'Love Letter'. Rebeca Fleur. 2025.

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noise dept.
Misplaced Lens Cap

Love Begins
Cosmic Funnies
One Nice Bug Per Day
Sweet Seals For You, Always
Peter Solarz

Origami Around
Alisa U Zemlji Chuda
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roma★

祝日 / Permanent Vacation
Show & Tell

Janaina Medeiros

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shark vs the universe
tumblr dot com
DEAR READER
dirt enthusiast

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@merrymadness
'Love Letter'. Rebeca Fleur. 2025.
Cemetery, Paris, Graciela Iturbide, 1976
hey, don't cry. summer fruits soon, ok?
Henni Alftan, 'Knees' 2023
a phrase that kinda bothers me when talking about women's historical roles in europe is "cooking, cleaning, and taking care of the children." you hear it so often, those exact words in the same order even. and once you learn a little more you realize that the massive gaping hole in that list is fiberwork. im not an expert and have no hard numbers, but i wouldnt be surprised if fiberwork took up nearly as much time as the other three tasks combined, so it's not a trivial omission.
it's not a hot take to say that the mass amnesia about fiberwork is linked to the belittlement of women's work in geneal, but i do think there's a special kind of illusion that is cast by "cooking, cleaning, and taking care of the children." you hear that and think "well i cook and clean and take care of children (or i know someone who does) and i have a sense of how much work that is" and you know of course that cooking and cleaning were more laborious before modern technology, but still, you have a ballpark estimate you think, when in fact you are drastically underestimating the work load.
i also think that this just micharacterizes the role of women's work in livelihoods? cooking, cleaning, and taking care of the children are all sisyphean tasks that have to be repeated the next day. these are important, but not the whole picture. when we include all kinds of fiberwork—and other things, such as making candles or soap—women's work looks much more like manufacturing, a sphere we now associate more with men's work. i feel like women's connection to making and craftsmanship is often elided.
”See, when I hear [Athena is the goddess of crafts] I think of making a crappy ashtray at summer camp. I mean who wants to be the goddess of fucking macrame?”
“That’s not a good translation. The word we would use today, to convey the same idea, is technology.”
— paraphrased from Neal Stephenson’s Cryptonomicon
Cut-out Wall, 1936 - © Carlo Mollino
Our Dancing Daughters, 1928
Detail from Annunciation, Jan van Eyck, ca. 1434-1436.
Caravaggio (1986) dir. Derek Jarman
Kim Addonizio, from "Onset"
taras bychko
sheila kruger
Gerda Luise Matthei-Schmidt (1893-1970), 'Der Märchenvogel' (The Fairytale Bird), 1900
composites 260326
old images remixed
lisa brice, "untitled," 2023-2024, oil on trace