ngl i dont think u should call someone a puritan unless they actually want to rid the church of england of the residual stain of catholicism
The Bowery Presents
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ojovivo
NASA
2025 on Tumblr: Trends That Defined the Year
PUT YOUR BEARD IN MY MOUTH
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Origami Around
will byers stan first human second
official daine visual archive

❣ Chile in a Photography ❣
I'd rather be in outer space 🛸
art blog(derogatory)
trying on a metaphor

Love Begins
Sweet Seals For You, Always
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★

JVL

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@mercymornsimpathizer
ngl i dont think u should call someone a puritan unless they actually want to rid the church of england of the residual stain of catholicism
Analyzing Children's Art, Rhoda Kellogg (1970)
Party rocking
is this happening because i was born
i wish i knew what to say and when and how
they should make a sandhill crane emoji
Two young people reading in the Purple Bamboo Park of Beijing, 1957-59.
Photo by Brian Brake.
on the front of a house in petworth, sussex
do meet cutes even happen anymore or is it so over
Recently I had occasion to sketch a brief comparative character study of Patricia Highsmith’s Tom Ripley and Daphne du Maurier’s second Mrs. de Winter, two of literature’s sulkiest schoolboys. Both are fond of slouching, stuffing their hands in their pockets, treating their ersatz-husbands like King Quarterback Bully-My-Love, avoiding women, barely suppressing a murderous rage against rivals for King Bully’s attention, slotting everyone they come across into a rival-or-burly-protector index, and responding to abstract vaginal imagery with terror and revulsion (no reason!!!). One can easily imagine swapping them into one another’s stories and causing nearly-identical havoc. The unnameable second Mrs. de Winter never loves Maxim better than when she learns he’s “accidentally” killed his wife (“My heart was light like a feather floating in the air”), and is only frustrated she was too love-shy to ask him about it sooner (“Maxim would have told me these things four months ago, five months ago”); as happy as Tom persuades himself he is as Dickie’s replacement, by the end of TTMR he can admit to himself that if only he’d played his cards right he “could have lived with Dickie for the rest of his life, travelled and lived and enjoyed living” instead of living in Dickie’s clothes. Both love their man and their man’s personal effects with the same world-obliterating love, trapped on different ends of the “fuck them or be them” conundrum. Both physically small, where that smallness seems to signal queerness in a way they’re both terribly proud of and deeply resentful about, both itchy and disgusted by the proximity of anyone else’s queerness, except for His, and of course it’s not queer when it comes from Him, just (I’m not, are you? You go first. I’ll be right in. Let’s both say it on the count of three. I’m not. She might be. He is. Look, over there — up in the sky — it’s someone else’s queerness) —
Happy, unhappy, dressed up, dressed down, he loves me, he loves me not. The Don’t Call Me By Your Name twins, the past and present Mr. Tom de Winter, née nothing in particular.
— The Talented Mr. Ripley and the Second Mrs. de Winter by DANIEL LAVERY
there’s gonna be some hot summer nights this mid july so i reckon you and i have got to get forever wild
you know what your problem is? you don't hold your hand out the car window and let the wind rush by enough
girls yearn for popular media with a butch as a main character
per my last desperate howl at the heavens,
JUSTICE FOR BIG CHALLENGES I LOVE YOU BIG CHALLENGES