if she could submit this to my tumblr for the reasons explained below:
Hi, Indonesian here. Of Javanese ethnicity, to be exact. Our government blocked Tumblr some time ago so our voices are bound to drown. I don’t feel comfortable sharing this in my own blog since I’m not out IRL.
I’d like to weigh in about the whole Nagini situation. While I cannot represent how other Indonesians feel about this, it appears that many others feel the same as I do, judging from many Twitter comments, my social circle and other Tumblr users. Some of the points here have already been brought up by user elasekar. I have made a bit of an analysis, it’s a little long – read on.
The Name
Nagini is the feminine form of Naga, a mythological entity shared by most countries in the Indosphere: from India all over to Southeast Asia – Indonesia and Philippines included. There was a time when Hinduism was not limited to Bali, but spanning across Western Indonesia and syncretized with our indigenous belief systems.
The Nagas tend to be cobras in India, and may or may not be coupled with some human features. In Indonesia, Naga refers to any great serpent: Crowned serpents of our palaces and Hindu temples are Nagas, and in modern times the term was adapted as a generic translation for European and East Asian dragons.
The name ‘Nagini’ is Sanskrit, of ultimately Indian origin. Indonesians no longer use Sanskrit in daily lives, except as liturgical language for the Buddhist and Hindu communities, much like Latin in Catholic churches. The practice of naming your children with Sanskrit is usual in Indonesia, and especially common among the inheritors of Srivijayan and Majapahit kingdoms: the Javanese, Balinese, and the Sumatrans. My own given name is in Sanskrit.
The Indonesian and Indian Nagas do not always line up perfectly. I think our Nagas tend to be less anthropomorphic, except in earlier periods after Hinduism first arrived to our islands. There is, however, another legendary figure that fits JKR’s Nagini – I will explain later on.
Regardless, I think ‘Nagini’ works well for the character as an allusive name. The Roman Remus is never a werewolf, and Minerva did not have cat motif. And yet these names suit these characters through personality, plotline or motif.
The Folklore
It’s important to consider the division between indianized and indigenous (native) myths whenever you talk about Western Indonesian culture and beliefs. The Indian Pandavas and Ramayana feature heavily in our court dramas and puppet shows, and the Vedic Garuda is a national symbol.
However, we do retain many indigenous figures and stories: Rangda, Barong, and the Rice Goddess are indigenous to Indonesia, as is Ratu Kidul, the Queen of the South Seas.
The mermaid-tailed Queen of the South Seas reigns over the perilous southern coasts of Java; the color of jasmine leaves is sacred to her, and her riptides claimed many lives. It is said that she announces her presence on her shores by a gust of fragrant wind. The royal courts of Central Java are still beholden to her to this day.
It so happens that her daughter, or second-in-command, is Nyi Blorong, the Lady of Serpents. She has the lower half of a great serpent and requires her followers to perform blood sacrifices in exchange of gold and wealth. She is tasked to lure men and possesses tremendous magic and beauty that blossom every full moon. She returns to her true form, that of a giant snake, as the moon wanes. A reverse were-snake, so to speak.
There are many other stories about humans metamorphosing or cursed to become snakes and reptiles in Indonesia, many of which remain oral. The story about how the Komodo dragons came to live alongside humans involved human-and-dragon siblings. Furthermore, the spiritual snake-woman motif was cemented in our popular consciousness by Suzzanna, an Indonesian horror actress popular in the 70s (she has an English Wikipedia entry – look it up).
The reactions of many Indonesians were not that of apprehension (due to the supposed objectification, racial stereotypes and problematic storyline), but that of instant recognition of our myths and stories. Nagini could have easily been Nyi Blorong’s descendant, or an unfortunate lady whose bloodline was cursed by one of our own witches and wizards (magic features heavily in Indonesia – most people still believe in magic and stories of people flinging curses were NOT uncommon).
The Casting
It turns out that an Indonesian actress almost made it as Nagini (as elasekar brought up). Acha Septriasa had to turn down the casting as she was pregnant at the time. The role then went to Claudia Kim, a Korean. It is worth noting that we do not have tremendous diaspora to begin with. The only other countries with visible Indonesian immigrant presence are Netherlands, Suriname and Australia, so it is likely that the casting director had limited time and choices (though I guess an Indian would suit the role as well, given the closer cultural heritage).
Regardless, I am happy for Claudia to receive the role.
I hope to translate Acha Septriasa’s instagram post at one point, to make it more accessible.
The Representation
Just so you know, we’ve never had any cultural representation in big-name fantasy media before this. None. NONE.
The most that we had was Barong and Rangda in Shin Megami Tensei, and some random gamelan notes in Spirited Away, Atlantis: The Lost Empire, Avatar and Akira. Even then, nobody ever truly come forward to attribute these contents to our cultural heritage. I don’t recall Joe Hisaishi ever saying that No-Face’s musical motif is that of a Balinese gamelan segment. Feel free to correct me if I’m wrong.
Conclusion
Personally, I am very interested to see how Nagini’s story development to turn out. I hope it will be complex, and I hope JKR will treat the character with a measure of compassion and understanding.
Is Nagini someone who could exist in Indonesian folklore? ABSOLUTELY. Does the name suit her? I think so, even if it’s not something endemic to Indonesia. Is it going to be problematic? Only time will tell, but personally I’m okay with giving Claudia and JKR to represent something from our culture. If handled correctly, I believe Nagini has the potential to become a beautifully developed, tragic character.
I also think it’s important not to punish well-meaning creators and authors. It’s a learning process for us all.
Hear what we have to say. Many of us were excited when JKR made that reply, only to have people rain on the parade. I’ve noticed that non-Indonesians also gladly ignored our opinions, what we said, or how we feel.
True, not all of us are happy – I can’t speak for Indians or other ethnicities either. As I said before, my opinions do not reflect that of all Indonesians either, but this is the voice I decided to share.
Cheers
Tao Te Ching by Lao Tzu | @wordsnquotes
Tiffany Haddish getting drunk and telling the story of Rose Valland, an art curator who recovered stolen art from the Nazis during WWII, is everything I’ve never thought I needed in life. Someone PLEASE make this a regular thing with her. I guarantee our children and we, as a society, would learn more from her valuable teachings. [Full video here]
BEST SHIT EVER !!
MARVEL
link // https://www.youtube.com/watch?v=aHUrAvKNF8s (collab w/ djcprod)
Okay I’ll admit this the was really awesome and a really well matched to the song and edited
That’s fucking tight.
ting ting TING TING TING! TING! *panting out of breath gasps in time to the beat* I LIVE FOR THIS STUFF
fun fact a few months ago I showed this video to my 4 y/o brother and to this day he asks me to play the song (glitter and gold) because he is convinced it is “The Avengers Song™”
This is how marvel should start their movies from now on
get to know me meme: Favorite Series- Game of Thrones, George R. R. Martin
The vector designs by Kürsat Ünsal
This is why Trump wouldn’t talk about the soldiers.
On top of his administration stupidly putting Chad on the Muslim ban and them withdrawing their troops from Niger.
Disney Princesses In Accurate Period Costume.
sheltymops:
SLEEPING BEAUTY (1485).
POCAHONTAS (17TH CENTURY POWAHTAN).
CINDERELLA (MID 1860’S)
JASMINE (PRE-ISLAMIC MIDDLE EAST)
SNOW WHITE (16TH CENTURY GERMANY).
ARIEL (1890’S)
BELLE (1770’S FRENCH COURT FASHION).
CLARIE HUMMEL
Megara (Ancient Greece)
Mulan (Ancient China)
Tiana (1920’s)
Rapunzel (18th Century)
I’ve reblogged this 6 times probably
You all always forget her excellent Maid Marian
Hey, you forgot Shoomlah’s updated version of Pocahontas:
Shoomlah said: Finally updated Pocahontas! I don’t think this is what people were expecting as the next entry in the series, but some of the criticisms of my first design have been eating away at me for years now and I needed to get off my ass and address them. So hey! Spunky age-appropriate Pocahontas/Matoaka, sans feathers in the hair/European imagery/other superfluous details. This is closer to accounts and illustrations of Powhatan dress from the period, and I kinda think it’s closer to the Disney design anyway. WIN/WIN. Thanks to everyone who’s educated my ass over the past couple of years, including moniquill, apihtawikosisan, this-is-not-native, and numerous others. You’ve made me a way more thoughtful artist in the process.
Reblogging bc I loveloveloveloveloveloveLOVE the updated Pocahontas. Too many people sexualize her. Major props for taking the time and care to fix this!
modern westeros → the stark family
Their bond is so strong in the books. i wish there was more nymeria in the show.
Although she’s way more difficult to draw than jon
Day 2 Canon Arya Week: favorite family relationship
Not exactly from cannon, but their book relation is what I love (not the relationship on the show)
jon snow had an uncle that died trying to save his mama, an uncle who lied to the world to protect him, and uncle who died to save him
jon snow had the best uncles in the world
If they came up to you and said, “Here you go, we’re thinking of doing a Game of Thrones musical”, would you do it? (x)
me @ twow: Come at once. Help me. Save me. I need you now as I have never needed you before.
If a raven shits on the Night’s King, is that Bran’s version of anon hate?