🕊️

NO: Reuploading / AI Training / Editing. ＊ I created Clive Chewsday!

[merquplex]

✳︎ About... ✳︎

I'm a 25 year old artist who's obsessed with Clive Dove. I think about him all the time. I kin him. I love him. He's my everything. But sometimes I draw other Layton characters too

Tags: #merq art / #merq reblogs / #merq talks

Requests: Closed

No: Reuploading / AI Training / Editing

🕊️ @cliveposting → my sideblog for everything pl that's not art 🤍 @x-secondhandroses-x → my climitri (clive x dimitri) blog ❕ I'm a layclive shipper ❕ My blog contains spoilers for all Layton games

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✳︎ Where to find me... ✳︎

AO3 / Twitter / Bluesky (deactivated)

[merquplex]

So I kind of ship layclive now. It's ok to unfollow if that makes you uncomfortable

[merquplex]

So I kind of ship layclive now. It's ok to unfollow if that makes you uncomfortable

[star-anise]

When I was younger and more abled, I was so fucking on board with the fantasy genre’s subversion of traditional femininity. We weren’t just fainting maidens locked up in towers; we could do anything men could do, be as strong or as physical or as violent. I got into western martial arts and learned to fight with a rapier, fell in love with the longsword.

But since I’ve gotten too disabled to fight anymore, I… find myself coming back to that maiden in a tower. It’s that funny thing, where subverting femininity is powerful for the people who have always been forced into it… but for the people who have always been excluded, the powerful thing can be embracing it.

As I’m disabled, as I say to groups of friends, “I can’t walk that far,” as I’m in too much pain to keep partying, I find myself worrying: I’m boring, too quiet, too stationary, irrelevant. The message sent to the disabled is: You’re out of the narrative, you’re secondary, you’re a burden.

The remarkable thing about the maiden in her tower is not her immobility; it’s common for disabled people to be abandoned, set adrift, waiting at bus stops or watching out the windows, forgotten in institutions or stranded in our houses. The remarkable thing is that she’s like a beacon, turning her tower into a lighthouse; people want to come to her, she’s important, she inspires through her appearance and words and craftwork.  In medieval romances she gives gifts, write letters, sends messengers, and summons lovers; she plays chess, commissions ballads, composes music, commands knights. She is her household’s moral centre in a castle under siege. She is a castle unto herself, and the integrity of her body matters.

That can be so revolutionary to those of us stuck in our towers who fall prey to thinking: Nobody would want to visit; nobody would want to listen; nobody would want to stay.

[shieldmaidenofsherwood]

#it’s so so important to remember that representation is not one-size-fits-all#what is empowering to one person might be exhausting and oppressive to someone else#some people need stories about having the strength to save themselves#some people need stories about being considered worthy of being saved#some people need inspiration for their independence while others need validation that they don’t have to be able to do everything themselves#before you lash out against something PLEASE stop to consider:#is this inadequate and/or damaging representation?#or is it just something I don’t personally relate to? [X]

[merquplex]

Family Goon!

[merquplex]

Fandom rent lowering gunshots. Clive x Goon kabedon. Putting it under the cut because it's still a wip.

[fogandfeather]

and a sad little goon

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[fogandfeather]

hey not to be dramatique but i think i would quite literally die if i saw more drakehenry content from you.. . . . i love you and your writings so much *smorch*

thank you anon after my own heart, here’s some stuff I drew today

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[fogandfeather]

well my mansion’s not going to clean itself

[fogandfeather]

sad clown

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sleepy angie